P-Pm 76

Biblioteca Pública Municipale, Oporto, Portugal

partbook: Late 16th - early 17th century

Archive	Biblioteca Pública Municipale, Oporto, Portugal (P-Pm)
Shelfmark	76
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Pagination
Measurements	100 x 135 mm
Other Identifiers	CCM: OpBP 76-9 olim (Former shelfmark): 1443
Relationships	Frey Victoriano de Sancta Maria (mentioned in liminary text)
Provenance	Portugal
Contents	86 pieces from 11 composers

General Description

A Triplex partbook from a set of four volumes. Copied by one main scribe; five other scribes made later additions (Snow). Copied in Portugal. Original owner apparently 'Frey Victoriano de S(anc)ta M(ari)a,' named on front flyleaves.

DIAMM, 2017

Binding

Original covers of dark brown tooled leather

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Original ink pagination, 1-168, in each book (a few errors and inconsistencies in some books due to lost folios and misnumbering). Pages 89-92 blank in 77-79, and contain plainchant in 76.

DIAMM, 2017

Decoration

Red, gold, and black initials in plain block style, on floral backgrounds.

DIAMM, 2017

Index

Original index on ff. [ii-ii'] of Tenor book

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 3 Mass Proper sections, 1 Magnificat, 1 Te Deum, 3 canticles, 11 psalms, 5 office hymns (3 without text), 1 processional hymn, 4 Lamen-tations, 1 Passion, 40 motets, 2 Benedicamus dominos, 1 textless piece = 74

Carreira-3, Gamboa-10, Mendes-1, (Morales)-1, Schaffen? [Scafen]-1, anon-58

4 paper partbooks (Tiple-iii + 83 + iii folios, A-ii + 85 + iii, T-iii + 84 + iii, B-iii + 84 + iii), 100 x 135. Original ink pagination, 1-168, in each book (a few errors and inconsistencies in some books due to lost folios and misnumbering). Original covers of dark brown tooled leather. Original index on ff. [ii-ii'] of T book. Copied by one main scribe; five other scribes made later additions (Snow). Red, gold, and black initials in plain block style, on floral backgrounds.

Late 16th-early 17th century. Copied in Portugal. Original owner apparently "Frey Victoriano de S[anc]ta M[ari]a," named on front flyleaves.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2	[Asperges me] Domine hysopo - Secundum magni - Sicut erat	[anon]	Mendes, Manoel (ca. 1547–1605)
[Asperges me] Domine hysopo - Secundum magni - Sicut erat Mendes, Manoel (ca. 1547–1605) Appears on: 1–2 Genres: Psalm Source Attribution: [anon] Concordances Arouca LC s/c, ff.30v-32 Coimbra 47, ff. 51v-52 Evora Cod. CLV/1-3, ff. 1v-4 'de Manoel Mendes lusitano' P-Lf FICV 1/J-3, ff. 1v-2 P-Lf IPSPO 1/H-2, pp. 9-10 P-TNp, ff. 1v-3
3–5	[Vidi aquam] Egredentem de templo - Quoniam in seculum - Sicut erat	-	Anonymous
[Vidi aquam] Egredentem de templo - Quoniam in seculum - Sicut erat Anonymous Appears on: 3–5 Genres: Psalm General Note incomplete
5–14	Missa Caça (4vv): Kyrie	Missa pequena [anon]	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 5–14 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Missa pequena [anon]
5–14	Missa Caça (4vv): Gloria (2 partes)	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Gloria (2 partes) Morales, Cristóbal de (ca. 1500–1553) Appears on: 5–14 Genres: Gloria (et in terra pax), Mass Ordinary
5–14	Credo 'sobre La Bomba'	-	Morales, Cristóbal de (ca. 1500–1553) (?)
Credo 'sobre La Bomba' Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 5–14 Genres: Credo (patrem omnipotentem), Mass Ordinary
5–14	Missa Caça (4vv): Sanctus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Sanctus Morales, Cristóbal de (ca. 1500–1553) Appears on: 5–14 Genres: Mass Ordinary, Sanctus [& Benedictus]
5–14	Missa Caça (4vv): Agnus Dei (III)	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Agnus Dei (III) Morales, Cristóbal de (ca. 1500–1553) Appears on: 5–14 Genres: Agnus Dei, Mass Ordinary
15	Alleluia (Tractus - Missa in quadragesima)	-	Mendes, Manoel (ca. 1547–1605)
Alleluia (Tractus - Missa in quadragesima) Mendes, Manoel (ca. 1547–1605) Appears on: 15 Genres: Alleluia, Mass Ordinary, Tract
16	Alleluia	anon [attribution in Coimbra 44]	Fernandez, Aires
Alleluia Fernandez, Aires Appears on: 16 Genres: Alleluia Source Attribution: anon [attribution in Coimbra 44] Concordances Coimbra 44, ff. 160v-161 'Aires fernandez'
17–18	[Dixit Dominus] Donec ponam inimicos	-	Anonymous
[Dixit Dominus] Donec ponam inimicos Anonymous Appears on: 17–18 Genres: Psalm Concordances Arouca LC s/c, ff. 2v-4
19–21	[Confitebor tibi] Magna opera Domini	-	Anonymous
[Confitebor tibi] Magna opera Domini Anonymous Appears on: 19–21 Genres: Psalm Concordances Arouca LC s/c, ff. 4v-7
21–22	[Beatus vir] Potens in terra	-	Anonymous
[Beatus vir] Potens in terra Anonymous Appears on: 21–22 Genres: Psalm Concordances Arouca LC s/c, ff. 8v-11
23–24	[Laudate pueri] Sit nomen Domini benedictum	-	Anonymous
[Laudate pueri] Sit nomen Domini benedictum Anonymous Appears on: 23–24 Genres: Psalm Concordances Arouca LC s/c, ff. 11v-13
24–26	[Credidi] Ego dixi in excelsis	-	Anonymous
[Credidi] Ego dixi in excelsis Anonymous Appears on: 24–26 Genres: Psalm
26–30	[In exitu] Facta est Judea	-	Anonymous
[In exitu] Facta est Judea Anonymous Appears on: 26–30 Genres: Psalm
31	[Te lucis ante terminum] Procul recedant	-	Anonymous
[Te lucis ante terminum] Procul recedant Anonymous Appears on: 31 Genres: Hymn General Note textless in this copy: 'Himnus'
32–33	Magnificat 4 toni: Anima mea	-	Anonymous
Magnificat 4 toni: Anima mea Anonymous Appears on: 32–33 Genres: BVM, Canticle, Magnificat
34	Benedicamus Domino	(anon)	Trosilho, Bartolomeu
Benedicamus Domino Trosilho, Bartolomeu Appears on: 34 Genres: Benedicamus Domino Source Attribution: (anon)
35	[Nunc dimittis] Secundum verbum tuum	-	Anonymous
[Nunc dimittis] Secundum verbum tuum Anonymous Appears on: 35 Genres: Canticle, Nunc Dimittis
36–39	Benedictus Dominus Deus Israel	-	Anonymous
Benedictus Dominus Deus Israel Anonymous Appears on: 36–39 Genres: Canticle
40	-	-	Anonymous
[Unknown Title] Appears on: 40
41–42	[De profundis] Fiant aures tuae intendentes (4 tono)	-	Anonymous
[De profundis] Fiant aures tuae intendentes (4 tono) Anonymous Appears on: 41–42 Genres: Psalm
42–45	[Memento Domine] Sicut iuravit Domino (8 tone)	-	Anonymous
[Memento Domine] Sicut iuravit Domino (8 tone) Anonymous Appears on: 42–45 Genres: Psalm
46–47	[Lauda Jerusalem] Lauda Deum tuum Sion	-	Anonymous
[Lauda Jerusalem] Lauda Deum tuum Sion Anonymous Appears on: 46–47 Genres: Psalm Concordances Coimbra 44, ff. 45v-48
48–49	[Laetatus sum] In domum Domini ibimus	-	Anonymous
[Laetatus sum] In domum Domini ibimus Anonymous Appears on: 48–49 Genres: Psalm Concordances Coimbra 44, ff. 55v-57
50–52	[Nisi Dominus aedificaverit] In vanum laboraverunt	-	Anonymous
[Nisi Dominus aedificaverit] In vanum laboraverunt Anonymous Appears on: 50–52 Genres: Psalm Concordances Coimbra 44, ff. 43v-45
52–55	[Te Deum] Te Dominum confitemur	Gamboa	Gamboa, Pero de
[Te Deum] Te Dominum confitemur Gamboa, Pero de Appears on: 52–55 Genres: Psalm, Te Deum Source Attribution: Gamboa General Note section on pp.54-5 textless
56–57	Alleluia	-	Anonymous
Alleluia Anonymous Appears on: 56–57 Genres: Alleluia Concordances Arouca LC s/c, ff. 60v-61
58–61	Lamentations: Zain. Recordare est Jerusalem - Heth. Peccatum peccavit - Jerusalem convertere	-	Anonymous
Lamentations: Zain. Recordare est Jerusalem - Heth. Peccatum peccavit - Jerusalem convertere Anonymous Appears on: 58–61 Genres: Lamentations
61–64	Lamentations: Ioth. Sederunt in terra - Caph. Defecerunt prae lacrimis - Jerusalem convertere	-	Anonymous
Lamentations: Ioth. Sederunt in terra - Caph. Defecerunt prae lacrimis - Jerusalem convertere Anonymous Appears on: 61–64 Genres: Lamentations
65–66	Ecce sacerdos magnus	-	Anonymous
Ecce sacerdos magnus Anonymous Appears on: 65–66 Genres: Motet
67	Hodie Maria virgo celos ascendit	Gamboa	Gamboa, Pero de
Hodie Maria virgo celos ascendit Gamboa, Pero de Appears on: 67 Genres: Motet Source Attribution: Gamboa
68–69	Pange lingua	-	Anonymous
Pange lingua Anonymous Appears on: 68–69 Genres: Hymn
70	[O gloriosa virginum] Quod Eva tristis abstulit	-	Anonymous
[O gloriosa virginum] Quod Eva tristis abstulit Anonymous Appears on: 70 Genres: Hymn
71	[textless hymn]	-	Anonymous
[textless hymn] Anonymous Appears on: 71 Genres: Hymn
72–73	[textless piece] 'nada'	-	Anonymous
[textless piece] 'nada' Anonymous Appears on: 72–73 Genres: textless General Note only in Oporto 77
72–73	[Pange lingua] Nobis natus nobis datus	Scafen [=Henri Schaffen?]	Schaffen, Henri
[Pange lingua] Nobis natus nobis datus Schaffen, Henri Appears on: 72–73 Genres: Hymn Source Attribution: Scafen [=Henri Schaffen?] General Note Oporto 77, unnumbered pages between pp.72 & 73; Oporto 78, p.73. In Oporto 76 plainchant of 'Tenebrae factae sunt' instead
74–75	O crux gloriosa	-	Anonymous
O crux gloriosa Anonymous Appears on: 74–75 Genres: Motet
76–77	O beate martyr Sebastiane	-	Anonymous
O beate martyr Sebastiane Anonymous Appears on: 76–77 Genres: Hymn
78–79	Veni Domine et noli tardare	-	Anonymous
Veni Domine et noli tardare Anonymous Appears on: 78–79 Genres: Hymn
80–81	Dicebat Jesus turbis Judaeorum	Carreira	Carreira, Antonio
Dicebat Jesus turbis Judaeorum Carreira, Antonio Appears on: 80–81 Genres: Motet Source Attribution: Carreira
82–83	Ave sanctissima Maria	-	Anonymous
Ave sanctissima Maria Anonymous Appears on: 82–83 Genres: Antiphon
84–85	O sacrum convivium	-	Anonymous
O sacrum convivium Anonymous Appears on: 84–85 Genres: Motet
86–88	O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur	Gamboa	Gamboa, Pero de
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Gamboa, Pero de Appears on: 86–88 Genres: Motet Source Attribution: Gamboa
86–88	O sacrum convivium - 2a pars (of 2): Mens impletur gratia	Gamboa	Gamboa, Pero de
O sacrum convivium - 2a pars (of 2): Mens impletur gratia Gamboa, Pero de Appears on: 86–88 Genres: Motet Source Attribution: Gamboa
88	Kyrie [draft]	-	Anonymous
Kyrie [draft] Anonymous Appears on: 88 Genres: Kyrie eleison, Mass Ordinary General Note in Oporto 79 only
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
93–94	O crux ave spes unica	Gamboa	Gamboa, Pero de
O crux ave spes unica Gamboa, Pero de Appears on: 93–94 Genres: Motet Source Attribution: Gamboa
95–96	O bone Jesu illumina oculos meos	Gamboa	Gamboa, Pero de
O bone Jesu illumina oculos meos Gamboa, Pero de Appears on: 95–96 Genres: Motet Source Attribution: Gamboa
97–98	Surrexit Dominus de sepulchro	Gamboa	Gamboa, Pero de
Surrexit Dominus de sepulchro Gamboa, Pero de Appears on: 97–98 Genres: Motet Source Attribution: Gamboa
98–99	Viri Galilei	-	Anonymous
Viri Galilei Anonymous Appears on: 98–99 Genres: Motet
100–101	Emendemus in melius	Gamboa	Gamboa, Pero de
Emendemus in melius Gamboa, Pero de Appears on: 100–101 Genres: Motet Source Attribution: Gamboa
102–103	De profundis clamavi	-	Gamboa, Pero de (?)
De profundis clamavi Gamboa, Pero de (?) Appears on: 102–103 Genres: Psalm General Note for ownership attribution see Alvarenga 2004, pp. 10-11
103–104	Egressus Jesus secessit	Gamboa	Gamboa, Pero de
Egressus Jesus secessit Gamboa, Pero de Appears on: 103–104 Genres: Motet Source Attribution: Gamboa
105–106	Stabat mater dolorosa	Carreira	Torres, Andre de (?) Carreira, Antonio (?)
Stabat mater dolorosa Torres, Andre de (?) Carreira, Antonio (?) Appears on: 105–106 Genres: Hymn, Stabat Mater Source Attribution: Carreira Concordances Coimbra 48, ff. 53v-54 'Torres'
106–107	Miserere nostri Domine	Gamboa	Gamboa, Pero de
Miserere nostri Domine Gamboa, Pero de Appears on: 106–107 Genres: Psalm Source Attribution: Gamboa
108–109	Ecce positus est	Carreira	Carreira, Antonio
Ecce positus est Carreira, Antonio Appears on: 108–109 Genres: Motet Source Attribution: Carreira
110–111	O vos omnes	-	Anonymous
O vos omnes Anonymous Appears on: 110–111 Genres: Motet
112	O vos omnes	-	Bernardez, Pedro/Pero
O vos omnes Bernardez, Pedro/Pero Appears on: 112 Genres: Motet
113	Hoc corpus	-	Anonymous
Hoc corpus Anonymous Appears on: 113 Genres: Motet
114	Hoc corpus quod pro vobis	-	Anonymous
Hoc corpus quod pro vobis Anonymous Appears on: 114 Genres: Motet
115–117	Gloria laus et honor ... Israel es tu ... Plebs hebrea	-	Anonymous
Gloria laus et honor ... Israel es tu ... Plebs hebrea Anonymous Appears on: 115–117 Genres: Hymn
117	Quis est iste rex gloriae?	-	Anonymous
Quis est iste rex gloriae? Anonymous Appears on: 117 Genres: Hymn
118	Passio Domini nostri Jesu Christi	-	Anonymous
Passio Domini nostri Jesu Christi Anonymous Appears on: 118 Genres: Passion
119–120	Heu, heu Domine	-	Anonymous
Heu, heu Domine Anonymous Appears on: 119–120 Genres: Motet
121	Sepulto Domino	-	Anonymous
Sepulto Domino Anonymous Appears on: 121 Genres: Motet
122–123	Sepulto Domino	-	Anonymous
Sepulto Domino Anonymous Appears on: 122–123 Genres: Motet
123	Miserere mei Deus	-	Anonymous
Miserere mei Deus Anonymous Appears on: 123 Genres: Psalm
124–127	Miserere mei Deus	-	Anonymous
Miserere mei Deus Anonymous Appears on: 124–127 Genres: Psalm
128	Miserere mei Deus	-	Anonymous
Miserere mei Deus Anonymous Appears on: 128 Genres: Psalm
129	Miserere mei Deus	-	Anonymous
Miserere mei Deus Anonymous Appears on: 129 Genres: Psalm
130	Benedictus Dominus Deus Israel	-	Anonymous
Benedictus Dominus Deus Israel Anonymous Appears on: 130 Genres: Canticle
131	Benedictus Dominus Deus Israel	-	Anonymous
Benedictus Dominus Deus Israel Anonymous Appears on: 131 Genres: Psalm
132–133	Lamentationes: Incipit lamentatio - Aleph.Quomodo - Beth. Plorans - Jerusalem convertere	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Lamentationes: Incipit lamentatio - Aleph.Quomodo - Beth. Plorans - Jerusalem convertere Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 132–133 Genres: Lamentations
134–136	Incipit lamentatio - Aleph: Quomodo sedet - Beth: Plorans ploravit - Gimel: Migravit Judas - Jerusalem convertere	-	Anonymous
Incipit lamentatio - Aleph: Quomodo sedet - Beth: Plorans ploravit - Gimel: Migravit Judas - Jerusalem convertere Anonymous Appears on: 134–136 Genres: Lamentations
137	Christus factus est	-	Anonymous
Christus factus est Anonymous Appears on: 137 Genres: Motet
138–140	Heu, heu Domine	-	Anonymous
Heu, heu Domine Anonymous Appears on: 138–140 Genres: Motet
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
142–143	Regina caeli laetare	-	Anonymous
Regina caeli laetare Anonymous Appears on: 142–143 Genres: Motet, Regina caeli laetare General Note 3vv, therefore not in Oporto 79
142–143	Santa Maria succurre miseris	-	Anonymous
Santa Maria succurre miseris Anonymous Appears on: 142–143 Genres: Hymn
143	[canon 4-ex-1]	-	Anonymous
[canon 4-ex-1] Anonymous Appears on: 143 Genres: Canon General Note in Oporto 79 only
144–145	O gloriosa domina	-	Anonymous
O gloriosa domina Anonymous Appears on: 144–145 Genres: Hymn
146–147	Regina caeli laetare	-	Anonymous
Regina caeli laetare Anonymous Appears on: 146–147 Genres: Motet, Regina caeli laetare
148–149, 155-159	Miserere mei Deus	-	Anonymous
Miserere mei Deus Anonymous Appears on: 148–149, 155-159 Genres: Psalm General Note continuation on 155-159, 'Ecce enim veritatem'
150–154	Miserere mei Deus	-	Anonymous
Miserere mei Deus Anonymous Appears on: 150–154 Genres: Psalm
160	Passion	-	Anonymous
Passion Anonymous Appears on: 160 Genres: Passion General Note in Oporto 79 only(?). Other books have plainchant in various hands pp. 160-168

Composer	Compositions
Anonymous	Alleluia – 56–57 Ave sanctissima Maria – 82–83 Benedictus Dominus Deus Israel – 131 Benedictus Dominus Deus Israel – 36–39 Benedictus Dominus Deus Israel – 130 Christus factus est – 137 Ecce sacerdos magnus – 65–66 Gloria laus et honor ... Israel es tu ... Plebs hebrea – 115–117 Heu, heu Domine – 119–120 Heu, heu Domine – 138–140 Hoc corpus – 113 Hoc corpus quod pro vobis – 114 Incipit lamentatio - Aleph: Quomodo sedet - Beth: Plorans ploravit - Gimel: Migravit Judas - Jerusalem convertere – 134–136 Kyrie [draft] – 88 Lamentations: Ioth. Sederunt in terra - Caph. Defecerunt prae lacrimis - Jerusalem convertere – 61–64 Lamentations: Zain. Recordare est Jerusalem - Heth. Peccatum peccavit - Jerusalem convertere – 58–61 Magnificat 4 toni: Anima mea – 32–33 Miserere mei Deus – 123 Miserere mei Deus – 124–127 Miserere mei Deus – 129 Miserere mei Deus – 150–154 Miserere mei Deus – 128 Miserere mei Deus – 148–149, 155-159 O beate martyr Sebastiane – 76–77 O crux gloriosa – 74–75 O gloriosa domina – 144–145 O sacrum convivium – 84–85 O vos omnes – 110–111 Pange lingua – 68–69 Passio Domini nostri Jesu Christi – 118 Passion – 160 Quis est iste rex gloriae? – 117 Regina caeli laetare – 146–147 Regina caeli laetare – 142–143 Santa Maria succurre miseris – 142–143 Sepulto Domino – 121 Sepulto Domino – 122–123 Veni Domine et noli tardare – 78–79 Viri Galilei – 98–99 [Beatus vir] Potens in terra – 21–22 [Confitebor tibi] Magna opera Domini – 19–21 [Credidi] Ego dixi in excelsis – 24–26 [De profundis] Fiant aures tuae intendentes (4 tono) – 41–42 [Dixit Dominus] Donec ponam inimicos – 17–18 [In exitu] Facta est Judea – 26–30 [Laetatus sum] In domum Domini ibimus – 48–49 [Lauda Jerusalem] Lauda Deum tuum Sion – 46–47 [Laudate pueri] Sit nomen Domini benedictum – 23–24 [Memento Domine] Sicut iuravit Domino (8 tone) – 42–45 [Nisi Dominus aedificaverit] In vanum laboraverunt – 50–52 [Nunc dimittis] Secundum verbum tuum – 35 [O gloriosa virginum] Quod Eva tristis abstulit – 70 [Te lucis ante terminum] Procul recedant – 31 [Vidi aquam] Egredentem de templo - Quoniam in seculum - Sicut erat – 3–5 [canon 4-ex-1] – 143 [textless hymn] – 71 [textless piece] 'nada' – 72–73 [No description] – 40
Bernardez, Pedro/Pero	O vos omnes – 112
Carreira, Antonio	Dicebat Jesus turbis Judaeorum – 80–81 Ecce positus est – 108–109 (?) Stabat mater dolorosa – 105–106
Fernandez, Aires	Alleluia – 16
Gamboa, Pero de	(?) De profundis clamavi – 102–103 Egressus Jesus secessit – 103–104 Emendemus in melius – 100–101 Hodie Maria virgo celos ascendit – 67 Miserere nostri Domine – 106–107 O bone Jesu illumina oculos meos – 95–96 O crux ave spes unica – 93–94 O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur – 86–88 O sacrum convivium - 2a pars (of 2): Mens impletur gratia – 86–88 Surrexit Dominus de sepulchro – 97–98 [Te Deum] Te Dominum confitemur – 52–55
Mendes, Manoel (ca. 1547–1605)	Alleluia (Tractus - Missa in quadragesima) – 15 [Asperges me] Domine hysopo - Secundum magni - Sicut erat – 1–2
Morales, Cristóbal de (ca. 1500–1553)	(?) Credo 'sobre La Bomba' – 5–14 Missa Caça (4vv): Agnus Dei (III) – 5–14 Missa Caça (4vv): Gloria (2 partes) – 5–14 Missa Caça (4vv): Kyrie – 5–14 Missa Caça (4vv): Sanctus – 5–14
Palestrina, Giovanni Pierluigi da (1525–1594)	Lamentationes: Incipit lamentatio - Aleph.Quomodo - Beth. Plorans - Jerusalem convertere – 132–133
Schaffen, Henri	[Pange lingua] Nobis natus nobis datus – 72–73
Torres, Andre de	(?) Stabat mater dolorosa – 105–106
Trosilho, Bartolomeu	Benedicamus Domino – 34

Composition	Composers (? Uncertain)	Folios / Pages
[Asperges me] Domine hysopo - Secundum magni - Sicut erat	Mendes, Manoel (ca. 1547–1605)	1–2
[Beatus vir] Potens in terra	Anonymous	21–22
[canon 4-ex-1]	Anonymous	143
[Confitebor tibi] Magna opera Domini	Anonymous	19–21
[Credidi] Ego dixi in excelsis	Anonymous	24–26
[De profundis] Fiant aures tuae intendentes (4 tono)	Anonymous	41–42
[Dixit Dominus] Donec ponam inimicos	Anonymous	17–18
[In exitu] Facta est Judea	Anonymous	26–30
[Laetatus sum] In domum Domini ibimus	Anonymous	48–49
[Lauda Jerusalem] Lauda Deum tuum Sion	Anonymous	46–47
[Laudate pueri] Sit nomen Domini benedictum	Anonymous	23–24
[Memento Domine] Sicut iuravit Domino (8 tone)	Anonymous	42–45
[Nisi Dominus aedificaverit] In vanum laboraverunt	Anonymous	50–52
[Nunc dimittis] Secundum verbum tuum	Anonymous	35
[O gloriosa virginum] Quod Eva tristis abstulit	Anonymous	70
[Pange lingua] Nobis natus nobis datus	Schaffen, Henri	72–73
[Te Deum] Te Dominum confitemur	Gamboa, Pero de	52–55
[Te lucis ante terminum] Procul recedant	Anonymous	31
[textless hymn]	Anonymous	71
[textless piece] 'nada'	Anonymous	72–73
[Vidi aquam] Egredentem de templo - Quoniam in seculum - Sicut erat	Anonymous	3–5
Alleluia	Fernandez, Aires	16
Alleluia	Anonymous	56–57
Alleluia (Tractus - Missa in quadragesima)	Mendes, Manoel (ca. 1547–1605)	15
Ave sanctissima Maria	Anonymous	82–83
Benedicamus Domino	Trosilho, Bartolomeu	34
Benedictus Dominus Deus Israel	Anonymous	36–39
Benedictus Dominus Deus Israel	Anonymous	130
Benedictus Dominus Deus Israel	Anonymous	131
Christus factus est	Anonymous	137
Credo 'sobre La Bomba'	Morales, Cristóbal de (ca. 1500–1553) (?)	5–14
De profundis clamavi	Gamboa, Pero de (?)	102–103
Dicebat Jesus turbis Judaeorum	Carreira, Antonio	80–81
Ecce positus est	Carreira, Antonio	108–109
Ecce sacerdos magnus	Anonymous	65–66
Egressus Jesus secessit	Gamboa, Pero de	103–104
Emendemus in melius	Gamboa, Pero de	100–101
Gloria laus et honor ... Israel es tu ... Plebs hebrea	Anonymous	115–117
Heu, heu Domine	Anonymous	119–120
Heu, heu Domine	Anonymous	138–140
Hoc corpus	Anonymous	113
Hoc corpus quod pro vobis	Anonymous	114
Hodie Maria virgo celos ascendit	Gamboa, Pero de	67
Incipit lamentatio - Aleph: Quomodo sedet - Beth: Plorans ploravit - Gimel: Migravit Judas - Jerusalem convertere	Anonymous	134–136
Kyrie [draft]	Anonymous	88
Lamentationes: Incipit lamentatio - Aleph.Quomodo - Beth. Plorans - Jerusalem convertere	Palestrina, Giovanni Pierluigi da (1525–1594)	132–133
Lamentations: Ioth. Sederunt in terra - Caph. Defecerunt prae lacrimis - Jerusalem convertere	Anonymous	61–64
Lamentations: Zain. Recordare est Jerusalem - Heth. Peccatum peccavit - Jerusalem convertere	Anonymous	58–61
Magnificat 4 toni: Anima mea	Anonymous	32–33
Miserere mei Deus	Anonymous	123
Miserere mei Deus	Anonymous	124–127
Miserere mei Deus	Anonymous	128
Miserere mei Deus	Anonymous	129
Miserere mei Deus	Anonymous	148–149, 155-159
Miserere mei Deus	Anonymous	150–154
Miserere nostri Domine	Gamboa, Pero de	106–107
Missa Caça (4vv): Agnus Dei (III)	Morales, Cristóbal de (ca. 1500–1553)	5–14
Missa Caça (4vv): Gloria (2 partes)	Morales, Cristóbal de (ca. 1500–1553)	5–14
Missa Caça (4vv): Kyrie	Morales, Cristóbal de (ca. 1500–1553)	5–14
Missa Caça (4vv): Sanctus	Morales, Cristóbal de (ca. 1500–1553)	5–14
O beate martyr Sebastiane	Anonymous	76–77
O bone Jesu illumina oculos meos	Gamboa, Pero de	95–96
O crux ave spes unica	Gamboa, Pero de	93–94
O crux gloriosa	Anonymous	74–75
O gloriosa domina	Anonymous	144–145
O sacrum convivium	Anonymous	84–85
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur	Gamboa, Pero de	86–88
O sacrum convivium - 2a pars (of 2): Mens impletur gratia	Gamboa, Pero de	86–88
O vos omnes	Anonymous	110–111
O vos omnes	Bernardez, Pedro/Pero	112
Pange lingua	Anonymous	68–69
Passio Domini nostri Jesu Christi	Anonymous	118
Passion	Anonymous	160
Quis est iste rex gloriae?	Anonymous	117
Regina caeli laetare	Anonymous	142–143
Regina caeli laetare	Anonymous	146–147
Santa Maria succurre miseris	Anonymous	142–143
Sepulto Domino	Anonymous	121
Sepulto Domino	Anonymous	122–123
Stabat mater dolorosa	Torres, Andre de (?) Carreira, Antonio (?)	105–106
Surrexit Dominus de sepulchro	Gamboa, Pero de	97–98
Veni Domine et noli tardare	Anonymous	78–79
Viri Galilei	Anonymous	98–99

Set: MSS 76-79

Type: Partbooks

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‡ denotes primary source study

Cabral, Luís. 1982. Biblioteca Pública Municipal do Porto: Catálogo do Fundo de Manuscritos Musicais. Bibliotheca Portucalensis. Oporto. Pages: 62-5, plate between 48/49. Notes: physical description; contents list; facsimile (partial).

Kastner, Macario Santiago (editor). 1959-. Portugaliae Musica. Lisbon. Pages: XXXVII,xxxiv-xxxv,63-7. Notes: contents list (partial); concordances (partial); transcriptions (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

P-Pm 76

Biblioteca Pública Municipale, Oporto, Portugal

partbook: Late 16th - early 17th century

General Description

Binding

Notation

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

Concordances

General Note

Concordances

Concordances

Concordances

Concordances

Concordances

General Note

Concordances

Concordances

Concordances

General Note

Concordances

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Concordances