A-LIb 529

Oberösterreichische Landesbibliothek, Linz, Austria

fragment: c. 1480-90

Archive	Oberösterreichische Landesbibliothek, Linz, Austria (A-LIb)
Shelfmark	529
Surface	Paper
Numbering System	None / Unknown
Measurements	140 x 205 mm
Other Identifiers	CCM: LinzBS 529
External Links	Discussion images online Online Inventory
Provenance	Austria?
Contents	42 pieces from 5 composers

General Description

Leaves from a choirbook that may have originated from the court chapel of Emperor Maximilian in Linz. Probably copied by several scribes. Some have text incipits or titles only; others without any text or title in this source. Recovered from bindings.

Robert Klugseder, 2012

Binding

Fragments now preserved in modern paper wrapper.

Robert Klugseder, 2012

Notation

not indicated

Robert Klugseder, 2012

Foliation

No original foliation remains.

Robert Klugseder, 2012

Foliation

There are neither folio nor page numbers - rather, the leaves have fragment numbers (consisting of two numbers separated by a slash) - the ones written on the images; and these are also given in the left-hand side menu on the library entry for this source. NB DIAMM does not have images of all the leaves of this source. We have only up to fragment 27/28v, but on the library website the images go up to fragment 53/54.

DIAMM, 2024

Decoration

No initials or decoration.

Robert Klugseder, 2012

Surface

paper

Robert Klugseder, 2012

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Gloria, 1 Sanctus, 1 Requiem Mass section, 2 Mass Proper sections, 2 Magnificats, 3 hymns, 3 motets, 6 French secular pieces, 5 German secular pieces, 13 textless pieces = 39*

*All pieces fragmentary. Some have text incipits or titles only; others without any text or title in this source.

(Busnois?-anon)-1, (G.F.)-1, (Hayne van Ghizeghem)-1, (Hayne van Ghizeghem-anon)-1, (Isaac)-:1, (Obrecht)-2, anon-32

26 fragmentary paper folios, ca. 140 x 205, recovered from bindings. No original foliation remains. Fragments now preserved in modern paper wrapper. Probably copied by several scribes. No initials or decoration.

Ca. 1480-90 (Martin Staehelin). Probably copied in northern Austria.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	J'ay pris amours	-	Obrecht, Jacobus (ca. 1457–1505) (?)
J'ay pris amours Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 1 Voice: [no designation] Languages: French Voice Text: J'ay pris amours (c. f. of Obrecht, 2a pars, transposed a fourth higher)
2	Heya heya nun wie si grollen	-	Anonymous
Heya heya nun wie si grollen Anonymous Appears on: 2 Genres: Song Voice: [no designation] Languages: German Voice Text: Heya ho nun wie si grollen General Note text: Oswald von Wolkenstein (also in Tr 89, Fn 229)
3	Magnificat octavi toni (on F)	-	Anonymous
Magnificat octavi toni (on F) Anonymous Appears on: 3 Voice: [no designation] Languages: Latin Voice Text: Magnificat octavi toni (on F)
5–6	Missa Salve diva parens (Mi Mi): Sanctus, Benedictus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Salve diva parens (Mi Mi): Sanctus, Benedictus Obrecht, Jacobus (ca. 1457–1505) Appears on: 5–6 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa Salve diva parens: Sanctus, Benedictus General Note fragments of Pleni, Osanna I, Benedictus, Osanna II
7	Super creaturarum omnium habitacio	-	Anonymous
Super creaturarum omnium habitacio Anonymous Appears on: 7 Voice: [no designation] Languages: Latin Voice Text: Super creaturarum omnium habitacio est in te sancta dei genitrix (?). C. f. top voice, similar to Argentum et aurum
8–42, 47, 51, 52	[untexted lower voices of motets or chansons]	-	-
[untexted lower voices of motets or chansons] - Appears on: 8–42, 47, 51, 52 Genres: Chanson, Motet Voice: [no designation] Languages: none Voice Text: [Textless lower voices of motets or chansons]
9	Puisqu'aultrement / Marchez la dureau	-	Anonymous
Puisqu'aultrement / Marchez la dureau Anonymous Appears on: 9 Voice: [no designation] Languages: French Voice Text: Marchez la dureau General Note also in Dijon fol. 168 v, Tr89
9	J'ai pris amours	-	Anonymous
J'ai pris amours Anonymous Appears on: 9 Voice: [no designation] Languages: French Voice Text: J'ay pris amours General Note also in Trent Com. 1947-4
12	Benedicta semper sancta sit trinitas	-	G.F.
Benedicta semper sancta sit trinitas G.F. Appears on: 12 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Sequence Benedicta semper sit sancta Trinitas General Note (also in Leopold codex, Apel codex, Berlin 40021, Wroclaw Mf 2016)
13	Requiem (probably Introit)	-	Anonymous
Requiem (probably Introit) Anonymous Appears on: 13 Voice: [no designation] Languages: Latin Voice Text: Requiem (probably Introit) General Note Head-motive of Credo resembles no. 16
14	Hymn Primum virtutes (Omnes superni)	-	Anonymous
Hymn Primum virtutes (Omnes superni) Anonymous Appears on: 14 Voice: [no designation] Languages: Latin Voice Text: Hymn Primum virtutes (Omnes superni)
15–20	J'ay pris amours	-	Anonymous
J'ay pris amours Anonymous Appears on: 15–20 Voice: [no designation] Languages: French Voice Text: J'ay pris amours General Note only Tenor = other Version (it's fol. 15 and 20)
16–40, 10, 20	Four untexted Chansons	-	Anonymous
Four untexted Chansons Anonymous Appears on: 16–40, 10, 20 Voice: [no designation] Languages: none Voice Text: Four textless Chansons (das Letzte: stuckI)
17	De tous biens pleine	-	Anonymous
De tous biens pleine Anonymous Appears on: 17 Voice: [no designation] Languages: French Voice Text: De tous biens pleine General Note 2 voices = Odh fol. 102 v
18	Two canonic duos on hymn Sumens ilIud (Ave maris stella)	-	Anonymous
Two canonic duos on hymn Sumens ilIud (Ave maris stella) Anonymous Appears on: 18 Voice: [no designation] Languages: Latin Voice Text: Two canonic duos on hymn Sumens ilIud (Ave maris stella) General Note 12
19	O fraw wie graw	-	Anonymous
O fraw wie graw Anonymous Appears on: 19 Voice: [no designation] Languages: German Voice Text: O fraw wie graw (?), textless Chanson
21	Ein tagweiß	-	Anonymous
Ein tagweiß Anonymous Appears on: 21 Voice: [no designation] Languages: German Voice Text: Ein tagweiß General Note (strikingly repetitive, 'modal' rhythm)
22–23, 49-50	Mass; only bass part: Kyrie	-	Anonymous
Mass; only bass part: Kyrie Anonymous Appears on: 22–23, 49-50 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Mass; only bass part: Kyrie, Gloria, Credo, Sanctus General Note with unidentified c. f. (A-A-c-d-c-e-d-c-d-f-d),
22–23, 49-50	Mass; only bass part: Gloria	-	Anonymous
Mass; only bass part: Gloria Anonymous Appears on: 22–23, 49-50 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Mass; only bass part: Kyrie, Gloria, Credo, Sanctus General Note with unidentified c. f. (A-A-c-d-c-e-d-c-d-f-d),
22–23, 49-50	Mass; only bass part: Credo	-	Anonymous
Mass; only bass part: Credo Anonymous Appears on: 22–23, 49-50 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Mass; only bass part: Kyrie, Gloria, Credo, Sanctus General Note with unidentified c. f. (A-A-c-d-c-e-d-c-d-f-d),
22–23, 49-50	Mass; only bass part: Sanctus	-	Anonymous
Mass; only bass part: Sanctus Anonymous Appears on: 22–23, 49-50 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Mass; only bass part: Kyrie, Gloria, Credo, Sanctus General Note with unidentified c. f. (A-A-c-d-c-e-d-c-d-f-d),
25–26, 53-54	Mass, two lower parts only.	-	Anonymous
Mass, two lower parts only. Anonymous Appears on: 25–26, 53-54 Voice: [no designation] Languages: Latin Voice Text: Mass, two lower parts only. General Note Head-motive of Credo resembles no. 16
25–26, 53-54	Mass, two lower parts only.	-	Anonymous
Mass, two lower parts only. Anonymous Appears on: 25–26, 53-54 Voice: [no designation] Languages: Latin Voice Text: Mass, two lower parts only. General Note Head-motive of Credo resembles no. 16
25–26, 53-54	Mass, two lower parts only.	-	Anonymous
Mass, two lower parts only. Anonymous Appears on: 25–26, 53-54 Voice: [no designation] Languages: Latin Voice Text: Mass, two lower parts only. General Note Head-motive of Credo resembles no. 16
25–26, 53-54	Mass, two lower parts only.	-	Anonymous
Mass, two lower parts only. Anonymous Appears on: 25–26, 53-54 Voice: [no designation] Languages: Latin Voice Text: Mass, two lower parts only. General Note Head-motive of Credo resembles no. 16
27	Le servieteur hault guerdonne	-	Anonymous
Le servieteur hault guerdonne Anonymous Appears on: 27 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Le serviteur General Note also in I-Fn 229, no. 258
28	Argentum et aurum	-	Isaac, Heinrich (ca. 1450–1517)
Argentum et aurum Isaac, Heinrich (ca. 1450–1517) Appears on: 28 Genres: Troped ite Voice: [no designation] Languages: Latin Voice Text: Argentum et aurum General Note also in Leopold codex, Apel codex
29	D'un autre amer	-	Anonymous
D'un autre amer Anonymous Appears on: 29 Voice: [no designation] Languages: French Voice Text: Dun uatre mer [=Dung aultre amer]
30	Se une fois puis recouvrir joie	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Se une fois puis recouvrir joie Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 30 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Se une fois
31	Offertorium 'Recordare' (with trope Ab hac familia)	-	Anonymous
Offertorium 'Recordare' (with trope Ab hac familia) Anonymous Appears on: 31 Voice: [no designation] Languages: Latin Voice Text: Offertorium 'Recordare' (with trope Ab hac familia)
32–4 [sic]	Offertorium 'Recordare'	-	Anonymous
Offertorium 'Recordare' Anonymous Appears on: 32–4 [sic] Voice: [no designation] Languages: Latin Voice Text: Offertorium 'Recordare'
33–34	Missa Plurimorum carminum II: Credo	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Plurimorum carminum II: Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 33–34 Voice: [no designation] Languages: Latin Voice Text: Missa Plurimorum carminum II: Credo
34–35	Missa Plurimorum carminum II: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Plurimorum carminum II: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 34–35 Voice: [no designation] Languages: Latin Voice Text: Missa Plurimorum carminum II: Sanctus
34–35	Missa Plurimorum carminum II: Agnus dei	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Plurimorum carminum II: Agnus dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 34–35 Voice: [no designation] Languages: Latin Voice Text: Missa Plurimorum carminum II: Agnus dei
36	Kyrie [Tr.: Christe bone conditor atque redemptor]	-	Anonymous
Kyrie [Tr.: Christe bone conditor atque redemptor] Anonymous Appears on: 36 Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie (Tr. Christe bone conditor atque redemptor)
37	Magnificat octavi toni? (on C)	-	Anonymous
Magnificat octavi toni? (on C) Anonymous Appears on: 37 Voice: [no designation] Languages: Latin Voice Text: Magnificat octavi toni? (on C)
39	Christ ist erstanden	-	Anonymous
Christ ist erstanden Anonymous Appears on: 39 Voice: [no designation] Languages: German Voice Text: (Christ ist erstanden) General Note c.f. in top voice
41	Trope: Ab hac familia	-	Anonymous
Trope: Ab hac familia Anonymous Appears on: 41 Voice: [no designation] Languages: Latin Voice Text: Trope Ab hac familia (part of preceding?)
43	Le serviteur	-	Anonymous
Le serviteur Anonymous Appears on: 43 Voice: [no designation] Languages: French Voice Text: Le serviteur General Note 2 voices = Odh fol. 37 v
44	[untexted motet(?)]	-	-
[untexted motet(?)] - Appears on: 44 Genres: Motet Voice: [no designation] Languages: none Voice Text: Textless motet (?) General Note also in Glogauer Liederbuch no. 100
45	Hymn Urbs beata	-	Anonymous
Hymn Urbs beata Anonymous Appears on: 45 Voice: [no designation] Languages: Latin Voice Text: (later layer:) Hymn Urbs beata General Note (also in Wroclaw I F 428, fol. 128 v)
46	Hymn?	-	Anonymous
Hymn? Anonymous Appears on: 46 Voice: [no designation] Languages: insufficient Voice Text: Hymn?

Composer	Compositions
Anonymous	Christ ist erstanden – 39 D'un autre amer – 29 De tous biens pleine – 17 Ein tagweiß – 21 Four untexted Chansons – 16–40, 10, 20 Heya heya nun wie si grollen – 2 Hymn Primum virtutes (Omnes superni) – 14 Hymn Urbs beata – 45 Hymn? – 46 J'ai pris amours – 9 J'ay pris amours – 15–20 Kyrie [Tr.: Christe bone conditor atque redemptor] – 36 Le servieteur hault guerdonne – 27 Le serviteur – 43 Magnificat octavi toni (on F) – 3 Magnificat octavi toni? (on C) – 37 Mass, two lower parts only. – 25–26, 53-54 Mass, two lower parts only. – 25–26, 53-54 Mass, two lower parts only. – 25–26, 53-54 Mass, two lower parts only. – 25–26, 53-54 Mass; only bass part: Credo – 22–23, 49-50 Mass; only bass part: Gloria – 22–23, 49-50 Mass; only bass part: Kyrie – 22–23, 49-50 Mass; only bass part: Sanctus – 22–23, 49-50 O fraw wie graw – 19 Offertorium 'Recordare' – 32–4 [sic] Offertorium 'Recordare' (with trope Ab hac familia) – 31 Puisqu'aultrement / Marchez la dureau – 9 Requiem (probably Introit) – 13 Super creaturarum omnium habitacio – 7 Trope: Ab hac familia – 41 Two canonic duos on hymn Sumens ilIud (Ave maris stella) – 18 [untexted lower voices of motets or chansons] – 8–42, 47, 51, 52 [untexted motet(?)] – 44
G.F.	Benedicta semper sancta sit trinitas – 12
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	Se une fois puis recouvrir joie – 30
Isaac, Heinrich (ca. 1450–1517)	Argentum et aurum – 28
Obrecht, Jacobus (ca. 1457–1505)	(?) J'ay pris amours – 1 Missa Plurimorum carminum II: Agnus dei – 34–35 Missa Plurimorum carminum II: Credo – 33–34 Missa Plurimorum carminum II: Sanctus – 34–35 Missa Salve diva parens (Mi Mi): Sanctus, Benedictus – 5–6

Composition	Composers (? Uncertain)	Folios / Pages
[untexted lower voices of motets or chansons]	-	8–42, 47, 51, 52
[untexted motet(?)]	-	44
Argentum et aurum	Isaac, Heinrich (ca. 1450–1517)	28
Benedicta semper sancta sit trinitas	G.F.	12
Christ ist erstanden	Anonymous	39
D'un autre amer	Anonymous	29
De tous biens pleine	Anonymous	17
Ein tagweiß	Anonymous	21
Four untexted Chansons	Anonymous	16–40, 10, 20
Heya heya nun wie si grollen	Anonymous	2
Hymn Primum virtutes (Omnes superni)	Anonymous	14
Hymn Urbs beata	Anonymous	45
Hymn?	Anonymous	46
J'ai pris amours	Anonymous	9
J'ay pris amours	Obrecht, Jacobus (ca. 1457–1505) (?)	1
J'ay pris amours	Anonymous	15–20
Kyrie [Tr.: Christe bone conditor atque redemptor]	Anonymous	36
Le servieteur hault guerdonne	Anonymous	27
Le serviteur	Anonymous	43
Magnificat octavi toni (on F)	Anonymous	3
Magnificat octavi toni? (on C)	Anonymous	37
Mass, two lower parts only.	Anonymous	25–26, 53-54
Mass, two lower parts only.	Anonymous	25–26, 53-54
Mass, two lower parts only.	Anonymous	25–26, 53-54
Mass, two lower parts only.	Anonymous	25–26, 53-54
Mass; only bass part: Credo	Anonymous	22–23, 49-50
Mass; only bass part: Gloria	Anonymous	22–23, 49-50
Mass; only bass part: Kyrie	Anonymous	22–23, 49-50
Mass; only bass part: Sanctus	Anonymous	22–23, 49-50
Missa Plurimorum carminum II: Agnus dei	Obrecht, Jacobus (ca. 1457–1505)	34–35
Missa Plurimorum carminum II: Credo	Obrecht, Jacobus (ca. 1457–1505)	33–34
Missa Plurimorum carminum II: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	34–35
Missa Salve diva parens (Mi Mi): Sanctus, Benedictus	Obrecht, Jacobus (ca. 1457–1505)	5–6
O fraw wie graw	Anonymous	19
Offertorium 'Recordare'	Anonymous	32–4 [sic]
Offertorium 'Recordare' (with trope Ab hac familia)	Anonymous	31
Puisqu'aultrement / Marchez la dureau	Anonymous	9
Requiem (probably Introit)	Anonymous	13
Se une fois puis recouvrir joie	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	30
Super creaturarum omnium habitacio	Anonymous	7
Trope: Ab hac familia	Anonymous	41
Two canonic duos on hymn Sumens ilIud (Ave maris stella)	Anonymous	18

Public Comments

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

Rob C Wegman

Tuesday, 24 December, 2024

There is a concordance for the Mass on fols. 22-23 in Brussels 5557, fol. 121r. I remember seeing the same Mass in the Lvov fragments Poznan 7022, but unfortunately cannot verify that right now.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

A-LIb 529

Oberösterreichische Landesbibliothek, Linz, Austria

fragment: c. 1480-90

General Description

Binding

Notation

Foliation

Foliation

Decoration

Surface

Census Catalogue of Music Description

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Public Comments

Rob C Wegman

Tuesday, 24 December, 2024

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017