Unidentified treatise on ff. 140-148 (contains no polyphonic examples); unidentified textless pieces on ff. 155'-171'. Treatises copied by Pancratius Schmider or Zolhauser, named in colophons on ff. 52, 94', and 139; ff. 155'-171 ' copied by different, slightly later hand. Probably of south German or Austrian origin. Original owner and compiler was Pancratius Schmider or Zolhauser. Inscription inside front cover probably refers to later 16th-century owner: 'Abraham figulus [crossed out] / in omnibus oportet imitari quod melius est.' Later in Neustift Augustinian monastery near Bressanone (= Brixen); transferred to Innsbruck Universitätsbibliothek in 1809.
Archive | Universitätsbibliothek, Innsbruck, Austria (A-Iu) |
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Shelfmark | 732 |
Image Availability | DIAMM does not have images of this source. |
Surface | Paper |
Numbering System | Foliation |
Measurements | 150 x 100 mm |
Other Identifiers |
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Notations |
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Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
Copyists | |
Relationships |
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Provenance |
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General Description
Physical Description
Several original folios now missing at beginning and end.
Binding
Original covers of blind-stamped leather over pasteboard; remnants of leather ties.
Notation
Gothic Hufnagel (monophonic examples); black void mensural (polyphonic examples)
Date
1523 (dated colophons in treatises); pieces on ff. 155'-171' are apparently slightly later additions.
Foliation
Modern pencil foliation, 1-171.
Decoration
No initials or decoration.
Surface
Paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
Treatises on music, including Andreas Ornithoparchus: Musice active micrologus, with polyphony:
37 textless examples in Ornithoparchus treatise, 20 textless pieces added at end of treatises = 57
Isaac-1, anon-56
171 paper folios, 150 x 100. Several original folios now missing at beginning and end. Modern pencil foliation, 1-171. New ff. 52'-55', 95-95', 112', 128, and 148'-155 are blank. Original covers of blind-stamped leather over pasteboard; remnants of leather ties. Ornithoparchus treatise on ff. 1-139', apparently copied from Leipzig prints of 1517; unidentified treatise on ff. 140-148 (contains no polyphonic examples); unidentified textless pieces on ff. 155'-171'. Monophonic examples copied in Gothic Hufnagel notation; polyphony in black void mensural notation. Treatises copied by Pancratius Schmider or Zolhauser, named in colophons on ff. 52, 94', and 139; ff. 155'-171 ' copied by different, slightly later hand. No initials or decoration.
1523 (dated colophons in treatises); pieces on ff. 155'-171' are apparently slightly later additions. Probably of south German or Austrian origin. Original owner and compiler was Pancratius Schmider or Zolhauser. Inscription inside front cover probably refers to later 16th-century owner: "Abraham figulus [crossed out] / in omnibus oportet imitari quod melius est." Later in Neustift Augustinian monastery near Bressanone (= Brixen); transferred to Innsbruck Universitätsbibliothek in 1809.
No literature.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description