CZ-HKm MS II A 22 (b)

Muzeum východních Čech (Regional Museum, Library), Hradec Králové, Czech Republic

partbook: 1574-5 (with additions in 1582 and the late 16th and early 17th centuries)

Archive Muzeum východních Čech (Regional Museum, Library), Hradec Králové, Czech Republic (CZ-HKm)
Shelfmark MS II A 22 (b)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Pagination
Measurements 335 x 230 mm
Other Identifiers
  • CCM: HradKM 22
  • olim (Former shelfmark): 8708 - 8709
Relationships
Provenance
Contents 54 pieces from 19 composers
General Description

An Altus partbook, copied by one main scribe and five additional scribes (one in 1582, two in the late 16th century, two in the early 17th century). From the collection of a confraternity of literati at the Church of the Holy Spirit in Hradec Králové.

DIAMM, 2017
Binding

Original parchment covers cut from non-musical manuscript

DIAMM, 2017
Watermark

wild boar on shield (not in Briquet).

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Modern pagination on lower center margins.

DIAMM, 2017
Decoration

Red and blue initials and rubrics.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat, 39 motets (with some Czech interpolations), 13 Czech sacred pieces = 53

Chrysoponos-4, Clemens non Papa-1, Gombert-1, Hesdin-1, C. Hollander-1, Ivo de Vento-2, Jerlinus-1, Josquin-3, Paminger-1, Phinot-1, Rychnovský-5, Simonides [Montanus; Montibus]-6, Stephanides-1, Turnovský-1, Wert-3, anon-21

2 paper partbooks (D-80 folios, T-iii + 97), 335 x 230. Parchment covers. One main scribe; five additional scribes (one in 1582, two in the late 16th century, two in the early 17th century). Red and blue initials and rubrics.

1574-5 (with additions in 1582 and the late 16th and early 17th centuries). From the collection of a confraternity of literati at the Church of the Holy Spirit in Hradec Králové.

Vol 4

1 Magnificat (partly in Czech), 2 hymns, 36 motets, 1 Latin/Czech sacred piece, 13 Czech sacred pieces = 53

Chrysoponos-4, Clemens non Papa-3, Gombert-1, Hesdin-1, C. Hollander-1, Ivo de Vento-2, Josquin-2, Josquin/(M. Forestier)-1, Paminger-1, Phinot-2, (Regnart)-1, Rychnovsky-5, Simonides-6, Stephanides-1, Turnovsky-1, Wert-3, Zarlino-1, anon-17

2 paper partbooks (D-53 folios, T-97), 335 x 230. Modern pagination on

lower center margins. Original parchment covers cut from non-musical manuscript. No index. Copied by one main scribe and several additional scribes.

Red and blue initials and rubrics. Watermark: wild boar on shield (not in

Briquet).

1574-5 (dates in manuscript), with additions in late 16th and early 17th centuries. From the collection of a confraternity of literati at Church of the Holy Spirit in Hradec Králové.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Latin poem - -

Latin poem

Appears on: 1
Voice: [no designation]
Languages: Latin
Voice Text: Latin poem
2–3 Christus Gygas fortissimus victor draconis Andreas Chrysoponus Gevicenus
Appears on: 2–3
Genres: Motet
Source Attribution: Andreas Chrysoponus Gevicenus
Voice: [no designation]
Languages: Latin
Voice Text: Christus Gygas fortissimus victor draconis
4–5 Verbum caro factum est et ambulabunt Anon. Anonymous
Appears on: 4–5
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et ambulabunt
5–7 Verbum caro factum est et habitavit II: Plenum gratia et veritate III: In principio erat verbum et verbum Anon. Anonymous
Appears on: 5–7
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitavit II: Plenum gratia et veritate III: In principio erat verbum et verbum
7–9 Gaudet chorus caelestium et angeli canunt Anon. Anonymous
Appears on: 7–9
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gaudet chorus caelestium et angeli canunt
9–12 Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt Joannes Stephanides Peldrzimovinus
Appears on: 9–12
Genres: Motet
Source Attribution: Joannes Stephanides Peldrzimovinus
Voice: [no designation]
Languages: Latin
Voice Text: [Dum transisset sabbatum] Maria Magdalenae II: Et valde mane una sabbatorum veniunt
12–21 O lidske pokoleni miey wjdy w swe II: Ani mu kde byti tak welika III: Tentt sobie klade lehcze Johannes Sim. Mont. [= Simonides]
Appears on: 12–21
Genres: Motet
Source Attribution: Johannes Sim. Mont. [= Simonides]
Voice: [no designation]
Languages: Czech
Voice Text: O lidske pokoleni miey wjdy w swe II: Ani mu kde byti tak welika III: Tentt sobie klade lehcze
21–23 Tribulationes civitatum audivimus et defecimus II: Peccavimus cum patribus nostris Anon. Anonymous
Appears on: 21–23
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tribulationes civitatum audivimus et defecimus II: Peccavimus cum patribus nostris
23–27 Ite in orbem universum praedicate dicentes (2p. Signa eos qui in me credent) [Clemens non Papa/Manchicourt]
Appears on: 23–27
Genres: Motet
Source Attribution: [Clemens non Papa/Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum praedicate dicentes II: Signa eos qui in me credunt
27–30 Ascendit Deus in jubilatione (2p. Ascendens Christus in altum) [Clemens non Papa]
Appears on: 27–30
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit deus in iubilatione et dominus II: Ascendens Christus in altum captivam
30–34 Non turbetur cor vestrum ego vado ad patrem (2p. Ego rogabo patrem et alium paracletum) D: Phinot
Appears on: 30–34
Genres: Motet
Source Attribution: D: Phinot
Voice: [no designation]
Languages: Latin
Voice Text: Non turbetur cor vestrum ego vado ad patrem II: Ego rogabo patrem et alium paracletum
34–36 O domine Deus aeterna qui cuncta Christianus Hollander
Appears on: 34–36
Genres: Motet
Source Attribution: Christianus Hollander
Voice: [no designation]
Languages: Latin
Voice Text: O domine deus aeterna qui cuncta
36–39 Domine si tu es jube me venire ad te II: Cunque vidisset ventum validum Jaches Wert
Appears on: 36–39
Genres: Motet
Source Attribution: Jaches Wert
Voice: [no designation]
Languages: Latin
Voice Text: Domine si tu es jube me venire ad te II: Cunque vidisset ventum validum
39–41 Tu Deus clemens et misericors Jaches Wert
Appears on: 39–41
Genres: Motet
Source Attribution: Jaches Wert
Voice: [no designation]
Languages: Latin
Voice Text: Tu deus clemens et misericors
41–42 Qui vindicari vult à Domino inveniet Jaches Wert
Appears on: 41–42
Genres: Motet
Source Attribution: Jaches Wert
Voice: [no designation]
Languages: Latin
Voice Text: Qui vindicari vult à domino inveniet
42–45 Pater noster qui es in caelis Gombert
Appears on: 42–45
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in caelis
45–48 Veni sancte spiritus 26.17 (2p. O lux beatissima reple cordis) Josquinus/[M. Forestier]
Appears on: 45–48
Genres: Motet, Veni sancte spiritus
Source Attribution: Josquinus/[M. Forestier]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte 26.17 II: O lux beatissima reple cordis
48–50 Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 Josquin de Pres
Appears on: 48–50
Genres: Motet
Source Attribution: Josquin de Pres
Voice: [no designation]
Languages: Latin
Voice Text: Propter peccata quae peccastis ante deum = La Spagna 29.12
51–52 Angustiae mihi sunt undique et quid eligam [Phinot]
Appears on: 51–52
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Angustiae mihi sunt undique et quid eligam
52–54 Omnes gentes attendite ad tam pulchrum Clemens non Papa/[Maillard]
Appears on: 52–54
Genres: Motet
Source Attribution: Clemens non Papa/[Maillard]
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes attendite ad tam pulchrum
54–56 Respice Deus gregem tuum devote II: Tu qui es Deus pacis et autor Anon. Anonymous
Appears on: 54–56
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Respice deus gregem tuum devote II: Tu qui es deus pacis et autor
56–59 Pater noster (2p. Ave Maria) 20.9 Josquin de Pres
Appears on: 56–59
Genres: Ave Maria, Motet
Source Attribution: Josquin de Pres
Voice: [no designation]
Languages: Latin, Czech
Voice Text: Pater noster qui es in caelis 20.9 II: Ave Maria gratia plena dominus tecum
59–76 Magnificat Anima mea Dominum (alternate verses in Czech) Johannes Simonides
Appears on: 59–76
Genres: BVM, Canticle, Magnificat
Source Attribution: Johannes Simonides
Voice: [no designation]
Languages: Latin
Voice Text: (Magnificat) Anima mea dominum (Alternate verses in Czech)
76–79 Propter peccata quae peccastis ante Deum Leonardus Paminger
Appears on: 76–79
Genres: Motet
Source Attribution: Leonardus Paminger
Voice: [no designation]
Languages: Latin
Voice Text: Propter peccata quae peccastis ante deum
80–81 O sacrum convivium in quo Christus sumitur Zerlinus [= Zarlino]
Appears on: 80–81
Genres: Motet
Source Attribution: Zerlinus [= Zarlino]
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus
81–85 Parasti in dulcedine tua pauper dulcissime (2p. Caeleste est hoc manna quod huius) Hesdin
Appears on: 81–85
Genres: Motet
Source Attribution: Hesdin
Voice: [no designation]
Languages: Latin
Voice Text: Parasti in dulcedine tua pauper dulcissime II: Celeste est hoc manna [quod huius]
85–90 Boze Otze z welike milosti uczinils II: Bohu otczy budi wieczná chwála III: Racz nám dati swych se hrzichuow Joannes Simon[ides]
Appears on: 85–90
Genres: Motet
Source Attribution: Joannes Simon[ides]
Voice: [no designation]
Languages: Czech
Voice Text: Boze Otze z welike milosti uczinils II: Bohu otczy budi wieczná chwála III: Racz nám dati swych se hrzichuow
91–94 Ut queant laxis resonare fibris 2 Nuntius celso veniens Olympo Joannes Simo[nides]
Appears on: 91–94
Genres: Motet
Source Attribution: Joannes Simo[nides]
Voice: [no designation]
Languages: Latin
Voice Text: [Ut queant laxis resonare fibris] 2 Nuncius celso veniens Olympo
95–96 Boze genz gsy na wysosti budiz chwala Joan. de Montibus [= Simonides]
Appears on: 95–96
Genres: Motet
Source Attribution: Joan. de Montibus [= Simonides]
Voice: [no designation]
Languages: Czech
Voice Text: Boze genz gsy na wysosti budiz chwala
97–99 Non quod intrat in os hominis II: Tunc erumpet quasi mane lumen Anon. Anonymous
Appears on: 97–99
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Non quod intrat in os hominis II: Tunc erumpet quasi mane lumen
99–100 Adesto sancta trinitas par splendor 2 Te caelorum militia laudat adorat 5 Laus patri sit ingenito laus eius Anon. Anonymous
Appears on: 99–100
Genres: Motet
Source Attribution: Anon.
101–102 Fuit homo missus a deo cui nomen Johannes Ivno(!) de Vento
Appears on: 101–102
Genres: Motet
Source Attribution: Ivno(!) de Vento
Voice: [no designation]
Languages: Latin
Voice Text: Fuit homo missus a deo cui nomen Joannes
103–105 O lignum preciosum et admirabile signum Ivo de Vento
Appears on: 103–105
Genres: Motet
Source Attribution: Ivo de Vento
Voice: [no designation]
Languages: Czech
Voice Text: O lignum preciosum et admirabile signum
105–108 Dixerunt discipuli ad beatum Martinum II: Domine si adhuc populo tuo sum Andreas Chrisoponus Gevicensis
Appears on: 105–108
Genres: Motet
Source Attribution: Andreas Chrisoponus Gevicensis
Voice: [no designation]
Languages: Latin
Voice Text: Dixerunt discipuli ad beatum Martinum II: Domine si adhuc populo tuo sum
109–114 Quem vidistis pastores dicite anunciate (2p. Natum vidimus iacentem in praesepio) Joannes Mont. [= Simonides]
Appears on: 109–114
Genres: Motet
Source Attribution: Joannes Mont. [= Simonides]
Voice: [no designation]
Languages: Latin
Voice Text: Quem vidistis pastores dicite anunciate II: Natum vidimus iacentem in praesepio
114–117 Otze nass genz gsy w nebi prosyme Anon. Anonymous
Appears on: 114–117
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Czech
Voice Text: [O]tze nass genz gsy w nebi prosyme
117–118 Pane Boze dey swobodu wssem kdoz Anon. Anonymous
Appears on: 117–118
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Czech
Voice Text: Pane Boze dey swobodu wssem kdoz
119–122 Wstaltt gest z mrtwych Krystus pan gest Traianus Calcitraha Turnovinus [= Turnovsk]
Appears on: 119–122
Genres: Motet
Source Attribution: Traianus Calcitraha Turnovinus [= Turnovsk]
Voice: [no designation]
Languages: Czech
Voice Text: Wstaltt gest z mrtwych Krystus pan gest
122–130 Krystus Buoh wssemohuczy wstal z mrtwych II: Gezu Kryste wstal gsy nám na Anon. Anonymous
Appears on: 122–130
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Czech
Voice Text: Krystus Buoh wssemohuczy wstal z mrtwych II: Gezu Kryste wstal gsy nám na
130–132 Hussius aetherei sincerus servus Jesu II: Ille renascentis verbi sine labe Anon. Anonymous
Appears on: 130–132
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [H]ussius aetherei sincerus servus Jesu II: [I]lle renascentis verbi sine labe
133–136 Haec est dies quam fecit Dominus II: Confitemini Domino quoniam bonus Anon. Anonymous
Appears on: 133–136
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [H]aec est dies quam fecit dominus II: [C]onfitemini domino quoniam bonus
136–140 Non auferetur sceptrum de Juda neque II: Lavabit in vino stolam suam Anon. Anonymous
Appears on: 136–140
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Non auferetur sceptrum de Juda neque II: Lavabit in vino stolam suam
140–143 Rex pacificus hodie est natus Andreas Chrisophonus Gevicensis
Appears on: 140–143
Genres: Motet
Source Attribution: Andreas Chrisophonus Gevicensis
Voice: [no designation]
Languages: Latin
Voice Text: Rex pacificus hodie est natus
143–148 Gednim hlasem timto czasem wssyczkni II: Do Egipta s nim se brala Jozeff Anon. Anonymous
Appears on: 143–148
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Czech
Voice Text: Gednim hlasem timto czasem wssyczkni II: Do Egipta s nim se brala Jozeff
149–152 Ego sum qui sum et consilium meum (2p. Postulavi patrem meum alleluia; 3p. Ego dormivi et somnum cepi) Georgius Richnovinus [= Rychnovsk]
Appears on: 149–152
Genres: Motet
Source Attribution: Georgius Richnovinus [= Rychnovsk]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum qui sum et consilium meum II: Postulavi patrem meum alleluia III: Ego dormivi et somnum cepi
152–156 Surrexit enim sicut dixit II: Wime zie gsy wstal zagiste GR [= Rychnovsk]
Appears on: 152–156
Genres: Motet
Source Attribution: GR [= Rychnovsk]
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit enim sicut dixit II: Wime zie gsy wstal zagiste
156–165 Powaititt slussi lowc mily yak (2p. Stala se gest wec diwna panna syna) G R
Appears on: 156–165
Genres: Motet
Source Attribution: G R
Voice: [no designation]
Languages: Czech
Voice Text: Powaititt slussi lowc mily yak II: Stala se gest wec diwna panna syna
165–171 Prorokowali prorocy co se stalo o pulnocy (2p. Kdy to zwdl Herodes kral do Bethlema) G R
Appears on: 165–171
Genres: Motet
Source Attribution: G R
Voice: [no designation]
Languages: Czech
Voice Text: Prorokowali prorocy co se stalo o pulnocy II: Kdy to zwdl Herodes kral do Bethlema
171–173 Tu Bethlehem terra Juda ne quaquam minima Andreas Chrisoponus Gevicensis
Appears on: 171–173
Genres: Motet
Source Attribution: Andreas Chrisoponus Gevicensis
Voice: [no designation]
Languages: Latin
Voice Text: Tu Bethleem terra Juda ne quaquam minima
173–177 Znameney krzestian wierny krystowo (2p. Proto my zde na zemi se wssemi) G R
Appears on: 173–177
Genres: Motet
Source Attribution: G R
Voice: [no designation]
Languages: Czech
Voice Text: Znameney krzestian wierny krystowo II: Proto my zde na zemi se wssemi
177–182 Ave gratiosa Dei mater alma atque II: Ergo Jesu pie audi nos hac die Anon. Anonymous
Appears on: 177–182
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ave gratiosa dei mater alma atque II: Ergo Iesu pie audi nos hac die
183–185 Przissel czias utiesseny prewelmy weseli II: O kteraka wiec diwna krale nebe III: Dal se obrzezowaty synaczek gediny Anon. Anonymous
Appears on: 183–185
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Czech
Voice Text: Przissel czias utiesseny prewelmy weseli II: O kteraka wiec diwna krale nebe III: Dal se obrzezowaty synaczek gediny
185–188 Intuemini quandus sit iste qui ingreditur (2p. Occurrite illi dicentes ecce advenit) [Regnart]
Appears on: 185–188
Genres: Motet
Source Attribution: [Regnart]
Voice: [no designation]
Languages: Latin
Voice Text: Intuemini quantus sit iste qui ingreditur II: Occurrite illi dicentes ecce advenit
188–191 O yak diwne narozeny Boha s czlowekem II: Racz przigiti chwaly nasse kteraz Anon. Anonymous
Appears on: 188–191
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Czech
Voice Text: O yak diwne narozeny Boha s czlowekem II: [R]acz przigiti chwaly nasse kteraz
Composer Compositions
Anonymous
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Despres, Josquin (ca. 1450–1521)
Forestier, Mathurin
Gevicensis, Andreas Chrysoponus
Gombert, Nicolas (ca. 1495–ca. 1560)
Hesdin, Nicolle des Celliers de (–1538)
Hollander, Christian
Maillard, Jean (fl. c1538–1570)
Paminger, Leonhard (1495–1567)
Peldrzimovinus Hradecensibus, Joannes Stephanides
Phinot, Dominique
Regnart, Jacob (ca. 1540–1599)
Richnovinus, Georgius
Simonides, Johannes
Turnovsky, Jan Trojan (ca. 1550–ca. 1594)
Vento, Ivo de
Wert, Giaches [Jaches] de (1535–1596)
Zarlino, Gioseffo (1517–1590)
Composition Composers (? Uncertain) Folios / Pages
Adesto sancta trinitas par splendor 2 Te caelorum militia laudat adorat 5 Laus patri sit ingenito laus eius Anonymous 99–100
Angustiae mihi sunt undique et quid eligam 51–52
Ascendit Deus in jubilatione (2p. Ascendens Christus in altum) 27–30
Ave gratiosa Dei mater alma atque II: Ergo Jesu pie audi nos hac die Anonymous 177–182
Boze genz gsy na wysosti budiz chwala 95–96
Boze Otze z welike milosti uczinils II: Bohu otczy budi wieczná chwála III: Racz nám dati swych se hrzichuow 85–90
Christus Gygas fortissimus victor draconis 2–3
Dixerunt discipuli ad beatum Martinum II: Domine si adhuc populo tuo sum 105–108
Domine si tu es jube me venire ad te II: Cunque vidisset ventum validum 36–39
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt 9–12
Ego sum qui sum et consilium meum (2p. Postulavi patrem meum alleluia; 3p. Ego dormivi et somnum cepi) 149–152
Fuit homo missus a deo cui nomen Johannes 101–102
Gaudet chorus caelestium et angeli canunt Anonymous 7–9
Gednim hlasem timto czasem wssyczkni II: Do Egipta s nim se brala Jozeff Anonymous 143–148
Haec est dies quam fecit Dominus II: Confitemini Domino quoniam bonus Anonymous 133–136
Hussius aetherei sincerus servus Jesu II: Ille renascentis verbi sine labe Anonymous 130–132
Intuemini quandus sit iste qui ingreditur (2p. Occurrite illi dicentes ecce advenit) 185–188
Ite in orbem universum praedicate dicentes (2p. Signa eos qui in me credent) 23–27
Krystus Buoh wssemohuczy wstal z mrtwych II: Gezu Kryste wstal gsy nám na Anonymous 122–130
Magnificat Anima mea Dominum (alternate verses in Czech) 59–76
Non auferetur sceptrum de Juda neque II: Lavabit in vino stolam suam Anonymous 136–140
Non quod intrat in os hominis II: Tunc erumpet quasi mane lumen Anonymous 97–99
Non turbetur cor vestrum ego vado ad patrem (2p. Ego rogabo patrem et alium paracletum) 30–34
O domine Deus aeterna qui cuncta 34–36
O lidske pokoleni miey wjdy w swe II: Ani mu kde byti tak welika III: Tentt sobie klade lehcze 12–21
O lignum preciosum et admirabile signum 103–105
O sacrum convivium in quo Christus sumitur 80–81
O yak diwne narozeny Boha s czlowekem II: Racz przigiti chwaly nasse kteraz Anonymous 188–191
Omnes gentes attendite ad tam pulchrum 52–54
Otze nass genz gsy w nebi prosyme Anonymous 114–117
Pane Boze dey swobodu wssem kdoz Anonymous 117–118
Parasti in dulcedine tua pauper dulcissime (2p. Caeleste est hoc manna quod huius) 81–85
Pater noster (2p. Ave Maria) 20.9 56–59
Pater noster qui es in caelis 42–45
Powaititt slussi lowc mily yak (2p. Stala se gest wec diwna panna syna) 156–165
Propter peccata quae peccastis ante Deum 76–79
Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 48–50
Prorokowali prorocy co se stalo o pulnocy (2p. Kdy to zwdl Herodes kral do Bethlema) 165–171
Przissel czias utiesseny prewelmy weseli II: O kteraka wiec diwna krale nebe III: Dal se obrzezowaty synaczek gediny Anonymous 183–185
Quem vidistis pastores dicite anunciate (2p. Natum vidimus iacentem in praesepio) 109–114
Qui vindicari vult à Domino inveniet 41–42
Respice Deus gregem tuum devote II: Tu qui es Deus pacis et autor Anonymous 54–56
Rex pacificus hodie est natus 140–143
Surrexit enim sicut dixit II: Wime zie gsy wstal zagiste 152–156
Tribulationes civitatum audivimus et defecimus II: Peccavimus cum patribus nostris Anonymous 21–23
Tu Bethlehem terra Juda ne quaquam minima 171–173
Tu Deus clemens et misericors 39–41
Ut queant laxis resonare fibris 2 Nuntius celso veniens Olympo 91–94
Veni sancte spiritus 26.17 (2p. O lux beatissima reple cordis) 45–48
Verbum caro factum est et ambulabunt Anonymous 4–5
Verbum caro factum est et habitavit II: Plenum gratia et veritate III: In principio erat verbum et verbum Anonymous 5–7
Wstaltt gest z mrtwych Krystus pan gest 119–122
Znameney krzestian wierny krystowo (2p. Proto my zde na zemi se wssemi) 173–177

Set: MS II A 22 (a-b)

Type: Partbooks

No images available

CZ-HKm MS II A 22 (a)

No images available

CZ-HKm MS II A 22 (b)

denotes primary source study

Snížková-Škrhová, Jitka. 1976. Josquin in Czech Sources of the Second Half of the Sixteenth Century. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971,  London, New York, and Toronto. Pages: 280, 284, Illus. 38-39. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Černý, Jaromír, and Jaroslav Mikan. 1967. Pearls of Old Parchments: Musical Manuscripts of East Bohemia.  Hradec Králové. Pages: 14, 21. Notes: mention of MS.

Černý, Jaromír. 1966. Soupis Hudebnich Rukopisu Muzea v Hradci Králové. Miscellanea Musicologica [Prague], . Pages: 52-3, passim; 226-7. Notes: physical description; contents list; concordances; facsimile (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description