CZ-HKm MS II A 17 (c)

Muzeum východních Čech (Regional Museum, Library), Hradec Králové, Czech Republic

partbook: Second half of the 16th century

Archive Muzeum východních Čech (Regional Museum, Library), Hradec Králové, Czech Republic (CZ-HKm)
Shelfmark MS II A 17 (c)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 155 x 155 mm
Other Identifiers
  • CCM: HradKM 17
  • olim (Former shelfmark): 8660a-b, 8717
Relationships
External Links
Provenance
Contents 54 pieces from 15 composers
General Description

A Bassus partbook from a set of three volumes. Copied by many scribes. From the collection of a confraternity of literati at the Church of the Holy Spirit in Hradec Králové.

DIAMM, 2017
Physical Description

Some folios have been ripped out at the beginning of this volume

DIAMM, 2017
Binding

Original parchment covers

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Modern pencil foliation on lower right rectos of each book, but numbers appear only on every fifth folio

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

54 motets, 1 Czech sacred piece = 55

Anonymous

3 paper partbooks (D-52 folios, T-iv + 100, B-iii + 100), 155 x 155. Some folios are ripped out at the beginning of the discantus book. Parchment covers. Many scribes.

Second half of the 16th century. From the collection of a confraternity of literati at the Church of the Holy Spirit in Hradec Králové.

Vol 4

Contents: 52 motets, 1 set of Latin/Czech responses, 1 Czech sacred piece = 54

Composers: (Gombert)-2, (Hähnel)-1, (Hellinck)-1, (Isaac)-3, (Jaquet of Mantua) -2, (Josquin)-2, (Lasson/Verdelot)-1, (Mahu)-1, (Paminger)-1, (Rein)-2, (Resinarius)-1, (Richafort)-1, (Verdelot)-1, (Walter)-1, anon-34

Physical: 3 paper partbooks (D-52 folios, A-iv + 100, B-iii + 100), 155 x 155. Many folios torn out at beginning of D book. Modern pencil foliation on lower right rectos of each book, but numbers appear only on every fifth folio. Original parchment covers. No index.. Copied by one main scribe and several additional scribes. No initials or decoration.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2v O fili Dei sucurre miseris juva Anon. Anonymous
Appears on: 1–2v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O fili dei sucurre miseris iuva
2v–4v Pelli meae consumptis carnibus adhesit II: Scio enim quod redemptor meus vivit Anon. Anonymous
Appears on: 2v–4v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Pelli meae consumptis carnibus adhesit II: Scio enim quod redemptor meus vivit
5–8 Ve ve Babilon civitas magna que dicit II: Ve ve civitas illa magna que amicta [Gombert]
Appears on: 5–8
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Ve ve Babilon civitas magna que dicit II: Ve ve civitas illa magna que amicta
8–9v Tribus miraculis ornatum diem sanctum II: Hodie in Iordane Christus baptisari Anon. Anonymous
Appears on: 8–9v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tribus miraculis ornatum diem sanctum II: Hodie in Iordane Christus baptisari
9v–11 Videte miraculum mater Domini concepit (2p. Suscepimus Deus misericordiam tuam) Anon. Anonymous
Appears on: 9v–11
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Videte miraculum mater domini concepit II: Suscepimus deus misericordiam tuam
11v–12 Deus Deus meus ad te de luce vigilo Anon. Anonymous
Appears on: 11v–12
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Deus deus meus ad te de luce vigilo
12–13v Unum cole Deum nec jures vana per ipsum (2p. Non sis occisor fur moechus testis) [Jaquet of Mantua]
Appears on: 12–13v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Unum cole deum ne dicas vana per ipsum II: Non sis occisor fur mechus testis
14–16 Ecce dies veniet dicit Dominus (2p. Post dies illos dicit Dominus) [Walter]
Appears on: 14–16
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dies veniet dicit dominus II: Post dies illos dicit dominus
16–19 Libera me ab inimicis meis mi Deus II: Ea enim est illorum hominum III: Tu ergo domine quum Deus sis Anon. Anonymous
Appears on: 16–19
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Libera me ab inimicis meis mi deus II: Ea enim est illorum hominum III: Tu ergo domine quum deus sis
19v–21 In aeternum domine verbum tuum permanet II: Tuus sum ego salvum me fac Anon. Anonymous
Appears on: 19v–21
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: In eternum domine verbum tuum permanet II: Tuus sum ego salvum me fac
21v–23 Discumbentibus illis undecim appostolis II: Signa eos qui in me credunt [Paminger]
Appears on: 21v–23
Genres: Motet
Source Attribution: [Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Discumbentibus illis undecim appostolis II: Signa eos qui in me credunt
23v–24v Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) [Hellinck]
Appears on: 23v–24v
Genres: Motet
Source Attribution: [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Panis quem ego dabo vobis caro mea est II: Loquutus est populus ad dominum
25–26v Fratres ego enim accepi a Domino (2p. Similiter et calicem postquam) [Jaquet of Mantua]
Appears on: 25–26v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Fratres ego enim accepi a domino II: Similiter et calicem postquam
26v–27v Duo homines ascenderunt in templum [Hähnel]
Appears on: 26v–27v
Genres: Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Duo homines ascenderunt in templum
27v–29v Popule meus quid feci tibi aut in quo II: Quid ultra debui facere et non feci Anon. Anonymous
Appears on: 27v–29v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Popule meus quid feci tibi aut in quo II: Quid ultra debui facere et non feci
29v–31v Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) [Richafort]
Appears on: 29v–31v
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Quem dicunt homines esse filium hominis II: Petre diligis me qui respondens
31v–33 Stetit autem Salomon Ante altare Domini 14.14 II: Benedic Domine domum istam [Josquin]
Appears on: 31v–33
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Stetit autem Salomon Ante altare Domini 14.13 II: Benedic domine domum istam
33–34v O beatum hominem qui non abiit consilia II: Hic similis est arbori ad rippam Anon. Anonymous
Appears on: 33–34v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O beatum hominem qui non abiit consilia II: Hic similis est arbori ad rippam
35–38 O trinitas et Deitas alma tibi omnes angeli (2p. Miserere qui passus es pro nobis) [Rein]
Appears on: 35–38
Genres: Motet
Source Attribution: [Rein]
38–39v Virtute magna reddebant apostoli II: Repleti quidem spiritu sancto [Lasson/Verdelot]
Appears on: 38–39v
Genres: Motet
Source Attribution: [Lasson/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Virtute magna reddebant apostoli II: Repleti sunt quidem spiritu sancto
39v–41 Rogamus te piissime Jesu Christe II: O domine Jesu Christe piissime [Isaac]
Appears on: 39v–41
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Rogamus te piissime Jesu Christe II: O domine Iesu Christe piissime [= Rogamus te pissima virgo, = portions of Credo from Missa La mi la sol]
41–41v Signum salutis pone domine Jesu Anon. Anonymous
Appears on: 41–41v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Signum salutis pone domine Iesu
42–42v Veni Domine et noli tardare relaxa facinora [Verdelot]
Appears on: 42–42v
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Veni domine et noli tardare revela
43–44 Ave sanctissima Maria mater Dei regina [Gombert]
Appears on: 43–44
Genres: Antiphon
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Ave sanctissime Iesu Christe fili dei vivi [= Ave sanctissima Maria mater dei]
44v Ave verum corpus natum / Ecce panis angelorum / O salutaris hostia quae caeli / Bone pastor 21.4 [Josquin]
Appears on: 44v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce panis angelorum/Ave verum corpus natum/O salutaris hostia quae caeli/[Bone pastor] 21.4
45–46 Ite in orbem universum et predicate II: Qui crediderit et baptisatus fuerit III: Alleluia Anon. Anonymous
Appears on: 45–46
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et predicate II: Qui crediderit et baptisatus fuerit III: Alleluia
46–47 Apparuerunt apostolis disparditae linguae II: Seditque supra singulos eorum III: Loquebantur variis linguis appostoli Anon. Anonymous
Appears on: 46–47
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostolis dispartite linguae II: Seditque supra singulos eorum III: Loquebantur variis linguis appostoli
47v–48v Summae trinitati simplici deo una divinitas II: Qui totum subdit suis orbem legibus III: Praestet nobis gratiam Deitas beata Anon. Anonymous
Appears on: 47v–48v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Summe trinitati simplici deo una divinitas II: Qui totum subdit suis orbem legibus III: Prestet nobis gratiam deitas beata
48v–49v Homo quidam fecit caenam magnam et misit II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum et bibite Anon. Anonymous
Appears on: 48v–49v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit cenam magnam et misit II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum et bibite
49v–50 Immolabit hedum multitudo filiorum Israel Anon. Anonymous
Appears on: 49v–50
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Immolabit hedum multitudo filiorum Israel
50v–51v Respexit Helias ad caput suum sub cineritium II: Et ambulavit in fortitudine cibi III: Si pre sincero corde ac carens Anon. Anonymous
Appears on: 50v–51v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Respexit Helias ad caput suum sub cineritium II: Et ambulavit in fortitudine cibi III: Si pre sincero corde ac carens
51v–53 Discubuit Jesus et discipuli eius cum eo II: Et accepto pane gratias agens III: Fecit Asuerus grande convivium Anon. Anonymous
Appears on: 51v–53
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Discubuit Jesus et discipuli eius cum eo II: Et accepto pane gratias ageris III: Fecit Asuerus rex grande convivium
53–53v Inter natos mulierum non surrexit major II: Qui viam Domino preparavit in heremo Anon. Anonymous
Appears on: 53–53v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum non surrexit maior II: Qui viam domino preparavit in heremo
53v–54v Petre amas me tu scis domine quia amo te II: Pasce oves meas Anon. Anonymous
Appears on: 53v–54v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Petre amas me tu scis domine quia amo te II: Pasce oves meas
54v–56 Gaude foelix Boemia hora nempe novissima II: Pastor pie et benigne Boemice III: Alleluia Anon. Anonymous
Appears on: 54v–56
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gaude foelix Boemia hora nempe novissima II: Pastor pie et benigne Boemice III: Alleluya
56–57 Quaedam die Olibrius molestus deo et hominibus II: Mox in concupiscentiam eius omnes Anon. Anonymous
Appears on: 56–57
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quaedam die Olibrius molestus deo et hominibus II: Mox in concupiscentiam eius omnes
57–58 Admirans Christi gratiam Josias poscit veniam II: Clamans O sancte Jacobe fac me Cristum III: Fundens preces cum lachrimis ad pedes Anon. Anonymous
Appears on: 57–58
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Admirans Christi gratiam Josias poscit II: Clamans O sancte Jacobe fac me III: Fundens preces cum lachrymis
58–59 Beatus vir Laurentius qui post aurum II: Fecit enim mirabiliae in vita sua III: Qui potuit transgredi et non est Anon. Anonymous
Appears on: 58–59
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Beatus vir Laurentius qui post aurum II: Fecit enim mirabiliae in vita sua III: Qui potuit transgredi et non est
59–61 Quae est ista quae ascendit per desertum Vs. Ista est speciosa [Isaac]
Appears on: 59–61
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Quae est ista quae ascendit per desertum II: Et universi pulveris trinitatis III: Ista est speciosa inter filias
61–62 Felix namque es, sacra virgo Maria II: Quia ex te ortus est sol justiciae Anon. Anonymous
Appears on: 61–62
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Felix namque es sacra virgo Maria II: Quia ex te ortus est sol iusticiae
62–62v Quomodo rubrum est indumentum tuum II: Filiae Sion videte martirem et premium Anon. Anonymous
Appears on: 62–62v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quomodo rubrum est indumentum tuum II: Filiae Syon videte martirem et premium
62v–63v Styrps Yesse virgam produxit virga II: Et super hunc florem requiescit Anon. Anonymous
Appears on: 62v–63v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Styrps Yesse virgam produxit virga II: Et super hunc florem requiescit
63v–64v Solem justiciae regem paritura supremum II: Stella lucida pericula cuncta Anon. Anonymous
Appears on: 63v–64v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Solem iusticiae regem paritura supremum II: Stella lucida pericula cuncta
64v–65v Accessit ad pedes Jesu peccatrix mulier II: Et osculata est et lavit lachrimis III: Dimissa sunt ei peccata multa [Mahu]
Appears on: 64v–65v
Genres: Motet
Source Attribution: [Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: Accessit ad pedes Jesu peccatrix mulier II: Et osculata est et lavit lachrimis III: Dimissa sunt ei peccata multa
65v–67 Benedic domine domum istam et omnes II: Per anni versaria veneretur ecclesia III: Conserva domine in ea timentes te Anon. Anonymous
Appears on: 65v–67
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedic domine domum istam et omnes II: Per anni versaria veneretur ecclesia III: Conserva domine in ea timentes te
67–68 Benedic domine domum istam et omnes II: Per anni versaria veneretur ecclesia Anon. Anonymous
Appears on: 67–68
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedic domine domum istam et omnes II: Per anni versaria veneretur ecclesia
68v–70v Benedic domine domum istam et omnes II: Per anni versaria veneretur ecclesia III: Conserva domine in ea timentes te Anon. Anonymous
Appears on: 68v–70v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedic domine domum istam et omnes II: Per anni versaria veneretur ecclesia III: Conserva domine in ea timentes te
70v–73 Benedic domine domum istam et omnes II: Per anni versaria veneretur ecclesia III: Conserva domine in ea timentes te Anon. Anonymous
Appears on: 70v–73
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedic domine domum istam et omnes II: Per anni versaria veneretur ecclesia III: Conserva domine in ea timentes te
73–74 Martinus Abrahae sinu laetus Caelum dives [Resinarus]
Appears on: 73–74
Genres: Hymn
Source Attribution: [Resinarus]
Voice: [no designation]
Languages: Latin
Voice Text: Martinus Abrahae sinu laetus excipitur II: Coelum dives ingreditur hymnis III: Martinus episcopus migravit à saeculo
74–75v Verbum caro factum est et habitabit (R. Plenum gratia et veritate; Vs. In principio erat verbum et Deus [Isaac]
Appears on: 74–75v
Genres: Responsory
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitabit II: Plenum gratia et veritate III: In principio erat verbum et deus
76–77 Verbum caro factum est et habitabit II: Plenum gratia et veritatis III: In principio erat verbum et verbum Anon. Anonymous
Appears on: 76–77
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitabit II: Plenum gratia et veritatis III: In principio erat verbum et verbum
77–78v Vulnerasti cor meum (2p. Veni in ortum meum) [Rein]
Appears on: 77–78v
Genres: Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: Vulnerasti cor meum sponsa mea dilecta II: Vulnerasti cor meum veni in hortum
79–81v Zhuru zhuru Czechowe Niemzy y Morawane Anon. Anonymous
Appears on: 79–81v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Czech
Voice Text: Zhuru zhuru Czechowe Niemzy y Morawane
85v–86 (F. 86 incorrectly numbered as "87") Set of responses Dyky Bohu wzdejme. Ale zbaw nas ad zleho. Amen. Et cum spiritu tuo. Gloria tibi domine. Habemus a Domino. Dignum et iustum est Anon. Anonymous
Appears on: 85v–86 (F. 86 incorrectly numbered as "87")
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Dyky Bohu wzdejme. Ale zbaw nas ad zleho. Amen. Et cum spiritu tuo. Gloria tibi domine. Habemus a domino. Dignum et iustum est
Composer Compositions
Anonymous
Despres, Josquin (ca. 1450–1521)
Galliculus, Johannes
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Isaac, Heinrich (ca. 1450–1517)
Lasson, Mathieu
Mahu, Stephan
Mantua, Jacquet de (1483–1559)
Paminger, Leonhard (1495–1567)
Rein, Conrad (ca. 1475–1522)
Resinarius, Balthasar
Richafort, Jean (ca. 1480–ca. 1550)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
Accessit ad pedes Jesu peccatrix mulier II: Et osculata est et lavit lachrimis III: Dimissa sunt ei peccata multa 64v–65v
Admirans Christi gratiam Josias poscit veniam II: Clamans O sancte Jacobe fac me Cristum III: Fundens preces cum lachrimis ad pedes Anonymous 57–58
Apparuerunt apostolis disparditae linguae II: Seditque supra singulos eorum III: Loquebantur variis linguis appostoli Anonymous 46–47
Ave sanctissima Maria mater Dei regina 43–44
Ave verum corpus natum / Ecce panis angelorum / O salutaris hostia quae caeli / Bone pastor 21.4 44v
Beatus vir Laurentius qui post aurum II: Fecit enim mirabiliae in vita sua III: Qui potuit transgredi et non est Anonymous 58–59
Benedic domine domum istam et omnes II: Per anni versaria veneretur ecclesia Anonymous 67–68
Benedic domine domum istam et omnes II: Per anni versaria veneretur ecclesia III: Conserva domine in ea timentes te Anonymous 65v–67
Benedic domine domum istam et omnes II: Per anni versaria veneretur ecclesia III: Conserva domine in ea timentes te Anonymous 68v–70v
Benedic domine domum istam et omnes II: Per anni versaria veneretur ecclesia III: Conserva domine in ea timentes te Anonymous 70v–73
Deus Deus meus ad te de luce vigilo Anonymous 11v–12
Discubuit Jesus et discipuli eius cum eo II: Et accepto pane gratias agens III: Fecit Asuerus grande convivium Anonymous 51v–53
Discumbentibus illis undecim appostolis II: Signa eos qui in me credunt 21v–23
Duo homines ascenderunt in templum 26v–27v
Ecce dies veniet dicit Dominus (2p. Post dies illos dicit Dominus) 14–16
Felix namque es, sacra virgo Maria II: Quia ex te ortus est sol justiciae Anonymous 61–62
Fratres ego enim accepi a Domino (2p. Similiter et calicem postquam) 25–26v
Gaude foelix Boemia hora nempe novissima II: Pastor pie et benigne Boemice III: Alleluia Anonymous 54v–56
Homo quidam fecit caenam magnam et misit II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum et bibite Anonymous 48v–49v
Immolabit hedum multitudo filiorum Israel Anonymous 49v–50
In aeternum domine verbum tuum permanet II: Tuus sum ego salvum me fac Anonymous 19v–21
Inter natos mulierum non surrexit major II: Qui viam Domino preparavit in heremo Anonymous 53–53v
Ite in orbem universum et predicate II: Qui crediderit et baptisatus fuerit III: Alleluia Anonymous 45–46
Libera me ab inimicis meis mi Deus II: Ea enim est illorum hominum III: Tu ergo domine quum Deus sis Anonymous 16–19
Martinus Abrahae sinu laetus Caelum dives 73–74
O beatum hominem qui non abiit consilia II: Hic similis est arbori ad rippam Anonymous 33–34v
O fili Dei sucurre miseris juva Anonymous 1–2v
O trinitas et Deitas alma tibi omnes angeli (2p. Miserere qui passus es pro nobis) 35–38
Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) 23v–24v
Pelli meae consumptis carnibus adhesit II: Scio enim quod redemptor meus vivit Anonymous 2v–4v
Petre amas me tu scis domine quia amo te II: Pasce oves meas Anonymous 53v–54v
Popule meus quid feci tibi aut in quo II: Quid ultra debui facere et non feci Anonymous 27v–29v
Quae est ista quae ascendit per desertum Vs. Ista est speciosa 59–61
Quaedam die Olibrius molestus deo et hominibus II: Mox in concupiscentiam eius omnes Anonymous 56–57
Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) 29v–31v
Quomodo rubrum est indumentum tuum II: Filiae Sion videte martirem et premium Anonymous 62–62v
Respexit Helias ad caput suum sub cineritium II: Et ambulavit in fortitudine cibi III: Si pre sincero corde ac carens Anonymous 50v–51v
Rogamus te piissime Jesu Christe II: O domine Jesu Christe piissime 39v–41
Set of responses Dyky Bohu wzdejme. Ale zbaw nas ad zleho. Amen. Et cum spiritu tuo. Gloria tibi domine. Habemus a Domino. Dignum et iustum est Anonymous 85v–86 (F. 86 incorrectly numbered as "87")
Signum salutis pone domine Jesu Anonymous 41–41v
Solem justiciae regem paritura supremum II: Stella lucida pericula cuncta Anonymous 63v–64v
Stetit autem Salomon Ante altare Domini 14.14 II: Benedic Domine domum istam 31v–33
Styrps Yesse virgam produxit virga II: Et super hunc florem requiescit Anonymous 62v–63v
Summae trinitati simplici deo una divinitas II: Qui totum subdit suis orbem legibus III: Praestet nobis gratiam Deitas beata Anonymous 47v–48v
Tribus miraculis ornatum diem sanctum II: Hodie in Iordane Christus baptisari Anonymous 8–9v
Unum cole Deum nec jures vana per ipsum (2p. Non sis occisor fur moechus testis) 12–13v
Ve ve Babilon civitas magna que dicit II: Ve ve civitas illa magna que amicta 5–8
Veni Domine et noli tardare relaxa facinora 42–42v
Verbum caro factum est et habitabit (R. Plenum gratia et veritate; Vs. In principio erat verbum et Deus 74–75v
Verbum caro factum est et habitabit II: Plenum gratia et veritatis III: In principio erat verbum et verbum Anonymous 76–77
Videte miraculum mater Domini concepit (2p. Suscepimus Deus misericordiam tuam) Anonymous 9v–11
Virtute magna reddebant apostoli II: Repleti quidem spiritu sancto 38–39v
Vulnerasti cor meum (2p. Veni in ortum meum) 77–78v
Zhuru zhuru Czechowe Niemzy y Morawane Anonymous 79–81v

Set: MS II A 17 (a-c)

Type: Partbooks

No images available

CZ-HKm MS II A 17 (a)

No images available

CZ-HKm MS II A 17 (b)

No images available

CZ-HKm MS II A 17 (c)

denotes primary source study

Černý, Jaromír. 1966. Soupis Hudebnich Rukopisu Muzea v Hradci Králové. Miscellanea Musicologica [Prague], . Pages: 49-50, passim. Notes: physical description; contents list; concordances (partial).

Plamenac, Dragan. 1961-62. Music Libraries in Eastern Europe: A Visit in the Summer of 1961. Notes, 217-34,411-20,584-98. Pages: 595. Notes: mention of MS.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description