I-Fsl MS II.10

Archivio di San Lorenzo, Florence, Italy

composite of unrelated mss: 1560 + 1559

Archive Archivio di San Lorenzo, Florence, Italy (I-Fsl)
Shelfmark MS II.10
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 425 x 283 mm
Other Identifiers
  • CCM: FlorSL N
  • olim (Former shelfmark): MS N
Inventory This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Copyists
Provenance
  • Florence, Italy
Contents Contains 49 compositions, 44 from 6 composers, 5 are anonymous.
General Description

Composite of two originally separate manuscripts bound together in first half of 17th century (Part I = ii + 68 folios; Part II = 100 folios). Part I, a complete set of Bernardo Pisano's responsories for Holy Week, copied by one main scribe, with later additions by two other scribes (f. [iii] and ff. 64'-65, respectively). Part II, Lamentations, responsories etc for Tenebrae, copied mostly by Braccio Baglione, chaplain at Church of San Lorenzo, Florence (D'AccSA); later additions by three other scribes on ff. 92'-93, ff. 93'-95, and ff. 96'-98, respectively. Copied in Florence.

DIAMM, 2024
Physical Description

Inked initials, in calligraphic and plain block styles.

DIAMM, 2017
Binding

Original covers of parchment over boards, with inscription: 'Lamentationes seu lectiones / Responsoria Benedictus et alia / Variorum Compositiones Ebdomad/ae Sanctae.'

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

Part I: ca. 1560; Part II: 1559 (D'AccSA).

DIAMM, 2017
Ruling

Staff height ca. 18.5 in Part I, ca. 19-20 in Part II.

DIAMM, 2017
Foliation

Part I = original ink foliation, 1-67, on upper right rectos . Part II = original ink foliation, 1-98, on upper right rectos (first folio not numbered; '93' applied to two consecutive folios)

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Part I: 3 canticles, 1 psalm, 29 motets = 33. Part II; 5 canticles, 1 psalm, 19 Lamentations, 23 motets = 48. Total for manuscript = 81

(Carpentras)-9, Corteccia [D. Cortex]-9, (A. Layolle?)-2, Morales -4, (Pisano)-31, Verdelot-2, anon-24

ii + 168 paper folios, 425 x 283. Composite of two originally separate manuscripts bound together in first half of 17th century: Part I = ii + 68 folios, with original ink foliation, 1-67, on upper right rectos (flyleaves and first folio not numbered); Part II = 100 folios, with original ink foliation, 1-98, on upper right rectos (first folio not numbered; "93" applied to two consecutive folios). Original covers of parchment over boards, with inscription: "Lamen-tationes seu lectiones / Responsoria Benedictus et alia / Variorum Compo-sitiones Ebdomad/ae Sanctae." No index.

Part I copied by one main scribe, with later additions by two other scribes (f. [iii] and ff. 64'-65, respectively). Part II copied mostly by Braccio Baglione, chaplain at Church of San Lorenzo, Florence (D'AccSA); later additions by three other scribes on ff. 92'-93, ff. 93'-95, and ff. 96'-98, respectively. Staff height ca. 18.5 in Part I, ca. 19-20 in Part II. Inked initials, in calligraphic and plain block styles.

Part I: ca. 1560; Part II: 1559 (D'AccSA). Copied in Florence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, vol. 37, no.1: 107-139.

D'Accone, Frank A (editor). 1985-. Collected Sacred Works. Vol. XI [several additional volumes projected] of Music of the Florentine Renaissance. Corpus mensurabilis musicae, vol. 32.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: XI.xvii-xix.xxii-xxxii, 168-79. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

D'Accone, Frank A. 1985. Updating the Style: Francesco Corteccia's Revisions in His Responsories for Holy Week. Music and Context: Essays for John M. Ward,  Cambridge, Massachusetts. Pages: 37ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

D'Accone, Frank A. 1983. Singolarità di Alcuni Aspetti della Musica Sacra Fiorentina del Cinquecento," in Firenze e la Toscana dei Medici nell'Europa del '500, 513-37. Biblioteca di Storia Toscana Moderna e Contemporanea: Studi e Documenti, vol. 26.  Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Strainchamps. 1980. New Polyphony from Sixteenth- and Seventeenth-Century Italy. Paper read at the Annual Meeting of the American Musicological Society, November, 1980, . Notes: physical description; mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description