I-Fsl MS II.10

Archivio di San Lorenzo, Firenze (Florence), Italy

Two manuscripts of polyphony bound together: 1560 + 1559

Archive	Archivio di San Lorenzo, Firenze (Florence), Italy (I-Fsl)
Shelfmark	MS II.10
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	425 x 283 mm
Other Identifiers	CCM: FlorSL N olim (Former shelfmark): MS N
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Copyists	Baglione, Braccio Music
Provenance	Firenze (Florence), Italy
Contents	54 pieces from 7 composers

General Description

Composite of two originally separate manuscripts bound together in first half of 17th century (Part I = ii + 68 folios; Part II = 100 folios). Part I, a complete set of Bernardo Pisano's responsories for Holy Week, copied by one main scribe, with later additions by two other scribes (f. [iii] and ff. 64'-65, respectively). Part II, Lamentations, responsories etc for Tenebrae, copied mostly by Braccio Baglione, chaplain at Church of San Lorenzo, Florence (D'AccSA); later additions by three other scribes on ff. 92'-93, ff. 93'-95, and ff. 96'-98, respectively. Copied in Florence.

DIAMM, 2024

Physical Description

Inked initials, in calligraphic and plain block styles.

DIAMM, 2017

Binding

Original covers of parchment over boards, with inscription: 'Lamentationes seu lectiones / Responsoria Benedictus et alia / Variorum Compositiones Ebdomad/ae Sanctae.'

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Date

Part I: ca. 1560; Part II: 1559 (D'AccSA).

DIAMM, 2017

Ruling

Staff height ca. 18.5 in Part I, ca. 19-20 in Part II.

DIAMM, 2017

Foliation

Part I = original ink foliation, 1-67, on upper right rectos . Part II = original ink foliation, 1-98, on upper right rectos (first folio not numbered; '93' applied to two consecutive folios)

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Part I: 3 canticles, 1 psalm, 29 motets = 33. Part II; 5 canticles, 1 psalm, 19 Lamentations, 23 motets = 48. Total for manuscript = 81

(Carpentras)-9, Corteccia [D. Cortex]-9, (A. Layolle?)-2, Morales -4, (Pisano)-31, Verdelot-2, anon-24

ii + 168 paper folios, 425 x 283. Composite of two originally separate manuscripts bound together in first half of 17th century: Part I = ii + 68 folios, with original ink foliation, 1-67, on upper right rectos (flyleaves and first folio not numbered); Part II = 100 folios, with original ink foliation, 1-98, on upper right rectos (first folio not numbered; "93" applied to two consecutive folios). Original covers of parchment over boards, with inscription: "Lamen-tationes seu lectiones / Responsoria Benedictus et alia / Variorum Compo-sitiones Ebdomad/ae Sanctae." No index.

Part I copied by one main scribe, with later additions by two other scribes (f. [iii] and ff. 64'-65, respectively). Part II copied mostly by Braccio Baglione, chaplain at Church of San Lorenzo, Florence (D'AccSA); later additions by three other scribes on ff. 92'-93, ff. 93'-95, and ff. 96'-98, respectively. Staff height ca. 18.5 in Part I, ca. 19-20 in Part II. Inked initials, in calligraphic and plain block styles.

Part I: ca. 1560; Part II: 1559 (D'AccSA). Copied in Florence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[-]	PARTIAL INVENTORY ONLY	-	-
PARTIAL INVENTORY ONLY Appears on: [-]
I:iii	Christus factus est	-	Anonymous
Christus factus est Anonymous Appears on: I:iii Genres: Motet
I:0v–I:2	In monte Oliveti (Maundy Thursday, responsory 1)	-	Pisano, Bernardo
In monte Oliveti (Maundy Thursday, responsory 1) Pisano, Bernardo Appears on: I:0v–I:2 Genres: Responsory
I:2v–I:4	Tristis est anima mea usque ad mortem (Maundy Thursday, responsory 2)	-	Pisano, Bernardo
Tristis est anima mea usque ad mortem (Maundy Thursday, responsory 2) Pisano, Bernardo Appears on: I:2v–I:4 Genres: Responsory
I:4v–I:7	Ecce vidimus eum (Maundy Thursday, responsory 3)	-	Pisano, Bernardo
Ecce vidimus eum (Maundy Thursday, responsory 3) Pisano, Bernardo Appears on: I:4v–I:7 Genres: Responsory
I:7v–I:9	Amicus meus osculi me (Maundy Thursday, responsory 4)	-	Pisano, Bernardo
Amicus meus osculi me (Maundy Thursday, responsory 4) Pisano, Bernardo Appears on: I:7v–I:9 Genres: Responsory
I:9v–I:11	Judas mercator pessimus (Maundy Thursday, responsory 5)	-	Pisano, Bernardo
Judas mercator pessimus (Maundy Thursday, responsory 5) Pisano, Bernardo Appears on: I:9v–I:11 Genres: Responsory
I:11v–I:14	Unus ex discipulis (Maundy Thursday, responsory 6)	-	Pisano, Bernardo
Unus ex discipulis (Maundy Thursday, responsory 6) Pisano, Bernardo Appears on: I:11v–I:14 Genres: Responsory
I:14v–I:16	Eram quasi agnus (Maundy Thursday, responsory 7)	-	Pisano, Bernardo
Eram quasi agnus (Maundy Thursday, responsory 7) Pisano, Bernardo Appears on: I:14v–I:16 Genres: Responsory
I:16v–I:17	Una hora non potuistis (Maundy Thursday, responsory 8)	-	Pisano, Bernardo
Una hora non potuistis (Maundy Thursday, responsory 8) Pisano, Bernardo Appears on: I:16v–I:17 Genres: Responsory
I:17v–I:19	Seniores populi concilium fecerunt (Maundy Thursday, responsory 9)	-	Pisano, Bernardo
Seniores populi concilium fecerunt (Maundy Thursday, responsory 9) Pisano, Bernardo Appears on: I:17v–I:19 Genres: Responsory
I:19v–I:21	Omnes amici mei (Good Friday, responsory 1)	-	Pisano, Bernardo
Omnes amici mei (Good Friday, responsory 1) Pisano, Bernardo Appears on: I:19v–I:21 Genres: Responsory
I:21v–I:23	Velum templi scissum est (Good Friday, responsory 2)	-	Pisano, Bernardo
Velum templi scissum est (Good Friday, responsory 2) Pisano, Bernardo Appears on: I:21v–I:23 Genres: Responsory
I:23v–I:26	Vinea mea electa (Good Friday, responsory 3)	-	Pisano, Bernardo
Vinea mea electa (Good Friday, responsory 3) Pisano, Bernardo Appears on: I:23v–I:26 Genres: Responsory
I:26v–I:28	Tamquam ad latronem existis (Good Friday, responsory 4)	-	Pisano, Bernardo
Tamquam ad latronem existis (Good Friday, responsory 4) Pisano, Bernardo Appears on: I:26v–I:28 Genres: Responsory
I:28v–I:30	Tenebrae factae sunt (Good Friday, responsory 5)	-	Pisano, Bernardo
Tenebrae factae sunt (Good Friday, responsory 5) Pisano, Bernardo Appears on: I:28v–I:30 Genres: Responsory
I:30v–I:33	Animam meam tradidi (Good Friday, responsory 6)	-	Pisano, Bernardo
Animam meam tradidi (Good Friday, responsory 6) Pisano, Bernardo Appears on: I:30v–I:33 Genres: Responsory
I:33v–I:34	Tradiderunt me in manus iniquorum (Good Friday, responsory 7)	-	Pisano, Bernardo
Tradiderunt me in manus iniquorum (Good Friday, responsory 7) Pisano, Bernardo Appears on: I:33v–I:34 Genres: Responsory
I:34v–I:35	Jesum tradidit impius sumis principibus (Good Friday, responsory 8)	-	Pisano, Bernardo
Jesum tradidit impius sumis principibus (Good Friday, responsory 8) Pisano, Bernardo Appears on: I:34v–I:35 Genres: Responsory
I:35v–I:37	Caligaverunt oculi mei (Good Friday, responsory 9)	-	Pisano, Bernardo
Caligaverunt oculi mei (Good Friday, responsory 9) Pisano, Bernardo Appears on: I:35v–I:37 Genres: Responsory
I:37v–I:38	Sicut ovis ad occisionem (Holy Saturday, responsory 1)	-	Pisano, Bernardo
Sicut ovis ad occisionem (Holy Saturday, responsory 1) Pisano, Bernardo Appears on: I:37v–I:38 Genres: Responsory
I:38v–I:39	Jerusalem luge et exue te (Holy Saturday, responsory 2)	-	Pisano, Bernardo
Jerusalem luge et exue te (Holy Saturday, responsory 2) Pisano, Bernardo Appears on: I:38v–I:39 Genres: Responsory
I:39v–I:41	Plange quasi virgo plebs mea (Holy Saturday, responsory 3)	-	Pisano, Bernardo
Plange quasi virgo plebs mea (Holy Saturday, responsory 3) Pisano, Bernardo Appears on: I:39v–I:41 Genres: Responsory
I:41v–I:43	Recessit pastor noster fons aquae (Holy Saturday, responsory 4)	-	Pisano, Bernardo
Recessit pastor noster fons aquae (Holy Saturday, responsory 4) Pisano, Bernardo Appears on: I:41v–I:43 Genres: Responsory
I:43v–I:44	O vos omnes qui transitis (Holy Saturday, responsory 5)	-	Pisano, Bernardo
O vos omnes qui transitis (Holy Saturday, responsory 5) Pisano, Bernardo Appears on: I:43v–I:44 Genres: Responsory
I:44v–I:47	Ecce quomodo moritur justus (Holy Saturday, responsory 6)	-	Pisano, Bernardo
Ecce quomodo moritur justus (Holy Saturday, responsory 6) Pisano, Bernardo Appears on: I:44v–I:47 Genres: Responsory
I:47v–I:48	Astiterunt reges terrae (Holy Saturday, responsory 7)	-	Pisano, Bernardo
Astiterunt reges terrae (Holy Saturday, responsory 7) Pisano, Bernardo Appears on: I:47v–I:48 Genres: Responsory
I:48v–I:49	Aestimatus sum cum descendentibus (Holy Saturday, responsory 8)	-	Pisano, Bernardo
Aestimatus sum cum descendentibus (Holy Saturday, responsory 8) Pisano, Bernardo Appears on: I:48v–I:49 Genres: Responsory
I:49v–I:51	Sepulto Domino signatum est monumentum (Holy Saturday, responsory 9)	-	Pisano, Bernardo
Sepulto Domino signatum est monumentum (Holy Saturday, responsory 9) Pisano, Bernardo Appears on: I:49v–I:51 Genres: Responsory
[-]	Miserere	-	Anonymous
Miserere Anonymous Appears on: [-] Genres: Psalm
[-]	Deo gratias (5vv)	-	Anonymous
Deo gratias (5vv) Anonymous Appears on: [-] Genres: Deo gratias
I:64v	Benedictus Dominus Deus Israel	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Benedictus Dominus Deus Israel Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: I:64v Genres: Psalm
I:65	Benedictus Dominus Deus Israel	-	Layolle, Francesco de (?) Layolle, Alamanne de (?)
Benedictus Dominus Deus Israel Layolle, Francesco de (?) Layolle, Alamanne de (?) Appears on: I:65 Genres: Psalm
I:65v–I:67v	Benedictus Dominus Deus Israel (I) - Sicut locutus est - Ad faciendam (etc)	-	Corteccia, (Pier) Francesco
Benedictus Dominus Deus Israel (I) - Sicut locutus est - Ad faciendam (etc) Corteccia, (Pier) Francesco Appears on: I:65v–I:67v Genres: Psalm General Note incomplete: only v1,3,5, the last incomplete (C+T only). V.7,9,11 missing (but complete in the second manuscript in the book).
II:2v–II:3	In monte Oliveti	-	Corteccia, (Pier) Francesco
In monte Oliveti Corteccia, (Pier) Francesco Appears on: II:2v–II:3 Genres: Responsory
II:5v–II:6	Tristis est anima mea	-	Corteccia, (Pier) Francesco
Tristis est anima mea Corteccia, (Pier) Francesco Appears on: II:5v–II:6 Genres: Responsory
II:7v–II:8	Ecce vidimus eum (I)	-	Corteccia, (Pier) Francesco
Ecce vidimus eum (I) Corteccia, (Pier) Francesco Appears on: II:7v–II:8 Genres: Responsory
II:8v–II:9	Ecce vidimus eum (II)	-	Corteccia, (Pier) Francesco
Ecce vidimus eum (II) Corteccia, (Pier) Francesco Appears on: II:8v–II:9 Genres: Responsory
II:9v–II:11	Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum	Morales	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum Morales, Cristóbal de (ca. 1500–1553) Appears on: II:9v–II:11 Genres: Lamentations, Motet Source Attribution: Morales
II:13v–II:15	Omnes amici mei (Good Friday, responsory 1)	-	Pisano, Bernardo
Omnes amici mei (Good Friday, responsory 1) Pisano, Bernardo Appears on: II:13v–II:15 Genres: Responsory
II:16v–II:18	Velum templi scissum est (Good Friday, responsory 2)	-	Pisano, Bernardo
Velum templi scissum est (Good Friday, responsory 2) Pisano, Bernardo Appears on: II:16v–II:18 Genres: Responsory
II:19v–II:21	Vinea mea electa (Good Friday, responsory 3)	-	Pisano, Bernardo
Vinea mea electa (Good Friday, responsory 3) Pisano, Bernardo Appears on: II:19v–II:21 Genres: Responsory
II:27v–II:30	Lamentations (4) - Zain. Candidiores nazarei	-	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (4) - Zain. Candidiores nazarei Morales, Cristóbal de (ca. 1500–1553) Appears on: II:27v–II:30 Genres: Lamentations
II:32v–II:36	Lamentations (2): Num. Vigilavit jugum iniquitatum	-	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (2): Num. Vigilavit jugum iniquitatum Morales, Cristóbal de (ca. 1500–1553) Appears on: II:32v–II:36 Genres: Lamentations, Motet
II:50v–II:51	Plange quasi virgo (I)	-	Corteccia, (Pier) Francesco
Plange quasi virgo (I) Corteccia, (Pier) Francesco Appears on: II:50v–II:51 Genres: Responsory
II:57v–II:58	Plange quasi virgo (II)	-	Corteccia, (Pier) Francesco
Plange quasi virgo (II) Corteccia, (Pier) Francesco Appears on: II:57v–II:58 Genres: Responsory
II:58v–II:63	Lamentations (3): Phe. Expandit Sion manus suas	-	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (3): Phe. Expandit Sion manus suas Morales, Cristóbal de (ca. 1500–1553) Appears on: II:58v–II:63 Genres: Lamentations, Liturgical work, Motet
II:76v–II:79	Benedictus Dominus Deus Israel (I) - Sicut locutus est - Ad faciendam (etc)	-	Corteccia, (Pier) Francesco
Benedictus Dominus Deus Israel (I) - Sicut locutus est - Ad faciendam (etc) Corteccia, (Pier) Francesco Appears on: II:76v–II:79 Genres: Psalm General Note complete in this section of the ms - V.1,3,5,7,9,11 (Benedictus Dominus Israel - Sicut locutus est - Ad faciendam - Ut sine timore - Et tu puer - Per viscera)
II:85v–II:92	Benedictus Dominus Deus Israel (II) - Sicut locutus est - Ad faciendam (etc)	-	Corteccia, (Pier) Francesco
Benedictus Dominus Deus Israel (II) - Sicut locutus est - Ad faciendam (etc) Corteccia, (Pier) Francesco Appears on: II:85v–II:92 Genres: Psalm General Note Complete: verses v. 1,3,5,7,9+ doxology, (Benedictus Dominus Israel - Sicut locutus est - Ad faciendam Ut sine timore - Et tu puer - Per viscera - Gloria Patri)
II:91v–II:92	Christus factus est (II)	-	Corteccia, (Pier) Francesco
Christus factus est (II) Corteccia, (Pier) Francesco Appears on: II:91v–II:92 Genres: Responsory
II:98v	Miserere mei Deus (I)	-	Corteccia, (Pier) Francesco
Miserere mei Deus (I) Corteccia, (Pier) Francesco Appears on: II:98v Genres: Responsory
II:98v	Miserere mei Deus (falsobordone)	-	Anonymous
Miserere mei Deus (falsobordone) Anonymous Appears on: II:98v Genres: Fauxbourdon/faburden, Responsory
II:98v	Miserere mei Deus (III)	-	Corteccia, (Pier) Francesco
Miserere mei Deus (III) Corteccia, (Pier) Francesco Appears on: II:98v Genres: Responsory
II:98v	Miserere mei Deus (falsobordone)	-	Anonymous
Miserere mei Deus (falsobordone) Anonymous Appears on: II:98v Genres: Fauxbourdon/faburden, Responsory

Composer	Compositions
Anonymous	Christus factus est – I:iii Deo gratias (5vv) – [-] Miserere – [-] Miserere mei Deus (falsobordone) – II:98v Miserere mei Deus (falsobordone) – II:98v
Corteccia, (Pier) Francesco	Benedictus Dominus Deus Israel (I) - Sicut locutus est - Ad faciendam (etc) – I:65v–I:67v Benedictus Dominus Deus Israel (I) - Sicut locutus est - Ad faciendam (etc) – II:76v–II:79 Benedictus Dominus Deus Israel (II) - Sicut locutus est - Ad faciendam (etc) – II:85v–II:92 Christus factus est (II) – II:91v–II:92 Ecce vidimus eum (I) – II:7v–II:8 Ecce vidimus eum (II) – II:8v–II:9 In monte Oliveti – II:2v–II:3 Miserere mei Deus (I) – II:98v Miserere mei Deus (III) – II:98v Plange quasi virgo (I) – II:50v–II:51 Plange quasi virgo (II) – II:57v–II:58 Tristis est anima mea – II:5v–II:6
Layolle, Alamanne de	(?) Benedictus Dominus Deus Israel – I:65
Layolle, Francesco de	(?) Benedictus Dominus Deus Israel – I:65
Morales, Cristóbal de (ca. 1500–1553)	Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum – II:9v–II:11 Lamentations (2): Num. Vigilavit jugum iniquitatum – II:32v–II:36 Lamentations (3): Phe. Expandit Sion manus suas – II:58v–II:63 Lamentations (4) - Zain. Candidiores nazarei – II:27v–II:30
Pisano, Bernardo	Aestimatus sum cum descendentibus (Holy Saturday, responsory 8) – I:48v–I:49 Amicus meus osculi me (Maundy Thursday, responsory 4) – I:7v–I:9 Animam meam tradidi (Good Friday, responsory 6) – I:30v–I:33 Astiterunt reges terrae (Holy Saturday, responsory 7) – I:47v–I:48 Caligaverunt oculi mei (Good Friday, responsory 9) – I:35v–I:37 Ecce quomodo moritur justus (Holy Saturday, responsory 6) – I:44v–I:47 Ecce vidimus eum (Maundy Thursday, responsory 3) – I:4v–I:7 Eram quasi agnus (Maundy Thursday, responsory 7) – I:14v–I:16 In monte Oliveti (Maundy Thursday, responsory 1) – I:0v–I:2 Jerusalem luge et exue te (Holy Saturday, responsory 2) – I:38v–I:39 Jesum tradidit impius sumis principibus (Good Friday, responsory 8) – I:34v–I:35 Judas mercator pessimus (Maundy Thursday, responsory 5) – I:9v–I:11 O vos omnes qui transitis (Holy Saturday, responsory 5) – I:43v–I:44 Omnes amici mei (Good Friday, responsory 1) – II:13v–II:15 Omnes amici mei (Good Friday, responsory 1) – I:19v–I:21 Plange quasi virgo plebs mea (Holy Saturday, responsory 3) – I:39v–I:41 Recessit pastor noster fons aquae (Holy Saturday, responsory 4) – I:41v–I:43 Seniores populi concilium fecerunt (Maundy Thursday, responsory 9) – I:17v–I:19 Sepulto Domino signatum est monumentum (Holy Saturday, responsory 9) – I:49v–I:51 Sicut ovis ad occisionem (Holy Saturday, responsory 1) – I:37v–I:38 Tamquam ad latronem existis (Good Friday, responsory 4) – I:26v–I:28 Tenebrae factae sunt (Good Friday, responsory 5) – I:28v–I:30 Tradiderunt me in manus iniquorum (Good Friday, responsory 7) – I:33v–I:34 Tristis est anima mea usque ad mortem (Maundy Thursday, responsory 2) – I:2v–I:4 Una hora non potuistis (Maundy Thursday, responsory 8) – I:16v–I:17 Unus ex discipulis (Maundy Thursday, responsory 6) – I:11v–I:14 Velum templi scissum est (Good Friday, responsory 2) – II:16v–II:18 Velum templi scissum est (Good Friday, responsory 2) – I:21v–I:23 Vinea mea electa (Good Friday, responsory 3) – I:23v–I:26 Vinea mea electa (Good Friday, responsory 3) – II:19v–II:21
Verdelot, Philippe (ca. 1480–ca. 1532)	Benedictus Dominus Deus Israel – I:64v

Composition	Composers (? Uncertain)	Folios / Pages
Aestimatus sum cum descendentibus (Holy Saturday, responsory 8)	Pisano, Bernardo	I:48v–I:49
Amicus meus osculi me (Maundy Thursday, responsory 4)	Pisano, Bernardo	I:7v–I:9
Animam meam tradidi (Good Friday, responsory 6)	Pisano, Bernardo	I:30v–I:33
Astiterunt reges terrae (Holy Saturday, responsory 7)	Pisano, Bernardo	I:47v–I:48
Benedictus Dominus Deus Israel	Verdelot, Philippe (ca. 1480–ca. 1532)	I:64v
Benedictus Dominus Deus Israel	Layolle, Francesco de (?) Layolle, Alamanne de (?)	I:65
Benedictus Dominus Deus Israel (I) - Sicut locutus est - Ad faciendam (etc)	Corteccia, (Pier) Francesco	I:65v–I:67v
Benedictus Dominus Deus Israel (I) - Sicut locutus est - Ad faciendam (etc)	Corteccia, (Pier) Francesco	II:76v–II:79
Benedictus Dominus Deus Israel (II) - Sicut locutus est - Ad faciendam (etc)	Corteccia, (Pier) Francesco	II:85v–II:92
Caligaverunt oculi mei (Good Friday, responsory 9)	Pisano, Bernardo	I:35v–I:37
Christus factus est	Anonymous	I:iii
Christus factus est (II)	Corteccia, (Pier) Francesco	II:91v–II:92
Deo gratias (5vv)	Anonymous	[-]
Ecce quomodo moritur justus (Holy Saturday, responsory 6)	Pisano, Bernardo	I:44v–I:47
Ecce vidimus eum (I)	Corteccia, (Pier) Francesco	II:7v–II:8
Ecce vidimus eum (II)	Corteccia, (Pier) Francesco	II:8v–II:9
Ecce vidimus eum (Maundy Thursday, responsory 3)	Pisano, Bernardo	I:4v–I:7
Eram quasi agnus (Maundy Thursday, responsory 7)	Pisano, Bernardo	I:14v–I:16
In monte Oliveti	Corteccia, (Pier) Francesco	II:2v–II:3
In monte Oliveti (Maundy Thursday, responsory 1)	Pisano, Bernardo	I:0v–I:2
Jerusalem luge et exue te (Holy Saturday, responsory 2)	Pisano, Bernardo	I:38v–I:39
Jesum tradidit impius sumis principibus (Good Friday, responsory 8)	Pisano, Bernardo	I:34v–I:35
Judas mercator pessimus (Maundy Thursday, responsory 5)	Pisano, Bernardo	I:9v–I:11
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum	Morales, Cristóbal de (ca. 1500–1553)	II:9v–II:11
Lamentations (2): Num. Vigilavit jugum iniquitatum	Morales, Cristóbal de (ca. 1500–1553)	II:32v–II:36
Lamentations (3): Phe. Expandit Sion manus suas	Morales, Cristóbal de (ca. 1500–1553)	II:58v–II:63
Lamentations (4) - Zain. Candidiores nazarei	Morales, Cristóbal de (ca. 1500–1553)	II:27v–II:30
Miserere	Anonymous	[-]
Miserere mei Deus (falsobordone)	Anonymous	II:98v
Miserere mei Deus (falsobordone)	Anonymous	II:98v
Miserere mei Deus (I)	Corteccia, (Pier) Francesco	II:98v
Miserere mei Deus (III)	Corteccia, (Pier) Francesco	II:98v
O vos omnes qui transitis (Holy Saturday, responsory 5)	Pisano, Bernardo	I:43v–I:44
Omnes amici mei (Good Friday, responsory 1)	Pisano, Bernardo	I:19v–I:21
Omnes amici mei (Good Friday, responsory 1)	Pisano, Bernardo	II:13v–II:15
Plange quasi virgo (I)	Corteccia, (Pier) Francesco	II:50v–II:51
Plange quasi virgo (II)	Corteccia, (Pier) Francesco	II:57v–II:58
Plange quasi virgo plebs mea (Holy Saturday, responsory 3)	Pisano, Bernardo	I:39v–I:41
Recessit pastor noster fons aquae (Holy Saturday, responsory 4)	Pisano, Bernardo	I:41v–I:43
Seniores populi concilium fecerunt (Maundy Thursday, responsory 9)	Pisano, Bernardo	I:17v–I:19
Sepulto Domino signatum est monumentum (Holy Saturday, responsory 9)	Pisano, Bernardo	I:49v–I:51
Sicut ovis ad occisionem (Holy Saturday, responsory 1)	Pisano, Bernardo	I:37v–I:38
Tamquam ad latronem existis (Good Friday, responsory 4)	Pisano, Bernardo	I:26v–I:28
Tenebrae factae sunt (Good Friday, responsory 5)	Pisano, Bernardo	I:28v–I:30
Tradiderunt me in manus iniquorum (Good Friday, responsory 7)	Pisano, Bernardo	I:33v–I:34
Tristis est anima mea	Corteccia, (Pier) Francesco	II:5v–II:6
Tristis est anima mea usque ad mortem (Maundy Thursday, responsory 2)	Pisano, Bernardo	I:2v–I:4
Una hora non potuistis (Maundy Thursday, responsory 8)	Pisano, Bernardo	I:16v–I:17
Unus ex discipulis (Maundy Thursday, responsory 6)	Pisano, Bernardo	I:11v–I:14
Velum templi scissum est (Good Friday, responsory 2)	Pisano, Bernardo	I:21v–I:23
Velum templi scissum est (Good Friday, responsory 2)	Pisano, Bernardo	II:16v–II:18
Vinea mea electa (Good Friday, responsory 3)	Pisano, Bernardo	I:23v–I:26
Vinea mea electa (Good Friday, responsory 3)	Pisano, Bernardo	II:19v–II:21

‡ denotes primary source study

Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.

D'Accone, Frank A (editor). 1985-. Collected Sacred Works. Vol. XI [several additional volumes projected] of Music of the Florentine Renaissance. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: XI.xvii-xix.xxii-xxxii, 168-79. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

D'Accone, Frank A. 1985. Updating the Style: Francesco Corteccia's Revisions in His Responsories for Holy Week. Music and Context: Essays for John M. Ward, Cambridge, Massachusetts. Pages: 37ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

D'Accone, Frank A. 1983. Singolarità di Alcuni Aspetti della Musica Sacra Fiorentina del Cinquecento," in Firenze e la Toscana dei Medici nell'Europa del '500, 513-37. Biblioteca di Storia Toscana Moderna e Contemporanea: Studi e Documenti. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Strainchamps. 1980. New Polyphony from Sixteenth- and Seventeenth-Century Italy. Paper read at the Annual Meeting of the American Musicological Society, November, 1980, . Notes: physical description; mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

I-Fsl MS II.10

Archivio di San Lorenzo, Firenze (Florence), Italy

Two manuscripts of polyphony bound together: 1560 + 1559

General Description

Physical Description

Binding

Notation

Date

Ruling

Foliation

Surface

Census Catalogue of Music Description

General Note

General Note

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017