I-Fd MS 49

Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Firenze (Florence), Italy

manuscript of polyphony: 1554 - 5 (revisions and additions in second half of 16th century)

Archive	Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Firenze (Florence), Italy (I-Fd)
Shelfmark	MS 49
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	420 x 290 mm
Other Identifiers	CCM: FlorD 49
Provenance	Firenze (Florence), Italy
Contents	41 pieces from 2 composers

General Description

A complete set of Corteccis' responsories, with revisions. Copied by one main scribe and five additional scribes. Many of the responsories were substantially revised in the 1560s-1570s, adapting them to the composer's newer versions printed in 1570. Copied in Florence.

DIAMM, 2024

Binding

Rebound in modern covers of gray cardboard.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height ca. 17-18

DIAMM, 2017

Foliation

Original ink foliation, 1-66, on upper right rectos

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 psalms, 29 moíeis = 32

Corteccia-30, anon-2

i + 66 + i + i paper folios, 420 x 290. Original ink foliation, 1-66, on upper right rectos. Rebound in modern covers of gray cardboard. No index. Copied by one main scribe and five additional scribes. Staff height ca. 17-18. Inked calligraphic initials.

1554-5 (D'AccU), with revisions and additions in second half of 16th century. Copied in Florence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–3	In monte Oliveti	-	Corteccia, (Pier) Francesco
In monte Oliveti Corteccia, (Pier) Francesco Appears on: 1v–3 Genres: Responsory
3v–6	Tristis est anima mea	-	Corteccia, (Pier) Francesco
Tristis est anima mea Corteccia, (Pier) Francesco Appears on: 3v–6 Genres: Responsory
6v–8	Ecce vidimus eum (I)	-	Corteccia, (Pier) Francesco
Ecce vidimus eum (I) Corteccia, (Pier) Francesco Appears on: 6v–8 Genres: Responsory
8v–9	Ecce vidimus eum (II)	-	Corteccia, (Pier) Francesco
Ecce vidimus eum (II) Corteccia, (Pier) Francesco Appears on: 8v–9 Genres: Responsory
9v–11	Amicus meus	-	Corteccia, (Pier) Francesco
Amicus meus Corteccia, (Pier) Francesco Appears on: 9v–11 Genres: Responsory
11v–12	Judas mercator pessimus	-	Corteccia, (Pier) Francesco
Judas mercator pessimus Corteccia, (Pier) Francesco Appears on: 11v–12 Genres: Responsory
12v–13	Unus ex discipulis meis (I)	-	Corteccia, (Pier) Francesco
Unus ex discipulis meis (I) Corteccia, (Pier) Francesco Appears on: 12v–13 Genres: Responsory
13v–14	Unus ex discipulis meis (II)	-	Corteccia, (Pier) Francesco
Unus ex discipulis meis (II) Corteccia, (Pier) Francesco Appears on: 13v–14 Genres: Responsory
14v–16	Eram quasi agnus innocens	-	Corteccia, (Pier) Francesco
Eram quasi agnus innocens Corteccia, (Pier) Francesco Appears on: 14v–16 Genres: Responsory
16v–18	Una hora non potuistis	-	Corteccia, (Pier) Francesco
Una hora non potuistis Corteccia, (Pier) Francesco Appears on: 16v–18 Genres: Responsory
18v–20	Seniores populi (I)	-	Corteccia, (Pier) Francesco
Seniores populi (I) Corteccia, (Pier) Francesco Appears on: 18v–20 Genres: Responsory
20v–21	Seniores populi (II)	-	Corteccia, (Pier) Francesco
Seniores populi (II) Corteccia, (Pier) Francesco Appears on: 20v–21 Genres: Responsory
21v–23	Omnes amici mei	-	Corteccia, (Pier) Francesco
Omnes amici mei Corteccia, (Pier) Francesco Appears on: 21v–23 Genres: Responsory
23v–25	Velum templi scissum est	-	Corteccia, (Pier) Francesco
Velum templi scissum est Corteccia, (Pier) Francesco Appears on: 23v–25 Genres: Responsory
25v–27	Vinea mea electa (I)	-	Corteccia, (Pier) Francesco
Vinea mea electa (I) Corteccia, (Pier) Francesco Appears on: 25v–27 Genres: Responsory
27v–28	Vinea mea electa (II)	-	Corteccia, (Pier) Francesco
Vinea mea electa (II) Corteccia, (Pier) Francesco Appears on: 27v–28 Genres: Responsory
28v–30	Tamquam ad latronem	-	Corteccia, (Pier) Francesco
Tamquam ad latronem Corteccia, (Pier) Francesco Appears on: 28v–30 Genres: Responsory
30v–32	Tenebrae factae sunt	-	Corteccia, (Pier) Francesco
Tenebrae factae sunt Corteccia, (Pier) Francesco Appears on: 30v–32 Genres: Responsory
32v–34	Animam meam dilectam (I)	-	Corteccia, (Pier) Francesco
Animam meam dilectam (I) Corteccia, (Pier) Francesco Appears on: 32v–34 Genres: Responsory
34v–35	Animam meam dilectam (II)	-	Corteccia, (Pier) Francesco
Animam meam dilectam (II) Corteccia, (Pier) Francesco Appears on: 34v–35 Genres: Responsory
35v–37	Tradiderunt me	-	Corteccia, (Pier) Francesco
Tradiderunt me Corteccia, (Pier) Francesco Appears on: 35v–37 Genres: Responsory
37v–39	Jesum tradidit	-	Corteccia, (Pier) Francesco
Jesum tradidit Corteccia, (Pier) Francesco Appears on: 37v–39 Genres: Responsory
39v–41	Caligaverunt oculi mei (I)	-	Corteccia, (Pier) Francesco
Caligaverunt oculi mei (I) Corteccia, (Pier) Francesco Appears on: 39v–41 Genres: Responsory
41v–42	Caligaverunt oculi mei (II)	-	Corteccia, (Pier) Francesco
Caligaverunt oculi mei (II) Corteccia, (Pier) Francesco Appears on: 41v–42 Genres: Responsory
42v–44	Sicut ovis	-	Corteccia, (Pier) Francesco
Sicut ovis Corteccia, (Pier) Francesco Appears on: 42v–44 Genres: Responsory
44v–46	Jerusalem surge	-	Corteccia, (Pier) Francesco
Jerusalem surge Corteccia, (Pier) Francesco Appears on: 44v–46 Genres: Responsory
46v–48	Plange quasi virgo (I)	-	Corteccia, (Pier) Francesco
Plange quasi virgo (I) Corteccia, (Pier) Francesco Appears on: 46v–48 Genres: Responsory
48v–49	Plange quasi virgo (II)	-	Corteccia, (Pier) Francesco
Plange quasi virgo (II) Corteccia, (Pier) Francesco Appears on: 48v–49 Genres: Responsory
49v–51	Recessit pastor noster	-	Corteccia, (Pier) Francesco
Recessit pastor noster Corteccia, (Pier) Francesco Appears on: 49v–51 Genres: Responsory
51v–53	O vos omnes	-	Corteccia, (Pier) Francesco
O vos omnes Corteccia, (Pier) Francesco Appears on: 51v–53 Genres: Responsory
53v–55	Ecce quomodo moritur (I)	-	Corteccia, (Pier) Francesco
Ecce quomodo moritur (I) Corteccia, (Pier) Francesco Appears on: 53v–55 Genres: Responsory
55v–56	Ecce quomodo moritur (II)	-	Corteccia, (Pier) Francesco
Ecce quomodo moritur (II) Corteccia, (Pier) Francesco Appears on: 55v–56 Genres: Responsory
56v–58	Astiterunt reges terrae	-	Corteccia, (Pier) Francesco
Astiterunt reges terrae Corteccia, (Pier) Francesco Appears on: 56v–58 Genres: Responsory
58v–60	Aestimatus sum	-	Corteccia, (Pier) Francesco
Aestimatus sum Corteccia, (Pier) Francesco Appears on: 58v–60 Genres: Responsory
60v–61	Sepulto Domino (I)	-	Corteccia, (Pier) Francesco
Sepulto Domino (I) Corteccia, (Pier) Francesco Appears on: 60v–61 Genres: Responsory
61v–62	Sepulto Domino (II)	-	Corteccia, (Pier) Francesco
Sepulto Domino (II) Corteccia, (Pier) Francesco Appears on: 61v–62 Genres: Responsory
63v–65	Miserere mei Deus (II) - Et secundum multitudinem - Quoniam iniquitatem meam (etc)	-	Corteccia, (Pier) Francesco
Miserere mei Deus (II) - Et secundum multitudinem - Quoniam iniquitatem meam (etc) Corteccia, (Pier) Francesco Appears on: 63v–65 Genres: Psalm
66v	Miserere mei Deus (I)	-	Corteccia, (Pier) Francesco
Miserere mei Deus (I) Corteccia, (Pier) Francesco Appears on: 66v Genres: Responsory
66v	Miserere mei Deus (falsobordone)	-	Anonymous
Miserere mei Deus (falsobordone) Anonymous Appears on: 66v Genres: Fauxbourdon/faburden, Responsory
66v	Miserere mei Deus (III)	-	Corteccia, (Pier) Francesco
Miserere mei Deus (III) Corteccia, (Pier) Francesco Appears on: 66v Genres: Responsory
66v	Miserere mei Deus (falsobordone)	-	Anonymous
Miserere mei Deus (falsobordone) Anonymous Appears on: 66v Genres: Fauxbourdon/faburden, Responsory

Composer	Compositions
Anonymous	Miserere mei Deus (falsobordone) – 66v Miserere mei Deus (falsobordone) – 66v
Corteccia, (Pier) Francesco	Aestimatus sum – 58v–60 Amicus meus – 9v–11 Animam meam dilectam (I) – 32v–34 Animam meam dilectam (II) – 34v–35 Astiterunt reges terrae – 56v–58 Caligaverunt oculi mei (I) – 39v–41 Caligaverunt oculi mei (II) – 41v–42 Ecce quomodo moritur (I) – 53v–55 Ecce quomodo moritur (II) – 55v–56 Ecce vidimus eum (I) – 6v–8 Ecce vidimus eum (II) – 8v–9 Eram quasi agnus innocens – 14v–16 In monte Oliveti – 1v–3 Jerusalem surge – 44v–46 Jesum tradidit – 37v–39 Judas mercator pessimus – 11v–12 Miserere mei Deus (I) – 66v Miserere mei Deus (II) - Et secundum multitudinem - Quoniam iniquitatem meam (etc) – 63v–65 Miserere mei Deus (III) – 66v O vos omnes – 51v–53 Omnes amici mei – 21v–23 Plange quasi virgo (I) – 46v–48 Plange quasi virgo (II) – 48v–49 Recessit pastor noster – 49v–51 Seniores populi (I) – 18v–20 Seniores populi (II) – 20v–21 Sepulto Domino (I) – 60v–61 Sepulto Domino (II) – 61v–62 Sicut ovis – 42v–44 Tamquam ad latronem – 28v–30 Tenebrae factae sunt – 30v–32 Tradiderunt me – 35v–37 Tristis est anima mea – 3v–6 Una hora non potuistis – 16v–18 Unus ex discipulis meis (I) – 12v–13 Unus ex discipulis meis (II) – 13v–14 Velum templi scissum est – 23v–25 Vinea mea electa (I) – 25v–27 Vinea mea electa (II) – 27v–28

Composer

Compositions

Anonymous

Miserere mei Deus (falsobordone) – 66v
Miserere mei Deus (falsobordone) – 66v

Corteccia, (Pier) Francesco

Aestimatus sum – 58v–60
Amicus meus – 9v–11
Animam meam dilectam (I) – 32v–34
Animam meam dilectam (II) – 34v–35
Astiterunt reges terrae – 56v–58
Caligaverunt oculi mei (I) – 39v–41
Caligaverunt oculi mei (II) – 41v–42
Ecce quomodo moritur (I) – 53v–55
Ecce quomodo moritur (II) – 55v–56
Ecce vidimus eum (I) – 6v–8
Ecce vidimus eum (II) – 8v–9
Eram quasi agnus innocens – 14v–16
In monte Oliveti – 1v–3
Jerusalem surge – 44v–46
Jesum tradidit – 37v–39
Judas mercator pessimus – 11v–12
Miserere mei Deus (I) – 66v
Miserere mei Deus (II) - Et secundum multitudinem - Quoniam iniquitatem meam (etc) – 63v–65
Miserere mei Deus (III) – 66v
O vos omnes – 51v–53
Omnes amici mei – 21v–23
Plange quasi virgo (I) – 46v–48
Plange quasi virgo (II) – 48v–49
Recessit pastor noster – 49v–51
Seniores populi (I) – 18v–20
Seniores populi (II) – 20v–21
Sepulto Domino (I) – 60v–61
Sepulto Domino (II) – 61v–62
Sicut ovis – 42v–44
Tamquam ad latronem – 28v–30
Tenebrae factae sunt – 30v–32
Tradiderunt me – 35v–37
Tristis est anima mea – 3v–6
Una hora non potuistis – 16v–18
Unus ex discipulis meis (I) – 12v–13
Unus ex discipulis meis (II) – 13v–14
Velum templi scissum est – 23v–25
Vinea mea electa (I) – 25v–27
Vinea mea electa (II) – 27v–28

Composition	Composers (? Uncertain)	Folios / Pages
Aestimatus sum	Corteccia, (Pier) Francesco	58v–60
Amicus meus	Corteccia, (Pier) Francesco	9v–11
Animam meam dilectam (I)	Corteccia, (Pier) Francesco	32v–34
Animam meam dilectam (II)	Corteccia, (Pier) Francesco	34v–35
Astiterunt reges terrae	Corteccia, (Pier) Francesco	56v–58
Caligaverunt oculi mei (I)	Corteccia, (Pier) Francesco	39v–41
Caligaverunt oculi mei (II)	Corteccia, (Pier) Francesco	41v–42
Ecce quomodo moritur (I)	Corteccia, (Pier) Francesco	53v–55
Ecce quomodo moritur (II)	Corteccia, (Pier) Francesco	55v–56
Ecce vidimus eum (I)	Corteccia, (Pier) Francesco	6v–8
Ecce vidimus eum (II)	Corteccia, (Pier) Francesco	8v–9
Eram quasi agnus innocens	Corteccia, (Pier) Francesco	14v–16
In monte Oliveti	Corteccia, (Pier) Francesco	1v–3
Jerusalem surge	Corteccia, (Pier) Francesco	44v–46
Jesum tradidit	Corteccia, (Pier) Francesco	37v–39
Judas mercator pessimus	Corteccia, (Pier) Francesco	11v–12
Miserere mei Deus (falsobordone)	Anonymous	66v
Miserere mei Deus (falsobordone)	Anonymous	66v
Miserere mei Deus (I)	Corteccia, (Pier) Francesco	66v
Miserere mei Deus (II) - Et secundum multitudinem - Quoniam iniquitatem meam (etc)	Corteccia, (Pier) Francesco	63v–65
Miserere mei Deus (III)	Corteccia, (Pier) Francesco	66v
O vos omnes	Corteccia, (Pier) Francesco	51v–53
Omnes amici mei	Corteccia, (Pier) Francesco	21v–23
Plange quasi virgo (I)	Corteccia, (Pier) Francesco	46v–48
Plange quasi virgo (II)	Corteccia, (Pier) Francesco	48v–49
Recessit pastor noster	Corteccia, (Pier) Francesco	49v–51
Seniores populi (I)	Corteccia, (Pier) Francesco	18v–20
Seniores populi (II)	Corteccia, (Pier) Francesco	20v–21
Sepulto Domino (I)	Corteccia, (Pier) Francesco	60v–61
Sepulto Domino (II)	Corteccia, (Pier) Francesco	61v–62
Sicut ovis	Corteccia, (Pier) Francesco	42v–44
Tamquam ad latronem	Corteccia, (Pier) Francesco	28v–30
Tenebrae factae sunt	Corteccia, (Pier) Francesco	30v–32
Tradiderunt me	Corteccia, (Pier) Francesco	35v–37
Tristis est anima mea	Corteccia, (Pier) Francesco	3v–6
Una hora non potuistis	Corteccia, (Pier) Francesco	16v–18
Unus ex discipulis meis (I)	Corteccia, (Pier) Francesco	12v–13
Unus ex discipulis meis (II)	Corteccia, (Pier) Francesco	13v–14
Velum templi scissum est	Corteccia, (Pier) Francesco	23v–25
Vinea mea electa (I)	Corteccia, (Pier) Francesco	25v–27
Vinea mea electa (II)	Corteccia, (Pier) Francesco	27v–28

‡ denotes primary source study

D'Accone, Frank A (editor). 1985-. Collected Sacred Works. Vol. XI [several additional volumes projected] of Music of the Florentine Renaissance. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: XI,xvi-xix,xxii-xxxii,171. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

D'Accone, Frank A. 1985. Updating the Style: Francesco Corteccia's Revisions in His Responsories for Holy Week. Music and Context: Essays for John M. Ward, Cambridge, Massachusetts. Pages: 36ff. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description