H-Bn MS Bártfa 31

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

manuscript of polyphony: c. 1570-c. 1650

Archive Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark MS Bártfa 31
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements widely varying sizes (some are small scraps) mm
Other Identifiers
  • CCM: BudOS 31
Notations
  • black void mensural
Relationships
Provenance
Contents 51 pieces from 13 composers
General Description

A collection of fragments of various sizes, collated and given a shelfmark in 1971. Copied by many scribes. From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to National Library in Budapest in 1915.

DIAMM, 2023
Physical Description

Fragments repaired and restored in connection with renovation of library's Bártfa collection ca. 1960-80; present fragments include all those apparently not associated with any other extant volumes in Bártfa collection.

DIAMM, 2017
Binding

Now preserved in modern guard book of 55 paper folios, with half-leather binding.

DIAMM, 2023
Notation

black void mensural

DIAMM, 2017
Date

ff. 27r, 28v dated (15)80; f. 42r has a list of choirboys from the 1650s, and f. 42v has part of a letter with the date 10 March 1683

DIAMM, 2023
Foliation

Other numberings: Several fragments have original piece numbers

DIAMM, 2017
Foliation

Modern foliation, 1-55

DIAMM, 2017
Decoration

A few folios have inked initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 K-G-C Mass, 1 Kyrie-Gloria pair, 1 Sanctus-Agnus pair, 2 Kyries, 1 Credo, 3 Sanctus, 1 Agnus, 7 Mass Proper sections, 10 Magnificats, 1 hymn, 20 motets, 9 German sacred pieces, 1 textless piece = 58 (all fragmentary and incomplete)

Clemens non Papa-1, Figulus-3, Forster-1, (Händl)-1, Josquin/ (Gombert)-1, Lassus-1, (Rein)-1, Wert-1, anon-48

68 paper folios or fragments of folios, of widely varying sizes (some are small scraps), now preserved in modern guard book of 55 paper folios. Fragments repaired and restored in connection with renovation of library's Bártfa collection ca. 1960-80; present fragments include all those apparently not associated with any other extant volumes in Bártfa collection. Modern foliation, 1-55; several fragments have original piece numbers. Copied by many scribes. A few folios have inked initials.

Ca. 1570-ca. 1650 (Robert Murányi). From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to National Library in Budapest in 1915.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2v Also hatt Gott die Welt geliebt Forsterus
Appears on: 1–2v
Genres: Sacred Song
Source Attribution: Forsterus
Voice: [no designation]
Languages: German
Voice Text: Also hatt Gott die welt gelibt
3–4v Herr nun lasst du Deinen diener in friede Anon. Anonymous
Appears on: 3–4v
Genres: Motet, Nunc Dimittis
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: [Herr nun lasst du] deinen diener in friede
5–5v, 23,24-25v [?Surrexit enim sicut dixit] ... praecedit vos in Galileam ibi eum videbitis (2p. Alleluia. Noli flere Maria alleluia) Anon. Anonymous
Appears on: 5–5v, 23,24-25v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Unidentified motet] ... praecedit vos in Galileam ibi eum videbitis II: Alleluia. Noli flere Maria alleluia
5v–6v,17-18v Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) Clemens non Papa
Appears on: 5v–6v,17-18v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Venit vox de coelo cum luce superna II: Respondit miles quis es tu domine
6v Transeunte Domino clamabat caecus ad eum (2p. Et ait illi Jesus quid vis ut faciam) Jaches Werth/[Lassus]
Appears on: 6v
Genres: Motet
Source Attribution: Jaches Werth/[Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: [Transeunte] domino clamabat coecus ad [eum]
7, 10–11v Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes [Figulus]
Appears on: 7, 10–11v
Genres: Motet
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin
Voice Text: [Bonum est homini uxorem non tangere] II: Honorabile igitur [in]ter omnes
General Note

Apparently only fragments of the 2a pars remain

7v–8,15-16v Siehe wie fein und lieblich ist's dass brüder (8vv) Figulus
Appears on: 7v–8,15-16v
Genres: Motet
Source Attribution: Figulus
Voice: [no designation]
Languages: German
Voice Text: [Siehe wie] fein und lieblich ists
Concordances

concordance: RISM A/I F 721 (no.3)

8v–9,12-12v Das alte Jahr vergangen ist, wir danken dir (8vv) Figulus
Appears on: 8v–9,12-12v
Genres: Chorale, Motet, Sacred Song
Source Attribution: Figulus
Voice: [no designation]
Languages: German
Voice Text: Das alte [Jahr ver]gangen ist [wir] dancken
Concordances

concordance: RISM A/I F 721 (no.4)

9–9v Sanctus [Figulus]
Appears on: 9–9v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
Concordances

concordance: RISM A/I F 721 (no.5)

13–13v,19-19v Herr Gott dich loben wir ... der Herre Zabaoth Dein gottlich macht (4vv) [Figulus]
Appears on: 13–13v,19-19v
Genres: Motet, Te Deum
Source Attribution: [Figulus]
Voice: [no designation]
Languages: German
Voice Text: [Herr Gott dich loben wir] ... der Herre Zabaoth dein gottlich macht
Concordances

concordance: RISM A/I F 721 (no.10)

14 [Unidentified motet] ... in laudis quae bona sunt quam nos sumus in rogaudis Anon. Anonymous
Appears on: 14
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Unidentified motet] ... in laudis quae bona sunt quam nos sumus in rogaudis
General Note

only the end survives

14–14v Tröst mich, O Herr, in meiner Not [Forster]
Appears on: 14–14v
Genres: Sacred Song
Source Attribution: [Forster]
Voice: [no designation]
Languages: German
Voice Text: Tröst mich O Herr in meiner not
20–20v [Unidentified motet] ... et jubeat rogare quid veli Anon. Anonymous
Appears on: 20–20v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Unidentified motet] ... et iubeat rogare quid veli
21–22 Deus misereatur nostri et benedicat nobis Orlandus di Lass:
Appears on: 21–22
Genres: Motet
Source Attribution: Orlandus di Lass:
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis
22–22v Tulerunt Dominum (8vv) (2p. Alleluia Noli flere) 14.7 (= Lugebat David Absalom) Josquinus/[Gombert]
Appears on: 22–22v
Genres: Motet
Source Attribution: Josquinus/[Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugebat David Absalom pius pater]
Concordances

concordance: RISM 1554-10 (no.41)

23–23v Orantes dicite: Pater noster qui es in caelis Figulus
Appears on: 23–23v
Genres: Motet
Source Attribution: Figulus
Voice: [no designation]
Languages: Latin
Voice Text: Orantes dicite: Pater noster qui es in coelis
Concordances

concordance: RISM A/I F 721 (no.1)

26 [A solis ortus cardine] Beatus auctor saeculi Anon.
Appears on: 26
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: A solis ort[us cardine ad usque terrae] 2 Beatus auc[tor saeculi servile corpus] 3 Castae parentis [viscera caelestis] 4 Domus pudici pectoris templ[um] 5 Enixa est puerpera qu[em Gabriel] 6 Foeno jacere pertulit prae[saepe] 7 Gaudet chorus caelestium [et angeli] 8 Gloria tibi domine [qui natus es]
Concordances

concordance: Heilsbronner Chorbuch (Erlangen 473,2) f.2, no.17

26v Magnificat primi toni (4vv) [NR 17] [Lassus]
Appears on: 26v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Primi toni]: [Et exultavit spiritus meus] ... [Fecit potentiam in brachio suo]
27 Magnificat tertii toni (4vv) [NR 19] [Lassus]
Appears on: 27
Genres: BVM, Canticle, Magnificat
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Tertii toni]: [Et exultavit spiritus meus] ... salutari meo
27v Magnificat quarti toni (4vv) [NR 20] [Lassus]
Appears on: 27v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Quarti toni]: Et exultavit spiritus meus
28 Magnificat sexti toni (4vv) [NR 22] [Lassus]
Appears on: 28
Genres: BVM, Canticle, Magnificat
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Sexti toni]: [Et exultavit spiritus meus] ... in deo salutari me[o]
28v Magnificat septimi toni (4vv) [NR 23] [Lassus]
Appears on: 28v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Septimi toni]: Et exultavit spiritus meus
29–29v Magnificat octavi toni: Et exultavit spiritus meus ... Quia respexit humilitatem Anon. Anonymous
Appears on: 29–29v
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] 8. Toni: [Et exultavit spiritus meus] ... Quia respexit humilitatem
29v Magnificat septimi toni (4vv) [NR 23] Anon.
Appears on: 29v
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Septimi? toni]: [Et exultavit spiritus meus] ... [Sicut] erat in principio
General Note

last verse only

30 Magnificat secundi toni (4vv) [NR 18] [Lassus]
Appears on: 30
Genres: BVM, Canticle, Magnificat
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Secundi toni]: Et exultavit spiritus meus
30v Magnificat primi toni (4vv) [NR 17] [Lassus]
Appears on: 30v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Primi toni]: [Et exultavit spiritus meus] ... deo salutari meo
31 Magnificat quinti toni (4vv) [NR 21] [Lassus]
Appears on: 31
Genres: BVM, Canticle, Magnificat
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Quinti toni]: [Et exultavit spiritus meus] ... qui potens est [et sanc]tum nomen eius
31v Magnificat octavi toni (4vv) [NR 24] [Lassus]
Appears on: 31v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Octavi toni]: Et exultavit [spiritus meus]
32, 33,34–35 Hodie natus est Christus ... in terra canunt angeli laetantur archangeli Anon. Anonymous
Appears on: 32, 33,34–35
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Hodie natus est Christus ... in terra canunt angeli laetantur archangeli
32–32v Laetentur caeli et exultet terra jubilate Anon. Anonymous
Appears on: 32–32v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laetentur coeli et exultet terra [iubilate]
33v,35–35v Ein freundlich Weib erfreuet ihren Mann ... denn ein keusches Weib erfrischt sie ihm sein Herz [Weissensee]
Appears on: 33v,35–35v
Genres: Song
Source Attribution: [Weissensee]
Voice: [no designation]
Languages: German
Voice Text: [Ein freundlich weib] erfrewet ihren M[ann] ... denn ein keüsches weib erfrischt sie im sein hertz
34v Puer natus est nobis et filius datus est Anon. Anonymous
Appears on: 34v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis et filius datus est
36 Agnus Dei Anon. Anonymous

Agnus Dei

Anonymous
Appears on: 36
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus [dei qui tollis peccata]
38 Missa: Sanctus Anon. Anonymous

Missa: Sanctus

Anonymous
Appears on: 38
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] [SA]
38 Missa: Agnus Dei - Anonymous

Missa: Agnus Dei

Anonymous
Appears on: 38
Genres: Agnus Dei, Mass Ordinary
39 Kyrie - Anonymous

Kyrie

Anonymous
Appears on: 39
Genres: Kyrie eleison, Mass Ordinary
39 Laus et perennis gloria Deo patri et filio (8vv) [Händl]
Appears on: 39
Genres: Motet
Source Attribution: [Händl]
Voice: [no designation]
Languages: Latin
Voice Text: Laus et perhennis [gloria] deo patri
39v Hostis Herodes impie Christum venire 4 Lavacra puri gurgitis coelestis agnus Anon. Anonymous
Appears on: 39v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Hostis Herodes impie Christum venire] 4 Lavacra puri gurgitis coelestis agnus
40–41v [printed music] - -
Appears on: 40–41v
Voice: [no designation]
Languages: insufficient
Voice Text: Printed music
43–43v Laudate Dominum in sanctis eius ... tubae laudate eum in tympano Anon. Anonymous
Appears on: 43–43v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Laudate dominum in sanctis eius] ... tubae laudate eum in tympan[o]
General Note

MurTVB states that on this page is copied a "Benedicamus Dominicale", which is attributed to "JZ" (Johann Zarewutius)

44v, 52 Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum Anon. Anonymous
Appears on: 44v, 52
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Rorate) Celi desuper [et nu]bes pluant Vs: (Celi enarrant) [Et opera manuum]
45–45v,50-50v Missa: KG Anon. Anonymous

Missa: KG

Anonymous
Appears on: 45–45v,50-50v
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
General Note

MurTVB considers the Kyrie & Gloria to be part of the same mass setting as the Credo (below)

46 Grates nunc omnes reddamus Domino deo Huic oportet ut canamus cum angelis Anon. Anonymous
Appears on: 46
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Grates nunc omnes reddamus domino deo] Huic oportet ut canamus cum [angelis]
46v,51–51v Missa: Patrem omnipotentem [Credo] Anon. Anonymous
Appears on: 46v,51–51v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
General Note

MurTVB considers the Credo to be part of the same mass setting as the Kyrie & Gloria (above)

47, 54v Alleluia. Assumpta est Maria Anon. Anonymous
Appears on: 47, 54v
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Assumpta est Maria in coelum
48, 53–53v Mittit ad virginem non quemvis angelum Naturam superat natus rex gloriae Anon. Anonymous
Appears on: 48, 53–53v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Mittit ad virginem non quemvis angelum] Naturam superat natus [rex gloriae]
48v, 55 Missa SA Anon. Anonymous

Missa SA

Anonymous
Appears on: 48v, 55
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] [SA] (Sanctus and Agnus set to same music)
General Note

Sanctus and Agnus set to same music

49–49v Dum proeliaretur Michael archangelus [H. Praetorius]
Appears on: 49–49v
Genres: Motet
Source Attribution: [H. Praetorius]
Voice: [no designation]
Languages: Latin
Voice Text: Dum praeliaretur [Michael archangelus]
Concordances

concordance: RISM A/I P 5338 (no.42)

52v Kyrie eleison Anon. Anonymous

Kyrie eleison

Anonymous
Appears on: 52v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Greek
Voice Text: Kirie eleison
54 Et in terra pax [Gloria] Anon. Anonymous
Appears on: 54
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] ... Miserere nobis quoniam tu solus
55v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Rein]
Appears on: 55v
Genres: Hymn
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: ([Pue]r natus [est] nobis) Et filius [datus] Vs: ([Cantate] domino) [Quia mirabilia fecit]
Composer Compositions
Anonymous
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Despres, Josquin (ca. 1450–1521)
Figulus, Wolfgang (ca. 1525–1589)
Forster, Georg (ca. 1510–1568)
Gombert, Nicolas (ca. 1495–ca. 1560)
Handl (Gallus), Jacobus (1550–1591)
Lassus, Orlande de (ca. 1532–1594)
Praetorius, Hieronymus (1560–1629)
Rein, Conrad (ca. 1475–1522)
Resinarius, Balthasar
Weissensee, Friedrich
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
[?Surrexit enim sicut dixit] ... praecedit vos in Galileam ibi eum videbitis (2p. Alleluia. Noli flere Maria alleluia) Anonymous 5–5v, 23,24-25v
[A solis ortus cardine] Beatus auctor saeculi 26
[printed music] - 40–41v
[Unidentified motet] ... et jubeat rogare quid veli Anonymous 20–20v
[Unidentified motet] ... in laudis quae bona sunt quam nos sumus in rogaudis Anonymous 14
Agnus Dei Anonymous 36
Alleluia. Assumpta est Maria Anonymous 47, 54v
Also hatt Gott die Welt geliebt 1–2v
Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes 7, 10–11v
Das alte Jahr vergangen ist, wir danken dir (8vv) 8v–9,12-12v
Deus misereatur nostri et benedicat nobis 21–22
Dum proeliaretur Michael archangelus 49–49v
Ein freundlich Weib erfreuet ihren Mann ... denn ein keusches Weib erfrischt sie ihm sein Herz 33v,35–35v
Et in terra pax [Gloria] Anonymous 54
Grates nunc omnes reddamus Domino deo Huic oportet ut canamus cum angelis Anonymous 46
Herr Gott dich loben wir ... der Herre Zabaoth Dein gottlich macht (4vv) 13–13v,19-19v
Herr nun lasst du Deinen diener in friede Anonymous 3–4v
Hodie natus est Christus ... in terra canunt angeli laetantur archangeli Anonymous 32, 33,34–35
Hostis Herodes impie Christum venire 4 Lavacra puri gurgitis coelestis agnus Anonymous 39v
Kyrie Anonymous 39
Kyrie eleison Anonymous 52v
Laetentur caeli et exultet terra jubilate Anonymous 32–32v
Laudate Dominum in sanctis eius ... tubae laudate eum in tympano Anonymous 43–43v
Laus et perennis gloria Deo patri et filio (8vv) 39
Magnificat octavi toni (4vv) [NR 24] 31v
Magnificat octavi toni: Et exultavit spiritus meus ... Quia respexit humilitatem Anonymous 29–29v
Magnificat primi toni (4vv) [NR 17] 26v
Magnificat primi toni (4vv) [NR 17] 30v
Magnificat quarti toni (4vv) [NR 20] 27v
Magnificat quinti toni (4vv) [NR 21] 31
Magnificat secundi toni (4vv) [NR 18] 30
Magnificat septimi toni (4vv) [NR 23] 28v
Magnificat septimi toni (4vv) [NR 23] 29v
Magnificat sexti toni (4vv) [NR 22] 28
Magnificat tertii toni (4vv) [NR 19] 27
Missa SA Anonymous 48v, 55
Missa: Agnus Dei Anonymous 38
Missa: KG Anonymous 45–45v,50-50v
Missa: Patrem omnipotentem [Credo] Anonymous 46v,51–51v
Missa: Sanctus Anonymous 38
Mittit ad virginem non quemvis angelum Naturam superat natus rex gloriae Anonymous 48, 53–53v
Orantes dicite: Pater noster qui es in caelis 23–23v
Puer natus est nobis et filius datus est Anonymous 34v
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit 55v
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum Anonymous 44v, 52
Sanctus 9–9v
Siehe wie fein und lieblich ist's dass brüder (8vv) 7v–8,15-16v
Transeunte Domino clamabat caecus ad eum (2p. Et ait illi Jesus quid vis ut faciam) 6v
Tröst mich, O Herr, in meiner Not 14–14v
Tulerunt Dominum (8vv) (2p. Alleluia Noli flere) 14.7 (= Lugebat David Absalom) 22–22v
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) 5v–6v,17-18v

denotes primary source study

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa).  Bonn: Gudrun Schröder. Pages: XXVIII-XXIX, 175-7.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description