H-Bn MS Bártfa 2 (a)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: Part I: c. 1550 (GomMB); Part II: 17th century

Archive	Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark	MS Bártfa 2 (a)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	c. 200 x 160 mm
Other Identifiers	CCM: BudOS 2
Copyists	Zarewutius, Zacharias Text and Music
Relationships	Church of St. Aegidi (copied at)
Provenance	Church of St. Aegidi , Bardejov (Bártfa), Slovakia
Contents	39 pieces from 15 composers

General Description

A Discantus II partbook from an incomplete set originally of eight volumes (missing D1 and B2), several of which are damaged and incomplete. Part I copied c.1550 consists of pieces mainly for 4vv with some for 5-6vv; Part II contains pieces mostly for 8vv some of which were not printed until 1623. Mostly copied by a single scribe, Zacharias Zarewutius. Some of the contents of Part I were copied from BudOS 24 (CC2).

From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

DIAMM, 2023

Binding

Rebound and restored in new cardboard covers (CCM) or possibly in half-leather or half-cloth (MurTVB).

DIAMM, 2023

Notation

not indicated

DIAMM, 2017

Date

Part I copied c.1550; Part II contains pieces printed in the early 17th century, the latest-dated of which was published in 1623. (MurTVB)

DIAMM, 2023

Foliation

New foliation

DIAMM, 2017

Foliation

Other numberings: Original numbering of pieces, but some pieces not included in numbering.

DIAMM, 2017

Index

Original index in Bassus, separately indexing the works in 2 parts ('Primus Index' and 'Secundus Index')

DIAMM, 2023

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Part I: 3 Kyrie-Gloria pairs, 1 Mass Proper section, 17 motets, plus 1 later addition (a Mass Proper pair) = 22. Part II: 1 Magnificat, 2 Passions, 12 motets, 20 German sacred pieces = 35. Total for manuscript = 57

(Amon)-1, (Finck)-1, (Hähnel)-4, (Händl)-1, (Hartmann)-1, (Isaac)-6, Josquin-2, (Lassus)-1, Löwenstern [Apelles]-8, (Obrecht/Longaval/Venture)-1, (Schütz)-1, (Senfl)-3, (Stoltzer)-1, Walliser-1, anon-20

6 paper partbooks (D-36 folios, Al-22, A2-51, Tl-26, T2-46, B-50), ca. 200 x 160. Several books are incomplete. New foliation; original numbering of pieces, but some pieces not included in numbering. Rebound and restored in new cardboard covers. Original index in B.

Part I: Ca. 1550 (GomMB); Part II: 17th century. From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

Vol 4

Contents: Part I: 3 Kyrie-Gloria pairs, 10 Mass Proper sections, 1 psalm, 2 processional hymns, 8 motets = 24. Part II: 1 Magnificat, 2 Passions, 12 motets, 20 German sacred pieces = 35. Total for manuscript = 59

Composers: Add "(Chrysoponos)-1"; change "(Hähnel)-4" to "(Hähnel)-3"; change "(Schütz)-1" to "Schützt.-8"

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
(I:6)	Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Josquin de Pres	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Despres, Josquin (ca. 1450–1521) Appears on: (I:6) Genres: Motet Source Attribution: Josquin de Pres Voice: [no designation] Languages: Latin Voice Text: Preter rerum seriem paris(!) deum 24.12 II: Virtus sancti spiritus opus illud
(I:6)	Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	Anon.	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud Despres, Josquin (ca. 1450–1521) Appears on: (I:6) Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor tibi sit rex Christe II: Israel es tu rex Davidis et inclyta III: Coetus in excelsis te laudat IV: Plebs Hebraea tibi cum palmis V: Hi tibi passuro solvebant munia VI: Hi placuere tibi placeat devotio VII: Gloria laus et honor tibi sit rex
(I:7)	O admirabile commercium creator generis	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
O admirabile commercium creator generis Stoltzer, Thomas (ca. 1480–1526) Appears on: (I:7) Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis
(I:8)	Ecce annuntio vobis gaudium magnum	Anon.	Anonymous
Ecce annuntio vobis gaudium magnum Anonymous Appears on: (I:8) Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ecce annuncio vobis gaudium magnum Concordances Appears only in Bartfa manuscripts
(I:13)	Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: (I:13) Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Vita in ligno moritur infernus ex morsu II: Qui expansis prompsisti ero mors III: Qui expansis in cruce manibus
(I:13)	Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua	Anon.	Senfl, Ludwig (ca. 1486–ca. 1543)
Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: (I:13) Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salva festa dies toto venerabilis aevo II: Ecce renascentis testatur gratia III: Namque triumphanti post tristia
(I:13)	Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus	Anon.	Senfl, Ludwig (ca. 1486–ca. 1543)
Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: (I:13) Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alle dei filius ab hoste superbissimo
(I:15)	Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6]	[Josquin]	Despres, Josquin (ca. 1450–1521)
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] Despres, Josquin (ca. 1450–1521) Appears on: (I:15) Genres: Chanson, Contrafactum, Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Haec dicit dominus liberabo populum 30.6 [= Videte omnes populi, Nimphes nappés néridriades driades]
(II:3)	Passio Domini nostri Jesu Christi secundum Matthaeum (2p. ?Apprehendit ergo eum Pilatus; 3p. ?Orabat autem Jesus pro crucifigantibus)	[Bucenus]	Bucenus, Paulus
Passio Domini nostri Jesu Christi secundum Matthaeum (2p. ?Apprehendit ergo eum Pilatus; 3p. ?Orabat autem Jesus pro crucifigantibus) Bucenus, Paulus Appears on: (II:3) Genres: Liturgical work, Passion Source Attribution: [Bucenus] Voice: [no designation] Languages: Latin Voice Text: Passio domini nostri Jesu Christi secundum Matthaeum Concordances Concordance: RISM A/I B4860
(II:6)	Et valde mane una sabbatorum veniunt II: Et ingressae mulieres non invenerunt	[Chrysoponos]	Chrysoponus, Andreas (ca. 1550–ca. 1590)
Et valde mane una sabbatorum veniunt II: Et ingressae mulieres non invenerunt Chrysoponus, Andreas (ca. 1550–ca. 1590) Appears on: (II:6) Genres: Motet Source Attribution: [Chrysoponos] Voice: [no designation] Languages: Latin Voice Text: Et valde mane una sabbatorum veniunt II: Et ingressae mulieres non invenerunt Concordances Appears only in Bartfa mss
(II:7)	Dic Maria quid vidisti lustrando sepulchrum	Anon.	Anonymous
Dic Maria quid vidisti lustrando sepulchrum Anonymous Appears on: (II:7) Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dic Maria quid vidisti lustrando sepulchrum Concordances unicum
(II:8)	Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini	[Lassus]	Lassus, Orlande de (ca. 1532–1594)
Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini Lassus, Orlande de (ca. 1532–1594) Appears on: (II:8) Genres: Motet Source Attribution: [Lassus] Voice: [no designation] Languages: Latin Voice Text: Dixit autem Maria ecce ancilla domini
(II:9)	Ecce quam bonum et quam jucundum habitare	Apellis [= Löwenstern]	Apelles, Matthias
Ecce quam bonum et quam jucundum habitare Apelles, Matthias Appears on: (II:9) Genres: Motet Source Attribution: Apellis [= Löwenstern] Voice: [no designation] Languages: Latin Voice Text: Ecce quam bonum et quam jucundum habitare
(II:10)	Das ist der Tag, den der Herr macht	Matthias Apellis	Apelles, Matthias
Das ist der Tag, den der Herr macht Apelles, Matthias Appears on: (II:10) Genres: Motet, Sacred Song Source Attribution: Matthias Apellis Voice: [no designation] Languages: German Voice Text: Das ist der tag den der Herr macht
(II:11)	Alleluia. Lobet den Herren in seinem Heiligtum	Henrici Schützes	Schütz, Heinrich (1585–1672)
Alleluia. Lobet den Herren in seinem Heiligtum Schütz, Heinrich (1585–1672) Appears on: (II:11) Genres: Alleluia, Motet Source Attribution: Henrici Schützes Voice: [no designation] Languages: Latin, German Voice Text: Alleluia. Lobet den Herren ihn seinen Hailigthumb
(II:12)	Lobe den Herren meine Seele und vergiss nicht	Henrici Schützes	Schütz, Heinrich (1585–1672)
Lobe den Herren meine Seele und vergiss nicht Schütz, Heinrich (1585–1672) Appears on: (II:12) Genres: Motet Source Attribution: Henrici Schützes Voice: [no designation] Languages: German Voice Text: Lobe den Herren meine Seele und vergiss nicht
(II:13)	Singet dem Herren ein neues Lied	Matthiae Apellis	Apelles, Matthias
Singet dem Herren ein neues Lied Apelles, Matthias Appears on: (II:13) Genres: Motet Source Attribution: Matthiae Apellis Voice: [no designation] Languages: German Voice Text: Singet dem Herren ein newes liedt
(II:14)	Habe Deine Lust am Herren, er wird dir geben	Apellis	Apelles, Matthias
Habe Deine Lust am Herren, er wird dir geben Apelles, Matthias Appears on: (II:14) Genres: Motet Source Attribution: Apellis Voice: [no designation] Languages: German Voice Text: Habe deine lust am Herren er wirdt dir gaben
(II:15)	Wie lieblich sind Deine Wohnungen	Walliseri [H. Elsmann / anon]	Walliser, Christoph Thomas (1568–1648) (?) Elsmann, Heinrich (?)
Wie lieblich sind Deine Wohnungen Walliser, Christoph Thomas (1568–1648) (?) Elsmann, Heinrich (?) Appears on: (II:15) Genres: Motet Source Attribution: Walliseri [H. Elsmann / anon] Voice: [no designation] Languages: German Voice Text: Wie lieblich sindt deine wohnungen General Note attributed to H. Elsmann in Levoča 697/5; anon in Toruń UB II 554, 571
(II:16)	Jauchzet dem Herren alle welt dienet	[Grimm]	Grimm, Heinrich
Jauchzet dem Herren alle welt dienet Grimm, Heinrich Appears on: (II:16) Genres: Motet Source Attribution: [Grimm] Voice: [no designation] Languages: German Voice Text: Jauchzet dem Herren alle welt dienet
(II:17)	Alleluia. Zur ehren unsern Gott lasset immer	Schutzii [but correctly Apelles]	Apelles, Matthias
Alleluia. Zur ehren unsern Gott lasset immer Apelles, Matthias Appears on: (II:17) Genres: Alleluia, Motet Source Attribution: Schutzii [but correctly Apelles] Voice: [no designation] Languages: Latin, German Voice Text: Alleluia. Zur ehren unsern Gott lasset immer
(II:18)	Man wird zur Zion sagen das allerlei Leute	[Löwenstern]	Apelles, Matthias
Man wird zur Zion sagen das allerlei Leute Apelles, Matthias Appears on: (II:18) Genres: Motet Source Attribution: [Löwenstern] Voice: [no designation] Languages: German Voice Text: Man wird zur Zion sagen das allerley leutte
(II:19)	Beatus vir qui non abiit in consilio	Anon.	Anonymous
Beatus vir qui non abiit in consilio Anonymous Appears on: (II:19) Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Beatus vir qui non abiit in consilio Concordances unicum
(II:20)	Wie der Hirsch schreiet nach frischen Wasser	[Löwenstern]	Apelles, Matthias
Wie der Hirsch schreiet nach frischen Wasser Apelles, Matthias Appears on: (II:20) Genres: Motet Source Attribution: [Löwenstern] Voice: [no designation] Languages: German Voice Text: Wie der Hirsch schreyet nach frischen wasser
(II:21)	Alleluia. Laetantur angeli et exultat	Anon.	Anonymous
Alleluia. Laetantur angeli et exultat Anonymous Appears on: (II:21) Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Laetantur angeli et exultat Concordances unicum
(II:22)	Cantate Domino canticum novum (8vv)	[Amon]	Ammon, Blasius (fl. c1440)
Cantate Domino canticum novum (8vv) Ammon, Blasius (fl. c1440) Appears on: (II:22) Genres: Motet Source Attribution: [Amon] Voice: [no designation] Languages: Latin Voice Text: Cantate domino canticum novum laus eius
(II:23)	Si Deus pro nobis quis contra nos II: Quis separabit nos à dilectione	Anon.	Anonymous
Si Deus pro nobis quis contra nos II: Quis separabit nos à dilectione Anonymous Appears on: (II:23) Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Si deus pro nobis quis contra nos II: Quis separabit nos à dilectione Concordances unicum
(II:24)	Ich hab dich ein klein Augenblick verlassen	[Hartmann]	Hartmann, Heinrich
Ich hab dich ein klein Augenblick verlassen Hartmann, Heinrich Appears on: (II:24) Genres: Motet Source Attribution: [Hartmann] Voice: [no designation] Languages: German Voice Text: Ich hab dich ein klein Augenblick verlassen
(II:25)	An den Wassern zu Babel sassen wir	Schutz	Schütz, Heinrich (1585–1672)
An den Wassern zu Babel sassen wir Schütz, Heinrich (1585–1672) Appears on: (II:25) Genres: Motet Source Attribution: Schutz Voice: [no designation] Languages: German Voice Text: An der Wassern zur Babel sassen wir
(II:26)	Danket dem Herren, denn er ist freundlich	[Schütz]	Schütz, Heinrich (1585–1672)
Danket dem Herren, denn er ist freundlich Schütz, Heinrich (1585–1672) Appears on: (II:26) Genres: Motet Source Attribution: [Schütz] Voice: [no designation] Languages: German Voice Text: Dancket dem Herren den er ist freundtlich
(II:27)	Warum toben die Heiden und die leute	Schutz	Schütz, Heinrich (1585–1672)
Warum toben die Heiden und die leute Schütz, Heinrich (1585–1672) Appears on: (II:27) Genres: Motet Source Attribution: Schutz Voice: [no designation] Languages: German Voice Text: Warumb toben die Heyden undt die leutte
(II:28)	Der Herr sprach zur meinem Herren	Schutz	Schütz, Heinrich (1585–1672)
Der Herr sprach zur meinem Herren Schütz, Heinrich (1585–1672) Appears on: (II:28) Genres: Motet Source Attribution: Schutz Voice: [no designation] Languages: German Voice Text: Der Herr sprach zur meinem Herren
(II:29)	Ich frew mich dess dass mir geredt ist	Schutz	Schütz, Heinrich (1585–1672)
Ich frew mich dess dass mir geredt ist Schütz, Heinrich (1585–1672) Appears on: (II:29) Genres: Motet Source Attribution: Schutz Voice: [no designation] Languages: German Voice Text: Ich frew mich dess dass mir geredt ist
(II:30)	Hosianna dem Sohne David gelobet sey	[Kelz]	Kelz, Matthias (J.)
Hosianna dem Sohne David gelobet sey Kelz, Matthias (J.) Appears on: (II:30) Genres: Motet Source Attribution: [Kelz] Voice: [no designation] Languages: German Voice Text: Hosianna dem Sohne David gelobet sey
(II:31)	Ich will den Herren loben alle Zeit	[Löwenstern]	Apelles, Matthias
Ich will den Herren loben alle Zeit Apelles, Matthias Appears on: (II:31) Genres: Motet Source Attribution: [Löwenstern] Voice: [no designation] Languages: German Voice Text: Ich will den Herren loben alle Zeit
(II:32)	Komm Heiliger Geist Herre Gott, erfüll	Apellis	Apelles, Matthias
Komm Heiliger Geist Herre Gott, erfüll Apelles, Matthias Appears on: (II:32) Genres: Motet Source Attribution: Apellis Voice: [no designation] Languages: German Voice Text: Kom hailiger Geist Herre Gott erfüll
(II:33)	Benedicam Domino in omni tempore semper	Anon.	Anonymous
Benedicam Domino in omni tempore semper Anonymous Appears on: (II:33) Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Benedicam domino in omni tempore semper Concordances unicum
(II:34)	Dominus custodiat te ab omni malo	Anon.	Anonymous
Dominus custodiat te ab omni malo Anonymous Appears on: (II:34) Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dominus custodiat te ab omni malo Concordances unicum
(II:35)	Kommt herzu, lasst uns dem Herrn frohlocken	Anon.	Anonymous
Kommt herzu, lasst uns dem Herrn frohlocken Anonymous Appears on: (II:35) Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Kombt her zue lasst unss dem Herrn frolocken Concordances concordance: Levoča 13991 (f. 8v)

Composer	Compositions
Ammon, Blasius (fl. c1440)	Cantate Domino canticum novum (8vv) – (II:22)
Anonymous	Alleluia. Laetantur angeli et exultat – (II:21) Beatus vir qui non abiit in consilio – (II:19) Benedicam Domino in omni tempore semper – (II:33) Dic Maria quid vidisti lustrando sepulchrum – (II:7) Dominus custodiat te ab omni malo – (II:34) Ecce annuntio vobis gaudium magnum – (I:8) Kommt herzu, lasst uns dem Herrn frohlocken – (II:35) Si Deus pro nobis quis contra nos II: Quis separabit nos à dilectione – (II:23)
Apelles, Matthias	Alleluia. Zur ehren unsern Gott lasset immer – (II:17) Das ist der Tag, den der Herr macht – (II:10) Ecce quam bonum et quam jucundum habitare – (II:9) Habe Deine Lust am Herren, er wird dir geben – (II:14) Ich will den Herren loben alle Zeit – (II:31) Komm Heiliger Geist Herre Gott, erfüll – (II:32) Man wird zur Zion sagen das allerlei Leute – (II:18) Singet dem Herren ein neues Lied – (II:13) Wie der Hirsch schreiet nach frischen Wasser – (II:20)
Bucenus, Paulus	Passio Domini nostri Jesu Christi secundum Matthaeum (2p. ?Apprehendit ergo eum Pilatus; 3p. ?Orabat autem Jesus pro crucifigantibus) – (II:3)
Chrysoponus, Andreas (ca. 1550–ca. 1590)	Et valde mane una sabbatorum veniunt II: Et ingressae mulieres non invenerunt – (II:6)
Despres, Josquin (ca. 1450–1521)	Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] – (I:15) Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus – (I:6) Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud – (I:6)
Elsmann, Heinrich	(?) Wie lieblich sind Deine Wohnungen – (II:15)
Grimm, Heinrich	Jauchzet dem Herren alle welt dienet – (II:16)
Hartmann, Heinrich	Ich hab dich ein klein Augenblick verlassen – (II:24)
Kelz, Matthias (J.)	Hosianna dem Sohne David gelobet sey – (II:30)
Lassus, Orlande de (ca. 1532–1594)	Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini – (II:8)
Schütz, Heinrich (1585–1672)	Alleluia. Lobet den Herren in seinem Heiligtum – (II:11) An den Wassern zu Babel sassen wir – (II:25) Danket dem Herren, denn er ist freundlich – (II:26) Der Herr sprach zur meinem Herren – (II:28) Ich frew mich dess dass mir geredt ist – (II:29) Lobe den Herren meine Seele und vergiss nicht – (II:12) Warum toben die Heiden und die leute – (II:27)
Senfl, Ludwig (ca. 1486–ca. 1543)	Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua – (I:13) Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus – (I:13) Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu – (I:13)
Stoltzer, Thomas (ca. 1480–1526)	O admirabile commercium creator generis – (I:7)
Walliser, Christoph Thomas (1568–1648)	(?) Wie lieblich sind Deine Wohnungen – (II:15)

Composition	Composers (? Uncertain)	Folios / Pages
Alleluia. Laetantur angeli et exultat	Anonymous	(II:21)
Alleluia. Lobet den Herren in seinem Heiligtum	Schütz, Heinrich (1585–1672)	(II:11)
Alleluia. Zur ehren unsern Gott lasset immer	Apelles, Matthias	(II:17)
An den Wassern zu Babel sassen wir	Schütz, Heinrich (1585–1672)	(II:25)
Beatus vir qui non abiit in consilio	Anonymous	(II:19)
Benedicam Domino in omni tempore semper	Anonymous	(II:33)
Cantate Domino canticum novum (8vv)	Ammon, Blasius (fl. c1440)	(II:22)
Danket dem Herren, denn er ist freundlich	Schütz, Heinrich (1585–1672)	(II:26)
Das ist der Tag, den der Herr macht	Apelles, Matthias	(II:10)
Der Herr sprach zur meinem Herren	Schütz, Heinrich (1585–1672)	(II:28)
Dic Maria quid vidisti lustrando sepulchrum	Anonymous	(II:7)
Dominus custodiat te ab omni malo	Anonymous	(II:34)
Ecce annuntio vobis gaudium magnum	Anonymous	(I:8)
Ecce quam bonum et quam jucundum habitare	Apelles, Matthias	(II:9)
Et valde mane una sabbatorum veniunt II: Et ingressae mulieres non invenerunt	Chrysoponus, Andreas (ca. 1550–ca. 1590)	(II:6)
Habe Deine Lust am Herren, er wird dir geben	Apelles, Matthias	(II:14)
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6]	Despres, Josquin (ca. 1450–1521)	(I:15)
Hosianna dem Sohne David gelobet sey	Kelz, Matthias (J.)	(II:30)
Ich frew mich dess dass mir geredt ist	Schütz, Heinrich (1585–1672)	(II:29)
Ich hab dich ein klein Augenblick verlassen	Hartmann, Heinrich	(II:24)
Ich will den Herren loben alle Zeit	Apelles, Matthias	(II:31)
Jauchzet dem Herren alle welt dienet	Grimm, Heinrich	(II:16)
Komm Heiliger Geist Herre Gott, erfüll	Apelles, Matthias	(II:32)
Kommt herzu, lasst uns dem Herrn frohlocken	Anonymous	(II:35)
Lobe den Herren meine Seele und vergiss nicht	Schütz, Heinrich (1585–1672)	(II:12)
Man wird zur Zion sagen das allerlei Leute	Apelles, Matthias	(II:18)
Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini	Lassus, Orlande de (ca. 1532–1594)	(II:8)
O admirabile commercium creator generis	Stoltzer, Thomas (ca. 1480–1526)	(I:7)
Passio Domini nostri Jesu Christi secundum Matthaeum (2p. ?Apprehendit ergo eum Pilatus; 3p. ?Orabat autem Jesus pro crucifigantibus)	Bucenus, Paulus	(II:3)
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Despres, Josquin (ca. 1450–1521)	(I:6)
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	Despres, Josquin (ca. 1450–1521)	(I:6)
Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua	Senfl, Ludwig (ca. 1486–ca. 1543)	(I:13)
Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus	Senfl, Ludwig (ca. 1486–ca. 1543)	(I:13)
Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu	Senfl, Ludwig (ca. 1486–ca. 1543)	(I:13)
Si Deus pro nobis quis contra nos II: Quis separabit nos à dilectione	Anonymous	(II:23)
Singet dem Herren ein neues Lied	Apelles, Matthias	(II:13)
Warum toben die Heiden und die leute	Schütz, Heinrich (1585–1672)	(II:27)
Wie der Hirsch schreiet nach frischen Wasser	Apelles, Matthias	(II:20)
Wie lieblich sind Deine Wohnungen	Walliser, Christoph Thomas (1568–1648) (?) Elsmann, Heinrich (?)	(II:15)

Set: MS Bártfa 2 (a-f)

Type: Partbooks

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‡ denotes primary source study

Burn, David J, Ruth I. DeFord, and Stefan Gasch (editors). 2021. Choralis Constantinus II. CMM. American Institute of Musicology.

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa). Bonn: Gudrun Schröder. Pages: XXI-XXII, 18-22.

Cook, Larry D. 1976. The German Troped Polyphonic Magnificat. University of Iowa, Unpublished Ph.D. dissertation. Pages: 14,69-83. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 315-45. Pages: 316-7, 331ff. Notes: incipits (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 127. Notes: concordances (partial); incipits (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: II, 192. Notes: contents list (partial); mention of MS.

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 334. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage, Berlin. Pages: 41-2. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

H-Bn MS Bártfa 2 (a)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: Part I: c. 1550 (GomMB); Part II: 17th century

General Description

Binding

Notation

Date

Foliation

Foliation

Index

Surface

Census Catalogue of Music Description

Concordances

Concordances

Concordances

Concordances

General Note

Concordances

Concordances

Concordances

Concordances

Concordances

Concordances

Set: MS Bártfa 2 (a-f)

Type: Partbooks

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017