P-BRp 965

Arquivo Distrital, Braga, Portugal

manuscript of polyphony: Early 17th century

Archive Arquivo Distrital, Braga, Portugal (P-BRp)
Shelfmark 965
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 320 x 225 mm
Other Identifiers
  • CCM: BragaD 965
Notations
  • black void mensural
Provenance
  • Braga? Portugal
Contents 42 pieces from 10 composers
General Description

Polyphony copied by two or more scribes (Snow). Presumably copied in Braga. Polyphony on ff. 23v-75; ff.1-23 contain a plainchant office for the dead, and 25-26 a plainchant 'Regem cui omnia' setting.

DIAMM, 2017
Binding

Original covers of dark brown leather.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation, 1-75 (one folio between ff. 17/18 not numbered)

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

inventory supplied by Dr João Pedro d'Alvarenga

DIAMM, 2020
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Requiem Masses, 20 motets =23 + 1 duplicate = 24*

•Contents also include monophonic liturgical pieces on ff. 1-23 and ff. 25-26, not taken into account here.

Milheiro-1, Morales-1, L. Ribeiro-1, Talaveira-2, anon-18

76 paper folios, 320 x 225. Original ink foliation, 1-75 (one folio between ff. 17/18 not numbered). Original covers of dark brown leather. No index. Polyphony copied by two or more scribes (Snow). Inked calligraphic initials.

Early 17th century? Presumably copied in Braga.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
23v Regem cui omnia vivunt (I) Milheiro
Appears on: 23v
Genres: Responsory
Source Attribution: Milheiro
24 Regem cui omnia vivunt - Anonymous
Appears on: 24
Genres: Responsory
24 Regem cui omnia vivunt - Anonymous
Appears on: 24
Genres: Responsory
24v Regem cui omnia vivunt (II) Milheiro
Appears on: 24v
Genres: Responsory
Source Attribution: Milheiro
24v Regem cui omnia vivunt - Anonymous
Appears on: 24v
Genres: Responsory
26 Regem cui omnia vivunt Talaveira
Appears on: 26
Genres: Responsory
Source Attribution: Talaveira
26v–31 Requiem: i. Requiem aeternam - Anonymous
Appears on: 26v–31
Genres: Introit, Requiem
26v–31 Requiem: ii. Kyrie eleison - Anonymous
Appears on: 26v–31
Genres: Kyrie eleison, Mass Ordinary, Requiem
26v–31 Requiem: iii. Gradual: Requiem aeternam - Anonymous
Appears on: 26v–31
Genres: Gradual, Requiem
26v–31 Requiem: iv. Domine Jesu Christe - Anonymous
Appears on: 26v–31
Genres: Offertory, Requiem
26v–31 Requiem: v. Sanctus & Benedictus - Anonymous
Appears on: 26v–31
Genres: Mass Ordinary, Requiem, Sanctus [& Benedictus]
26v–31 Requiem: vi. Agnus Dei - Anonymous
Appears on: 26v–31
Genres: Agnus Dei, Mass Ordinary, Requiem
26v–31 Requiem: vii. Lux aeterna - Anonymous
Appears on: 26v–31
Genres: Communion, Requiem
31v Jesu redemptor (I) -
Cruzada (?)
Appears on: 31v
Genres: Responsory
31v Jesu redemptor (II) - Anonymous
Appears on: 31v
Genres: Responsory

Item Bibliography

Rees, Owen. 2011. ‘Jesu redemptor’: Polyphonic Funerary Litanies in Portugal. Pure Gold. Golden Age Sacred Music in the Iberian World: A Homage to Bruno Turner, 228-261. Kassel: Reichenberger. Pages: (no.1).

31v Jesu redemptor (III) -
Appears on: 31v
Genres: Responsory
32 Jesu redemptor (IV) -
Appears on: 32
Genres: Responsory
32 Jesu redemptor (V) - Anonymous

Jesu redemptor (V)

Anonymous
Appears on: 32
Genres: Responsory

Item Bibliography

Rees, Owen. 2011. ‘Jesu redemptor’: Polyphonic Funerary Litanies in Portugal. Pure Gold. Golden Age Sacred Music in the Iberian World: A Homage to Bruno Turner, 228-261. Kassel: Reichenberger. Pages: (no.2).

32 Jesu redemptor (VI) - Anonymous
Appears on: 32
Genres: Responsory

Item Bibliography

Rees, Owen. 2011. ‘Jesu redemptor’: Polyphonic Funerary Litanies in Portugal. Pure Gold. Golden Age Sacred Music in the Iberian World: A Homage to Bruno Turner, 228-261. Kassel: Reichenberger. Pages: (no.3).

32v–33 Libera me -
Appears on: 32v–33
Genres: Responsory
Concordances

Coimbra MM 34, ff. 19v-21 'Aires Fernandez'; Coimbra MM 217Aii, 1v-2 (Bassus only); Oporto MM 40, ff. 227v-229 'Aires frz'

33v–34 Domine quando veneris - Anonymous
Appears on: 33v–34
Genres: Motet
General Note

For four voices; 'canon' for 5th voice, 'Se quiserem a sinco iuntem lhe a vox abaixo'

34v–49 Missa Requiem (5vv): 1 - Introitus (Requiem aeternam) Morales
Appears on: 34v–49
Genres: Mass Ordinary, Requiem
Source Attribution: Morales
34v–49 Missa Requiem (5vv): 2 - Kyrie -
Appears on: 34v–49
Genres: Kyrie eleison, Mass Ordinary, Requiem
34v–49 Missa Requiem (5vv): 3 - Graduale (Requiem aeternam) -
Appears on: 34v–49
Genres: Mass Ordinary, Requiem
34v–49 Missa Requiem (5vv): 5 - Offertorium, [Domine Jesu Christe] Libera animas omnium -
Appears on: 34v–49
Genres: Mass Ordinary, Requiem
34v–49 Missa Requiem (5vv): 6 - Sanctus -
Appears on: 34v–49
Genres: Mass Ordinary, Requiem, Sanctus [& Benedictus]
34v–49 Missa Requiem (5vv): 7 - Agnus Dei -
Appears on: 34v–49
Genres: Agnus Dei, Mass Ordinary, Requiem
34v–49 Missa Requiem (5vv): 8 - Communio, [Lux aeterna] Luceat eis -
Appears on: 34v–49
Genres: Mass Ordinary, Requiem
49v–50 Versa est in luctum - Anonymous
Appears on: 49v–50
Genres: Motet
50v–65 Requiem: i. Requiem aeternam Lourenco Ribeiro
Appears on: 50v–65
Genres: Requiem
Source Attribution: Lourenco Ribeiro
50v–65 Requiem: ii. Kyrie eleison -
Appears on: 50v–65
Genres: Kyrie eleison, Mass Ordinary, Requiem
50v–65 Requiem: iii. Gradual: Requiem aeternam -
Appears on: 50v–65
Genres: Gradual, Requiem
50v–65 Requiem: iv. Domine Jesu Christe -
Appears on: 50v–65
Genres: Offertory, Requiem
50v–65 Requiem: vi. Agnus Dei -
Appears on: 50v–65
Genres: Agnus Dei, Mass Ordinary, Requiem
50v–65 Requiem: v. Sanctus & Benedictus -
Appears on: 50v–65
Genres: Mass Ordinary, Requiem, Sanctus [& Benedictus]
50v–65 Requiem: vii. Lux aeterna -
Appears on: 50v–65
Genres: Communion, Requiem
65v–66 Memento mei Deus - Anonymous

Memento mei Deus

Anonymous
Appears on: 65v–66
Genres: Psalm
66v–67 Dies mei transierunt (anon)
Appears on: 66v–67
Genres: Responsory
Source Attribution: (anon)
Concordances

Oporto MM 40, ff. 223v-224 'Trosilho'

67v–69 Versa est in luctum - Anonymous
Appears on: 67v–69
Genres: Motet
69v–71 Responde mihi - Anonymous

Responde mihi

Anonymous
Appears on: 69v–71
Genres: Motet
71v–73 Spiritus meus attenuabitur - Anonymous
Appears on: 71v–73
Genres: Motet
73v–75 Parce mihi Domine - Anonymous

Parce mihi Domine

Anonymous
Appears on: 73v–75
Genres: Responsory
Composer Compositions
Anonymous
Cruzada
Fernandez, Aires
Gamboa, Pero de
Milheiro, Antonio
Morales, Cristóbal de (ca. 1500–1553)
Ribeiro, Lourenço
Santa Maria, Dom Francisco de
Talaveira
Trosilho, Bartolomeu
Composition Composers (? Uncertain) Folios / Pages
Dies mei transierunt 66v–67
Domine quando veneris Anonymous 33v–34
Jesu redemptor (I)
Cruzada (?)
31v
Jesu redemptor (II) Anonymous 31v
Jesu redemptor (III) 31v
Jesu redemptor (IV) 32
Jesu redemptor (V) Anonymous 32
Jesu redemptor (VI) Anonymous 32
Libera me 32v–33
Memento mei Deus Anonymous 65v–66
Missa Requiem (5vv): 1 - Introitus (Requiem aeternam) 34v–49
Missa Requiem (5vv): 2 - Kyrie 34v–49
Missa Requiem (5vv): 3 - Graduale (Requiem aeternam) 34v–49
Missa Requiem (5vv): 5 - Offertorium, [Domine Jesu Christe] Libera animas omnium 34v–49
Missa Requiem (5vv): 6 - Sanctus 34v–49
Missa Requiem (5vv): 7 - Agnus Dei 34v–49
Missa Requiem (5vv): 8 - Communio, [Lux aeterna] Luceat eis 34v–49
Parce mihi Domine Anonymous 73v–75
Regem cui omnia vivunt Anonymous 24
Regem cui omnia vivunt Anonymous 24
Regem cui omnia vivunt Anonymous 24v
Regem cui omnia vivunt 26
Regem cui omnia vivunt (I) 23v
Regem cui omnia vivunt (II) 24v
Requiem: i. Requiem aeternam Anonymous 26v–31
Requiem: i. Requiem aeternam 50v–65
Requiem: ii. Kyrie eleison Anonymous 26v–31
Requiem: ii. Kyrie eleison 50v–65
Requiem: iii. Gradual: Requiem aeternam Anonymous 26v–31
Requiem: iii. Gradual: Requiem aeternam 50v–65
Requiem: iv. Domine Jesu Christe Anonymous 26v–31
Requiem: iv. Domine Jesu Christe 50v–65
Requiem: v. Sanctus & Benedictus Anonymous 26v–31
Requiem: v. Sanctus & Benedictus 50v–65
Requiem: vi. Agnus Dei Anonymous 26v–31
Requiem: vi. Agnus Dei 50v–65
Requiem: vii. Lux aeterna Anonymous 26v–31
Requiem: vii. Lux aeterna 50v–65
Responde mihi Anonymous 69v–71
Spiritus meus attenuabitur Anonymous 71v–73
Versa est in luctum Anonymous 49v–50
Versa est in luctum Anonymous 67v–69

denotes primary source study

Rees, Owen. 2011. ‘Jesu redemptor’: Polyphonic Funerary Litanies in Portugal. Pure Gold. Golden Age Sacred Music in the Iberian World: A Homage to Bruno Turner, 228-261. Kassel: Reichenberger.

Rees, Owen, and Bernadette Nelson (editors). 2007. Cristobal de Morales: Sources, Influences, Reception.  Boydell Press. Pages: 297-293. Notes: worklist [Martin Ham].

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description