D-B MS Mus. 40329 [Discantus]

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

partbook: Late 16th-early 17th century (date 1601 in B2 book)

Archive	Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B)
Shelfmark	MS Mus. 40329 [Discantus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	330 x 205 mm
Other Identifiers	CCM: BerlS 40329
Notations	black void mensural
Relationships	Fischhof, Joseph (owner) Preussische Staatsbibliothek (owner)
Provenance	Bavaria, Germany
Contents	28 pieces from 22 composers

General Description

A Discantus partbook from a set originally of eight(?) volumes. Copied by several scribes. Of German origin. Acquired by former Preussische Staatsbibliothek in Berlin from Joseph Fischhof, of Vienna, in 1859; incorporated in present library following World War II.

DIAMM, 2017

Extent

i + 24 + i

DIAMM, 2017

Binding

Rebound in modern covers of marbled paper over cardboard

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern pencil foliation.

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Index

none

DIAMM, 2017

DIAMM Note

Original numbering of pieces, 1-12; other pieces numbered by modern hand, with a few omissions and inconsistencies.

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Kyrie-Gloria pairs, 2 Mass Proper sections, 18 motets, 6 German sacred pieces = 28

(Arcadelt/Verdelot)-1, Clemens non Papa-1, Croce-1, (Josquin/ Senfl)-1, (Knöfel)-1, D. Köler-1, Lassus [Orlandus]-5, Phinot-2, (C. Porta)-1, Premier-1, (Raselius)-1, (Regnart)-1, Rivulo-2, A. Trombetti-1, (Vaet)-1, (Wert)-1, anon-6

3 paper partbooks of an original 8? (D-i + 24 + i folios, T2-i + 21 + i, B2-i + 20 + i), 330 x 205. Modern pencil foliation in each book. Original number-ing of pieces, 1-12; other pieces numbered by modern hand, with a few omissions and inconsistencies. Rebound in modern covers of marbled paper over card-board. No index. Copied by several scribes. No initials or decoration.

Late 16th-early 17th century (date 1601 in B2 book). Of German origin. Acquired by former Preussische Staatsbibliothek in Berlin from Joseph Fischhof, of Vienna, in 1859; incorporated in present library following World War II.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2	Jam non dicam vos servos sed amicos (8vv)	Dominicus Phinot	Phinot, Dominique
Jam non dicam vos servos sed amicos (8vv) Phinot, Dominique Appears on: 1–2 Genres: Motet Source Attribution: Dominicus Phinot Voice: [no designation] Languages: Latin Voice Text: Jam non dicam vos servos sed amicos
2–3	Sancta Trinitas unus Deus miserere nobis (8vv)	Dominicus Phinot	Phinot, Dominique
Sancta Trinitas unus Deus miserere nobis (8vv) Phinot, Dominique Appears on: 2–3 Genres: Motet Source Attribution: Dominicus Phinot Voice: [no designation] Languages: Latin Voice Text: Sancta trinitas unus deus miserere nobis
3–3v	Gloria tibi trinitas aequalis una Deitas	Franciscus de Rivulo	Rivulo, Franziscus de
Gloria tibi trinitas aequalis una Deitas Rivulo, Franziscus de Appears on: 3–3v Genres: Motet Source Attribution: Franciscus de Rivulo Voice: [no designation] Languages: Latin Voice Text: Gloria tibi trinitas aequalis una deitas
3v–4	Descendit angelus Domini ad Zachariam dicens	Franciscus de Rivulo	Rivulo, Franziscus de
Descendit angelus Domini ad Zachariam dicens Rivulo, Franziscus de Appears on: 3v–4 Genres: Motet Source Attribution: Franciscus de Rivulo Voice: [no designation] Languages: Latin Voice Text: Descendit angelus domini ad Zachariam
4v–5v	In convertendo Dominus captivitatem Sion (2p. Convertere Domine captivitatem nostram)	Orlandus [Lassus]	Lassus, Orlande de (ca. 1532–1594)
In convertendo Dominus captivitatem Sion (2p. Convertere Domine captivitatem nostram) Lassus, Orlande de (ca. 1532–1594) Appears on: 4v–5v Genres: Motet Source Attribution: Orlandus [Lassus] Voice: [no designation] Languages: Latin Voice Text: In convertendo dominus captivitatem II: Convertere domine captivitatem
6–8v	Deus misereatur nostri et benedicat nobis	Orlandus [Lassus]	Lassus, Orlande de (ca. 1532–1594)
Deus misereatur nostri et benedicat nobis Lassus, Orlande de (ca. 1532–1594) Appears on: 6–8v Genres: Motet Source Attribution: Orlandus [Lassus] Voice: [no designation] Languages: Latin Voice Text: Deus misereatur nostri et benedicat
8v–9	Dixit Dominus Domino meo Sede a dextris meis (8vv)	Orlandus [Lassus]	Lassus, Orlande de (ca. 1532–1594)
Dixit Dominus Domino meo Sede a dextris meis (8vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 8v–9 Genres: Motet Source Attribution: Orlandus [Lassus] Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo sede a dextris
9v–10	Levavi oculos meos in montes unde veniet	Orlandus [Lassus]	Lassus, Orlande de (ca. 1532–1594)
Levavi oculos meos in montes unde veniet Lassus, Orlande de (ca. 1532–1594) Appears on: 9v–10 Genres: Motet Source Attribution: Orlandus [Lassus] Voice: [no designation] Languages: Latin Voice Text: Levavi oculos meos in montes unde veniet
10–11v	Laudate pueri Dominum laudate nomen	Orlandus [Lassus]	Lassus, Orlande de (ca. 1532–1594)
Laudate pueri Dominum laudate nomen Lassus, Orlande de (ca. 1532–1594) Appears on: 10–11v Genres: Motet Source Attribution: Orlandus [Lassus] Voice: [no designation] Languages: Latin Voice Text: Laudate pueri dominum laudate nomen
11v–14	Eile Gott mich zu erretten II: Freuen und fröhlich müssen sein	Koleri [= D. Köler]	Köler, David (ca. 1532–1565)
Eile Gott mich zu erretten II: Freuen und fröhlich müssen sein Köler, David (ca. 1532–1565) Appears on: 11v–14 Genres: Motet Source Attribution: Koleri [= D. Köler] Voice: [no designation] Languages: German Voice Text: Eyle Gott mich zu erretten II: Frewen und frölich müssen sein
14v–15v	Vater unser im Himmelreich, der du uns	[Vaet]	Vaet, Jacobus (ca. 1529–ca. 1567)
Vater unser im Himmelreich, der du uns Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 14v–15v Genres: Chorale, Sacred Song Source Attribution: [Vaet] Voice: [no designation] Languages: German Voice Text: Vatter unser im himelreich der du uns
16–16v	Tulerunt Dominum meum et nescio ubi	Ascanio Trombetti	Trombetti, Ascanio
Tulerunt Dominum meum et nescio ubi Trombetti, Ascanio Appears on: 16–16v Genres: Motet Source Attribution: Ascanio Trombetti Voice: [no designation] Languages: Latin Voice Text: Tulerunt dominum meum et nescio ubi
16v–17	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anon.	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 16v–17 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes immolent Christiani
17v	Wo Gott der Her nicht bei uns hält	Anon.	Daser, Ludwig
Wo Gott der Her nicht bei uns hält Daser, Ludwig Appears on: 17v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Wo Gott der Herr nicht bey unss helt
17v–19	Missa Sine nomine KG	[Hassler]	Hassler, Hans Leo (1564–1612)
Missa Sine nomine KG Hassler, Hans Leo (1564–1612) Appears on: 17v–19 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: [Hassler] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Sine nomine] [KG]
19–20v	Missa Decantabant populus KG	Croce	Croce, Giovanni (ca. 1557–1609)
Missa Decantabant populus KG Croce, Giovanni (ca. 1557–1609) Appears on: 19–20v Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Croce Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Decantabant populus] [KG]
21–21v	Also hatt Gott die Welt geliebt	[Raselius]	Raselius, Andreas (ca. 1563–1602)
Also hatt Gott die Welt geliebt Raselius, Andreas (ca. 1563–1602) Appears on: 21–21v Genres: Sacred Song Source Attribution: [Raselius] Voice: [no designation] Languages: German Voice Text: Also hatt Gott die welt geliebet
22	Nun kom der Heiden Heilandt	Anon.	Anonymous
Nun kom der Heiden Heilandt Anonymous Appears on: 22 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Nun kom der Heiden Heilandt
22v–23	Herr Christ der einig Godtes Sohn	Anon.	Anonymous
Herr Christ der einig Godtes Sohn Anonymous Appears on: 22v–23 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Herr Christ der einig Godtes Sohn
24	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit	Anon.	Anonymous
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit Anonymous Appears on: 24 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Puer natus est nobis] Et filius datus est Vs: [Cantate domino] Quia mirabilia fecit
T2 2–3	Dum complerentur dies Pentecostes erant omnes	[Arcadelt/Verdelot]	Arcadelt, Jacques (ca. 1507–1568) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Dum complerentur dies Pentecostes erant omnes Arcadelt, Jacques (ca. 1507–1568) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: T2 2–3 Genres: Motet Source Attribution: [Arcadelt/Verdelot] Voice: [no designation] Languages: Latin Voice Text: Dum complerentur dies pentecostes
T2 4v–6	Innuebant patri eius quae vellet vocari (2p. Apertus est os Zachariae et prophetavit)	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Innuebant patri eius quae vellet vocari (2p. Apertus est os Zachariae et prophetavit) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: T2 4v–6 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Innuebant patri eius quem vellet vocavi II: Apertum est os Zachariae
T2 16v–18v	Intuemini quandus sit iste qui ingreditur (2p. Occurrite illi dicentes ecce advenit)	[Regnart]	Regnart, Jacob (ca. 1540–1599)
Intuemini quandus sit iste qui ingreditur (2p. Occurrite illi dicentes ecce advenit) Regnart, Jacob (ca. 1540–1599) Appears on: T2 16v–18v Genres: Motet Source Attribution: [Regnart] Voice: [no designation] Languages: Latin Voice Text: Intuemini quantus sit iste qui ingreditur II: Occurrite illi dicentes ecce
T2 19–20	Ecce Dominus veniet nolite timere 14.5	[Jonckers/Josquin/ Senfl]	Despres, Josquin (ca. 1450–1521) (?) Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Ecce Dominus veniet nolite timere 14.5 Despres, Josquin (ca. 1450–1521) (?) Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: T2 19–20 Genres: Motet Source Attribution: [Jonckers/Josquin/ Senfl] Voice: [no designation] Languages: Latin Voice Text: Ecce dominus veniet nolite timere MA 18
T2 20–21	Obsecro Domine mitte quem missurus es II: Ostende nobis Domine faciem tuam	Georgius Prenner	Prenner, Georg (–1590)
Obsecro Domine mitte quem missurus es II: Ostende nobis Domine faciem tuam Prenner, Georg (–1590) Appears on: T2 20–21 Genres: Motet Source Attribution: Georgius Prenner Voice: [no designation] Languages: Latin Voice Text: Obsecro domine mitte quem missurus es II: Ostende nobis domine faciem tuam
B2 14v–15	Saule Saule quid me persequeris Quis es Domine?	[Wert]	Wert, Giaches [Jaches] de (1535–1596)
Saule Saule quid me persequeris Quis es Domine? Wert, Giaches [Jaches] de (1535–1596) Appears on: B2 14v–15 Genres: Motet Source Attribution: [Wert] Voice: [no designation] Languages: Latin Voice Text: Saule Saule [quid me persequeris] Quis es domine?
B2 17–17v	Jehova fortitudo mea scutum meum	[Knöfel]	Knöfel, Johannes (ca. 1525–1617)
Jehova fortitudo mea scutum meum Knöfel, Johannes (ca. 1525–1617) Appears on: B2 17–17v Genres: Motet Source Attribution: [Knöfel] Voice: [no designation] Languages: Latin Voice Text: Jehova fortitudo mea scutum meum
B2 19–19v	Verbum caro factum est et habitavit (2p. Quem vidistis pastores Natum vidimus et choros)	[C. Porta]	Porta, Costanzo
Verbum caro factum est et habitavit (2p. Quem vidistis pastores Natum vidimus et choros) Porta, Costanzo Appears on: B2 19–19v Genres: Motet Source Attribution: [C. Porta] Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est et habitavit II: [Quem vidistis pastores] Natum vidimus et choros

Composer	Compositions
Anonymous	Herr Christ der einig Godtes Sohn – 22v–23 Nun kom der Heiden Heilandt – 22 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit – 24 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 16v–17
Arcadelt, Jacques (ca. 1507–1568)	(?) Dum complerentur dies Pentecostes erant omnes – T2 2–3
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Innuebant patri eius quae vellet vocari (2p. Apertus est os Zachariae et prophetavit) – T2 4v–6
Croce, Giovanni (ca. 1557–1609)	Missa Decantabant populus KG – 19–20v
Daser, Ludwig	Wo Gott der Her nicht bei uns hält – 17v
Despres, Josquin (ca. 1450–1521)	(?) Ecce Dominus veniet nolite timere 14.5 – T2 19–20
Hassler, Hans Leo (1564–1612)	Missa Sine nomine KG – 17v–19
Jonckers, Maistre Gosse	(?) Ecce Dominus veniet nolite timere 14.5 – T2 19–20
Knöfel, Johannes (ca. 1525–1617)	Jehova fortitudo mea scutum meum – B2 17–17v
Köler, David (ca. 1532–1565)	Eile Gott mich zu erretten II: Freuen und fröhlich müssen sein – 11v–14
Lassus, Orlande de (ca. 1532–1594)	Deus misereatur nostri et benedicat nobis – 6–8v Dixit Dominus Domino meo Sede a dextris meis (8vv) – 8v–9 In convertendo Dominus captivitatem Sion (2p. Convertere Domine captivitatem nostram) – 4v–5v Laudate pueri Dominum laudate nomen – 10–11v Levavi oculos meos in montes unde veniet – 9v–10
Phinot, Dominique	Jam non dicam vos servos sed amicos (8vv) – 1–2 Sancta Trinitas unus Deus miserere nobis (8vv) – 2–3
Porta, Costanzo	Verbum caro factum est et habitavit (2p. Quem vidistis pastores Natum vidimus et choros) – B2 19–19v
Prenner, Georg (–1590)	Obsecro Domine mitte quem missurus es II: Ostende nobis Domine faciem tuam – T2 20–21
Raselius, Andreas (ca. 1563–1602)	Also hatt Gott die Welt geliebt – 21–21v
Regnart, Jacob (ca. 1540–1599)	Intuemini quandus sit iste qui ingreditur (2p. Occurrite illi dicentes ecce advenit) – T2 16v–18v
Rivulo, Franziscus de	Descendit angelus Domini ad Zachariam dicens – 3v–4 Gloria tibi trinitas aequalis una Deitas – 3–3v
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) Ecce Dominus veniet nolite timere 14.5 – T2 19–20
Trombetti, Ascanio	Tulerunt Dominum meum et nescio ubi – 16–16v
Vaet, Jacobus (ca. 1529–ca. 1567)	Vater unser im Himmelreich, der du uns – 14v–15v
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Dum complerentur dies Pentecostes erant omnes – T2 2–3
Wert, Giaches [Jaches] de (1535–1596)	Saule Saule quid me persequeris Quis es Domine? – B2 14v–15

Composition	Composers (? Uncertain)	Folios / Pages
Also hatt Gott die Welt geliebt	Raselius, Andreas (ca. 1563–1602)	21–21v
Descendit angelus Domini ad Zachariam dicens	Rivulo, Franziscus de	3v–4
Deus misereatur nostri et benedicat nobis	Lassus, Orlande de (ca. 1532–1594)	6–8v
Dixit Dominus Domino meo Sede a dextris meis (8vv)	Lassus, Orlande de (ca. 1532–1594)	8v–9
Dum complerentur dies Pentecostes erant omnes	Arcadelt, Jacques (ca. 1507–1568) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	T2 2–3
Ecce Dominus veniet nolite timere 14.5	Despres, Josquin (ca. 1450–1521) (?) Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	T2 19–20
Eile Gott mich zu erretten II: Freuen und fröhlich müssen sein	Köler, David (ca. 1532–1565)	11v–14
Gloria tibi trinitas aequalis una Deitas	Rivulo, Franziscus de	3–3v
Herr Christ der einig Godtes Sohn	Anonymous	22v–23
In convertendo Dominus captivitatem Sion (2p. Convertere Domine captivitatem nostram)	Lassus, Orlande de (ca. 1532–1594)	4v–5v
Innuebant patri eius quae vellet vocari (2p. Apertus est os Zachariae et prophetavit)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	T2 4v–6
Intuemini quandus sit iste qui ingreditur (2p. Occurrite illi dicentes ecce advenit)	Regnart, Jacob (ca. 1540–1599)	T2 16v–18v
Jam non dicam vos servos sed amicos (8vv)	Phinot, Dominique	1–2
Jehova fortitudo mea scutum meum	Knöfel, Johannes (ca. 1525–1617)	B2 17–17v
Laudate pueri Dominum laudate nomen	Lassus, Orlande de (ca. 1532–1594)	10–11v
Levavi oculos meos in montes unde veniet	Lassus, Orlande de (ca. 1532–1594)	9v–10
Missa Decantabant populus KG	Croce, Giovanni (ca. 1557–1609)	19–20v
Missa Sine nomine KG	Hassler, Hans Leo (1564–1612)	17v–19
Nun kom der Heiden Heilandt	Anonymous	22
Obsecro Domine mitte quem missurus es II: Ostende nobis Domine faciem tuam	Prenner, Georg (–1590)	T2 20–21
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit	Anonymous	24
Sancta Trinitas unus Deus miserere nobis (8vv)	Phinot, Dominique	2–3
Saule Saule quid me persequeris Quis es Domine?	Wert, Giaches [Jaches] de (1535–1596)	B2 14v–15
Tulerunt Dominum meum et nescio ubi	Trombetti, Ascanio	16–16v
Vater unser im Himmelreich, der du uns	Vaet, Jacobus (ca. 1529–ca. 1567)	14v–15v
Verbum caro factum est et habitavit (2p. Quem vidistis pastores Natum vidimus et choros)	Porta, Costanzo	B2 19–19v
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	16v–17
Wo Gott der Her nicht bei uns hält	Daser, Ludwig	17v

Set: MS Mus. 40329

Type: Partbooks

No images available

D-B MS Mus. 40329 [Bassus]

No images available

D-B MS Mus. 40329 [Discantus]

No images available

D-B MS Mus. 40329 [Tenor]

‡ denotes primary source study

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe. München.

Höfler, Janez (editor). 1972-. Dominici Phinot: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xv-xvi. Notes: contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description