D-AN VI.g.16

Staatliche Bibliothek, Ansbach, Germany

manuscript of polyphony: 1565-6

Archive Staatliche Bibliothek, Ansbach, Germany (D-AN)
Shelfmark VI.g.16
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 430 x 302 mm
Other Identifiers
  • CCM: AnsbachS 16
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
Contents 52 pieces from 10 composers
General Description

Copied by a single scribe. Copied in Ansbach, for use by court chapel of Georg Friedrich, Margrave of Ansbach-Brandenburg (1543-1603).

DIAMM, 2017
Binding

Original covers of white leather stamped with ornamental designs and date 1565; leather ties

DIAMM, 2017
Watermark

salt shaker (see Briquet #2169ff for general pattern)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1565-6 (dates in manuscript).

DIAMM, 2017
Ruling

Staff height 26

DIAMM, 2017
Foliation

Original ink foliation, 1-263; ff. 263v-265v blank but ruled.

DIAMM, 2017
Decoration

No decorative initials; voice designations and rubrics in red.

DIAMM, 2017
Index

Original index on ff. [ii-ii'] lists pieces in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

29 motets

Clemens non Papa-14, Clemens non Papa/(Manchicourt)-1, Colin -1, Crecquillon-7, Lattre [Ian Petit]-1, Le Maistre-2, Rocour-1, A. Trojano-1, anon-1

iii + 263 + iii paper folios, 430 x 302. Original ink foliation, 1-263. Original covers of white leather stamped with ornamental designs and date 1565; leather ties. Original index on ff. [ii-ii'] lists pieces in order of appearance. Copied by a single scribe. Staff height 26. No decorative initials; voice designations and rubrics in red. Watermark: salt shaker (see Briquet #2169ff for general pattern).

1565-6 (dates in manuscript). Copied in Ansbach, for use by court chapel of Georg Friedrich, Margrave of Ansbach-Brandenburg (1543-1603).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
ii–ii_v index - -

index

Appears on: ii–ii_v
0v–4 Virgines prudentes - 1a pars (of 2): Virgines prudentes ornate lampades vestras Jacobus Clemens non Papa
Appears on: 0v–4
Genres: Monophonic conductus
Source Attribution: Jacobus Clemens non Papa
4v–8 Virgines prudentes - 2a pars (of 2): Media autem nocte clamor factus est -
Appears on: 4v–8
Genres: Motet
8v–13 O fili Dei memento semper mei qui sum Clemens non Papa
Appears on: 8v–13
Genres: Motet
Source Attribution: Clemens non Papa
13v–19 Venit ergo rex die septimo ut lugeret Clemens non Papa
Appears on: 13v–19
Genres: Motet
Source Attribution: Clemens non Papa
19v–24 Peccantem me - 1a pars (of 2): Peccantem me quotidie Clemens non Papa
Appears on: 19v–24
Genres: Motet
Source Attribution: Clemens non Papa
24v–29 Peccantem me - 2a pars (of 2): Deus in nomine tuo -
Appears on: 24v–29
Genres: Motet
29v–33 Voce mea - 1a pars (of 2): Voce mea ad Dominum clamavi Clemens non Papa
Appears on: 29v–33
Genres: Motet
Source Attribution: Clemens non Papa
33v–37 Voce mea - 2a pars (of 2): Exsurge Domine salvum me fac -
Appears on: 33v–37
Genres: Motet
37v–43 Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore Clemens non Papa
Appears on: 37v–43
Genres: Motet
Source Attribution: Clemens non Papa
43v–47 Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare -
Appears on: 43v–47
Genres: Motet
47v–51 Impulsus eversus - 1a pars (of 2): Impulsus eversus sum Clemens non Papa
Appears on: 47v–51
Genres: Motet
Source Attribution: Clemens non Papa
51v–57 Impulsus eversus - 2a pars (of 2): Castigans castigavit me Dominus -
Appears on: 51v–57
Genres: Motet
57v–64 Domine Deus exercituum - 1a pars (of 2): Domine Deus exercituum Thomas Crequilon
Appears on: 57v–64
Genres: Motet
Source Attribution: Thomas Crequilon
64v–68 Domine Deus exercituum - 2a pars (of 2): Salva nos Domine de manibus inimicorum -
Appears on: 64v–68
Genres: Motet
68v–73 Ingemuit Susanna - 1a pars (of 2): Ingemuit Susanna et ait angustiae Thomas Crequilon
Appears on: 68v–73
Genres: Motet
Source Attribution: Thomas Crequilon
73v–77 Ingemuit Susanna - 2a pars (of 2): Sed melius est mihi absque opere -
Appears on: 73v–77
Genres: Motet
77v–84 Clamantium ad te Deus Jan Petit
Appears on: 77v–84
Genres: Motet
Source Attribution: Jan Petit
84v–90 Dum deambularet - 1a pars (of 2): Domine Jesu Christe respicere digneris Thomas Crequilon
Appears on: 84v–90
Genres: Motet
Source Attribution: Thomas Crequilon
90v–96 Dum deambularet - 2a pars (of 2): Vocem tuam audivi in paradiso -
Appears on: 90v–96
Genres: Motet
96v–105 Domine Jesu Christe respicere digneris Clemens non Papa
Appears on: 96v–105
Genres: Motet
Source Attribution: Clemens non Papa
105v–111 Salvum me fac Deus quoniam intraverunt aquae Piere [sic] Colin
Appears on: 105v–111
Genres: Motet
Source Attribution: Piere [sic] Colin
111v–116 Delectare in Domino - 1a pars (of 2): Delectare in Domino et dabit tibi Thomas Crequilo:
Appears on: 111v–116
Genres: Motet
Source Attribution: Thomas Crequilo:
116v–121 Delectare in Domino - 2a pars (of 2): Et educet quasi lumen justitiam -
Appears on: 116v–121
Genres: Motet
121v–125 Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Clemens non Papa
Appears on: 121v–125
Genres: Motet
Source Attribution: Clemens non Papa
125v–130 Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 125v–130
Genres: Motet
130v–135 Domine clamavi - 1a pars (of 2): Domine clamavi ad te, exaudi me Clemens non Papa
Appears on: 130v–135
Genres: Motet
Source Attribution: Clemens non Papa
135v–139 Domine clamavi - 2a pars (of 2): Vide humilitatem meam -
Appears on: 135v–139
Genres: Motet
139v–145 Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require Thomas Crequilon
Appears on: 139v–145
Genres: Motet
Source Attribution: Thomas Crequilon
145v–149 Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias -
Appears on: 145v–149
Genres: Motet
149v–153 Lucerna pedibus meis verbum tuum Mattheus Le Maistre
Appears on: 149v–153
Genres: Motet
Source Attribution: Mattheus Le Maistre
153v–157 Estote prudentes sicut serpentes Mattheus Le Maistre
Appears on: 153v–157
Genres: Motet
Source Attribution: Mattheus Le Maistre
157v–167 Timor et tremor venit in Nivem civitatem Jacobus Clemens non Papa
Appears on: 157v–167
Genres: Motet
Source Attribution: Jacobus Clemens non Papa
167v–172 Heu mihi Domine - 1a pars (of 2): Heu mihi Domine quia peccavi nimis Jacobus Clemens non Papa
Appears on: 167v–172
Genres: Motet
Source Attribution: Jacobus Clemens non Papa
172v–176 Heu mihi Domine - 2a pars (of 2): Anima mea turbata est valde -
Appears on: 172v–176
Genres: Motet
176v–182 Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino Antonius Troianus
Appears on: 176v–182
Genres: Motet
Source Attribution: Antonius Troianus
182v–188 Jubilate Deo - 2a pars (of 2): Populus eius et oves pascuae eius -
Appears on: 182v–188
Genres: Motet
188v–192 Adjutor meus - 1a pars (of 2): Adjutor meus in opportunitatibus Roucourt (i.e. Rocourt)
Appears on: 188v–192
Genres: Motet
Source Attribution: Roucourt (i.e. Rocourt)
192v–196 Adjutor meus - 2a pars (of 2): Adjutor meus et liberator -
Appears on: 192v–196
Genres: Motet
196v–201 Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum Thomas Crequilon
Appears on: 196v–201
Genres: Motet
Source Attribution: Thomas Crequilon
201v–206 Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis -
Appears on: 201v–206
Genres: Motet
206v–210 Adjuro vos - 1a pars (of 2): Adjuro vos filiae Jerusalem (anon)
Appears on: 206v–210
Genres: Motet
Source Attribution: (anon)
210v–215 Adjuro vos - 2a pars (of 2): Dilecte mi apprehendam -
Appears on: 210v–215
Genres: Motet
215v–220 Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes Clemens non Papa
Appears on: 215v–220
Genres: Motet
Source Attribution: Clemens non Papa
220v–226 Salvator mundi - 2a pars (of 2): Suppliciter te petimus ut animalis omnibus -
Appears on: 220v–226
Genres: Motet
225v–231 Quid gloriaris - 1a pars (of 2): Quid gloriaris in malitia qui potens ex iniquitate Thomas Crequilon
Appears on: 225v–231
Genres: Motet
Source Attribution: Thomas Crequilon
231v–237 Quid gloriaris - 2a pars (of 2): Dilexisti omnia verba praecipitationis -
Appears on: 231v–237
Genres: Motet
237v–244 Non intres - 1a pars (of 2): Non intres in iudicium tuum (anon) Anonymous
Appears on: 237v–244
Genres: Motet
Source Attribution: (anon)
244v–249 Non intres - 2a pars (of 2): Non avertas faciem tuam a me - Anonymous
Appears on: 244v–249
Genres: Motet
249v–257 Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas occupaverunt interiora Jacobus Clemens non Papa
Appears on: 249v–257
Genres: Motet
Source Attribution: Jacobus Clemens non Papa
257v–263 Tristitia et anxietas - 2a pars (of 2): Sed tu Domine qui non derelinquis -
Appears on: 257v–263
Genres: Motet
263v–265v [blank staves] - -

[blank staves]

Appears on: 263v–265v
Composer Compositions
Anonymous
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Colin, Pierre (fl. 1538–1572)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Gerarde, Derrick (fl. c1540–1580)
Le Maistre, Mattheus (ca. 1505–1577)
Manchicourt, Pierre de
Petit (de Latre), Jehan
Rocourt, Pierre de (fl. c1540–1550)
Trojano, Antonio
Composition Composers (? Uncertain) Folios / Pages
Adjuro vos - 1a pars (of 2): Adjuro vos filiae Jerusalem 206v–210
Adjuro vos - 2a pars (of 2): Dilecte mi apprehendam 210v–215
Adjutor meus - 1a pars (of 2): Adjutor meus in opportunitatibus 188v–192
Adjutor meus - 2a pars (of 2): Adjutor meus et liberator 192v–196
Clamantium ad te Deus 77v–84
Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum 196v–201
Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis 201v–206
Delectare in Domino - 1a pars (of 2): Delectare in Domino et dabit tibi 111v–116
Delectare in Domino - 2a pars (of 2): Et educet quasi lumen justitiam 116v–121
Domine clamavi - 1a pars (of 2): Domine clamavi ad te, exaudi me 130v–135
Domine clamavi - 2a pars (of 2): Vide humilitatem meam 135v–139
Domine Deus exercituum - 1a pars (of 2): Domine Deus exercituum 57v–64
Domine Deus exercituum - 2a pars (of 2): Salva nos Domine de manibus inimicorum 64v–68
Domine Jesu Christe respicere digneris 96v–105
Dum deambularet - 1a pars (of 2): Domine Jesu Christe respicere digneris 84v–90
Dum deambularet - 2a pars (of 2): Vocem tuam audivi in paradiso 90v–96
Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require 139v–145
Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias 145v–149
Estote prudentes sicut serpentes 153v–157
Heu mihi Domine - 1a pars (of 2): Heu mihi Domine quia peccavi nimis 167v–172
Heu mihi Domine - 2a pars (of 2): Anima mea turbata est valde 172v–176
Impulsus eversus - 1a pars (of 2): Impulsus eversus sum 47v–51
Impulsus eversus - 2a pars (of 2): Castigans castigavit me Dominus 51v–57
Ingemuit Susanna - 1a pars (of 2): Ingemuit Susanna et ait angustiae 68v–73
Ingemuit Susanna - 2a pars (of 2): Sed melius est mihi absque opere 73v–77
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino 176v–182
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascuae eius 182v–188
Lucerna pedibus meis verbum tuum 149v–153
Non intres - 1a pars (of 2): Non intres in iudicium tuum Anonymous 237v–244
Non intres - 2a pars (of 2): Non avertas faciem tuam a me Anonymous 244v–249
O fili Dei memento semper mei qui sum 8v–13
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 121v–125
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris 125v–130
Peccantem me - 1a pars (of 2): Peccantem me quotidie 19v–24
Peccantem me - 2a pars (of 2): Deus in nomine tuo 24v–29
Quid gloriaris - 1a pars (of 2): Quid gloriaris in malitia qui potens ex iniquitate 225v–231
Quid gloriaris - 2a pars (of 2): Dilexisti omnia verba praecipitationis 231v–237
Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes 215v–220
Salvator mundi - 2a pars (of 2): Suppliciter te petimus ut animalis omnibus 220v–226
Salvum me fac Deus quoniam intraverunt aquae 105v–111
Timor et tremor venit in Nivem civitatem 157v–167
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas occupaverunt interiora 249v–257
Tristitia et anxietas - 2a pars (of 2): Sed tu Domine qui non derelinquis 257v–263
Venit ergo rex die septimo ut lugeret 13v–19
Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore 37v–43
Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare 43v–47
Virgines prudentes - 1a pars (of 2): Virgines prudentes ornate lampades vestras 0v–4
Virgines prudentes - 2a pars (of 2): Media autem nocte clamor factus est 4v–8
Voce mea - 1a pars (of 2): Voce mea ad Dominum clamavi 29v–33
Voce mea - 2a pars (of 2): Exsurge Domine salvum me fac 33v–37

denotes primary source study

Schmidt, Günther. 1956. Die Musik am Hofe der Markgrafen von BrandenburgAnsbach.  Kassel and Basel. Pages: 19, 25. Notes: mention of MS.

Bruner, Ludwig. 1913. Katalog der K. Regierungsbibliothek in Ansbach.  Ansbach. Pages: 236. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description