Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 1–1v (Q: 1-1v) | So will ich frisch und fröhlich sein | Ant: Scandelli | |
|
Appears on:
1–1v (Q: 1-1v)
Genres:
Lied
Source Attribution:
Ant: Scandelli
Number of voices:
(5)
|
|||
| 1v | Mit Lieb bin ich umfangen | Ant. Scand. | |
|
Appears on:
1v
Genres:
Lied
Source Attribution:
Ant. Scand.
Number of voices:
(4)
|
|||
| 2–2v (Q: 1v-2) | Von deinetwegen bin ich hie | Scandell[us] | |
|
Appears on:
2–2v (Q: 1v-2)
Genres:
Lied
Source Attribution:
Scandell[us]
Number of voices:
(5)
|
|||
| 2v–3r (Q: 2-2v) | Ach herziges Herz mein Schmerz erkennen tu | Ant. Scandell. | |
|
Appears on:
2v–3r (Q: 2-2v)
Genres:
Lied
Source Attribution:
Ant. Scandell.
Number of voices:
(5)
|
|||
| 3–3v (Q: 2v-3v) | Ich weiss mir ein festes gebautes haus | Ant. Scand. | |
|
Appears on:
3–3v (Q: 2v-3v)
Genres:
Song
Source Attribution:
Ant. Scand.
Number of voices:
(5)
|
|||
| 4 | Schein uns du liebe Sonne und gib uns deinen Schein | Ant: Scand: | |
|
Appears on:
4
Genres:
Lied
Source Attribution:
Ant: Scand:
Number of voices:
(4)
|
|||
| 4–5 | Ach Gott wem soll ichs klagen das heimliche leiden | Ant: Scand: | |
|
Appears on:
4–5
Genres:
Sacred Song
Source Attribution:
Ant: Scand:
Number of voices:
(4)
General NoteNotated with soprano clef |
|||
| 5–5v (Q: 3v-4) | Es wollt' ein Jäg' jagen | Iuo de Vento | |
|
Appears on:
5–5v (Q: 3v-4)
Genres:
Lied
Source Attribution:
Iuo de Vento
Number of voices:
(5)
|
|||
| 5v–6 (Q: 4-4v) | Frau ich verhoff' in kurzer Zeit | Iuo de Vento | |
|
Appears on:
5v–6 (Q: 4-4v)
Genres:
Lied
Source Attribution:
Iuo de Vento
Number of voices:
(5)
|
|||
| 6–6v (Q: 4v-5) | Es folg ein klein' Waldvögelein | Iuo de Vento | |
|
Appears on:
6–6v (Q: 4v-5)
Genres:
Lied
Source Attribution:
Iuo de Vento
Number of voices:
(5)
|
|||
| 7 (Q: 5v) | Ich stund an einem Morgen | Iuo de Vento | |
|
Appears on:
7 (Q: 5v)
Genres:
Lied
Source Attribution:
Iuo de Vento
Number of voices:
(5)
|
|||
| 7v–8 (Q: 6-6v) | Ich sollt' einmal spazieren gahn | Iuo de Vent[o] | |
|
Appears on:
7v–8 (Q: 6-6v)
Genres:
Lied
Source Attribution:
Iuo de Vent[o]
Number of voices:
(5)
|
|||
| 8–8v | Ach edles Bild bis nicht so wild | Christia: Hollander | |
|
Appears on:
8–8v
Genres:
Lied
Source Attribution:
Christia: Hollander
Number of voices:
(4)
|
|||
| 8v–9 | Elend ich rief und seuft so tief (= Jouons beau jeu tout en riant) | Clem. n. p. | |
|
Appears on:
8v–9
Genres:
Contrafactum, Song
Source Attribution:
Clem. n. p.
Number of voices:
(4)
|
|||
| 9–10 | Ganz sehr betrubt ist mir mein Herz (2p. Scheiden von lieb und das thut weh; 3p. Scheiden und wer hat dich erdacht; 4p. Gesegne dich Gott) | Jacob Meiland | |
|
Appears on:
9–10
Genres:
Lied
Source Attribution:
Jacob Meiland
Number of voices:
(4)
|
|||
| 10–10v | Ganz sehr betrübt ist mir mein Herz | Georg. Otto | |
|
Appears on:
10–10v
Genres:
Lied
Source Attribution:
Georg. Otto
Number of voices:
(4)
|
|||
| 11 | Es ging ein Mäd' im Maien | - | Anonymous |
Es ging ein Mäd' im MaienAnonymous
Appears on:
11
Genres:
Lied
Number of voices:
(3?)
General NoteLabelled "Ex Italico. Media Vox" |
|||
| 11–11v | Den liebsten Buhlen den ich hab' | Christia: Hollander | |
|
Appears on:
11–11v
Genres:
Lied
Source Attribution:
Christia: Hollander
Number of voices:
(4)
|
|||
| 12–12v | Ach du edler Rebensaft wie wünsch' ich mir so oft | Cle: no[n] Papam | |
|
Appears on:
12–12v
Genres:
Lied
Source Attribution:
Cle: no[n] Papam
Number of voices:
(4)
|
|||
| 12v | Brich nicht an mir mein Zuversicht | Matth. Le Maistre | |
|
Appears on:
12v
Genres:
Lied
Source Attribution:
Matth. Le Maistre
Number of voices:
(4)
|
|||
| 13 | Lässtu mir nichts zur Letze | Matth. Le Maistre | |
|
Appears on:
13
Genres:
Lied
Source Attribution:
Matth. Le Maistre
Number of voices:
(4)
General Noteoriginal attribution crossed out, either by original scribe or by approximately contemporary hand |
|||
| 13v | Ich hett mir fürgenommen zu dienen | - | Anonymous |
Ich hett mir fürgenommen zu dienenAnonymous
Appears on:
13v
Genres:
Lied
Number of voices:
(4)
|
|||
| 14 | Recht inniglich ich mir erwählt | - | |
|
Appears on:
14
Genres:
Lied
Number of voices:
(4)
|
|||
| 14 | Ach Gott in meinem Herzen trag' ich brennende Schmerzen | - | Anonymous |
|
Appears on:
14
Genres:
Lied
Number of voices:
(4)
|
|||
| 14v | Herz edle Frucht mit Ehr' und Zucht | - | |
|
Appears on:
14v
Genres:
Lied
Number of voices:
(4)
|
|||
| 14v–15 (Q: 6v-7) | Im Maien hört man die Hahnen kreien | - | |
|
Appears on:
14v–15 (Q: 6v-7)
Genres:
Lied
Number of voices:
(5)
|
|||
| 15–15v | Ich schwing mein horn ins jammerthal | - | |
|
Appears on:
15–15v
Genres:
Song
Number of voices:
(4)
|
|||
| 15v–16 (Q: 7-7v) | Den liebsten Buhlen den ich hab' | Scandell[us] | |
|
Appears on:
15v–16 (Q: 7-7v)
Genres:
Lied
Source Attribution:
Scandell[us]
Number of voices:
(5)
|
|||
| 16–17 (Q: 7v-9) | Man sagt wohl - 1a pars (of 2): Man sagt wohl in dem Maien | Scandell[us] | |
|
Appears on:
16–17 (Q: 7v-9)
Genres:
Motet
Source Attribution:
Scandell[us]
Number of voices:
(5)
|
|||
| 16–17 (Q: 7v-9) | Man sagt wohl - 2a pars (of 2): Nu bis mir Gott willkommen | - | |
|
Appears on:
16–17 (Q: 7v-9)
Genres:
Lied
|
|||
| 17–18 | Ach Mädlein fein möcht es gesein | Georg: Otto | |
|
Appears on:
17–18
Genres:
Lied
Source Attribution:
Georg: Otto
Number of voices:
(4)
|
|||
| 18–18v (Q: 9-9v) | Gross' Lieb' hat mich umfangen | - | |
|
Appears on:
18–18v (Q: 9-9v)
Genres:
Lied
Number of voices:
(5)
|
|||
| 18v–19 (Q: 9v-10) | Ein Mädlein sagt mir freundlich zu | - | |
|
Appears on:
18v–19 (Q: 9v-10)
Genres:
Lied
Number of voices:
(5)
|
|||
| 19v | Marito me m'a ditto c'ho sì bona | - | |
|
Appears on:
19v
Genres:
Madrigal (Italian)
Number of voices:
(4)
|
|||
| 19v | Fuse o donne belle | Ant. Scan: | |
|
Appears on:
19v
Genres:
Madrigal (Italian)
Source Attribution:
Ant. Scan:
Number of voices:
(4)
|
|||
| 20–21v | Cucurucu - 1a pars (of 2): Cucurucu u scontienta u beschina | Ant: Scan: | |
|
Appears on:
20–21v
Genres:
Canzon
Source Attribution:
Ant: Scan:
Number of voices:
(4)
|
|||
| 20–21v | Cucurucu - 2a pars (of 2): Lassa carumpa canella lassa Martina lassa Lucia | - | |
|
Appears on:
20–21v
Genres:
Canzon
|
|||
| 21v–24 | Der Wein der schmeckt - 1a pars (of 3): Der Wein der schmeckt mir also wohl | Christ: Holl: | |
|
Appears on:
21v–24
Genres:
Lied
Source Attribution:
Christ: Holl:
Number of voices:
(4)
|
|||
| 21v–24 | Der Wein der schmeckt - 2a pars (of 3): Das glaub' ich gern ich armes Weib | - | |
|
Appears on:
21v–24
Genres:
Lied
|
|||
| 21v–24 | Der Wein der schmeckt - 3a pars (of 3): O Weib es ist ein alt's Sprichwort | - | |
|
Appears on:
21v–24
Genres:
Lied
|
|||
| 24–25 | Ist keiner hie - 1a pars (of 2): Ist keiner hie der spricht zu mir | Christ: Holl: | |
|
Appears on:
24–25
Genres:
Lied
Source Attribution:
Christ: Holl:
Number of voices:
(4)
|
|||
| 24–25 | Ist keiner hie - 2a pars (of 2): Mich dürst' so sehr schenk tapfer ein | - | |
|
Appears on:
24–25
Genres:
Lied
Number of voices:
(4)
|
|||
| 25v–26 | Das mir Niemands hold ist | Christ: Holl: | |
|
Appears on:
25v–26
Genres:
Lied
Source Attribution:
Christ: Holl:
Number of voices:
(4)
|
|||
| 26–26v | Schön bin ich nit | Iuo de Vento | |
|
Appears on:
26–26v
Genres:
Lied
Source Attribution:
Iuo de Vento
Number of voices:
(4)
|
|||
| 27–27v | Die Brünnlein die da fließen | Iuo de Vento | |
|
Appears on:
27–27v
Genres:
Lied
Source Attribution:
Iuo de Vento
Number of voices:
(4)
|
|||
| 27v–28 | Die Brünnlein die da fließen | Ant: Scand: | |
|
Appears on:
27v–28
Genres:
Canzon
Source Attribution:
Ant: Scand:
Number of voices:
(4)
|
|||
| 28v | Kein Lieb' ohn' Leid mag mir nicht widerfahren | - | |
|
Appears on:
28v
Genres:
Lied
Number of voices:
(4)
|
|||
| 29–29v | Den schönsten Buhlen den ich hab' | Georg. Otto | |
|
Appears on:
29–29v
Genres:
Lied
Source Attribution:
Georg. Otto
Number of voices:
(4)
|
|||
| 29v–30 (Q: 10v-11) | Itzt geht's an ein Scheiden | Georg. Otto | |
|
Appears on:
29v–30 (Q: 10v-11)
Genres:
Lied
Source Attribution:
Georg. Otto
Number of voices:
(5)
|
|||
| 30v–31 (Q: 11-11v) | Wie schön blüht uns der Maien | Georg. Otto | |
|
Appears on:
30v–31 (Q: 11-11v)
Genres:
Lied
Source Attribution:
Georg. Otto
Number of voices:
(5)
|
|||
| 31–31v | Bleibe bei uns Herr Jesu Christ | Georg. Otto | |
|
Appears on:
31–31v
Genres:
Sacred Song
Source Attribution:
Georg. Otto
Number of voices:
(4)
|
|||
| 31v–32 | Wohlauf gut Gesell' von hinnen | Georg Otto | |
|
Appears on:
31v–32
Genres:
Lied
Source Attribution:
Georg Otto
Number of voices:
(3?)
General NoteLabelled "Ad Aequales. Media Vox." |
|||
| 32–32v | Ach wie ist doch so schwere Pein | Ant: Scand: | |
|
Appears on:
32–32v
Genres:
Lied
Source Attribution:
Ant: Scand:
Number of voices:
(4)
|
|||
| 32v–34 | Gleichwie Moses - 1a pars (of 2): Gleichwie Moses in der Wüsten | Ant: Scand: | |
|
Appears on:
32v–34
Genres:
Motet
Source Attribution:
Ant: Scand:
Number of voices:
(4)
|
|||
| 32v–34 | Gleichwie Moses - 2a pars (of 2): Also hat Gott die Welt geliebet | - | |
|
Appears on:
32v–34
Genres:
Motet
Number of voices:
(4)
|
|||
| 34–35 | Lobe den herren - 1a pars (of 2): Lobe den herren meine Seele | Ant: Scand: | |
|
Appears on:
34–35
Genres:
Chorale, Sacred Song
Source Attribution:
Ant: Scand:
Number of voices:
(4)
|
|||
| 34–35 | Lobe den herren - 2a pars (of 2): Der dir alle Deine sünde vergibt | - | |
|
Appears on:
34–35
Genres:
Motet
Number of voices:
(4)
|
|||
| 35v (Q: 11v-12) | Vater unser im Himmelreich | Orl. di Lass[us] | |
|
Appears on:
35v (Q: 11v-12)
Genres:
Motet, Pater noster
Source Attribution:
Orl. di Lass[us]
Number of voices:
(5)
|
|||
| 36 (Q: 12-12v) | Ich ruf' zu dir herr Jesu Christ | Orl. di Lass[us] | |
|
Appears on:
36 (Q: 12-12v)
Genres:
Motet
Source Attribution:
Orl. di Lass[us]
Number of voices:
(5)
|
|||
| 36v | Est salus nobis Dominus benigna et fugae | - | Anonymous |
Est salus nobis Dominus benigna et fugaeAnonymous
Appears on:
36v
Genres:
Motet
Number of voices:
(4)
General NoteThis and the following piece are the later additions by Mattheus Neander |
|||
| 37 | Veni novena | - | |
|
Appears on:
37
Genres:
Motet
Number of voices:
(4)
General Noteat end "In memoriam Christoph. Nackij cum ex illustrj Academia Lipsensj discederet, scribebat haec Mattheus Neander Coldicensis, tunc temporis Cantor in Borna." VollhardtC (1899) suggests that 'scribebat' implies composition as well as copying. |
|||
| 40–40v (Q: 13-13v) | Vitam quae faciunt beatiorem jucundissime | - | |
|
Appears on:
40–40v (Q: 13-13v)
Genres:
Motet
Number of voices:
(5)
|
|||
| 40v–41 | Gloria tibi Domine gloria tibi sancte | CLEMENS N. PAPA | |
|
Appears on:
40v–41
Genres:
Response
Source Attribution:
CLEMENS N. PAPA
Number of voices:
(4)
|
|||
| 41v–42 (Q: 13v-14) | Gaudete filiae Jerusalem nam flores apparuerunt | Jac: Meil: | |
|
Appears on:
41v–42 (Q: 13v-14)
Genres:
Motet
Source Attribution:
Jac: Meil:
Number of voices:
(5)
General NoteQuintus is here 2nd Altus |
|||
| 42v–43v | Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require | - | |
|
Appears on:
42v–43v
Genres:
Motet
Number of voices:
(4)
|
|||
| 42v–43v | Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias | - | |
|
Appears on:
42v–43v
Genres:
Motet
Number of voices:
(4)
|
|||
| 43v–45 | Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem | Clem N. P. | |
|
Appears on:
43v–45
Genres:
Motet
Source Attribution:
Clem N. P.
Number of voices:
(4)
|
|||
| 43v–45 | Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac | - | |
|
Appears on:
43v–45
Genres:
Motet
Number of voices:
(4)
|
|||
| 45–45v | Habe fiduciam in Domino | Anton. Scand: | |
|
Appears on:
45–45v
Genres:
Motet
Source Attribution:
Anton. Scand:
Number of voices:
(4)
|
|||
| 45v–47 | Dominus Deus - 1a pars (of 2): Dominus Deus salutis meae | Nicolaus Paÿen | |
|
Appears on:
45v–47
Genres:
Motet
Source Attribution:
Nicolaus Paÿen
Number of voices:
(4)
|
|||
| 45v–47 | Dominus Deus - 2a pars (of 2): Confige ergo pater consolationis | - | |
|
Appears on:
45v–47
Genres:
Motet
Number of voices:
(4)
|
|||
| 47–47v | O fili Dei memento semper mei qui sum | C. N. P. [=Clemens Non Papa] | |
|
Appears on:
47–47v
Genres:
Motet
Source Attribution:
C. N. P. [=Clemens Non Papa]
Number of voices:
(4)
|
|||
| 47v–48v | Domine Deus exercituum - 1a pars (of 2): Domine Deus exercituum fortis et potens | C: N. P. [=Clemens Non Papa] | |
|
Appears on:
47v–48v
Genres:
Motet
Source Attribution:
C: N. P. [=Clemens Non Papa]
Number of voices:
(4)
|
|||
| 47v–48v | Domine Deus exercituum - 2a pars (of 2): Igitur Domine dissipa gentes qui volunt | - | |
|
Appears on:
47v–48v
Genres:
Motet
Number of voices:
(4)
|
|||
| 48v–49v (Q: 14v-15) | Omnia quae fecisti nobis Domine in vero | Orland. di Lass[us] | |
|
Appears on:
48v–49v (Q: 14v-15)
Genres:
Motet
Source Attribution:
Orland. di Lass[us]
Number of voices:
(5)
|
|||
| 49v–50 (Q: 15-15v) | Veni in hortum meum | Orl: Di Lassus | |
|
Appears on:
49v–50 (Q: 15-15v)
Genres:
Motet
Source Attribution:
Orl: Di Lassus
Number of voices:
(5)
|
|||
| 50–51 (Q: 16-16v) | In me transierunt irae tuae | Orl. di Lass[us] | |
|
Appears on:
50–51 (Q: 16-16v)
Genres:
Motet
Source Attribution:
Orl. di Lass[us]
Number of voices:
(5)
|
|||
| 51–51v | Veni in hortum meum | - | Anonymous |
Veni in hortum meumAnonymous
Appears on:
51–51v
Genres:
Motet
Number of voices:
(4)
|
|||
| 51v–52 (Q: 16v-17) | Surge propera - 1a pars (of 2): Surge propera amica mea columba mea | Orl: Di Lass[us] | |
|
Appears on:
51v–52 (Q: 16v-17)
Genres:
Motet
Source Attribution:
Orl: Di Lass[us]
Number of voices:
(5)
General NoteQuintus = Tenor 2 |
|||
| 51v–52 (Q: 16v-17) | Surge propera - 2a pars (of 2): Surge amica mea speciosa mea | - | |
|
Appears on:
51v–52 (Q: 16v-17)
Genres:
Motet
Number of voices:
(5)
General NoteQuintus = Tenor 2 |
|||
| 52v–53 (Q: 17v) | Susanna se videns rapi stuprandam fraude (5vv) | Orl: Di Lass[us] | |
|
Appears on:
52v–53 (Q: 17v)
Genres:
Contrafactum, Motet
Source Attribution:
Orl: Di Lass[us]
Number of voices:
(5)
General NoteQuintus - alto clef |
|||
| 53–53v (Q: 18-18v) | Ingenmuit Susanna [= Susanna se videns] | Christ: Holl: | |
|
Appears on:
53–53v (Q: 18-18v)
Genres:
Contrafactum, Motet
Source Attribution:
Christ: Holl:
Number of voices:
(5)
General NoteQuintus labelled "2d[us] Tenor" |
|||
| 54–54v (Q: 18v-19v) | Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis | Orl: Di Lass[us] | |
|
Appears on:
54–54v (Q: 18v-19v)
Genres:
Motet
Source Attribution:
Orl: Di Lass[us]
Number of voices:
(6)
|
|||
| 54–54v (Q: 18v-19v) | Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph | - | |
|
Appears on:
54–54v (Q: 18v-19v)
Genres:
Motet
Number of voices:
(6)
|
|||
| 54v–56 | Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium | nobilis Clemens no[n] Papa | |
|
Appears on:
54v–56
Genres:
Motet
Source Attribution:
nobilis Clemens no[n] Papa
Number of voices:
(4)
|
|||
| 54v–56 | Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans | - | |
|
Appears on:
54v–56
Genres:
Motet
Number of voices:
(4)
|
|||
| 56v–57 | Virgines prudentes - 1a pars (of 2): Virgines prudentes ornate lampades vestras | C. N. P. [=Clemens Non Papa] | |
|
Appears on:
56v–57
Genres:
Monophonic conductus
Source Attribution:
C. N. P. [=Clemens Non Papa]
Number of voices:
(4)
|
|||
| 56v–57 | Virgines prudentes - 2a pars (of 2): Media autem nocte clamor factus est | - | |
|
Appears on:
56v–57
Genres:
Motet
Number of voices:
(4)
|
|||
| 57v–58 | Venit ergo rex die septimo ut lugeret | C. N. P. [=Clemens Non Papa] | |
|
Appears on:
57v–58
Genres:
Motet
Source Attribution:
C. N. P. [=Clemens Non Papa]
Number of voices:
(4)
|
|||
| 58v–59 | Vidi Jerusalem descendentem de caelo ornatam | C. N. P. [=Clemens Non Papa] | |
|
Appears on:
58v–59
Genres:
Motet
Source Attribution:
C. N. P. [=Clemens Non Papa]
Number of voices:
(4)
|
|||
| 59–59v | Praeparate corda vestra Domino et servite | Maillart | |
|
Appears on:
59–59v
Genres:
Motet
Source Attribution:
Maillart
Number of voices:
(4)
|
|||
| 59v–60 (Q: 19v-20) | Rusticus amabilem obsecrabat virginem | Christ: Holl: | |
|
Appears on:
59v–60 (Q: 19v-20)
Genres:
Motet
Source Attribution:
Christ: Holl:
Number of voices:
(5)
General NoteQuintus labelled "2d[us] Discant[us]" |
|||
| 60–61 (Q: 20-21) | Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum | Jaches Werth | |
|
Appears on:
60–61 (Q: 20-21)
Genres:
Motet
Source Attribution:
Jaches Werth
Number of voices:
(5)
General NoteQuintus - alto clef |
|||
| 60–61 (Q: 20-21) | Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam | - | |
|
Appears on:
60–61 (Q: 20-21)
Genres:
Motet
Number of voices:
(5)
General NoteQuintus - alto clef |
|||
| 61v–62v | Fertur in conviviis - 1a pars (of 6): Fertur in conviviis | Orl: di Lass[us] | |
|
Appears on:
61v–62v
Genres:
Chanson
Source Attribution:
Orl: di Lass[us]
Number of voices:
(4)
General NoteUnclear whether all partes are copied |
|||
| 61v–62v | Fertur in conviviis - 2a pars (of 6): Volo inter omnia | - | |
|
Appears on:
61v–62v
Genres:
Chanson
|
|||
| 61v–62v | Fertur in conviviis - 3a pars (of 6): Potatores incliti | - | |
|
Appears on:
61v–62v
Genres:
Chanson
|
|||
| 61v–62v | Fertur in conviviis - 4a pars (of 6): Meum est propositum | - | |
|
Appears on:
61v–62v
Genres:
Chanson
|
|||
| 61v–62v | Fertur in conviviis - 5a pars (of 6): Et plusque ecclesiam | - | |
|
Appears on:
61v–62v
Genres:
Chanson
|
|||
| 61v–62v | Fertur in conviviis - 6a pars (of 6): Requiem aeternam | - | |
|
Appears on:
61v–62v
Genres:
Chanson
|
|||
| 62v–63v (Q: 21-22v ) | Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco | Johan de Bachi | |
|
Appears on:
62v–63v (Q: 21-22v )
Genres:
Motet
Source Attribution:
Johan de Bachi
Number of voices:
(5)
|
|||
| 62v–63v (Q: 21-22v ) | Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei | - | |
|
Appears on:
62v–63v (Q: 21-22v )
Number of voices:
(5)
|
|||
| 64–64v (Q: 22v-23v) | Pater noster | Martin: Peüdargent | |
|
Appears on:
64–64v (Q: 22v-23v)
Genres:
Motet, Pater noster
Source Attribution:
Martin: Peüdargent
Number of voices:
(5)
|
|||
| 64v–65 | Domine Deus pater caelestis benedic nobis | Ant. Scand. | |
|
Appears on:
64v–65
Genres:
Motet
Source Attribution:
Ant. Scand.
Number of voices:
(4)
|
|||
| 65–65v | Gratias agimus tibi Domine Deus | eiusdem ['the same' - Scandello] | |
|
Appears on:
65–65v
Genres:
Motet
Source Attribution:
eiusdem ['the same' - Scandello]
Number of voices:
(4)
|
|||