D-Z Mus. 100,4

Ratsschulbibliothek, Zwickau, Germany

partbook: Second half of 16th century

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark Mus. 100,4
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None / Unknown
Measurements 128 x 156 mm
Other Identifiers
  • CCM: ZwiR 100/4
  • Other catalogues/source: VollBM [see bibliography] 35
  • Alternative names: MS C,4
Notations
  • black void mensural
Copyists
Provenance
  • Wittenberg or Zwickau? Bavaria, Germany
Contents 67 pieces from 17 composers
General Description

A single Bassus partbook. Copied by several scribes, one of whom also wrote BudOS 22, BudOS 23, DresSL 1/D/3, DresSL 1/D/4, ZwiR 81/2, ZwiR 106/5, and portions of DresSL 1/D/506 (SteudeUM). Copied in Wittenberg or Zwickau.

DIAMM, 2017
Binding

Original covers of parchment cut from non-musical manuscript

DIAMM, 2017
Watermark

generally resembles Briquet #1076-8

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Music copied on ff.1-19 appears to date from third quarter of the 16th century; that on ff. 20-52 is slightly later, from the end of the century.

DIAMM, 2022
Foliation

No foliation or pagination

DIAMM, 2017
Foliation

Other numberings: Modern pencil numbering of pieces, inconsistent and inaccurate

DIAMM, 2017
Decoration

No decorative initials; a few rubrics in red.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Mass Proper sections, 22 motets, 1 Latin/German sacred piece, 15 German sacred pieces, 6 French secular pieces (3 without text), 1 Latin secular piece, 1 textless piece = 56

(Baston/Clemens non Papa/Janequin/Pathie?)-1, Brück? [AB]-1, (Calvisius)-1, Clemens non Papa-3, (Crecquillon/Sandrin/Sermisy) -1, (Donato/Willaert)-1, Dressler-3, (Gombert)-1, (Händl)-1, (Kinner)-1, Didier Lupi Second-1, Le Maistre-2, (Sandrin/Sermisy)-1, (Scandello)-3, (Sermisy)-1, Stoltzer-9, Wagener-1, (Zirler)-1, anon-23

1 paper partbook (B-65 folios), 128 x 156. No foliation or pagination. Modern pencil numbering of pieces, inconsistent and inaccurate. Original covers of parchment cut from non-musical manuscript. No index. Copied by several scribes, one of whom also wrote BudOS 22, BudOS 23, DresSL 1/D/3, DresSL 1/D/4, ZwiR 81/2, ZwiR 106/5, and portions of DresSL 1/D/506 (SteudeUM). No decorative initials; a few rubrics in red. Watermark generally resembles Briquet #1076-8.

Second half of 16th century. Copied in Wittenberg or Zwickau

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v [blank page] - -

[blank page]

Appears on: 1v
2 [blank staves] - -

[blank staves]

Appears on: 2
2v–3 Ein Kind geborn zu Bethlehem -- Puer natus in Bethlehem - Anonymous
Appears on: 2v–3
Genres: Motet
3v–4v [blank pages] - -

[blank pages]

Appears on: 3v–4v
5–6 Veni sancte spiritus reple tuorum corda fidelium - Anonymous
Appears on: 5–6
Genres: Motet
6–6v Ecce concipies et paries filium et vocabis -
Appears on: 6–6v
Genres: Motet
7–8 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius -
Appears on: 7–8
Genres: Motet
8v–10 Mittit ad virginem - Anonymous

Mittit ad virginem

Anonymous
Appears on: 8v–10
Genres: Motet
10–11 Officium de nativitate - i. Puer natus est nobis -
Appears on: 10–11
Genres: Motet
11–12 Officium de nativitate - ii. Dies sanctificatus -
Appears on: 11–12
Genres: Motet
12 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo - Anonymous
Appears on: 12
Genres: Motet
12v–13 Officium de Epiphania - i. Ecce advenit et dominator Dominus -
Appears on: 12v–13
Genres: Introit
12v Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis - Anonymous
Appears on: 12v
Genres: Motet
13v–14 Officium de Epiphania - ii. Alleluia. Vidimus stellam eius -
Appears on: 13v–14
Genres: Alleluia
14v–16 Officium de Epiphania - iii. Quae miris sunt modis ornata -
Appears on: 14v–16
Genres: Sequence
16–17 Suscepimus Deus - Anonymous

Suscepimus Deus

Anonymous
Appears on: 16–17
Genres: Introit
17v [untexted] - Anonymous

[untexted]

Anonymous
Appears on: 17v
Genres: textless
18 Lumen ad revelationem - Anonymous
Appears on: 18
Genres: Motet
18v–19v Nunc dimittis - Anonymous

Nunc dimittis

Anonymous
Appears on: 18v–19v
Genres: Canticle, Nunc Dimittis
20–20v [untexted] - Anonymous

[untexted]

Anonymous
Appears on: 20–20v
Genres: textless
20v–21 Allein nach dir Herr Jesu Christ (= Si pur ti guardo) -
Appears on: 20v–21
Genres: Contrafactum, Hymn
21v [untexted] - Anonymous

[untexted]

Anonymous
Appears on: 21v
Genres: textless
22–22v Gott ist mein licht und mein seligkeit -
Appears on: 22–22v
Genres: Motet
22v–23 O Jesu Christ mein Heil du bist - Anonymous
Appears on: 22v–23
Genres: Motet
23v–24v Tristis est anima -
Appears on: 23v–24v
Genres: Motet
24v–25 Ingemuit Susanna et ait angustiae sunt (= Susanne un jour) -
Appears on: 24v–25
Genres: Contrafactum, Motet
25v–26v Tota pulchra es - Anonymous

Tota pulchra es

Anonymous
Appears on: 25v–26v
Genres: Motet
26v–27 O bone Jesu Christe - Anonymous
Appears on: 26v–27
Genres: Motet
27–27v Jacta super Dominum curam tuam -
Appears on: 27–27v
Genres: Contrafactum, Motet
27v Si confessus - 1a pars (of 2): Si confessus fueris in ore tuo - Anonymous
Appears on: 27v
Genres: Motet
28 Si confessus - 2a pars (of 2): Corde enim creditur in justitiam - Anonymous
Appears on: 28
Genres: Motet
28v Lucerna pedibus meis verbum tuum - Anonymous
Appears on: 28v
Genres: Motet
29–29v Contingat illis turturum concordia cor meum - Anonymous
Appears on: 29–29v
Genres: Motet
29v–30 Qui celebrans quondam sponsalia -
Appears on: 29v–30
Genres: Motet
30v Ego sum lux mundi - Anonymous

Ego sum lux mundi

Anonymous
Appears on: 30v
Genres: Motet
30v–31 Justus es Domine - Anonymous

Justus es Domine

Anonymous
Appears on: 30v–31
Genres: Motet
31v Gratia Dei - 1a pars (of 2): Gratia Dei [salvati] sumus non ex nobis - Anonymous
Appears on: 31v
Genres: Motet
32 Gratia Dei - 2a pars (of 2): Ipsius sumus factura - Anonymous
Appears on: 32
Genres: Motet
32–33 Der Herr behute - 1a pars (of 2): Der Herr behute deinen Eingang und Ausgang Georg Wagner
Appears on: 32–33
Genres: Motet
Source Attribution: Georg Wagner
33–34 Der Herr behute - 2a pars (of 2): Der Herr behute dich der Herr ist dein Schatten -
Appears on: 33–34
Genres: Motet
34–35 Richte mich Gott Gallus Drechsler
Appears on: 34–35
Genres: Motet
Source Attribution: Gallus Drechsler
35v–36 So sage Israel wo der Herr nicht bei uns wäre Gallus Drechsler
Appears on: 35v–36
Genres: Motet
Source Attribution: Gallus Drechsler
36v–37 Bewahr mich Herr und sei nicht fern -
Appears on: 36v–37
Genres: Sacred Song
37v–38 All' Augen warten Herr auf dich - Anonymous
Appears on: 37v–38
Genres: Motet
General Note

untexted; the same music as the following piece

38v–39 All' Augen warten Herr auf dich - Anonymous
Appears on: 38v–39
Genres: Motet
General Note

fully-texted; the same music as the previous piece

39v–40v Lobe den Herren denn er ist freundlich - Anonymous
Appears on: 39v–40v
Genres: Motet
General Note

text of verses 2-7 on ff. 40-40v

41–41v Auf dich trau' ich mein Gott und Herr - Anonymous
Appears on: 41–41v
Genres: Motet
41v Wenn wir in höchsten Nöten sein - Anonymous
Appears on: 41v
Genres: Motet
42–43 [untexted] - Anonymous

[untexted]

Anonymous
Appears on: 42–43
Genres: textless
General Note

begins on f.42, but crossed out; then copied again on ff.42v-43

43–44 Optima virtutum Sophia mea viscera - Anonymous
Appears on: 43–44
Genres: Motet
44v–45 [untexted] - Anonymous

[untexted]

Anonymous
Appears on: 44v–45
Genres: textless
45 [untexted] - Anonymous

[untexted]

Anonymous
Appears on: 45
Genres: textless
45v [untexted] - Anonymous

[untexted]

Anonymous
Appears on: 45v
Genres: textless
45v–46 [untexted] - Anonymous

[untexted]

Anonymous
Appears on: 45v–46
Genres: textless
46v–47 Surge propera - 1a pars (of 2): Surge propera amica mea et veni - Anonymous
Appears on: 46v–47
Genres: Motet
47v–48 Surge propera - 2a pars (of 2): Surge propera amica mea speciosa mea - Anonymous
Appears on: 47v–48
Genres: Motet
48–48v Quid mundum suspicis polos aspira - Anonymous
Appears on: 48–48v
Genres: Motet
48v–49 Also hat Gott die Welt geliebt - Anonymous
Appears on: 48v–49
Genres: Hymn
49–49v Vespera nunc venit - Anonymous

Vespera nunc venit

Anonymous
Appears on: 49–49v
Genres: Motet
50–50v Lobet den Herrn alle Heiden - Anonymous
Appears on: 50–50v
Genres: Hymn
50v–51 Auf dich allein du treuer Gott - Anonymous
Appears on: 50v–51
Genres: Hymn
51–51v Wer Gott vertraut hat wohl gebaut - Anonymous
Appears on: 51–51v
Genres: Hymn
51v–52 Quaerite primum regnum Dei et justitiam - Anonymous
Appears on: 51v–52
Genres: Motet
52v–53 Amorem Jesu Christi quis perspicit - Anonymous
Appears on: 52v–53
Genres: Motet
53v–64v [blank staves] - -

[blank staves]

Appears on: 53v–64v
[-] Je prens en gre le dure mort (4vv) -
Appears on: [-]
Genres: Motet
General Note

(one of the anonymous motets above is a contrafact setting of this chanson)

[-] Vous perdez temps de me dire mal d'elle -
Appears on: [-]
Genres: Chanson
General Note

(one of the anonymous motets above is a contrafact setting of this chanson)

Composer Compositions
Anonymous
Baston, Josquin (fl. 1542–63)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Donato, Baldassare (ca. 1529–1603)
Dressler, Gallus
Janequin, Clement (ca. 1485–ca. 1558)
Kinner von Scherffenstein, Martin
Le Maistre, Mattheus (ca. 1505–1577)
Lupi (II), Didier
Pathie, Rogier (ca. 1510–ca. 1564)
Sandrin, Pierre (ca. 1490–ca. 1560)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Wagener, Georg
Willaert, Adrian (ca. 1490–1562)
Zirler, Stephan (ca. 1518–1568)
Composition Composers (? Uncertain) Folios / Pages
[untexted] Anonymous 17v
[untexted] Anonymous 20–20v
[untexted] Anonymous 21v
[untexted] Anonymous 42–43
[untexted] Anonymous 44v–45
[untexted] Anonymous 45
[untexted] Anonymous 45v
[untexted] Anonymous 45v–46
All' Augen warten Herr auf dich Anonymous 37v–38
All' Augen warten Herr auf dich Anonymous 38v–39
Allein nach dir Herr Jesu Christ (= Si pur ti guardo) 20v–21
Also hat Gott die Welt geliebt Anonymous 48v–49
Amorem Jesu Christi quis perspicit Anonymous 52v–53
Auf dich allein du treuer Gott Anonymous 50v–51
Auf dich trau' ich mein Gott und Herr Anonymous 41–41v
Bewahr mich Herr und sei nicht fern 36v–37
Contingat illis turturum concordia cor meum Anonymous 29–29v
Der Herr behute - 1a pars (of 2): Der Herr behute deinen Eingang und Ausgang 32–33
Der Herr behute - 2a pars (of 2): Der Herr behute dich der Herr ist dein Schatten 33–34
Ecce concipies et paries filium et vocabis 6–6v
Ego sum lux mundi Anonymous 30v
Ein Kind geborn zu Bethlehem -- Puer natus in Bethlehem Anonymous 2v–3
Gott ist mein licht und mein seligkeit 22–22v
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo Anonymous 12
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis Anonymous 12v
Gratia Dei - 1a pars (of 2): Gratia Dei [salvati] sumus non ex nobis Anonymous 31v
Gratia Dei - 2a pars (of 2): Ipsius sumus factura Anonymous 32
Ingemuit Susanna et ait angustiae sunt (= Susanne un jour) 24v–25
Jacta super Dominum curam tuam 27–27v
Je prens en gre le dure mort (4vv) [-]
Justus es Domine Anonymous 30v–31
Lobe den Herren denn er ist freundlich Anonymous 39v–40v
Lobet den Herrn alle Heiden Anonymous 50–50v
Lucerna pedibus meis verbum tuum Anonymous 28v
Lumen ad revelationem Anonymous 18
Mittit ad virginem Anonymous 8v–10
Nunc dimittis Anonymous 18v–19v
O bone Jesu Christe Anonymous 26v–27
O Jesu Christ mein Heil du bist Anonymous 22v–23
Officium de Epiphania - i. Ecce advenit et dominator Dominus 12v–13
Officium de Epiphania - ii. Alleluia. Vidimus stellam eius 13v–14
Officium de Epiphania - iii. Quae miris sunt modis ornata 14v–16
Officium de nativitate - i. Puer natus est nobis 10–11
Officium de nativitate - ii. Dies sanctificatus 11–12
Optima virtutum Sophia mea viscera Anonymous 43–44
Quaerite primum regnum Dei et justitiam Anonymous 51v–52
Qui celebrans quondam sponsalia 29v–30
Quid mundum suspicis polos aspira Anonymous 48–48v
Richte mich Gott 34–35
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius 7–8
Si confessus - 1a pars (of 2): Si confessus fueris in ore tuo Anonymous 27v
Si confessus - 2a pars (of 2): Corde enim creditur in justitiam Anonymous 28
So sage Israel wo der Herr nicht bei uns wäre 35v–36
Surge propera - 1a pars (of 2): Surge propera amica mea et veni Anonymous 46v–47
Surge propera - 2a pars (of 2): Surge propera amica mea speciosa mea Anonymous 47v–48
Suscepimus Deus Anonymous 16–17
Tota pulchra es Anonymous 25v–26v
Tristis est anima 23v–24v
Veni sancte spiritus reple tuorum corda fidelium Anonymous 5–6
Vespera nunc venit Anonymous 49–49v
Vous perdez temps de me dire mal d'elle [-]
Wenn wir in höchsten Nöten sein Anonymous 41v
Wer Gott vertraut hat wohl gebaut Anonymous 51–51v

denotes primary source study

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert.  Leipzig. Pages: 12-8, passim Abb. 10, 19. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 16, 121, 279-80,290,309. Notes: contents list (partial); concordances (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 169, 172-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Luther, Wilhelm Martin. 1945. Gallus Dressler: Ein Beitrag zur Geschichte des Protestantischen Schulkantorats im 16. Jahrhundert. Göttinger Musikwissenschaftliche Arbeiten.  Kassel. Pages: 151,162-4. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XCIX, 91, 93. Notes: physical description (partial); contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 46. Notes: physical description (partial); contents list (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description