D-Z Mus. 100,4

Ratsschulbibliothek, Zwickau, Germany

partbook: Second half of 16th century

Archive	Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark	Mus. 100,4
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None / Unknown
Measurements	128 x 156 mm
Other Identifiers	CCM: ZwiR 100/4 Other catalogues/source: VollBM [see bibliography] 35 Alternative names: MS C,4
Notations	black void mensural
Copyists	scribal concordance [96] Music
Provenance	Wittenberg or Zwickau? Bavaria, Germany
Contents	67 pieces from 17 composers

General Description

A single Bassus partbook. Copied by several scribes, one of whom also wrote BudOS 22, BudOS 23, DresSL 1/D/3, DresSL 1/D/4, ZwiR 81/2, ZwiR 106/5, and portions of DresSL 1/D/506 (SteudeUM). Copied in Wittenberg or Zwickau.

DIAMM, 2017

Binding

Original covers of parchment cut from non-musical manuscript

DIAMM, 2017

Watermark

generally resembles Briquet #1076-8

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Music copied on ff.1-19 appears to date from third quarter of the 16th century; that on ff. 20-52 is slightly later, from the end of the century.

DIAMM, 2022

Foliation

No foliation or pagination

DIAMM, 2017

Foliation

Other numberings: Modern pencil numbering of pieces, inconsistent and inaccurate

DIAMM, 2017

Decoration

No decorative initials; a few rubrics in red.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Mass Proper sections, 22 motets, 1 Latin/German sacred piece, 15 German sacred pieces, 6 French secular pieces (3 without text), 1 Latin secular piece, 1 textless piece = 56

(Baston/Clemens non Papa/Janequin/Pathie?)-1, Brück? [AB]-1, (Calvisius)-1, Clemens non Papa-3, (Crecquillon/Sandrin/Sermisy) -1, (Donato/Willaert)-1, Dressler-3, (Gombert)-1, (Händl)-1, (Kinner)-1, Didier Lupi Second-1, Le Maistre-2, (Sandrin/Sermisy)-1, (Scandello)-3, (Sermisy)-1, Stoltzer-9, Wagener-1, (Zirler)-1, anon-23

1 paper partbook (B-65 folios), 128 x 156. No foliation or pagination. Modern pencil numbering of pieces, inconsistent and inaccurate. Original covers of parchment cut from non-musical manuscript. No index. Copied by several scribes, one of whom also wrote BudOS 22, BudOS 23, DresSL 1/D/3, DresSL 1/D/4, ZwiR 81/2, ZwiR 106/5, and portions of DresSL 1/D/506 (SteudeUM). No decorative initials; a few rubrics in red. Watermark generally resembles Briquet #1076-8.

Second half of 16th century. Copied in Wittenberg or Zwickau

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v	[blank page]	-	-
[blank page] Appears on: 1v
2	[blank staves]	-	-
[blank staves] Appears on: 2
2v–3	Ein Kind geborn zu Bethlehem -- Puer natus in Bethlehem	-	Anonymous
Ein Kind geborn zu Bethlehem -- Puer natus in Bethlehem Anonymous Appears on: 2v–3 Genres: Motet
3v–4v	[blank pages]	-	-
[blank pages] Appears on: 3v–4v
5–6	Veni sancte spiritus reple tuorum corda fidelium	-	Anonymous
Veni sancte spiritus reple tuorum corda fidelium Anonymous Appears on: 5–6 Genres: Motet
6–6v	Ecce concipies et paries filium et vocabis	-	Stoltzer, Thomas (ca. 1480–1526)
Ecce concipies et paries filium et vocabis Stoltzer, Thomas (ca. 1480–1526) Appears on: 6–6v Genres: Motet
7–8	Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius	-	Stoltzer, Thomas (ca. 1480–1526)
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius Stoltzer, Thomas (ca. 1480–1526) Appears on: 7–8 Genres: Motet
8v–10	Mittit ad virginem	-	Anonymous
Mittit ad virginem Anonymous Appears on: 8v–10 Genres: Motet
10–11	Officium de nativitate - i. Puer natus est nobis	-	Stoltzer, Thomas (ca. 1480–1526)
Officium de nativitate - i. Puer natus est nobis Stoltzer, Thomas (ca. 1480–1526) Appears on: 10–11 Genres: Motet
11–12	Officium de nativitate - ii. Dies sanctificatus	-	Stoltzer, Thomas (ca. 1480–1526)
Officium de nativitate - ii. Dies sanctificatus Stoltzer, Thomas (ca. 1480–1526) Appears on: 11–12 Genres: Motet
12	Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo	-	Anonymous
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo Anonymous Appears on: 12 Genres: Motet
12v–13	Officium de Epiphania - i. Ecce advenit et dominator Dominus	-	Stoltzer, Thomas (ca. 1480–1526)
Officium de Epiphania - i. Ecce advenit et dominator Dominus Stoltzer, Thomas (ca. 1480–1526) Appears on: 12v–13 Genres: Introit
12v	Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	-	Anonymous
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis Anonymous Appears on: 12v Genres: Motet
13v–14	Officium de Epiphania - ii. Alleluia. Vidimus stellam eius	-	Stoltzer, Thomas (ca. 1480–1526)
Officium de Epiphania - ii. Alleluia. Vidimus stellam eius Stoltzer, Thomas (ca. 1480–1526) Appears on: 13v–14 Genres: Alleluia
14v–16	Officium de Epiphania - iii. Quae miris sunt modis ornata	-	Stoltzer, Thomas (ca. 1480–1526)
Officium de Epiphania - iii. Quae miris sunt modis ornata Stoltzer, Thomas (ca. 1480–1526) Appears on: 14v–16 Genres: Sequence
16–17	Suscepimus Deus	-	Anonymous
Suscepimus Deus Anonymous Appears on: 16–17 Genres: Introit
17v	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 17v Genres: textless
18	Lumen ad revelationem	-	Anonymous
Lumen ad revelationem Anonymous Appears on: 18 Genres: Motet
18v–19v	Nunc dimittis	-	Anonymous
Nunc dimittis Anonymous Appears on: 18v–19v Genres: Canticle, Nunc Dimittis
20–20v	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 20–20v Genres: textless
20v–21	Allein nach dir Herr Jesu Christ (= Si pur ti guardo)	-	Donato, Baldassare (ca. 1529–1603) Willaert, Adrian (ca. 1490–1562) (?)
Allein nach dir Herr Jesu Christ (= Si pur ti guardo) Donato, Baldassare (ca. 1529–1603) Willaert, Adrian (ca. 1490–1562) (?) Appears on: 20v–21 Genres: Contrafactum, Hymn
21v	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 21v Genres: textless
22–22v	Gott ist mein licht und mein seligkeit	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Gott ist mein licht und mein seligkeit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 22–22v Genres: Motet
22v–23	O Jesu Christ mein Heil du bist	-	Anonymous
O Jesu Christ mein Heil du bist Anonymous Appears on: 22v–23 Genres: Motet
23v–24v	Tristis est anima	-	Le Maistre, Mattheus (ca. 1505–1577)
Tristis est anima Le Maistre, Mattheus (ca. 1505–1577) Appears on: 23v–24v Genres: Motet
24v–25	Ingemuit Susanna et ait angustiae sunt (= Susanne un jour)	-	Lupi (II), Didier
Ingemuit Susanna et ait angustiae sunt (= Susanne un jour) Lupi (II), Didier Appears on: 24v–25 Genres: Contrafactum, Motet
25v–26v	Tota pulchra es	-	Anonymous
Tota pulchra es Anonymous Appears on: 25v–26v Genres: Motet
26v–27	O bone Jesu Christe	-	Anonymous
O bone Jesu Christe Anonymous Appears on: 26v–27 Genres: Motet
27–27v	Jacta super Dominum curam tuam	-	Sandrin, Pierre (ca. 1490–ca. 1560) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Sermisy, Claudin de (ca. 1490–1562) (?)
Jacta super Dominum curam tuam Sandrin, Pierre (ca. 1490–ca. 1560) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 27–27v Genres: Contrafactum, Motet
27v	Si confessus - 1a pars (of 2): Si confessus fueris in ore tuo	-	Anonymous
Si confessus - 1a pars (of 2): Si confessus fueris in ore tuo Anonymous Appears on: 27v Genres: Motet
28	Si confessus - 2a pars (of 2): Corde enim creditur in justitiam	-	Anonymous
Si confessus - 2a pars (of 2): Corde enim creditur in justitiam Anonymous Appears on: 28 Genres: Motet
28v	Lucerna pedibus meis verbum tuum	-	Anonymous
Lucerna pedibus meis verbum tuum Anonymous Appears on: 28v Genres: Motet
29–29v	Contingat illis turturum concordia cor meum	-	Anonymous
Contingat illis turturum concordia cor meum Anonymous Appears on: 29–29v Genres: Motet
29v–30	Qui celebrans quondam sponsalia	-	Kinner von Scherffenstein, Martin
Qui celebrans quondam sponsalia Kinner von Scherffenstein, Martin Appears on: 29v–30 Genres: Motet
30v	Ego sum lux mundi	-	Anonymous
Ego sum lux mundi Anonymous Appears on: 30v Genres: Motet
30v–31	Justus es Domine	-	Anonymous
Justus es Domine Anonymous Appears on: 30v–31 Genres: Motet
31v	Gratia Dei - 1a pars (of 2): Gratia Dei [salvati] sumus non ex nobis	-	Anonymous
Gratia Dei - 1a pars (of 2): Gratia Dei [salvati] sumus non ex nobis Anonymous Appears on: 31v Genres: Motet
32	Gratia Dei - 2a pars (of 2): Ipsius sumus factura	-	Anonymous
Gratia Dei - 2a pars (of 2): Ipsius sumus factura Anonymous Appears on: 32 Genres: Motet
32–33	Der Herr behute - 1a pars (of 2): Der Herr behute deinen Eingang und Ausgang	Georg Wagner	Wagener, Georg
Der Herr behute - 1a pars (of 2): Der Herr behute deinen Eingang und Ausgang Wagener, Georg Appears on: 32–33 Genres: Motet Source Attribution: Georg Wagner
33–34	Der Herr behute - 2a pars (of 2): Der Herr behute dich der Herr ist dein Schatten	-	Wagener, Georg
Der Herr behute - 2a pars (of 2): Der Herr behute dich der Herr ist dein Schatten Wagener, Georg Appears on: 33–34 Genres: Motet
34–35	Richte mich Gott	Gallus Drechsler	Dressler, Gallus
Richte mich Gott Dressler, Gallus Appears on: 34–35 Genres: Motet Source Attribution: Gallus Drechsler
35v–36	So sage Israel wo der Herr nicht bei uns wäre	Gallus Drechsler	Dressler, Gallus
So sage Israel wo der Herr nicht bei uns wäre Dressler, Gallus Appears on: 35v–36 Genres: Motet Source Attribution: Gallus Drechsler
36v–37	Bewahr mich Herr und sei nicht fern	-	Zirler, Stephan (ca. 1518–1568)
Bewahr mich Herr und sei nicht fern Zirler, Stephan (ca. 1518–1568) Appears on: 36v–37 Genres: Sacred Song
37v–38	All' Augen warten Herr auf dich	-	Anonymous
All' Augen warten Herr auf dich Anonymous Appears on: 37v–38 Genres: Motet General Note untexted; the same music as the following piece
38v–39	All' Augen warten Herr auf dich	-	Anonymous
All' Augen warten Herr auf dich Anonymous Appears on: 38v–39 Genres: Motet General Note fully-texted; the same music as the previous piece
39v–40v	Lobe den Herren denn er ist freundlich	-	Anonymous
Lobe den Herren denn er ist freundlich Anonymous Appears on: 39v–40v Genres: Motet General Note text of verses 2-7 on ff. 40-40v
41–41v	Auf dich trau' ich mein Gott und Herr	-	Anonymous
Auf dich trau' ich mein Gott und Herr Anonymous Appears on: 41–41v Genres: Motet
41v	Wenn wir in höchsten Nöten sein	-	Anonymous
Wenn wir in höchsten Nöten sein Anonymous Appears on: 41v Genres: Motet
42–43	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 42–43 Genres: textless General Note begins on f.42, but crossed out; then copied again on ff.42v-43
43–44	Optima virtutum Sophia mea viscera	-	Anonymous
Optima virtutum Sophia mea viscera Anonymous Appears on: 43–44 Genres: Motet
44v–45	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 44v–45 Genres: textless
45	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 45 Genres: textless
45v	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 45v Genres: textless
45v–46	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 45v–46 Genres: textless
46v–47	Surge propera - 1a pars (of 2): Surge propera amica mea et veni	-	Anonymous
Surge propera - 1a pars (of 2): Surge propera amica mea et veni Anonymous Appears on: 46v–47 Genres: Motet
47v–48	Surge propera - 2a pars (of 2): Surge propera amica mea speciosa mea	-	Anonymous
Surge propera - 2a pars (of 2): Surge propera amica mea speciosa mea Anonymous Appears on: 47v–48 Genres: Motet
48–48v	Quid mundum suspicis polos aspira	-	Anonymous
Quid mundum suspicis polos aspira Anonymous Appears on: 48–48v Genres: Motet
48v–49	Also hat Gott die Welt geliebt	-	Anonymous
Also hat Gott die Welt geliebt Anonymous Appears on: 48v–49 Genres: Hymn
49–49v	Vespera nunc venit	-	Anonymous
Vespera nunc venit Anonymous Appears on: 49–49v Genres: Motet
50–50v	Lobet den Herrn alle Heiden	-	Anonymous
Lobet den Herrn alle Heiden Anonymous Appears on: 50–50v Genres: Hymn
50v–51	Auf dich allein du treuer Gott	-	Anonymous
Auf dich allein du treuer Gott Anonymous Appears on: 50v–51 Genres: Hymn
51–51v	Wer Gott vertraut hat wohl gebaut	-	Anonymous
Wer Gott vertraut hat wohl gebaut Anonymous Appears on: 51–51v Genres: Hymn
51v–52	Quaerite primum regnum Dei et justitiam	-	Anonymous
Quaerite primum regnum Dei et justitiam Anonymous Appears on: 51v–52 Genres: Motet
52v–53	Amorem Jesu Christi quis perspicit	-	Anonymous
Amorem Jesu Christi quis perspicit Anonymous Appears on: 52v–53 Genres: Motet
53v–64v	[blank staves]	-	-
[blank staves] Appears on: 53v–64v
[-]	Je prens en gre le dure mort (4vv)	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Baston, Josquin (fl. 1542–63) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?) Janequin, Clement (ca. 1485–ca. 1558) (?)
Je prens en gre le dure mort (4vv) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Baston, Josquin (fl. 1542–63) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Appears on: [-] Genres: Motet General Note (one of the anonymous motets above is a contrafact setting of this chanson)
[-]	Vous perdez temps de me dire mal d'elle	-	Sandrin, Pierre (ca. 1490–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Vous perdez temps de me dire mal d'elle Sandrin, Pierre (ca. 1490–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: [-] Genres: Chanson General Note (one of the anonymous motets above is a contrafact setting of this chanson)

Composer	Compositions
Anonymous	All' Augen warten Herr auf dich – 37v–38 All' Augen warten Herr auf dich – 38v–39 Also hat Gott die Welt geliebt – 48v–49 Amorem Jesu Christi quis perspicit – 52v–53 Auf dich allein du treuer Gott – 50v–51 Auf dich trau' ich mein Gott und Herr – 41–41v Contingat illis turturum concordia cor meum – 29–29v Ego sum lux mundi – 30v Ein Kind geborn zu Bethlehem -- Puer natus in Bethlehem – 2v–3 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo – 12 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis – 12v Gratia Dei - 1a pars (of 2): Gratia Dei [salvati] sumus non ex nobis – 31v Gratia Dei - 2a pars (of 2): Ipsius sumus factura – 32 Justus es Domine – 30v–31 Lobe den Herren denn er ist freundlich – 39v–40v Lobet den Herrn alle Heiden – 50–50v Lucerna pedibus meis verbum tuum – 28v Lumen ad revelationem – 18 Mittit ad virginem – 8v–10 Nunc dimittis – 18v–19v O Jesu Christ mein Heil du bist – 22v–23 O bone Jesu Christe – 26v–27 Optima virtutum Sophia mea viscera – 43–44 Quaerite primum regnum Dei et justitiam – 51v–52 Quid mundum suspicis polos aspira – 48–48v Si confessus - 1a pars (of 2): Si confessus fueris in ore tuo – 27v Si confessus - 2a pars (of 2): Corde enim creditur in justitiam – 28 Surge propera - 1a pars (of 2): Surge propera amica mea et veni – 46v–47 Surge propera - 2a pars (of 2): Surge propera amica mea speciosa mea – 47v–48 Suscepimus Deus – 16–17 Tota pulchra es – 25v–26v Veni sancte spiritus reple tuorum corda fidelium – 5–6 Vespera nunc venit – 49–49v Wenn wir in höchsten Nöten sein – 41v Wer Gott vertraut hat wohl gebaut – 51–51v [untexted] – 45v–46 [untexted] – 17v [untexted] – 20–20v [untexted] – 21v [untexted] – 45v [untexted] – 45 [untexted] – 44v–45 [untexted] – 42–43 [No description] – 3v–4v [No description] – 53v–64v [No description] – 2 [No description] – 1v
Baston, Josquin (fl. 1542–63)	(?) Je prens en gre le dure mort (4vv) – [-]
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Gott ist mein licht und mein seligkeit – 22–22v (?) Je prens en gre le dure mort (4vv) – [-]
Crecquillon, Thomas (ca. 1505–ca. 1557)	(?) Jacta super Dominum curam tuam – 27–27v (?) Vous perdez temps de me dire mal d'elle – [-]
Donato, Baldassare (ca. 1529–1603)	Allein nach dir Herr Jesu Christ (= Si pur ti guardo) – 20v–21
Dressler, Gallus	Richte mich Gott – 34–35 So sage Israel wo der Herr nicht bei uns wäre – 35v–36
Janequin, Clement (ca. 1485–ca. 1558)	(?) Je prens en gre le dure mort (4vv) – [-]
Kinner von Scherffenstein, Martin	Qui celebrans quondam sponsalia – 29v–30
Le Maistre, Mattheus (ca. 1505–1577)	Tristis est anima – 23v–24v
Lupi (II), Didier	Ingemuit Susanna et ait angustiae sunt (= Susanne un jour) – 24v–25
Pathie, Rogier (ca. 1510–ca. 1564)	(?) Je prens en gre le dure mort (4vv) – [-]
Sandrin, Pierre (ca. 1490–ca. 1560)	(?) Jacta super Dominum curam tuam – 27–27v (?) Vous perdez temps de me dire mal d'elle – [-]
Sermisy, Claudin de (ca. 1490–1562)	(?) Jacta super Dominum curam tuam – 27–27v (?) Vous perdez temps de me dire mal d'elle – [-]
Stoltzer, Thomas (ca. 1480–1526)	Ecce concipies et paries filium et vocabis – 6–6v Officium de Epiphania - i. Ecce advenit et dominator Dominus – 12v–13 Officium de Epiphania - ii. Alleluia. Vidimus stellam eius – 13v–14 Officium de Epiphania - iii. Quae miris sunt modis ornata – 14v–16 Officium de nativitate - i. Puer natus est nobis – 10–11 Officium de nativitate - ii. Dies sanctificatus – 11–12 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius – 7–8
Wagener, Georg	Der Herr behute - 1a pars (of 2): Der Herr behute deinen Eingang und Ausgang – 32–33 Der Herr behute - 2a pars (of 2): Der Herr behute dich der Herr ist dein Schatten – 33–34
Willaert, Adrian (ca. 1490–1562)	(?) Allein nach dir Herr Jesu Christ (= Si pur ti guardo) – 20v–21
Zirler, Stephan (ca. 1518–1568)	Bewahr mich Herr und sei nicht fern – 36v–37

Composition	Composers (? Uncertain)	Folios / Pages
[untexted]	Anonymous	17v
[untexted]	Anonymous	20–20v
[untexted]	Anonymous	21v
[untexted]	Anonymous	42–43
[untexted]	Anonymous	44v–45
[untexted]	Anonymous	45
[untexted]	Anonymous	45v
[untexted]	Anonymous	45v–46
All' Augen warten Herr auf dich	Anonymous	37v–38
All' Augen warten Herr auf dich	Anonymous	38v–39
Allein nach dir Herr Jesu Christ (= Si pur ti guardo)	Donato, Baldassare (ca. 1529–1603) Willaert, Adrian (ca. 1490–1562) (?)	20v–21
Also hat Gott die Welt geliebt	Anonymous	48v–49
Amorem Jesu Christi quis perspicit	Anonymous	52v–53
Auf dich allein du treuer Gott	Anonymous	50v–51
Auf dich trau' ich mein Gott und Herr	Anonymous	41–41v
Bewahr mich Herr und sei nicht fern	Zirler, Stephan (ca. 1518–1568)	36v–37
Contingat illis turturum concordia cor meum	Anonymous	29–29v
Der Herr behute - 1a pars (of 2): Der Herr behute deinen Eingang und Ausgang	Wagener, Georg	32–33
Der Herr behute - 2a pars (of 2): Der Herr behute dich der Herr ist dein Schatten	Wagener, Georg	33–34
Ecce concipies et paries filium et vocabis	Stoltzer, Thomas (ca. 1480–1526)	6–6v
Ego sum lux mundi	Anonymous	30v
Ein Kind geborn zu Bethlehem -- Puer natus in Bethlehem	Anonymous	2v–3
Gott ist mein licht und mein seligkeit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	22–22v
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo	Anonymous	12
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	Anonymous	12v
Gratia Dei - 1a pars (of 2): Gratia Dei [salvati] sumus non ex nobis	Anonymous	31v
Gratia Dei - 2a pars (of 2): Ipsius sumus factura	Anonymous	32
Ingemuit Susanna et ait angustiae sunt (= Susanne un jour)	Lupi (II), Didier	24v–25
Jacta super Dominum curam tuam	Sandrin, Pierre (ca. 1490–ca. 1560) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Sermisy, Claudin de (ca. 1490–1562) (?)	27–27v
Je prens en gre le dure mort (4vv)	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Baston, Josquin (fl. 1542–63) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?) Janequin, Clement (ca. 1485–ca. 1558) (?)	[-]
Justus es Domine	Anonymous	30v–31
Lobe den Herren denn er ist freundlich	Anonymous	39v–40v
Lobet den Herrn alle Heiden	Anonymous	50–50v
Lucerna pedibus meis verbum tuum	Anonymous	28v
Lumen ad revelationem	Anonymous	18
Mittit ad virginem	Anonymous	8v–10
Nunc dimittis	Anonymous	18v–19v
O bone Jesu Christe	Anonymous	26v–27
O Jesu Christ mein Heil du bist	Anonymous	22v–23
Officium de Epiphania - i. Ecce advenit et dominator Dominus	Stoltzer, Thomas (ca. 1480–1526)	12v–13
Officium de Epiphania - ii. Alleluia. Vidimus stellam eius	Stoltzer, Thomas (ca. 1480–1526)	13v–14
Officium de Epiphania - iii. Quae miris sunt modis ornata	Stoltzer, Thomas (ca. 1480–1526)	14v–16
Officium de nativitate - i. Puer natus est nobis	Stoltzer, Thomas (ca. 1480–1526)	10–11
Officium de nativitate - ii. Dies sanctificatus	Stoltzer, Thomas (ca. 1480–1526)	11–12
Optima virtutum Sophia mea viscera	Anonymous	43–44
Quaerite primum regnum Dei et justitiam	Anonymous	51v–52
Qui celebrans quondam sponsalia	Kinner von Scherffenstein, Martin	29v–30
Quid mundum suspicis polos aspira	Anonymous	48–48v
Richte mich Gott	Dressler, Gallus	34–35
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius	Stoltzer, Thomas (ca. 1480–1526)	7–8
Si confessus - 1a pars (of 2): Si confessus fueris in ore tuo	Anonymous	27v
Si confessus - 2a pars (of 2): Corde enim creditur in justitiam	Anonymous	28
So sage Israel wo der Herr nicht bei uns wäre	Dressler, Gallus	35v–36
Surge propera - 1a pars (of 2): Surge propera amica mea et veni	Anonymous	46v–47
Surge propera - 2a pars (of 2): Surge propera amica mea speciosa mea	Anonymous	47v–48
Suscepimus Deus	Anonymous	16–17
Tota pulchra es	Anonymous	25v–26v
Tristis est anima	Le Maistre, Mattheus (ca. 1505–1577)	23v–24v
Veni sancte spiritus reple tuorum corda fidelium	Anonymous	5–6
Vespera nunc venit	Anonymous	49–49v
Vous perdez temps de me dire mal d'elle	Sandrin, Pierre (ca. 1490–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	[-]
Wenn wir in höchsten Nöten sein	Anonymous	41v
Wer Gott vertraut hat wohl gebaut	Anonymous	51–51v

‡ denotes primary source study

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert. Leipzig. Pages: 12-8, passim Abb. 10, 19. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 16, 121, 279-80,290,309. Notes: contents list (partial); concordances (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa. Kassel. Pages: 169, 172-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Luther, Wilhelm Martin. 1945. Gallus Dressler: Ein Beitrag zur Geschichte des Protestantischen Schulkantorats im 16. Jahrhundert. Göttinger Musikwissenschaftliche Arbeiten. Kassel. Pages: 151,162-4. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XCIX, 91, 93. Notes: physical description (partial); contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 46. Notes: physical description (partial); contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Z Mus. 100,4

Ratsschulbibliothek, Zwickau, Germany

partbook: Second half of 16th century

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Foliation

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Census Catalogue of Music Description

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