D-Z 69.2.53

Ratsschulbibliothek, Zwickau, Germany

partbook: 1625 (date at end of D book)

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark 69.2.53
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Measurements 186 x 156 mm
Other Identifiers
  • CCM: ZwiR 97/2
  • Other catalogues/source: VollBM [see bibliography] 47
  • olim (Former shelfmark): MS 97,2
  • olim (Former shelfmark): MS XCVII,2
Notations
  • black void mensural
Copyists
Relationships
Provenance
  • Zwickau? Saxony, Germany
Contents 98 pieces from 35 composers
General Description

A Discantus partbook from an incomplete set of two. Presumably copied by Daniel Ferber, named on f. 78' of D book. Probably copied in Zwickau.

DIAMM, 2017
Extent

78 leaves

DIAMM, 2017
Binding

Original covers of parchment and paper, inscribed with initials of voice designations.

DIAMM, 2017
Watermark

Only fragments of watermark visible

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern pencil foliation in each book.

DIAMM, 2017
Decoration

Some inked initials in plain block and calligraphic styles.

DIAMM, 2017
Index

Incomplete original index pasted inside front cover of D book

DIAMM, 2017
DIAMM Note

Original numbering of pieces: 1-77.

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 canticle, 2 hymns, 30 motets, 7 Latin/German sacred pieces, 37 German sacred pieces = 77

Baston-1, Bodenschatz? [E.B]-1, Calvisius-2, Canis-1, Clemens non Papa [C.N.P.]-3, C. Copus-1, (Crecquillon)-1, (Figulus)-1, (Figulus/Walter)-1, (Fine)-1, (Freundt)-12 +1?, (A. Galli)-1, Händl-3, Hassler-2, (J. Hermann)-1, (Kerle)-1, Lassus [Orlandus]-5, J. Louys-1, (Marazzi)-1, Palestrina-2, Paminger-1, Rabe? [V.C.]-1, Regnart-2, (Resinarius)-1, Schröter-1, Stolle-2, (Stoltzer)-2, (Vaet)-1, (Vulpius)-2, Walliser-2, (Walter)-1, anon-18

2 paper partbooks (DT-78 folios each), 186 x 156. Modern pencil foliation in each book. Original numbering of pieces, 1-77. Original covers of parchment and paper, inscribed with initials of voice designations. Incomplete original index pasted inside front cover of D book. Presumably copied by Daniel Ferber, named on f. 78' of D book. Some inked initials in plain block and calligraphic styles. Only fragments of watermark visible.

1625 (date at end of D book). Probably copied in Zwickau.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Veni redemptor gentium - Anonymous
Appears on: 1
Genres: Motet
1v–2 Veni redemptor gentium Leonh: Schröter.
Appears on: 1v–2
Genres: Motet
Source Attribution: Leonh: Schröter.
2v–3 Nun komm der Heiden Heiland Georg Ottho
Appears on: 2v–3
Genres: Hymn
Source Attribution: Georg Ottho
3v Jerusalem plantabis - 1a pars (of 2): Jerusalem plantabis vineam in montibus tuis Orlandi
Appears on: 3v
Genres: Lamentations, Motet
Source Attribution: Orlandi
4 Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum -
Appears on: 4
Genres: Motet
4v Ecce apparebit - 1a pars (of 2): Ecce apparebit Dominus super nubem candidam -
Appears on: 4v
Genres: Motet
5 Ecce apparebit - 2a pars (of 2): Jerusalem gaude gaudio magno -
Appears on: 5
Genres: Motet
5v Rorate caeli - 1a pars (of 2): Rorate caeli desuper et nubes pluant Johannes Lovis
Appears on: 5v
Genres: Introit
Source Attribution: Johannes Lovis
6 Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium -
Appears on: 6
Genres: Introit
6v–7 Canite tuba in Sion quia prope est dies II: Rorate caeli desuper et nubes pluant Johannes Petrus Aloysius Praenestinus
Appears on: 6v–7
Genres: Motet
Source Attribution: Johannes Petrus Aloysius Praenestinus
7v–8 Dicite filiae Sion ecce rex tuus venit - Anonymous
Appears on: 7v–8
Genres: Motet
8v Ecce concipies et paries filium - Anonymous
Appears on: 8v
Genres: Motet
9 Jucundare filia Sion exsulta satis filia - Anonymous
Appears on: 9
Genres: Motet
9v–10 Beatus auctor saeculi -
Appears on: 9v–10
Genres: Motet
10v Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem -
Appears on: 10v
Genres: Motet
11 Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi -
Appears on: 11
Genres: Motet
11v–12 Angelus ad pastores ait annuntio vobis Orlandi
Appears on: 11v–12
Genres: Motet
Source Attribution: Orlandi
12v–13 Hodie Christus natus est hodie salvator -
Appears on: 12v–13
Genres: Motet
13v–14 Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera Cornel: Canis
Appears on: 13v–14
Genres: Motet
Source Attribution: Cornel: Canis
14v–15 Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel -
Appears on: 14v–15
Genres: Motet
15v–16 O admirabile commercium creator generis -
Appears on: 15v–16
Genres: Motet
16v–17 Hodie Christus natus est - 1a pars (of 2): Hodie Christus natus est -
Appears on: 16v–17
Genres: Motet
17v–18 Hodie Christus natus est - 2a pars (of 2): Verbum caro factum est -
Appears on: 17v–18
Genres: Motet
18v–19 Von edler art ein kindlein zart -
Appears on: 18v–19
Genres: Sacred Song
19v–20 Joseph, lieber Joseph mein - Eia virgo Deum genuit -
Appears on: 19v–20
Genres: Sacred Song
20v–21 Freut euch und jubiliert -- Gaude laetare Jerusalem - Anonymous
Appears on: 20v–21
Genres: Motet
21v–22 Da Christus geboren war freuet unss -
Appears on: 21v–22
Genres: Hymn, Motet, Sacred Song
22v–23 Ihr kinderlein hört fleissig ahn was euch -
Appears on: 22v–23
Genres: Song
23v–24 En praeter rerum seriem ist Gottes Sohn Mensch worden / Ehr ist der ware weiber -
Appears on: 23v–24
Genres: Motet
24v–25 Alleluja singt allzugleich -
Appears on: 24v–25
Genres: Alleluia, Motet
25v Jetzt sprosst herfür aus Davids Stämmelein (4vv) -
Appears on: 25v
Genres: Sacred Song
26 Psallite unigenito Christo / Singt und klingt Jesu Gottes kind (= Hola he par la vertu goy dieu) - Anonymous
Appears on: 26
Genres: Motet
26v–27 Wie schön singt uns der Engelschar -
Appears on: 26v–27
Genres: Sacred Song
27v–28 Lasst uns singen mit Herzen sinn und mund -
Appears on: 27v–28
Genres: Song
28v–29 Ein kindlein ist uns heut geborn (= Entre vous filles de quinze ans) -
Appears on: 28v–29
Genres: Contrafactum, Motet, Sacred Song
29v–30 Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit -
Appears on: 29v–30
Genres: Contrafactum, Motet
30v–31 Heut kommt zu uns vom Himmelssaal [Himmelsthron] - Anonymous
Appears on: 30v–31
Genres: Hymn
31v–32 Freut euch ir menschen kinder all -
Appears on: 31v–32
Genres: Sacred Song
32v–33 Sehr grosse ding hatt Gott gethan -
Appears on: 32v–33
Genres: Sacred Song
33v–34 Freu dich Sion und jubilier sing -
Appears on: 33v–34
Genres: Sacred Song
34v–35 Heut ist geboren Gottes Sohn ein kleines (= Toutes les nuits) Josquin Baston
Appears on: 34v–35
Genres: Contrafactum, Sacred Song
Source Attribution: Josquin Baston
35v–36 Lobt Gott ihr Christen alle gleich [allzugleich] -
Appears on: 35v–36
Genres: Hymn
36 Ihr Himmel preist - 1a pars (of 2): Ihr Himmel preist und lobet Gott -
Appears on: 36
Genres: Hymn
36 Ehr sei dir, lieber Herre Gott - Anonymous
Appears on: 36
Genres: Motet
36v–37 In dulci jubilo, nun singet und seid froh - Anonymous
Appears on: 36v–37
Genres: Hymn
37v–38 Helft mir Gots gute preysen Ihr lieben -
Appears on: 37v–38
Genres: Chorale, Sacred Song
38v–39 Verbum caro factum est de virgine Maria Johann Leo
Appears on: 38v–39
Genres: Motet
Source Attribution: Johann Leo
39v–40 Beata Dei genitrix - Anonymous

Beata Dei genitrix

Anonymous
Appears on: 39v–40
Genres: Motet
40–40v O regem caeli - 1a pars (of 2): O regem caeli cui talia famulantur obsequia Leonhard Pemminger
Appears on: 40–40v
Genres: Motet
Source Attribution: Leonhard Pemminger
40v–41 O regem caeli - 2a pars (of 2): Stabulo ponitur qui continet mundum -
Appears on: 40v–41
Genres: Motet
41–41v In principio erat verbum - 1a pars (of 3): In principio erat verbum Orlandus
Appears on: 41–41v
Genres: Motet
Source Attribution: Orlandus
42–42v In principio erat verbum - 2a pars (of 3): Fuit homo missus -
Appears on: 42–42v
Genres: Motet
43–43v In principio erat verbum - 3a pars (of 3): In propria venit -
Appears on: 43–43v
Genres: Motet
44–44v O admirabile commercium creator generis Johan Petrus Aloysius
Appears on: 44–44v
Genres: Motet
Source Attribution: Johan Petrus Aloysius
45–46 Congratulamini mihi omnes qui diligitis -
Appears on: 45–46
Genres: Motet
46–46v Wir Christenleut habn jetzund Freud -
Appears on: 46–46v
Genres: Hymn
47–47v Von einer Jungfrau auserkorn Johann: Stoll:
Appears on: 47–47v
Genres: Motet
Source Attribution: Johann: Stoll:
47v–48 Jesu nun sei gepreiset - Anonymous
Appears on: 47v–48
Genres: Chorale
48v–49 Das alte Jahr vergangen ist, wir danken dir -
Appears on: 48v–49
Genres: Motet, Sacred Song
49v Fili quid fecisti nobis ego et pater Orlandi
Appears on: 49v
Genres: Motet
Source Attribution: Orlandi
50–50v Geborn ist uns der heilige Christ - Anonymous
Appears on: 50–50v
Genres: Motet
51–51v Zu Bethlehem in Davids Stadt wie die Schrift - Anonymous
Appears on: 51–51v
Genres: Sacred Song
52–52v Und am dritten Tag - 1a pars (of 3): Und am dritten Tag war eine Hochzeit V.C. (=Valentinus Corvinus/Rab)
Appears on: 52–52v
Genres: Motet
Source Attribution: V.C. (=Valentinus Corvinus/Rab)
52v–53 Und am dritten Tag - 2a pars (of 3): Es waren aber allda sechs steinerne Wasserkrüge -
Appears on: 52v–53
Genres: Motet
53–53v Und am dritten Tag - 3a pars (of 3): Das ist das erste Zeichen -
Appears on: 53–53v
Genres: Motet
53v–54 Canite tuba in Sion - 1a pars (of 2): Canite tuba in Sion vocate gentes annuntiate Jacobus Regnardus
Appears on: 53v–54
Genres: Motet
Source Attribution: Jacobus Regnardus
54–54v Canite tuba in Sion - 2a pars (of 2): Qui venturus est veniet et non tardabit -
Appears on: 54–54v
Genres: Motet
54v–55 Jerusalem gaude gaudio magno quia veniet -
Appears on: 54v–55
Genres: Motet
55v–56 Domine quando veneris judicare terram Jacobi Galli
Appears on: 55v–56
Genres: Motet
Source Attribution: Jacobi Galli
56v–57 Zu Bethlehem im Krippelein da liegt ein feines Kindelein - Anonymous
Appears on: 56v–57
Genres: Hymn
56v–57 Freu dich du liebe Christenheit - Anonymous
Appears on: 56v–57
Genres: Motet
58v–59 Saulus adhuc spirans - 1a pars (of 3): Saulus adhuc spirans in discipulos Caspar Copus
Appears on: 58v–59
Genres: Motet
Source Attribution: Caspar Copus
59–59v Saulus adhuc spirans - 2a pars (of 3): Et cum iter faceret contigit -
Appears on: 59–59v
Genres: Motet
59v–60 Saulus adhuc spirans - 3a pars (of 3): Saule Saule quid me persequeris dixit -
Appears on: 59v–60
Genres: Motet
60v–61v Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna C. N. P. [=Clemens Non Papa]
Appears on: 60v–61v
Genres: Motet
Source Attribution: C. N. P. [=Clemens Non Papa]
61v–62v Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine -
Appears on: 61v–62v
Genres: Motet
63–63v Responsum accepit - 1a pars (of 2): Responsum accepit Simeon a spiritu sancto -
Appears on: 63–63v
Genres: Motet
63v–64 Responsum accepit - 2a pars (of 2): Cum inducerent puerum Jesum parentes -
Appears on: 63v–64
Genres: Motet
64v Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius Thomas Crequillon
Appears on: 64v
Genres: Motet
Source Attribution: Thomas Crequillon
65 Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat puer autem -
Appears on: 65
Genres: Motet
65–65v O magnum mysterium et admirabile sacramentum Handelus
Appears on: 65–65v
Genres: Motet
Source Attribution: Handelus
65v–66 Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte -
Appears on: 65v–66
Genres: Motet
66v–67 Cum descendisset - 2a pars (of 2): Cum autem introisset centurio -
Appears on: 66v–67
Genres: Motet
67–68v Nunc dimittis servum tuum -
Appears on: 67–68v
Genres: Canticle
68v–69 Ex legis observantia virgo Maria Christum -
Appears on: 68v–69
Genres: Motet
69–69v Exciens homo - 1a pars (of 2): Exciens homo primo diluculo -
Appears on: 69–69v
Genres: Motet
70–70v Exciens homo - 2a pars (of 2): Cum autem vespera -
Appears on: 70–70v
Genres: Motet
71–72 Der Tag der ist so freudenreich Christophorus Thomas Wallise
Appears on: 71–72
Genres: Motet
Source Attribution: Christophorus Thomas Wallise
72–72v Nun hort ihr Christen lasst euch sagen - Anonymous
Appears on: 72–72v
Genres: Hymn
73–73v Wohlauf ihr Musikanten zu diesem neuen Jahr (= Questa dolce sirena) -
Appears on: 73–73v
Genres: Contrafactum, Motet
73v–74 Vom Himmel hoch da komm' ich her Calvisii
Appears on: 73v–74
Genres: Hymn
Source Attribution: Calvisii
74–74v Ein Kind geborn zu Bethlehem -
Appears on: 74–74v
Genres: Hymn
74v–75 Freuet euch und jubiliert - Anonymous
Appears on: 74v–75
Genres: Hymn
75v Lasst uns alle frohlich sein preisen Gott den Herren - Anonymous
Appears on: 75v
Genres: Hymn
76–76v Lasst uns herrlich loben Gott Vater E. B. (= Erhard Bodenschatz?)
Appears on: 76–76v
Genres: Hymn
Source Attribution: E. B. (= Erhard Bodenschatz?)
77 Schon singen uns die Engelein - Anonymous
Appears on: 77
Genres: Hymn
77v Ehre sei Gott in der Höhe (I) - Anonymous
Appears on: 77v
Genres: Hymn
77v Ehre sei Gott in der Höhe (II) - Anonymous
Appears on: 77v
Genres: Hymn
Composer Compositions
Anonymous
Baston, Josquin (fl. 1542–63)
Bodenschatz, Erhard
Calvisius, Sethus
Canis, Cornelius
Cellarius, Simon (ca. 1500–1544)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Copus, Caspar
Crecquillon, Thomas (ca. 1505–ca. 1557)
Fiebig, Caspar
Figulus, Wolfgang (ca. 1525–1589)
Fine, Arnoldus de
Freundt, Cornelius (1535–1591)
Galli, Antonius
Gastoldi, Giovanni Giacomo (ca. 1554–1609)
Handl (Gallus), Jacobus (1550–1591)
Hassler, Hans Leo (1564–1612)
Herman, Johann
Kerle, Jacobus de
Lassus, Orlande de (ca. 1532–1594)
Louys, Jean (ca. 1530–1563)
Otto, Georg
Palestrina, Giovanni Pierluigi da (1525–1594)
Paminger, Leonhard (1495–1567)
Rab, Valentin
Regnart, Jacob (ca. 1540–1599)
Schroeter, Leonhard
Stolle, Johann (ca. 1566–1614)
Stoltzer, Thomas (ca. 1480–1526)
Tonsor, Michael
Vaet, Jacobus (ca. 1529–ca. 1567)
Vulpius, Melchior (ca. 1570–1615)
Walliser, Christoph Thomas (1568–1648)
Walter, Johann (1496–1570)
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Alleluja singt allzugleich 24v–25
Angelus ad pastores ait annuntio vobis 11v–12
Beata Dei genitrix Anonymous 39v–40
Beatus auctor saeculi 9v–10
Canite tuba in Sion - 1a pars (of 2): Canite tuba in Sion vocate gentes annuntiate 53v–54
Canite tuba in Sion - 2a pars (of 2): Qui venturus est veniet et non tardabit 54–54v
Canite tuba in Sion quia prope est dies II: Rorate caeli desuper et nubes pluant 6v–7
Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera 13v–14
Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel 14v–15
Congratulamini mihi omnes qui diligitis 45–46
Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte 65v–66
Cum descendisset - 2a pars (of 2): Cum autem introisset centurio 66v–67
Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius 64v
Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat puer autem 65
Da Christus geboren war freuet unss 21v–22
Das alte Jahr vergangen ist, wir danken dir 48v–49
Der Tag der ist so freudenreich 71–72
Dicite filiae Sion ecce rex tuus venit Anonymous 7v–8
Domine quando veneris judicare terram 55v–56
Ecce apparebit - 1a pars (of 2): Ecce apparebit Dominus super nubem candidam 4v
Ecce apparebit - 2a pars (of 2): Jerusalem gaude gaudio magno 5
Ecce concipies et paries filium Anonymous 8v
Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem 10v
Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi 11
Ehr sei dir, lieber Herre Gott Anonymous 36
Ehre sei Gott in der Höhe (I) Anonymous 77v
Ehre sei Gott in der Höhe (II) Anonymous 77v
Ein Kind geborn zu Bethlehem 74–74v
Ein kindlein ist uns heut geborn (= Entre vous filles de quinze ans) 28v–29
En praeter rerum seriem ist Gottes Sohn Mensch worden / Ehr ist der ware weiber 23v–24
Ex legis observantia virgo Maria Christum 68v–69
Exciens homo - 1a pars (of 2): Exciens homo primo diluculo 69–69v
Exciens homo - 2a pars (of 2): Cum autem vespera 70–70v
Fili quid fecisti nobis ego et pater 49v
Freu dich du liebe Christenheit Anonymous 56v–57
Freu dich Sion und jubilier sing 33v–34
Freuet euch und jubiliert Anonymous 74v–75
Freut euch ir menschen kinder all 31v–32
Freut euch und jubiliert -- Gaude laetare Jerusalem Anonymous 20v–21
Geborn ist uns der heilige Christ Anonymous 50–50v
Helft mir Gots gute preysen Ihr lieben 37v–38
Heut ist geboren Gottes Sohn ein kleines (= Toutes les nuits) 34v–35
Heut kommt zu uns vom Himmelssaal [Himmelsthron] Anonymous 30v–31
Hodie Christus natus est - 1a pars (of 2): Hodie Christus natus est 16v–17
Hodie Christus natus est - 2a pars (of 2): Verbum caro factum est 17v–18
Hodie Christus natus est hodie salvator 12v–13
Ihr Himmel preist - 1a pars (of 2): Ihr Himmel preist und lobet Gott 36
Ihr kinderlein hört fleissig ahn was euch 22v–23
In dulci jubilo, nun singet und seid froh Anonymous 36v–37
In principio erat verbum - 1a pars (of 3): In principio erat verbum 41–41v
In principio erat verbum - 2a pars (of 3): Fuit homo missus 42–42v
In principio erat verbum - 3a pars (of 3): In propria venit 43–43v
Jerusalem gaude gaudio magno quia veniet 54v–55
Jerusalem plantabis - 1a pars (of 2): Jerusalem plantabis vineam in montibus tuis 3v
Jesu nun sei gepreiset Anonymous 47v–48
Jetzt sprosst herfür aus Davids Stämmelein (4vv) 25v
Joseph, lieber Joseph mein - Eia virgo Deum genuit 19v–20
Jucundare filia Sion exsulta satis filia Anonymous 9
Lasst uns alle frohlich sein preisen Gott den Herren Anonymous 75v
Lasst uns herrlich loben Gott Vater 76–76v
Lasst uns singen mit Herzen sinn und mund 27v–28
Lobt Gott ihr Christen alle gleich [allzugleich] 35v–36
Nun hort ihr Christen lasst euch sagen Anonymous 72–72v
Nun komm der Heiden Heiland 2v–3
Nunc dimittis servum tuum 67–68v
O admirabile commercium creator generis 15v–16
O admirabile commercium creator generis 44–44v
O magnum mysterium et admirabile sacramentum 65–65v
O regem caeli - 1a pars (of 2): O regem caeli cui talia famulantur obsequia 40–40v
O regem caeli - 2a pars (of 2): Stabulo ponitur qui continet mundum 40v–41
Psallite unigenito Christo / Singt und klingt Jesu Gottes kind (= Hola he par la vertu goy dieu) Anonymous 26
Responsum accepit - 1a pars (of 2): Responsum accepit Simeon a spiritu sancto 63–63v
Responsum accepit - 2a pars (of 2): Cum inducerent puerum Jesum parentes 63v–64
Rorate caeli - 1a pars (of 2): Rorate caeli desuper et nubes pluant 5v
Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium 6
Saulus adhuc spirans - 1a pars (of 3): Saulus adhuc spirans in discipulos 58v–59
Saulus adhuc spirans - 2a pars (of 3): Et cum iter faceret contigit 59–59v
Saulus adhuc spirans - 3a pars (of 3): Saule Saule quid me persequeris dixit 59v–60
Schon singen uns die Engelein Anonymous 77
Sehr grosse ding hatt Gott gethan 32v–33
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum 4
Und am dritten Tag - 1a pars (of 3): Und am dritten Tag war eine Hochzeit 52–52v
Und am dritten Tag - 2a pars (of 3): Es waren aber allda sechs steinerne Wasserkrüge 52v–53
Und am dritten Tag - 3a pars (of 3): Das ist das erste Zeichen 53–53v
Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit 29v–30
Veni redemptor gentium Anonymous 1
Veni redemptor gentium 1v–2
Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna 60v–61v
Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine 61v–62v
Verbum caro factum est de virgine Maria 38v–39
Vom Himmel hoch da komm' ich her 73v–74
Von edler art ein kindlein zart 18v–19
Von einer Jungfrau auserkorn 47–47v
Wie schön singt uns der Engelschar 26v–27
Wir Christenleut habn jetzund Freud 46–46v
Wohlauf ihr Musikanten zu diesem neuen Jahr (= Questa dolce sirena) 73–73v
Zu Bethlehem im Krippelein da liegt ein feines Kindelein Anonymous 56v–57
Zu Bethlehem in Davids Stadt wie die Schrift Anonymous 51–51v

Set: D-Z MS Mus. 97,2

Type: Partbooks

No images available

D-Z 69.2.53

No images available

D-Z 69.2.54

denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 342,668-9, 694,786 [correction for p. 342: "Gaude et laetare Jerusalem" is in ZwiR 97/2, not 100/5 "Geboren ist uns" is in ZwiR 100/5, not 97/2]). See ZwiR 75/1 [now 69.1.24] for explanation of confusion concerning call number of this manuscript. Notes: contents list (partial); concordances (partial); incipits (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 29 [incorrectly referred to as MS 75/1]. Notes: mention of MS.

Musei, Albrecht. 1970. Der Mitteldeutsche Kantor und Hofkapellmeister Johann Stolle (um 1566 bis 1614): Leben und Schaffen. Mitteldeutsche Forschungen.  Cologne. Pages: 63-4,67-8,151-2. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Albrecht, Hans. 1958-61. Caspar Copus, ein Fast Unbekannter Deutscher Komponist des 16. Jahrhunderts. Miscelânea en Homenaje a Monsenor Higinio Angles 1-9,  Barcelona. Pages: 5 [incorrectly referred to as MS LXXV, 1]. Notes: contents list (partial); concordances (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 838 [incorrectly referred to as MS LXXV, 1]. Notes: physical description (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 125. Notes: contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 54 [incorrectly referred to as MS LXXV, 1]. Notes: physical description (partial); contents list (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description