D-Z Mus. 86,2 [Altus]

Ratsschulbibliothek, Zwickau, Germany

partbook: 1563 (date at beginning of B book).

Archive	Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark	Mus. 86,2 [Altus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None / Unknown
Measurements	160 x 100 mm
Other Identifiers	CCM: ZwiR 86/2 Other catalogues/source: VollBM [see bibliography] 6 olim (Former shelfmark): MS 69.2.34 Alternative names: MS LXXXVI,2
Notations	black void mensural
Provenance	Zwickau? Saxony, Germany
Contents	39 pieces from 3 composers

General Description

An Altus partbook from a set originally of three volumes. Copied by a single scribe. Most repertory apparently copied from the prints RISM 1560/2 and RISM O262. Probably copied in Zwickau.

DIAMM, 2017

Extent

24 leaves

DIAMM, 2017

Physical Description

Many original folios now missing from both books.

DIAMM, 2017

Binding

No original covers remain; partbooks now kept in modern covers of speckled green cardboard.

DIAMM, 2017

Foliation

No foliation or pagination.

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Index

none

DIAMM, 2017

DIAMM Note

Original numbering of pieces, 1-51 (#14-24 and #45-48 now missing from A; #5-41 missing from B).

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Ordinary section, 21 motets (1 fragmentary), 15 Dutch sacred pieces (with partially Germanized incipits in this source), 1 German sacred piece (without text), 3 French secular pieces = 41

(Clemens non Papa)-16, (Crecquillon)-1, (Crecquillon/Richafort) -1, (Isaac)-1, (Othmayr)-20, (Paminger)-1, anon-1

2 paper partbooks of an original 3 (A-24 folios, B-8), 160 x 100. Many original folios now missing from both books. No foliation or pagination. Original numbering of pieces, 1-51 (#14-24 and #45-48 now missing from A; #5-41 missing from B). No original covers remain; partbooks now kept in modern covers of speckled green cardboard. No index. Copied by a single scribe. No initials or decoration. Most repertory apparently copied from the prints RISM 1560/2 and RISM O262.

1563 (date at beginning of B book). Probably copied in Zwickau.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–1v	Benedictus, qui venit in nomine Domini	-	Anonymous
Benedictus, qui venit in nomine Domini Anonymous Appears on: 1–1v Genres: Mass Ordinary, Sanctus [& Benedictus]
1v–2v	Le berger	-	Anonymous
Le berger Anonymous Appears on: 1v–2v Genres: Chanson
2v–3r	Contristatus sum in cogitatione mea	-	Anonymous
Contristatus sum in cogitatione mea Anonymous Appears on: 2v–3r Genres: Motet
3–4	Octo sunt passiones - 1a pars (of 20): Octo sunt passiones quibus admodum	-	Othmayr, Caspar
Octo sunt passiones - 1a pars (of 20): Octo sunt passiones quibus admodum Othmayr, Caspar Appears on: 3–4 Genres: Motet General Note Othmayr's massive 20-section cycle of motets in 3vv on the '7 deadly sins' (though there are 8 in the version by John of Damascus which Othmayr uses).
4–4v	Octo sunt passiones - 2a pars (of 20): Haec itaque vitia discerni	-	Othmayr, Caspar
Octo sunt passiones - 2a pars (of 20): Haec itaque vitia discerni Othmayr, Caspar Appears on: 4–4v Genres: Motet
4v	Octo sunt passiones - 3a pars (of 20): Si gula impugnaris	-	Othmayr, Caspar
Octo sunt passiones - 3a pars (of 20): Si gula impugnaris Othmayr, Caspar Appears on: 4v Genres: Motet
5–5v	Octo sunt passiones - 4a pars (of 20): Animae separatio a corpore	-	Othmayr, Caspar
Octo sunt passiones - 4a pars (of 20): Animae separatio a corpore Othmayr, Caspar Appears on: 5–5v Genres: Motet
5v–6	Octo sunt passiones - 5a pars (of 20): Si turpis et carnalis	-	Othmayr, Caspar
Octo sunt passiones - 5a pars (of 20): Si turpis et carnalis Othmayr, Caspar Appears on: 5v–6 Genres: Motet
6–6v	Octo sunt passiones - 6a pars (of 20): Proderit et mortis meditatio	-	Othmayr, Caspar
Octo sunt passiones - 6a pars (of 20): Proderit et mortis meditatio Othmayr, Caspar Appears on: 6–6v Genres: Motet
6v–7	Octo sunt passiones - 7a pars (of 20): Avaritia vincitur liberalitate	-	Othmayr, Caspar
Octo sunt passiones - 7a pars (of 20): Avaritia vincitur liberalitate Othmayr, Caspar Appears on: 6v–7 Genres: Motet
7–7v	Octo sunt passiones - 8a pars (of 20): Quodcunque pecuniis ad breve	-	Othmayr, Caspar
Octo sunt passiones - 8a pars (of 20): Quodcunque pecuniis ad breve Othmayr, Caspar Appears on: 7–7v Genres: Motet
7v–8	Octo sunt passiones - 9a pars (of 20): Si adversitate aliqua	-	Othmayr, Caspar
Octo sunt passiones - 9a pars (of 20): Si adversitate aliqua Othmayr, Caspar Appears on: 7v–8 Genres: Motet
8v	Octo sunt passiones - 10a pars (of 20): Praesentia cunta	-	Othmayr, Caspar
Octo sunt passiones - 10a pars (of 20): Praesentia cunta Othmayr, Caspar Appears on: 8v Genres: Motet
8v	Octo sunt passiones - 11a pars (of 20): Humilem te coram	-	Othmayr, Caspar
Octo sunt passiones - 11a pars (of 20): Humilem te coram Othmayr, Caspar Appears on: 8v Genres: Motet General Note incomplete
9–9v	Octo sunt passiones - 12a pars (of 20): Et cum te quid recte facere	-	Othmayr, Caspar
Octo sunt passiones - 12a pars (of 20): Et cum te quid recte facere Othmayr, Caspar Appears on: 9–9v Genres: Motet
9v	Octo sunt passiones - 13a pars (of 20): Simplex et recta sit	-	Othmayr, Caspar
Octo sunt passiones - 13a pars (of 20): Simplex et recta sit Othmayr, Caspar Appears on: 9v Genres: Motet
10r	Octo sunt passiones - 14a pars (of 20): At vitiorum turbae universae	-	Othmayr, Caspar
Octo sunt passiones - 14a pars (of 20): At vitiorum turbae universae Othmayr, Caspar Appears on: 10r Genres: Motet
10v	Octo sunt passiones - 15a pars (of 20): Vitam labilem	-	Othmayr, Caspar
Octo sunt passiones - 15a pars (of 20): Vitam labilem Othmayr, Caspar Appears on: 10v Genres: Motet
11	Octo sunt passiones - 16a pars (of 20): Purae conscientiae pacem	-	Othmayr, Caspar
Octo sunt passiones - 16a pars (of 20): Purae conscientiae pacem Othmayr, Caspar Appears on: 11 Genres: Motet
11–11v	Octo sunt passiones - 17a pars (of 20): Dei beneficium	-	Othmayr, Caspar
Octo sunt passiones - 17a pars (of 20): Dei beneficium Othmayr, Caspar Appears on: 11–11v Genres: Motet
11v–12	Octo sunt passiones - 18a pars (of 20): Quae enim et qualis vita	-	Othmayr, Caspar
Octo sunt passiones - 18a pars (of 20): Quae enim et qualis vita Othmayr, Caspar Appears on: 11v–12 Genres: Motet
12	Octo sunt passiones - 19a pars (of 20): Proin omnis animi elatio	-	Othmayr, Caspar
Octo sunt passiones - 19a pars (of 20): Proin omnis animi elatio Othmayr, Caspar Appears on: 12 Genres: Motet
12v–13	Octo sunt passiones - 20a pars (of 20): Deum igitur amemus	-	Othmayr, Caspar
Octo sunt passiones - 20a pars (of 20): Deum igitur amemus Othmayr, Caspar Appears on: 12v–13 Genres: Motet General Note At the end the copyist writes 'Finis' (The End). RISM suggests this indicates the end of the copying from RISM O 262, which ends with Othmayr's multi=-part motet, but it is more likely it simply represents the end of the motet cycle.
13–13v	Salich is die man en goet ghehelen	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Salich is die man en goet ghehelen Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 13–13v Genres: Psalm
14	Verhoort Heer myn gheclah	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Verhoort Heer myn gheclah Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 14 Genres: Psalm
14	In God is al myn toeverlaet	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In God is al myn toeverlaet Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 14 Genres: Psalm
14	O Heer wilt my behouwen	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
O Heer wilt my behouwen Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 14 Genres: Psalm
14v	O Heer verhoort doch myn ghebet	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
O Heer verhoort doch myn ghebet Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 14v Genres: Psalm
14v–15	Gods glory ende heerlicheyt	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Gods glory ende heerlicheyt Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 14v–15 Genres: Psalm
15	Die conick sal hem verbliden	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Die conick sal hem verbliden Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 15 Genres: Psalm
15v	Waerom wout ghi mi verlaten	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Waerom wout ghi mi verlaten Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 15v Genres: Psalm
16	Ick heb ghestelt op u myn Heer	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ick heb ghestelt op u myn Heer Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 16 Genres: Psalm
16–16v	God myns ghenadich zyt	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
God myns ghenadich zyt Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 16–16v Genres: Psalm
16v–17	O Heer doe ghi ons hier verliet	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
O Heer doe ghi ons hier verliet Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 16v–17 Genres: Psalm
18	Die heydens quamen tot u vercoren	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Die heydens quamen tot u vercoren Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 18 Genres: Psalm General Note incomplete (beginning missing owing to loss of pages)
18–18v	[De vrai amour?]	-	Anonymous
[De vrai amour?] Anonymous Appears on: 18–18v Genres: Chanson General Note untexted; title not clear - 'De vrai'?
18v–19	Je suis ayme	-	Anonymous
Je suis ayme Anonymous Appears on: 18v–19 Genres: Chanson
19–19v	[untexted] - 1a pars (of 2):	-	Anonymous
[untexted] - 1a pars (of 2): Anonymous Appears on: 19–19v Genres: textless
19v	[untexted] - 2a pars (of 2):	-	Anonymous
[untexted] - 2a pars (of 2): Anonymous Appears on: 19v Genres: textless General Note incomplete - breaks off after 4 staves

Composer	Compositions
Anonymous	Benedictus, qui venit in nomine Domini – 1–1v Contristatus sum in cogitatione mea – 2v–3r Je suis ayme – 18v–19 Le berger – 1v–2v [De vrai amour?] – 18–18v [untexted] - 1a pars (of 2): – 19–19v [untexted] - 2a pars (of 2): – 19v
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Die conick sal hem verbliden – 15 Die heydens quamen tot u vercoren – 18 God myns ghenadich zyt – 16–16v Gods glory ende heerlicheyt – 14v–15 Ick heb ghestelt op u myn Heer – 16 In God is al myn toeverlaet – 14 O Heer doe ghi ons hier verliet – 16v–17 O Heer verhoort doch myn ghebet – 14v O Heer wilt my behouwen – 14 Salich is die man en goet ghehelen – 13–13v Verhoort Heer myn gheclah – 14 Waerom wout ghi mi verlaten – 15v
Othmayr, Caspar	Octo sunt passiones - 10a pars (of 20): Praesentia cunta – 8v Octo sunt passiones - 11a pars (of 20): Humilem te coram – 8v Octo sunt passiones - 12a pars (of 20): Et cum te quid recte facere – 9–9v Octo sunt passiones - 13a pars (of 20): Simplex et recta sit – 9v Octo sunt passiones - 14a pars (of 20): At vitiorum turbae universae – 10r Octo sunt passiones - 15a pars (of 20): Vitam labilem – 10v Octo sunt passiones - 16a pars (of 20): Purae conscientiae pacem – 11 Octo sunt passiones - 17a pars (of 20): Dei beneficium – 11–11v Octo sunt passiones - 18a pars (of 20): Quae enim et qualis vita – 11v–12 Octo sunt passiones - 19a pars (of 20): Proin omnis animi elatio – 12 Octo sunt passiones - 1a pars (of 20): Octo sunt passiones quibus admodum – 3–4 Octo sunt passiones - 20a pars (of 20): Deum igitur amemus – 12v–13 Octo sunt passiones - 2a pars (of 20): Haec itaque vitia discerni – 4–4v Octo sunt passiones - 3a pars (of 20): Si gula impugnaris – 4v Octo sunt passiones - 4a pars (of 20): Animae separatio a corpore – 5–5v Octo sunt passiones - 5a pars (of 20): Si turpis et carnalis – 5v–6 Octo sunt passiones - 6a pars (of 20): Proderit et mortis meditatio – 6–6v Octo sunt passiones - 7a pars (of 20): Avaritia vincitur liberalitate – 6v–7 Octo sunt passiones - 8a pars (of 20): Quodcunque pecuniis ad breve – 7–7v Octo sunt passiones - 9a pars (of 20): Si adversitate aliqua – 7v–8

Composition	Composers (? Uncertain)	Folios / Pages
[De vrai amour?]	Anonymous	18–18v
[untexted] - 1a pars (of 2):	Anonymous	19–19v
[untexted] - 2a pars (of 2):	Anonymous	19v
Benedictus, qui venit in nomine Domini	Anonymous	1–1v
Contristatus sum in cogitatione mea	Anonymous	2v–3r
Die conick sal hem verbliden	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	15
Die heydens quamen tot u vercoren	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	18
God myns ghenadich zyt	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	16–16v
Gods glory ende heerlicheyt	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	14v–15
Ick heb ghestelt op u myn Heer	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	16
In God is al myn toeverlaet	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	14
Je suis ayme	Anonymous	18v–19
Le berger	Anonymous	1v–2v
O Heer doe ghi ons hier verliet	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	16v–17
O Heer verhoort doch myn ghebet	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	14v
O Heer wilt my behouwen	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	14
Octo sunt passiones - 10a pars (of 20): Praesentia cunta	Othmayr, Caspar	8v
Octo sunt passiones - 11a pars (of 20): Humilem te coram	Othmayr, Caspar	8v
Octo sunt passiones - 12a pars (of 20): Et cum te quid recte facere	Othmayr, Caspar	9–9v
Octo sunt passiones - 13a pars (of 20): Simplex et recta sit	Othmayr, Caspar	9v
Octo sunt passiones - 14a pars (of 20): At vitiorum turbae universae	Othmayr, Caspar	10r
Octo sunt passiones - 15a pars (of 20): Vitam labilem	Othmayr, Caspar	10v
Octo sunt passiones - 16a pars (of 20): Purae conscientiae pacem	Othmayr, Caspar	11
Octo sunt passiones - 17a pars (of 20): Dei beneficium	Othmayr, Caspar	11–11v
Octo sunt passiones - 18a pars (of 20): Quae enim et qualis vita	Othmayr, Caspar	11v–12
Octo sunt passiones - 19a pars (of 20): Proin omnis animi elatio	Othmayr, Caspar	12
Octo sunt passiones - 1a pars (of 20): Octo sunt passiones quibus admodum	Othmayr, Caspar	3–4
Octo sunt passiones - 20a pars (of 20): Deum igitur amemus	Othmayr, Caspar	12v–13
Octo sunt passiones - 2a pars (of 20): Haec itaque vitia discerni	Othmayr, Caspar	4–4v
Octo sunt passiones - 3a pars (of 20): Si gula impugnaris	Othmayr, Caspar	4v
Octo sunt passiones - 4a pars (of 20): Animae separatio a corpore	Othmayr, Caspar	5–5v
Octo sunt passiones - 5a pars (of 20): Si turpis et carnalis	Othmayr, Caspar	5v–6
Octo sunt passiones - 6a pars (of 20): Proderit et mortis meditatio	Othmayr, Caspar	6–6v
Octo sunt passiones - 7a pars (of 20): Avaritia vincitur liberalitate	Othmayr, Caspar	6v–7
Octo sunt passiones - 8a pars (of 20): Quodcunque pecuniis ad breve	Othmayr, Caspar	7–7v
Octo sunt passiones - 9a pars (of 20): Si adversitate aliqua	Othmayr, Caspar	7v–8
Salich is die man en goet ghehelen	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	13–13v
Verhoort Heer myn gheclah	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	14
Waerom wout ghi mi verlaten	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	15v

Set: MS 86,2

Type: Partbooks

No images available

D-Z Mus. 86,2 [Altus]

No images available

D-Z Mus. 86,2 [Bassus]

‡ denotes primary source study

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London. Pages: 355. Notes: contents list (partial); incipits (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel. Kassel and Basel. Pages: 41-2. Notes: contents list (partial); concordances (partial).

Albrecht, Hans. 1950. Caspar Othmayr: Leben und Werk. Kassel and Basel. Pages: 129. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXVI, 154,161-2. Notes: physical description (partial); contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 15. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Z Mus. 86,2 [Altus]

Ratsschulbibliothek, Zwickau, Germany

partbook: 1563 (date at beginning of B book).

General Description

Extent

Physical Description

Binding

Foliation

Decoration

Index

DIAMM Note

Census Catalogue of Music Description

General Note

General Note

General Note

General Note

General Note

General Note

Set: MS 86,2

Type: Partbooks

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017