D-Z 69.2.45 [Discantus]

Ratsschulbibliothek, Zwickau, Germany

partbook: Second half of 16th century; date 1564 in manuscript

Archive	Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark	69.2.45 [Discantus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	206 x 162 mm
Other Identifiers	CCM: ZwiR 79/2 Other catalogues/source: VollBM [see bibliography] 43 olim (Former shelfmark): MS 79, 2 olim (Former shelfmark): MS LXXIX,2
Notations	black void mensural
Copyists	Schrei, Johannes Music Morgenstern, Jacob Music
Provenance	Zwickau? Saxony, Germany
Contents	Contains 41 compositions, 40 from 20 composers, 1 is anonymous.

General Description

A Discantus partbook from a set originally of five volumes. Copied by several scribes, including Johannes Schrei and Jacob Morgenstern, named in manuscript. Of central German origin; perhaps copied in Zwickau.

DIAMM, 2017

Extent

i + 41 + i leaves

DIAMM, 2017

Binding

TQ books have original parchment covers cut from chant manuscript, inscribed with voice designations; covers torn away from DA books

DIAMM, 2017

Watermark

generally resembles Briquet #2247

DIAMM, 2017

Foliation

New pencil foliation in each book.

DIAMM, 2017

Decoration

Some red or black inked initials, mostly in plain block style. Original piece numbers, some text incipits, number of voices, etc. in red ink

DIAMM, 2017

Index

none

DIAMM, 2017

DIAMM Note

Original numbering of pieces in red ink, 1-22 + modern pencil numbering of pieces, 23-30

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

26 motets, 3 German sacred pieces, 1 German secular piece = 30

(Bacchius)-1, Clemens non Papa-7, (Clemens non Papa/Maessens)-1, Cobrise-1, (Crecquillon)-1, (Feys)-1, Gombert-1, Lassus [Orlandus]-3, (Le Maistre)-2, (Maillard)-1, Manchicourt/(Clemens non Papa)-1, Meiland-1, Phinot-1, (Reusch)-1, Scandello-2 (Schröter) -1, (Senfl)-1, (Sermisy)-1, Verdelot/(Richafort)-1, anon-1

4 paper partbooks of an original 5 (D-i + 41 + i folios, A-44, T-53, Q-38), 206 x 162. New pencil foliation in each book. Original numbering of pieces in red ink, 1-22 + modern pencil numbering of pieces, 23-30. TQ books have original parchment covers cut from chant manuscript, inscribed with voice designations; covers torn away from DA books. No index. Copied by several scribes, including Johannes Schrei and Jacob Morgenstern, named in manuscript. Some red or black inked initials, mostly in plain block style. Original piece numbers, some text incipits, number of voices, etc. in red ink. Watermark generally resembles Briquet #2247.

Second half of 16th century (date 1564 in manuscript). Of central German origin; perhaps copied in Zwickau.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2–2v	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco	-	Bacchius, Johannes de (–ca. 1557)
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco Bacchius, Johannes de (–ca. 1557) Appears on: 2–2v Genres: Motet Number of voices: 5
2v–3	Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei	-	Bacchius, Johannes de (–ca. 1557)
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei Bacchius, Johannes de (–ca. 1557) Appears on: 2v–3 Number of voices: 5
3v–4	Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	Petrus Manchicourt	Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 3v–4 Genres: Motet Source Attribution: Petrus Manchicourt Number of voices: 4
4–4v	Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?) Appears on: 4–4v Genres: Motet Number of voices: 4
5–6	Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 5–6 Genres: Motet Source Attribution: Gombert Number of voices: 5
6v–7	Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 6v–7 Genres: Motet Number of voices: 5
7v–8v	Domine Jesu Christe respicere digneris	Jacobus Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Domine Jesu Christe respicere digneris Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 7v–8v Genres: Motet Source Attribution: Jacobus Clemens non Papa Number of voices: 4
8v–10v	Sic enim Deus dilexit mundum (2p. Sicut Moses exaltavit)	Antonius Scandellus	Scandello, Antonio
Sic enim Deus dilexit mundum (2p. Sicut Moses exaltavit) Scandello, Antonio Appears on: 8v–10v Genres: Motet Source Attribution: Antonius Scandellus Number of voices: 5
10v–12	Tristis est anima	-	Le Maistre, Mattheus (ca. 1505–1577)
Tristis est anima Le Maistre, Mattheus (ca. 1505–1577) Appears on: 10v–12 Genres: Motet Number of voices: 4
12–13	Si bona suscepimus de manu Domini	-	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Si bona suscepimus de manu Domini Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 12–13 Genres: Motet Number of voices: 5
13v–14	Gott ist mein licht und mein seligkeit	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Gott ist mein licht und mein seligkeit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 13v–14 Genres: Motet Number of voices: 4
14v–15	Aufer a nobis Domine cunctas iniquitates nostras	-	Anonymous
Aufer a nobis Domine cunctas iniquitates nostras Anonymous Appears on: 14v–15 Genres: Motet Number of voices: 5
15–16	Vater unser, der du bist im Himmel	-	Le Maistre, Mattheus (ca. 1505–1577)
Vater unser, der du bist im Himmel Le Maistre, Mattheus (ca. 1505–1577) Appears on: 15–16 Genres: Chorale, Sacred Song Number of voices: 4
16–17	Herre wir erkennen - 1a pars (of 2): Herre wir erkennen unser gottlos Wesen	-	Reusch, Johannes
Herre wir erkennen - 1a pars (of 2): Herre wir erkennen unser gottlos Wesen Reusch, Johannes Appears on: 16–17 Genres: Motet Number of voices: 4
17–18	Herre wir erkennen - 2a pars (of 2): Ach Herre, gedenk an uns	-	Reusch, Johannes
Herre wir erkennen - 2a pars (of 2): Ach Herre, gedenk an uns Reusch, Johannes Appears on: 17–18 Genres: Sacred Song Number of voices: 4
18v–19	Adjuva nos Deus salutaris noster	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Adjuva nos Deus salutaris noster Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 18v–19 Genres: Motet Number of voices: 5
19v–20v	In me transierunt irae tuae et terrores	-	Maillard, Jean (fl. c1538–1570)
In me transierunt irae tuae et terrores Maillard, Jean (fl. c1538–1570) Appears on: 19v–20v Genres: Motet Number of voices: 4
20v–21v	In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 20v–21v Genres: Motet Number of voices: 5
22–22v	In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 22–22v Genres: Contrafactum, Motet Number of voices: 5
22v–23v	Michael archangele veni in adjutorium	-	Sermisy, Claudin de (ca. 1490–1562)
Michael archangele veni in adjutorium Sermisy, Claudin de (ca. 1490–1562) Appears on: 22v–23v Genres: Motet Number of voices: 4
23v–24	Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 23v–24 Genres: Motet Number of voices: 5
24v–25	Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 24v–25 Genres: Motet Number of voices: 5
25–26	Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Maessens, Pieter (?)
Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Maessens, Pieter (?) Appears on: 25–26 Genres: Motet Number of voices: 4
26v–27	Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Maessens, Pieter (?)
Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Maessens, Pieter (?) Appears on: 26v–27 Genres: Motet Number of voices: 4
27v	Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter	-	Feys, Arnoldus
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter Feys, Arnoldus Appears on: 27v Genres: Motet Number of voices: 5
28	Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus	-	Feys, Arnoldus
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus Feys, Arnoldus Appears on: 28 Genres: Motet Number of voices: 5
28v–29v	Sum tuus in vita (4vv) [M109]	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Sum tuus in vita (4vv) [M109] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 28v–29v Genres: Motet Number of voices: 4
29v–30v	Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 29v–30v Genres: Motet Number of voices: 5
31–31v	Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 31–31v Genres: Motet Number of voices: 5
32–33	Hoc est praeceptum meum ut diligatis	D. Phinot	Phinot, Dominique
Hoc est praeceptum meum ut diligatis Phinot, Dominique Appears on: 32–33 Genres: Motet Source Attribution: D. Phinot Number of voices: 5
33v–34v	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Clemens N Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 33v–34v Genres: Motet Source Attribution: Clemens N Papa Number of voices: 5
35–35v	Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 35–35v Genres: Motet Number of voices: 5
35v–36v	Anna floret - 1a pars (of 2): Anna floret sicut lilium	Cobrise	Cobrise
Anna floret - 1a pars (of 2): Anna floret sicut lilium Cobrise Appears on: 35v–36v Genres: Motet Source Attribution: Cobrise Number of voices: 5
36v–37v	Anna floret - 2a pars (of 2): O radix viva mira pietatis	-	Cobrise
Anna floret - 2a pars (of 2): O radix viva mira pietatis Cobrise Appears on: 36v–37v Genres: Motet
38–38v	Vox in Rama audita est ploratus et ululatus	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Vox in Rama audita est ploratus et ululatus Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 38–38v Genres: Motet Number of voices: 4
39–39v	Ich weiss mir ein festes gebautes haus	-	Scandello, Antonio
Ich weiss mir ein festes gebautes haus Scandello, Antonio Appears on: 39–39v Genres: Song Number of voices: 5
41–41v	Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur	-	Schroeter, Leonhard
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur Schroeter, Leonhard Appears on: 41–41v Genres: Motet Number of voices: 5
41v–42	Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus	-	Schroeter, Leonhard
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus Schroeter, Leonhard Appears on: 41v–42 Genres: Motet Number of voices: 5
42v	Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes	J Mailandi	Meiland, Jacob (1542–1577)
Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes Meiland, Jacob (1542–1577) Appears on: 42v Genres: Motet Source Attribution: J Mailandi Number of voices: 5
42v	Exultent et laetentur - 2a pars (of 2): Ego vero egenus	-	Meiland, Jacob (1542–1577)
Exultent et laetentur - 2a pars (of 2): Ego vero egenus Meiland, Jacob (1542–1577) Appears on: 42v Genres: Motet Number of voices: 5
43–43v	Quis mihi quis te - 1a pars (of 3): Quis mihi quis te rapuit dulcissima Phylli	Orlandi	Lassus, Orlande de (ca. 1532–1594) (?)
Quis mihi quis te - 1a pars (of 3): Quis mihi quis te rapuit dulcissima Phylli Lassus, Orlande de (ca. 1532–1594) (?) Appears on: 43–43v Genres: Motet Source Attribution: Orlandi Number of voices: 6

Composer	Compositions
Anonymous	Aufer a nobis Domine cunctas iniquitates nostras – 14v–15
Bacchius, Johannes de (-ca. 1557)	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco – 2–2v Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei – 2v–3
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor – 23v–24 Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie – 24v–25 Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra – 29v–30v Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret – 31–31v Domine Jesu Christe respicere digneris – 7v–8v (?) Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum – 25–26 (?) Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum – 26v–27 Gott ist mein licht und mein seligkeit – 13v–14 In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus – 20v–21v In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio – 22–22v Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide – 33v–34v Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide – 35–35v (?) Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 3v–4 (?) Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 4–4v Vox in Rama audita est ploratus et ululatus – 38–38v
Cobrise	Anna floret - 1a pars (of 2): Anna floret sicut lilium – 35v–36v Anna floret - 2a pars (of 2): O radix viva mira pietatis – 36v–37v
Crecquillon, Thomas (ca. 1505-ca. 1557)	Adjuva nos Deus salutaris noster – 18v–19
Feys, Arnoldus	Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter – 27v Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus – 28
Gombert, Nicolas (ca. 1495-ca. 1560)	Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter – 5–6 Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus – 6v–7
Lassus, Orlande de (ca. 1532-1594)	(?) Quis mihi quis te - 1a pars (of 3): Quis mihi quis te rapuit dulcissima Phylli – 43–43v
Le Maistre, Mattheus (ca. 1505-1577)	Tristis est anima – 10v–12 Vater unser, der du bist im Himmel – 15–16
Maessens, Pieter	(?) Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum – 25–26 (?) Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum – 26v–27
Maillard, Jean (c1538–1570)	In me transierunt irae tuae et terrores – 19v–20v
Manchicourt, Pierre de	(?) Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 3v–4 (?) Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 4–4v
Meiland, Jacob (1542-1577)	Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes – 42v Exultent et laetentur - 2a pars (of 2): Ego vero egenus – 42v
Phinot, Dominique	Hoc est praeceptum meum ut diligatis – 32–33
Reusch, Johannes	Herre wir erkennen - 1a pars (of 2): Herre wir erkennen unser gottlos Wesen – 16–17 Herre wir erkennen - 2a pars (of 2): Ach Herre, gedenk an uns – 17–18
Richafort, Jean (ca. 1480-ca. 1550)	(?) Si bona suscepimus de manu Domini – 12–13
Scandello, Antonio	Ich weiss mir ein festes gebautes haus – 39–39v Sic enim Deus dilexit mundum (2p. Sicut Moses exaltavit) – 8v–10v
Schroeter, Leonhard	Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur – 41–41v Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus – 41v–42
Senfl, Ludwig (ca. 1486-ca. 1543)	Sum tuus in vita (4vv) [M109] – 28v–29v
Sermisy, Claudin de (ca. 1490-1562)	Michael archangele veni in adjutorium – 22v–23v
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) Si bona suscepimus de manu Domini – 12–13

Composition	Composers (? Uncertain)	Folios / Pages
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	23v–24
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	24v–25
Adjuva nos Deus salutaris noster	Crecquillon, Thomas (ca. 1505–ca. 1557)	18v–19
Anna floret - 1a pars (of 2): Anna floret sicut lilium	Cobrise	35v–36v
Anna floret - 2a pars (of 2): O radix viva mira pietatis	Cobrise	36v–37v
Aufer a nobis Domine cunctas iniquitates nostras	Anonymous	14v–15
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	29v–30v
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	31–31v
Domine Jesu Christe respicere digneris	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	7v–8v
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter	Gombert, Nicolas (ca. 1495–ca. 1560)	5–6
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter	Feys, Arnoldus	27v
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus	Feys, Arnoldus	28
Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus	Gombert, Nicolas (ca. 1495–ca. 1560)	6v–7
Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes	Meiland, Jacob (1542–1577)	42v
Exultent et laetentur - 2a pars (of 2): Ego vero egenus	Meiland, Jacob (1542–1577)	42v
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco	Bacchius, Johannes de (–ca. 1557)	2–2v
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei	Bacchius, Johannes de (–ca. 1557)	2v–3
Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Maessens, Pieter (?)	25–26
Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Maessens, Pieter (?)	26v–27
Gott ist mein licht und mein seligkeit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	13v–14
Herre wir erkennen - 1a pars (of 2): Herre wir erkennen unser gottlos Wesen	Reusch, Johannes	16–17
Herre wir erkennen - 2a pars (of 2): Ach Herre, gedenk an uns	Reusch, Johannes	17–18
Hoc est praeceptum meum ut diligatis	Phinot, Dominique	32–33
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur	Schroeter, Leonhard	41–41v
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus	Schroeter, Leonhard	41v–42
Ich weiss mir ein festes gebautes haus	Scandello, Antonio	39–39v
In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	20v–21v
In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	22–22v
In me transierunt irae tuae et terrores	Maillard, Jean (fl. c1538–1570)	19v–20v
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	33v–34v
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	35–35v
Michael archangele veni in adjutorium	Sermisy, Claudin de (ca. 1490–1562)	22v–23v
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	3v–4
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)	4–4v
Quis mihi quis te - 1a pars (of 3): Quis mihi quis te rapuit dulcissima Phylli	Lassus, Orlande de (ca. 1532–1594) (?)	43–43v
Si bona suscepimus de manu Domini	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	12–13
Sic enim Deus dilexit mundum (2p. Sicut Moses exaltavit)	Scandello, Antonio	8v–10v
Sum tuus in vita (4vv) [M109]	Senfl, Ludwig (ca. 1486–ca. 1543)	28v–29v
Tristis est anima	Le Maistre, Mattheus (ca. 1505–1577)	10v–12
Vater unser, der du bist im Himmel	Le Maistre, Mattheus (ca. 1505–1577)	15–16
Vox in Rama audita est ploratus et ululatus	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	38–38v

Set: D-Z MS Mus. 79, 2

Type: Partbooks

No images available

D-Z 69.2.45 [Altus]

No images available

D-Z 69.2.45 [Discantus]

No images available

D-Z 69.2.45 [Quintus]

No images available

D-Z 69.2.45 [Tenor]

‡ denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 350-1,816. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 687,692,789. Notes: contents list (partial); concordances (partial); incipits (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 312-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance, vol. I. Kassel and Basel. Pages: 837. Notes: physical description (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, 26: . Pages: 51. Notes: physical description (partial); contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description