D-Z 69.2.45 [Discantus]

Ratsschulbibliothek, Zwickau, Germany

partbook: Second half of 16th century; date 1564 in manuscript

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark 69.2.45 [Discantus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 206 x 162 mm
Other Identifiers
  • CCM: ZwiR 79/2
  • Other catalogues/source: VollBM [see bibliography] 43
  • olim (Former shelfmark): MS 79, 2
  • olim (Former shelfmark): MS LXXIX,2
Notations
  • black void mensural
Copyists
Provenance
  • Zwickau? Saxony, Germany
Contents 41 pieces from 21 composers
General Description

A Discantus partbook from a set originally of five volumes. Copied by several scribes, including Johannes Schrei and Jacob Morgenstern, named in manuscript. Of central German origin; perhaps copied in Zwickau.

DIAMM, 2017
Extent

i + 41 + i leaves

DIAMM, 2017
Binding

TQ books have original parchment covers cut from chant manuscript, inscribed with voice designations; covers torn away from DA books

DIAMM, 2017
Watermark

generally resembles Briquet #2247

DIAMM, 2017
Foliation

New pencil foliation in each book.

DIAMM, 2017
Decoration

Some red or black inked initials, mostly in plain block style. Original piece numbers, some text incipits, number of voices, etc. in red ink

DIAMM, 2017
Index

none

DIAMM, 2017
DIAMM Note

Original numbering of pieces in red ink, 1-22 + modern pencil numbering of pieces, 23-30

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

26 motets, 3 German sacred pieces, 1 German secular piece = 30

(Bacchius)-1, Clemens non Papa-7, (Clemens non Papa/Maessens)-1, Cobrise-1, (Crecquillon)-1, (Feys)-1, Gombert-1, Lassus [Orlandus]-3, (Le Maistre)-2, (Maillard)-1, Manchicourt/(Clemens non Papa)-1, Meiland-1, Phinot-1, (Reusch)-1, Scandello-2 (Schröter) -1, (Senfl)-1, (Sermisy)-1, Verdelot/(Richafort)-1, anon-1

4 paper partbooks of an original 5 (D-i + 41 + i folios, A-44, T-53, Q-38), 206 x 162. New pencil foliation in each book. Original numbering of pieces in red ink, 1-22 + modern pencil numbering of pieces, 23-30. TQ books have original parchment covers cut from chant manuscript, inscribed with voice designations; covers torn away from DA books. No index. Copied by several scribes, including Johannes Schrei and Jacob Morgenstern, named in manuscript. Some red or black inked initials, mostly in plain block style. Original piece numbers, some text incipits, number of voices, etc. in red ink. Watermark generally resembles Briquet #2247.

Second half of 16th century (date 1564 in manuscript). Of central German origin; perhaps copied in Zwickau.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–2v Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco -
Appears on: 2–2v
Genres: Motet
2v–3 Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei -
Appears on: 2v–3
3v–4 Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Petrus Manchicourt
Appears on: 3v–4
Genres: Motet
Source Attribution: Petrus Manchicourt
4–4v Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 4–4v
Genres: Motet
5–6 Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter Gombert
Appears on: 5–6
Genres: Motet
Source Attribution: Gombert
6v–7 Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus -
Appears on: 6v–7
Genres: Motet
7v–8v Domine Jesu Christe respicere digneris Jacobus Clemens non Papa
Appears on: 7v–8v
Genres: Motet
Source Attribution: Jacobus Clemens non Papa
8v–10v Sic enim Deus dilexit mundum (2p. Sicut Moses exaltavit) Antonius Scandellus
Appears on: 8v–10v
Genres: Motet
Source Attribution: Antonius Scandellus
10v–12 Tristis est anima -
Appears on: 10v–12
Genres: Motet
12–13 Si bona suscepimus de manu Domini -
Appears on: 12–13
Genres: Motet
13v–14 Gott ist mein licht und mein seligkeit -
Appears on: 13v–14
Genres: Motet
14v–15 Aufer a nobis Domine cunctas iniquitates nostras - Anonymous
Appears on: 14v–15
Genres: Motet
15–16 Vater unser, der du bist im Himmel -
Appears on: 15–16
Genres: Chorale, Sacred Song
16–17 Herre wir erkennen - 1a pars (of 2): Herre wir erkennen unser gottlos Wesen -
Appears on: 16–17
Genres: Motet
17–18 Herre wir erkennen - 2a pars (of 2): Ach Herre, gedenk an uns -
Appears on: 17–18
Genres: Sacred Song
18v–19 Adjuva nos Deus salutaris noster -
Appears on: 18v–19
Genres: Motet
19v–20v In me transierunt irae tuae et terrores -
Appears on: 19v–20v
Genres: Motet
20v–21v In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus -
Appears on: 20v–21v
Genres: Motet
22–22v In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio -
Appears on: 22–22v
Genres: Contrafactum, Motet
22v–23v Michael archangele veni in adjutorium -
Appears on: 22v–23v
Genres: Motet
23v–24 Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor -
Appears on: 23v–24
Genres: Motet
24v–25 Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie -
Appears on: 24v–25
Genres: Motet
25–26 Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum -
Appears on: 25–26
Genres: Motet
26v–27 Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum -
Appears on: 26v–27
Genres: Motet
27v Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter -
Appears on: 27v
Genres: Motet
28 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 28
Genres: Motet
28v–29v Sum tuus in vita (4vv) [M109] -
Appears on: 28v–29v
Genres: Motet
29v–30v Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra -
Appears on: 29v–30v
Genres: Motet
31–31v Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret -
Appears on: 31–31v
Genres: Motet
32–33 Hoc est praeceptum meum ut diligatis D. Phinot
Appears on: 32–33
Genres: Motet
Source Attribution: D. Phinot
33v–34v Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens N Papa
Appears on: 33v–34v
Genres: Motet
Source Attribution: Clemens N Papa
35–35v Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide -
Appears on: 35–35v
Genres: Motet
35v–36v Anna floret - 1a pars (of 2): Anna floret sicut lilium Cobrise
Appears on: 35v–36v
Genres: Motet
Source Attribution: Cobrise
36v–37v Anna floret - 2a pars (of 2): O radix viva mira pietatis -
Appears on: 36v–37v
Genres: Motet
38–38v Vox in Rama audita est ploratus et ululatus -
Appears on: 38–38v
Genres: Motet
39–39v Ich weiss mir ein festes gebautes haus -
Appears on: 39–39v
Genres: Song
41–41v Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur -
Appears on: 41–41v
Genres: Motet
41v–42 Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus -
Appears on: 41v–42
Genres: Motet
42v Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes J Mailandi
Appears on: 42v
Genres: Motet
Source Attribution: J Mailandi
42v Exultent et laetentur - 2a pars (of 2): Ego vero egenus -
Appears on: 42v
Genres: Motet
43–43v Quis mihi quis te - 1a pars (of 3): Quis mihi quis te rapuit dulcissima Phylli Orlandi
Appears on: 43–43v
Genres: Motet
Source Attribution: Orlandi
Composer Compositions
Anonymous
Bacchius, Johannes de (–ca. 1557)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cobrise
Crecquillon, Thomas (ca. 1505–ca. 1557)
Feys, Arnoldus
Gombert, Nicolas (ca. 1495–ca. 1560)
Lassus, Orlande de (ca. 1532–1594)
Le Maistre, Mattheus (ca. 1505–1577)
Maessens, Pieter
Maillard, Jean (fl. c1538–1570)
Manchicourt, Pierre de
Meiland, Jacob (1542–1577)
Phinot, Dominique
Reusch, Johannes
Richafort, Jean (ca. 1480–ca. 1550)
Scandello, Antonio
Schroeter, Leonhard
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Verdelot, Philippe (ca. 1480–ca. 1532)
Composition Composers (? Uncertain) Folios / Pages
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor 23v–24
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie 24v–25
Adjuva nos Deus salutaris noster 18v–19
Anna floret - 1a pars (of 2): Anna floret sicut lilium 35v–36v
Anna floret - 2a pars (of 2): O radix viva mira pietatis 36v–37v
Aufer a nobis Domine cunctas iniquitates nostras Anonymous 14v–15
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra 29v–30v
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret 31–31v
Domine Jesu Christe respicere digneris 7v–8v
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter 5–6
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 27v
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 28
Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus 6v–7
Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes 42v
Exultent et laetentur - 2a pars (of 2): Ego vero egenus 42v
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco 2–2v
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei 2v–3
Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum 25–26
Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum 26v–27
Gott ist mein licht und mein seligkeit 13v–14
Herre wir erkennen - 1a pars (of 2): Herre wir erkennen unser gottlos Wesen 16–17
Herre wir erkennen - 2a pars (of 2): Ach Herre, gedenk an uns 17–18
Hoc est praeceptum meum ut diligatis 32–33
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur 41–41v
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus 41v–42
Ich weiss mir ein festes gebautes haus 39–39v
In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus 20v–21v
In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio 22–22v
In me transierunt irae tuae et terrores 19v–20v
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide 33v–34v
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide 35–35v
Michael archangele veni in adjutorium 22v–23v
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 3v–4
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris 4–4v
Quis mihi quis te - 1a pars (of 3): Quis mihi quis te rapuit dulcissima Phylli 43–43v
Si bona suscepimus de manu Domini 12–13
Sic enim Deus dilexit mundum (2p. Sicut Moses exaltavit) 8v–10v
Sum tuus in vita (4vv) [M109] 28v–29v
Tristis est anima 10v–12
Vater unser, der du bist im Himmel 15–16
Vox in Rama audita est ploratus et ululatus 38–38v

Set: D-Z MS Mus. 79, 2

Type: Partbooks

No images available

D-Z 69.2.45 [Altus]

No images available

D-Z 69.2.45 [Discantus]

No images available

D-Z 69.2.45 [Quintus]

No images available

D-Z 69.2.45 [Tenor]

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 350-1,816. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 687,692,789. Notes: contents list (partial); concordances (partial); incipits (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 312-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 837. Notes: physical description (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 51. Notes: physical description (partial); contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description