D-Z Mu 1871-1877 [Discantus]

Ratsschulbibliothek, Zwickau, Germany

partbook: Last third of 16th century

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark Mu 1871-1877 [Discantus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Measurements 203 x 163 mm
Other Identifiers
  • CCM: ZwiR 41/73
  • Other catalogues/source: VollBM [see bibliography] 25
  • olim (Former shelfmark): MS 41,73
  • olim (Former shelfmark): MS XLI,73
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 11 pieces from 4 composers
General Description

A Discantus partbook from a set of four. Copied by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (Call). Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2017
Binding

No covers; first folio in each book inscribed with voice designation

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

No foliation or pagination

DIAMM, 2017
Foliation

Other numberings: Modern pencil numbering of pieces, 1-7, counts tertia pars of one motet and secunda pars of another motet as separate pieces.

DIAMM, 2017
Decoration

No decorative initials; text incipits for first three pieces in red.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 motets

(Clemens non Papa)-2, (Crecquillon)-1, (Josquin)-1, anon-1

4 paper partbooks (DTB-16 folios each, A-14), 203 x 163. No foliation or pagination. Modern pencil numbering of pieces, 1-7, counts tertia pars of one motet and secunda pars of another motet as separate pieces. No covers; first folio in each book inscribed with voice designation. No index. Copied by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (Call); see general index for other manuscripts copied by the same scribe. No decorative initials; text incipits for first three pieces in red.

Last third of 16th century. Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–2v Cum deambularet Dominus - 1a pars (of 2): Cum deambularet Dominus ad auram post meridien [Crecquillon]
Appears on: 2–2v
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Dum deambularet dominus ad auram post meridien II: Vocem tuam audivi in paradiso et timui
3–3v Cum deambularet Dominus - 2a pars (of 2): Vocem tuam audivi in paradiso et timui -
Appears on: 3–3v
Genres: Motet
3v–5 Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi [Josquin]
Appears on: 3v–5
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Qui habitat in adiutorio altissimi 18.7 II: Non accedat ad te malum et flagellum
5v–7 Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum -
Appears on: 5v–7
Genres: Motet
7–8 Miserere mei Domine - 1a pars (of 2): Miserere mei Domine quoniam infirmus sum Anon. Anonymous
Appears on: 7–8
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei domine quoniam infirmus sum II: Et anima mea turbata est valde
8–9 Miserere mei Domine - 2a pars (of 2): Et anima mea turbata est valde - Anonymous
Appears on: 8–9
Genres: Motet
9–9v Exaudi Domine - 1a pars (of 3): Exaudi Domine orationem meam et ne contemne [Clemens non Papa]
Appears on: 9–9v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Exaudi domine orationem meam et ne contemnas II: Contristatus sum in cogitatione mea III: Deduc me domine ad portum salutis
9v–10 Exaudi Domine - 2a pars (of 3): Contristatus sum in cogitatione mea -
Appears on: 9v–10
Genres: Motet
10–11 Exaudi Domine - 3a pars (of 3): Deduc me Domine ad portum salutis -
Appears on: 10–11
Genres: Motet
11–12 Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore [Clemens non Papa]
Appears on: 11–12
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Vide domine afflictionem nostram et in tempore II: [Sed veni do]mine et noli tardare
12v–13v Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare -
Appears on: 12v–13v
Genres: Motet

denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 58. Notes: contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 42. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description