PL-WRu MS Brieg.Musik. K.40

Biblioteka Uniwersytecka, Wroclaw (Breslau), Poland

partbook: Last quarter of 16th century; some additions possibly extend into early 17th century.

Archive Biblioteka Uniwersytecka, Wroclaw (Breslau), Poland (PL-WRu)
Shelfmark MS Brieg.Musik. K.40
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 148 x 201 mm
Other Identifiers
  • CCM: WrocU 40
  • Alternative names: 51391 Muz.
Notations
  • black void mensural
Relationships
Provenance
Contents 42 pieces from 16 composers
General Description

A Quintus partbook, consisting of the prints RISM L880, U125, and L871, with manuscript additions at end. Copied by several scribes; scribal concordances with some other WrocU manuscripts described in this catalogue. Copied in Brieg.

DIAMM, 2017
Binding

Rebound in modern covers of black cardboard; original parchment covers cut from non-musical manuscript now preserved as front and back flyleaves

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

New pencil foliation, 1-112, numbers printed and manuscript folios in single system; manuscript addition section comprises new ff. 65-112 (6 blank folios between new ff. 108/109 not numbered).

DIAMM, 2017
Decoration

Small inked initials, most in calligraphic style.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Passion, 28 motets, 4 German sacred pieces, 1 German secular piece = 34

(Clavius)-1, (Clemens non Papa)-1, Clitonius [Johan: Josephus]-1, Händl-6, (C. Hollander/S. Hollander)-1, (Josquin)-1, (Lange)-2, Lassus-7, Mancinus-1, Meiland-1, Palestrina [Johan: Petro Loisio.]-2, Palladius-1, (Regnart)-1, Scandello-1, anon-7

1 paper partbook, consisting of the prints RISM L880, U125, and L871, with manuscript additions at end (Q.-54 folios), 148 x 201. New pencil foliation, 1-112, numbers printed and manuscript folios in single system; manuscript addition section comprises new ff. 65-112 (6 blank folios between new ff. 108/109 not numbered). Rebound in modern covers of black cardboard; original parchment covers cut from non-musical manuscript now preserved as front and back flyleaves. No index. Copied by several scribes; scribal concordances with some other WrocU manuscripts described in this catalogue. Small inked initials, most in calligraphic style.

Last quarter of 16th century; some additions possibly extend into early 17th century. Copied in Brieg (= Brzeg). Formerly owned by Brieg Gymnasial-Bibliothek; transferred to present location in 1890.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–64v [prints] - -
Appears on: 1–64v
Voice: [no designation]
Languages: insufficient
Voice Text: Prints
65–66 Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis Orlandus di Lassus
Appears on: 65–66
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Dixit Joseph undecim fratribus suis II: Nunciaverunt Jacob dicentes Ioseph
65–66 Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph -
Appears on: 65–66
Genres: Motet
66v–67 Domine exaudi orationem - 1a pars (of 2): Domine exaudi orationem meam et clamor Anon. Anonymous
Appears on: 66v–67
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine exaudi orationem meam et clamor II: Quia defecerunt sicut fumus dies mei
[-] Domine exaudi orationem - 2a pars (of 2): Quia defecerunt sicut fumus dies mei - Anonymous
Appears on: [-]
Genres: Motet
67v–68 Haec est dies quam fecit Dominus exultemus Jacob Händl
Appears on: 67v–68
Genres: Motet
Source Attribution: Jacob Händl
Voice: [no designation]
Languages: Latin
Voice Text: Haec est dies quam fecit dominus
68v–69 O sacrum convivium in quo Christus sumitur Anon. Anonymous
Appears on: 68v–69
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
69v–70 Ach edler Wein, dein klarer Schein bringt Anthon: Scandelli
Appears on: 69v–70
Genres: Song
Source Attribution: Anthon: Scandelli
Voice: [no designation]
Languages: German
Voice Text: Ach edler wein dein klarer schein bringt
71v–72 Da Jesus an dem Kreuze stund [Lange]
Appears on: 71v–72
Genres: Hymn, Motet
Source Attribution: [Lange]
Voice: [no designation]
Languages: German
Voice Text: Da Jesus an dem creutze stund
73v–74 Gaudete filiae Jerusalem nam flores apparuerunt Jacobi Meilandi
Appears on: 73v–74
Genres: Motet
Source Attribution: Jacobi Meilandi
Voice: [no designation]
Languages: Latin
Voice Text: Gaudete filiae Ierusalem nam flores
74v–76 Mente tota - 1a pars (of 2): Mente tota supplicamus [Clavius]
Appears on: 74v–76
Genres: Motet
Source Attribution: [Clavius]
Voice: [no designation]
Languages: Latin
Voice Text: Mente tota supplicamus O fili dei II: Preces nostras omnipotens deus ideo
74v–76 Mente tota - 2a pars (of 2): Preces nostras omnipotens -
Appears on: 74v–76
Genres: Motet
76v–78 Confitebor tibi - 1a pars (of 2): Confitebor tibi Domine Quoniam iratus es [Palestrina]
Appears on: 76v–78
Genres: Motet
Source Attribution: [Palestrina]
Voice: [no designation]
Languages: Latin
Voice Text: [Confitebor tibi domine] Quoniam iratus es II: [Notas facite in populis] Mementote quoniam excelsum est
76v–78 Confitebor tibi - 2a pars (of 2): Notas facite in populis Mementote quoniam excelsum est -
Appears on: 76v–78
Genres: Motet
78v–79 Certa fortiter ora ferventur labora Orlando [de Lassus]
Appears on: 78v–79
Genres: Motet
Source Attribution: Orlando [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Certa fortiter ora ferventer labora
79v Benedictio et claritas et sapientia Orlandus [de Lassus]
Appears on: 79v
Genres: Motet
Source Attribution: Orlandus [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictio et claritas et sapientia
80 Da pacem Domine (6vv, LV718) Orlandus [de Lassus]
Appears on: 80
Genres: Motet
Source Attribution: Orlandus [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
80v–81 Deus in adjutorium meum intende Domine (6vv) Orlandus [de Lassus]
Appears on: 80v–81
Genres: Motet
Source Attribution: Orlandus [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Deus in adiutorium meum intende domine
81v–82 Jerusalem gaude gaudio magno quia veniet Jacobus Handel
Appears on: 81v–82
Genres: Motet
Source Attribution: Jacobus Handel
Voice: [no designation]
Languages: Latin
Voice Text: Hierusalem gaude gaudio magno quia veniet
82v–83 Laetamini cum Jerusalem et exultate in ea Jacobus Handl
Appears on: 82v–83
Genres: Motet
Source Attribution: Jacobus Handl
Voice: [no designation]
Languages: Latin
Voice Text: Laetamini cum Hierusalem et exultate in ea
83v–85 Hodie Christus natus est hodie salvator Anon. Anonymous
Appears on: 83v–85
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [H]odie Christus natus est hodie salvator
85v–86 Jam non dicam vos servos sed amicos Jacobus Händl
Appears on: 85v–86
Genres: Motet
Source Attribution: Jacobus Händl
Voice: [no designation]
Languages: Latin
Voice Text: Jam non dicam vos servos sed amicos
86v Petre amas me tu scis domine quia amo te Jacobus Händl
Appears on: 86v
Genres: Motet
Source Attribution: Jacobus Händl
Voice: [no designation]
Languages: Latin
Voice Text: Petre amas me tu scis domine quia amo te
87 Domine Jesu Christe non sum dignus Jacobus Händl
Appears on: 87
Genres: Motet
Source Attribution: Jacobus Händl
Voice: [no designation]
Languages: Latin
Voice Text: Domine Jesu Christe non sum dignus
87v–92 Passio Domini nostri Jesu Christi secundum Joannem Davide Palladio
Appears on: 87v–92
Genres: Liturgical work, Passion
Source Attribution: Davide Palladio
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Jesu Christi secundum Joannem [mostly without text]
93v–94 Hei mihi domine quia peccavimus in vita Orlandus di Lassus
Appears on: 93v–94
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Hei mihi domine quia peccavimus in vita
94v–97v Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant [Clemens non Papa]
Appears on: 94v–97v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalenae et altera Maria ibant II: Cito euntes dicite discipulis eius
94v–97v Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 94v–97v
Genres: Motet
98–99v Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena [C. Hollander/S. Hollander/Lassus]
Appears on: 98–99v
Genres: Motet
Source Attribution: [C. Hollander/S. Hollander/Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabathum Maria Magdalena II: Et valde mane una sabathorum veniunt
98–99v Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum -
Appears on: 98–99v
Genres: Motet
100–100v Angelus Domini locutus est mulieribus Orlandi [de Lassus]
Appears on: 100–100v
Genres: Motet
Source Attribution: Orlandi [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: [Angelus domini] Locutus est mulieribus
101 Vespera jam venit nobiscum Christe maneto Anon. Anonymous
Appears on: 101
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Vespera iam venit nobiscum Christe maneto
101v–102v Ascendo ad patrem meum et patrem vestrum Anon. Anonymous
Appears on: 101v–102v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et patrem vestrum
103 O Domine Jesu Christe adoro te in cruce Johan: Petro Loisio [= Palestrina]
Appears on: 103
Genres: Motet
Source Attribution: Johan: Petro Loisio [= Palestrina]
Voice: [no designation]
Languages: Latin
Voice Text: O domine Jesu Christe adoro te in cruce
104v–105 Helft mir Gotts güthe preisen ihr lieben Anon. Anonymous
Appears on: 104v–105
Genres: Chorale, Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Helftt mir Gotts güthe preisen ihr lieben
105v–106 Heut triumphiret Gottes Sohn der vom todt Anon. Anonymous
Appears on: 105v–106
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Heut triumphiret Gottes Sohn der vom todt
106v–107 Vespera jam venit nobiscum Christe maneto Thomas Mancinus
Appears on: 106v–107
Genres: Motet
Source Attribution: Thomas Mancinus
Voice: [no designation]
Languages: Latin
Voice Text: Vespera iam venit nobiscum Christe maneto
107v–108 Zu dir Herr Christe setz ich all mein Vertrauen [Regnart]
Appears on: 107v–108
Genres: Motet
Source Attribution: [Regnart]
Voice: [no designation]
Languages: German
Voice Text: Zu dir Herr Christe setz ich all mein vertrawen
109v–110 Tulerunt Dominum meum et nescio ubi [Lange]
Appears on: 109v–110
Genres: Motet
Source Attribution: [Lange]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi
110v O arbor vitae sine te sumus aridae ligna Johan: Josephus [Clitonius]
Appears on: 110v
Genres: Motet
Source Attribution: Johan: Josephus [Clitonius]
Voice: [no designation]
Languages: Latin
Voice Text: O arbor vitae sine te sumus aridae ligna
111v–112v Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus [Josquin]
Appears on: 111v–112v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Praeter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
111v–112v Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud -
Appears on: 111v–112v
Genres: Motet
Composer Compositions
Anonymous
Clavius, Christophorus
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Clitonius, Johann Josephus
Despres, Josquin (ca. 1450–1521)
Handl (Gallus), Jacobus (1550–1591)
Hollander, Christian
Hollander, Sebastian
Lange, Gregor (ca. 1540–1587)
Lassus, Orlande de (ca. 1532–1594)
Mancinus, Thomas
Meiland, Jacob (1542–1577)
Palestrina, Giovanni Pierluigi da (1525–1594)
Palladius, David
Regnart, Jacob (ca. 1540–1599)
Scandello, Antonio
Composition Composers (? Uncertain) Folios / Pages
[prints] - 1–64v
Ach edler Wein, dein klarer Schein bringt 69v–70
Angelus Domini locutus est mulieribus 100–100v
Ascendo ad patrem meum et patrem vestrum Anonymous 101v–102v
Benedictio et claritas et sapientia 79v
Certa fortiter ora ferventur labora 78v–79
Confitebor tibi - 1a pars (of 2): Confitebor tibi Domine Quoniam iratus es 76v–78
Confitebor tibi - 2a pars (of 2): Notas facite in populis Mementote quoniam excelsum est 76v–78
Da Jesus an dem Kreuze stund 71v–72
Da pacem Domine (6vv, LV718) 80
Deus in adjutorium meum intende Domine (6vv) 80v–81
Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis 65–66
Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph 65–66
Domine exaudi orationem - 1a pars (of 2): Domine exaudi orationem meam et clamor Anonymous 66v–67
Domine exaudi orationem - 2a pars (of 2): Quia defecerunt sicut fumus dies mei Anonymous [-]
Domine Jesu Christe non sum dignus 87
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 98–99v
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum 98–99v
Gaudete filiae Jerusalem nam flores apparuerunt 73v–74
Haec est dies quam fecit Dominus exultemus 67v–68
Hei mihi domine quia peccavimus in vita 93v–94
Helft mir Gotts güthe preisen ihr lieben Anonymous 104v–105
Heut triumphiret Gottes Sohn der vom todt Anonymous 105v–106
Hodie Christus natus est hodie salvator Anonymous 83v–85
Jam non dicam vos servos sed amicos 85v–86
Jerusalem gaude gaudio magno quia veniet 81v–82
Laetamini cum Jerusalem et exultate in ea 82v–83
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 94v–97v
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 94v–97v
Mente tota - 1a pars (of 2): Mente tota supplicamus 74v–76
Mente tota - 2a pars (of 2): Preces nostras omnipotens 74v–76
O arbor vitae sine te sumus aridae ligna 110v
O Domine Jesu Christe adoro te in cruce 103
O sacrum convivium in quo Christus sumitur Anonymous 68v–69
Passio Domini nostri Jesu Christi secundum Joannem 87v–92
Petre amas me tu scis domine quia amo te 86v
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus 111v–112v
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud 111v–112v
Tulerunt Dominum meum et nescio ubi 109v–110
Vespera jam venit nobiscum Christe maneto Anonymous 101
Vespera jam venit nobiscum Christe maneto 106v–107
Zu dir Herr Christe setz ich all mein Vertrauen 107v–108

denotes primary source study

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 274. Notes: contents list (partial).

Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 261. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München.  Wiesbaden. Pages: 102. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 6. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VII, iv, vii-xi. Notes: physical description; contents list (partial); concordances (partial).

Kuhn, Friedrich. 1896. Beschreibendes Verzeichnis der Alten Musikalien -Handschriften und Druckwerke-des Königlichen Gymnasiums zu Brieg. Monatshefte für Musikgeschichte, . Pages: 24-6. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description