A-Wn Mus.Hs. 19426-GF

Österreichische Nationalbibliothek, Wien (Vienna), Austria

manuscript of polyphony: 1630

Archive Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark Mus.Hs. 19426-GF
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 465 x 370 mm
Other Identifiers
  • CCM: VienNB Mus. 19426
  • olim (Former shelfmark): A.N. 43.E.13
Notations
  • black void mensural
  • square
Relationships
External Links
External Authorities
Provenance
Contents 52 pieces from 13 composers
General Description

Music for Holy Week, with some pieces set in chant, others in polyphony. Only the polyphony is included in the inventory here. Copied by a single scribe. Probably copied in Vienna, for use by court chapel of Emperor Ferdinand II (1578-1637).

DIAMM, 2017
Binding

Original covers of tan leather over heavy wooden boards, blind stamped with line borders, floral motifs, and double eagle centerpiece; metal clasps.

DIAMM, 2017
Watermark

fleur-de-lis in circle, surmounted by crown (not in Briquet, but see Briquet #7111 for general pattern)

DIAMM, 2017
Notation

Square (monophony); black void mensural (polyphony)

DIAMM, 2017
Date

"Laus Deo 1630" (end of index).

DIAMM, 2025
Ruling

Staff height 25

DIAMM, 2017
Foliation

Modern pencil foliation, I-IV + 1-324 (back flyleaf not numbered) corrects several errors and omissions in original ink foliation

DIAMM, 2017
Decoration

Decorative initials, some titles, and some rubrics in red paint; edges of folios painted green

DIAMM, 2017
Index

Original index on ff. II'-III' lists pieces in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Kyrie, 1 Gloria, 4 Magnificats, 3 canticles, 11 falsobordone psalm-tone formulas, 2 office hymns, 1 processional hymn, 4 Passions, 30 motets, 1 Benedicamus domino, 1 set of falsobordone preces = 60*

*Contents also include monophonic liturgical pieces in chant notation, not taken into account here.

(G. Animuccia)-1, (Bruck)-1, Clemens non Papa-1, (Cleve)-1, Clinio-4, Cortini-1, Ingegneri-29, Mazzone-1, (Morales)-1, Palestrina-4, Poss-1, B. Spontoni-1, anon-14

iv + 324 + i paper folios, 465 x 370. Modern pencil foliation, I-IV + 1-324 (back flyleaf not numbered) corrects several errors and omissions in original ink foliation. Original covers of tan leather over heavy wooden boards, blind stamped with line borders, floral motifs, and double eagle centerpiece; metal clasps. Original index on ff. II'-III' lists pieces in order of appearance. Monophonic contents copied in square chant notation; polyphony in white mensural notation. Copied by a single scribe. Staff height 25. Decorative initials, some titles, and some rubrics in red paint; edges of folios painted green. Watermark: fleur-de-lis in circle, surmounted by crown (not in Briquet, but see Briquet #7111 for general pattern).

1630 (dated index). Probably copied in Vienna, for use by court chapel of Emperor Ferdinand II (1578-1637).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
ii_v–iii_v index - -

index

Appears on: ii_v–iii_v
4v–7 Pueri Hebraeorum -
Appears on: 4v–7
Genres: Motet
7v–8 Gloria laus et honor -
Appears on: 7v–8
Genres: Motet
12v–39 Passio Domini secundum Matthaeum: Non in die festo -
Appears on: 12v–39
Genres: Passion
42v–59 Passio Domini secundum Marcum -
Appears on: 42v–59
Genres: Passion
62v–79 Passio Domini secundum Lucam -
Appears on: 62v–79
Genres: Passion
80–85 Antiphona cum psalmis; illae cantu greg. hi post intonationem 4 vocibus "a falso bordone" decantanda - Anonymous
Appears on: 80–85
Genres: Antiphon
General Note

Antiphona cum psalmis; illae cantu greg. hi post intonationem 4 vocibus "a falso bordone" decantanda == Antiphons & psalms, the former in Gregorian chant, the latter to be sung in 4vv falsobordone aftr the intonation. Cf. ff. 163v-16v

85v–94 Vexilla regis -
Appears on: 85v–94
Genres: Hymn
94v–99 Vexilla regis - Anonymous

Vexilla regis

Anonymous
Appears on: 94v–99
Genres: Hymn
100–105 Magnificat (4vv) -
Appears on: 100–105
Genres: Magnificat
105v–108 Preces & Psalm "Miserere" - Anonymous
Appears on: 105v–108
Genres: Preces and Responses, Psalm
112v–119 In monte Oliveti -
Appears on: 112v–119
Genres: Responsory
112v–119 Tristis est anima mea -
Appears on: 112v–119
Genres: Responsory
112v–119 Ecce vidimus eum -
Appears on: 112v–119
Genres: Responsory
123v–129 Amicus meus -
Appears on: 123v–129
Genres: Responsory
123v–129 Judas mercator -
Appears on: 123v–129
Genres: Responsory
123v–129 Unus ex discipulis -
Appears on: 123v–129
Genres: Responsory
132v–137 Eram quasi agnus -
Appears on: 132v–137
Genres: Responsory
132v–137 Una hora non potuistis -
Appears on: 132v–137
Genres: Responsory
132v–137 Seniores populi -
Appears on: 132v–137
Genres: Responsory
143v–150 Benedictus Dominus Deus -
Appears on: 143v–150
Genres: Psalm
151v–163 [unidentified mass 4vv]: KSA -
Appears on: 151v–163
Genres: Agnus Dei, Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
163v–168v Antiphonae (c. greg.) et psalmi 5 voc. "a falso bordone" (praeter intonationem) - Anonymous
Appears on: 163v–168v
Genres: Psalm
General Note

Antiphonae (c. greg.) et psalmi 5 voc. "a falso bordone" (praeter intonationem) == Antiphons in Gregorian chant and psalms 5vv in falsobordone, except for the intonation. Cf. ff. 80-85

169–177 Magnificat sexti toni: Anima mea [K.919] -
Appears on: 169–177
Genres: BVM, Canticle, Magnificat
General Note

NB: not clear which verses (odd or even, or both) are set in this copy; beginning on recto may also mean it is incomplete?

181v–188 Omnes amici mei -
Appears on: 181v–188
Genres: Responsory
181v–188 Velum templi scissum est -
Appears on: 181v–188
Genres: Responsory
181v–188 Vinea mea electa -
Appears on: 181v–188
Genres: Responsory
191v–198 Tamquam ad latronem -
Appears on: 191v–198
Genres: Responsory
191v–198 Tenebrae factae sunt -
Appears on: 191v–198
Genres: Responsory
191v–198 Animam meam dilectam tradidi in manus iniquorum -
Appears on: 191v–198
Genres: Responsory
201v–206 Tradiderunt me in manus impiorum -
Appears on: 201v–206
Genres: Responsory
201v–206 Jesum tradidit impius -
Appears on: 201v–206
Genres: Responsory
201v–206 Caligaverunt oculi mei -
Appears on: 201v–206
Genres: Responsory
212v–219 Benedictus Dominus Deus Israel - Quia visitavit -
Appears on: 212v–219
Genres: Psalm
223v–241 Passio Domini secundum Joannem: Jesum Nazarenum -
Appears on: 223v–241
Genres: Passion
242v–248 Popule meus -
Appears on: 242v–248
Genres: Antiphon
249v–251 Crux fidelis -
Appears on: 249v–251
Genres: Hymn
254v–259 Magnificat primi toni: Anima mea {Bk.I:1) -
Appears on: 254v–259
Genres: Magnificat
General Note

Identity of this Magnificat not confirmed; perhaps the same one copied into A-Wn 15943, which also has the same sequence of Ingegneri responses, etc

262v–267 Sicut ovis -
Appears on: 262v–267
Genres: Responsory
262v–267 Jerusalem surge -
Appears on: 262v–267
Genres: Responsory
262v–267 Plange quasi virgo -
Appears on: 262v–267
Genres: Responsory
270v–275 Recessit pastor noster -
Appears on: 270v–275
Genres: Responsory
270v–275 O vos omnes -
Appears on: 270v–275
Genres: Responsory
270v–275 Ecce quomodo moritur justus -
Appears on: 270v–275
Genres: Responsory
278v–283 Astiterunt reges terrae -
Appears on: 278v–283
Genres: Responsory
278v–283 Aestimatus sum -
Appears on: 278v–283
Genres: Responsory
278v–283 Sepulto Domino -
Appears on: 278v–283
Genres: Responsory
289v–294 Benedictus Dominus Deus -
Appears on: 289v–294
Genres: Psalm
301v–308 Kyrie paschale -
Appears on: 301v–308
Genres: Kyrie eleison, Mass Ordinary
308v–316 Gloria [Et in terra] (6vv) -
Appears on: 308v–316
Genres: Gloria (et in terra pax), Mass Ordinary
317v–318 Laudate Dominum omnes gentes (5vv) - Anonymous
Appears on: 317v–318
Genres: Psalm
318v–324 Magnificat octavi toni: Anima mea -
Appears on: 318v–324
Genres: Magnificat
Composer Compositions
Animuccia, Giovanni (ca. 1520–1571)
Anonymous
Bruck, Arnold von (ca. 1500–1554)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Clinio, Teodoro
Cortino, Johannes
Ingegneri, Marc'Antonio
Mazzone, Marc'Antonio
Morales, Cristóbal de (ca. 1500–1553)
Palestrina, Giovanni Pierluigi da (1525–1594)
Poss, Georg
Spontoni, Bartolomeo
Composition Composers (? Uncertain) Folios / Pages
[unidentified mass 4vv]: KSA 151v–163
Aestimatus sum 278v–283
Amicus meus 123v–129
Animam meam dilectam tradidi in manus iniquorum 191v–198
Antiphona cum psalmis; illae cantu greg. hi post intonationem 4 vocibus "a falso bordone" decantanda Anonymous 80–85
Antiphonae (c. greg.) et psalmi 5 voc. "a falso bordone" (praeter intonationem) Anonymous 163v–168v
Astiterunt reges terrae 278v–283
Benedictus Dominus Deus 143v–150
Benedictus Dominus Deus 289v–294
Benedictus Dominus Deus Israel - Quia visitavit 212v–219
Caligaverunt oculi mei 201v–206
Crux fidelis 249v–251
Ecce quomodo moritur justus 270v–275
Ecce vidimus eum 112v–119
Eram quasi agnus 132v–137
Gloria [Et in terra] (6vv) 308v–316
Gloria laus et honor 7v–8
In monte Oliveti 112v–119
Jerusalem surge 262v–267
Jesum tradidit impius 201v–206
Judas mercator 123v–129
Kyrie paschale 301v–308
Laudate Dominum omnes gentes (5vv) Anonymous 317v–318
Magnificat (4vv) 100–105
Magnificat octavi toni: Anima mea 318v–324
Magnificat primi toni: Anima mea {Bk.I:1) 254v–259
Magnificat sexti toni: Anima mea [K.919] 169–177
O vos omnes 270v–275
Omnes amici mei 181v–188
Passio Domini secundum Joannem: Jesum Nazarenum 223v–241
Passio Domini secundum Lucam 62v–79
Passio Domini secundum Marcum 42v–59
Passio Domini secundum Matthaeum: Non in die festo 12v–39
Plange quasi virgo 262v–267
Popule meus 242v–248
Preces & Psalm "Miserere" Anonymous 105v–108
Pueri Hebraeorum 4v–7
Recessit pastor noster 270v–275
Seniores populi 132v–137
Sepulto Domino 278v–283
Sicut ovis 262v–267
Tamquam ad latronem 191v–198
Tenebrae factae sunt 191v–198
Tradiderunt me in manus impiorum 201v–206
Tristis est anima mea 112v–119
Una hora non potuistis 132v–137
Unus ex discipulis 123v–129
Velum templi scissum est 181v–188
Vexilla regis 85v–94
Vexilla regis Anonymous 94v–99
Vinea mea electa 181v–188

denotes primary source study

Comberiati, Carmelo Peter. 1983. Polyphonic Settings of the Mass Ordinary at the Court of Rudolf II (1576-1612). University of Michigan, Unpublished Ph.D. dissertation. Pages: 173. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 173. Notes: contents list (partial); concordances (partial); incipits (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XCIX, v, 120. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 391-4. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description