A-Wn Mus.Hs. 19426-GF

Österreichische Nationalbibliothek, Wien (Vienna), Austria

manuscript of polyphony: 1630

Archive	Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark	Mus.Hs. 19426-GF
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	465 x 370 mm
Other Identifiers	CCM: VienNB Mus. 19426 olim (Former shelfmark): A.N. 43.E.13
Notations	black void mensural square
Relationships	Ferdinand II (1578–1637) (patron)
External Links	ONB catalogue entry linked to images
External Authorities	RISM Online (sources/600141708)
Provenance	court chapel of Emperor Ferdinand II , Wien (Vienna)? Austria
Contents	52 pieces from 13 composers

General Description

Music for Holy Week, with some pieces set in chant, others in polyphony. Only the polyphony is included in the inventory here. Copied by a single scribe. Probably copied in Vienna, for use by court chapel of Emperor Ferdinand II (1578-1637).

DIAMM, 2017

Binding

Original covers of tan leather over heavy wooden boards, blind stamped with line borders, floral motifs, and double eagle centerpiece; metal clasps.

DIAMM, 2017

Watermark

fleur-de-lis in circle, surmounted by crown (not in Briquet, but see Briquet #7111 for general pattern)

DIAMM, 2017

Notation

Square (monophony); black void mensural (polyphony)

DIAMM, 2017

Date

"Laus Deo 1630" (end of index).

DIAMM, 2025

Ruling

Staff height 25

DIAMM, 2017

Foliation

Modern pencil foliation, I-IV + 1-324 (back flyleaf not numbered) corrects several errors and omissions in original ink foliation

DIAMM, 2017

Decoration

Decorative initials, some titles, and some rubrics in red paint; edges of folios painted green

DIAMM, 2017

Index

Original index on ff. II'-III' lists pieces in order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Kyrie, 1 Gloria, 4 Magnificats, 3 canticles, 11 falsobordone psalm-tone formulas, 2 office hymns, 1 processional hymn, 4 Passions, 30 motets, 1 Benedicamus domino, 1 set of falsobordone preces = 60*

*Contents also include monophonic liturgical pieces in chant notation, not taken into account here.

(G. Animuccia)-1, (Bruck)-1, Clemens non Papa-1, (Cleve)-1, Clinio-4, Cortini-1, Ingegneri-29, Mazzone-1, (Morales)-1, Palestrina-4, Poss-1, B. Spontoni-1, anon-14

iv + 324 + i paper folios, 465 x 370. Modern pencil foliation, I-IV + 1-324 (back flyleaf not numbered) corrects several errors and omissions in original ink foliation. Original covers of tan leather over heavy wooden boards, blind stamped with line borders, floral motifs, and double eagle centerpiece; metal clasps. Original index on ff. II'-III' lists pieces in order of appearance. Monophonic contents copied in square chant notation; polyphony in white mensural notation. Copied by a single scribe. Staff height 25. Decorative initials, some titles, and some rubrics in red paint; edges of folios painted green. Watermark: fleur-de-lis in circle, surmounted by crown (not in Briquet, but see Briquet #7111 for general pattern).

1630 (dated index). Probably copied in Vienna, for use by court chapel of Emperor Ferdinand II (1578-1637).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
ii_v–iii_v	index	-	-
index Appears on: ii_v–iii_v
4v–7	Pueri Hebraeorum	-	Spontoni, Bartolomeo
Pueri Hebraeorum Spontoni, Bartolomeo Appears on: 4v–7 Genres: Motet
7v–8	Gloria laus et honor	-	Bruck, Arnold von (ca. 1500–1554)
Gloria laus et honor Bruck, Arnold von (ca. 1500–1554) Appears on: 7v–8 Genres: Motet
12v–39	Passio Domini secundum Matthaeum: Non in die festo	-	Clinio, Teodoro
Passio Domini secundum Matthaeum: Non in die festo Clinio, Teodoro Appears on: 12v–39 Genres: Passion
42v–59	Passio Domini secundum Marcum	-	Clinio, Teodoro
Passio Domini secundum Marcum Clinio, Teodoro Appears on: 42v–59 Genres: Passion
62v–79	Passio Domini secundum Lucam	-	Clinio, Teodoro
Passio Domini secundum Lucam Clinio, Teodoro Appears on: 62v–79 Genres: Passion
80–85	Antiphona cum psalmis; illae cantu greg. hi post intonationem 4 vocibus "a falso bordone" decantanda	-	Anonymous
Antiphona cum psalmis; illae cantu greg. hi post intonationem 4 vocibus "a falso bordone" decantanda Anonymous Appears on: 80–85 Genres: Antiphon General Note Antiphona cum psalmis; illae cantu greg. hi post intonationem 4 vocibus "a falso bordone" decantanda == Antiphons & psalms, the former in Gregorian chant, the latter to be sung in 4vv falsobordone aftr the intonation. Cf. ff. 163v-16v
85v–94	Vexilla regis	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vexilla regis Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 85v–94 Genres: Hymn
94v–99	Vexilla regis	-	Anonymous
Vexilla regis Anonymous Appears on: 94v–99 Genres: Hymn
100–105	Magnificat (4vv)	-	Animuccia, Giovanni (ca. 1520–1571)
Magnificat (4vv) Animuccia, Giovanni (ca. 1520–1571) Appears on: 100–105 Genres: Magnificat
105v–108	Preces & Psalm "Miserere"	-	Anonymous
Preces & Psalm "Miserere" Anonymous Appears on: 105v–108 Genres: Preces and Responses, Psalm
112v–119	In monte Oliveti	-	Ingegneri, Marc'Antonio
In monte Oliveti Ingegneri, Marc'Antonio Appears on: 112v–119 Genres: Responsory
112v–119	Tristis est anima mea	-	Ingegneri, Marc'Antonio
Tristis est anima mea Ingegneri, Marc'Antonio Appears on: 112v–119 Genres: Responsory
112v–119	Ecce vidimus eum	-	Ingegneri, Marc'Antonio
Ecce vidimus eum Ingegneri, Marc'Antonio Appears on: 112v–119 Genres: Responsory
123v–129	Amicus meus	-	Ingegneri, Marc'Antonio
Amicus meus Ingegneri, Marc'Antonio Appears on: 123v–129 Genres: Responsory
123v–129	Judas mercator	-	Ingegneri, Marc'Antonio
Judas mercator Ingegneri, Marc'Antonio Appears on: 123v–129 Genres: Responsory
123v–129	Unus ex discipulis	-	Ingegneri, Marc'Antonio
Unus ex discipulis Ingegneri, Marc'Antonio Appears on: 123v–129 Genres: Responsory
132v–137	Eram quasi agnus	-	Ingegneri, Marc'Antonio
Eram quasi agnus Ingegneri, Marc'Antonio Appears on: 132v–137 Genres: Responsory
132v–137	Una hora non potuistis	-	Ingegneri, Marc'Antonio
Una hora non potuistis Ingegneri, Marc'Antonio Appears on: 132v–137 Genres: Responsory
132v–137	Seniores populi	-	Ingegneri, Marc'Antonio
Seniores populi Ingegneri, Marc'Antonio Appears on: 132v–137 Genres: Responsory
143v–150	Benedictus Dominus Deus	-	Ingegneri, Marc'Antonio
Benedictus Dominus Deus Ingegneri, Marc'Antonio Appears on: 143v–150 Genres: Psalm
151v–163	[unidentified mass 4vv]: KSA	-	Palestrina, Giovanni Pierluigi da (1525–1594)
[unidentified mass 4vv]: KSA Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 151v–163 Genres: Agnus Dei, Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
163v–168v	Antiphonae (c. greg.) et psalmi 5 voc. "a falso bordone" (praeter intonationem)	-	Anonymous
Antiphonae (c. greg.) et psalmi 5 voc. "a falso bordone" (praeter intonationem) Anonymous Appears on: 163v–168v Genres: Psalm General Note Antiphonae (c. greg.) et psalmi 5 voc. "a falso bordone" (praeter intonationem) == Antiphons in Gregorian chant and psalms 5vv in falsobordone, except for the intonation. Cf. ff. 80-85
169–177	Magnificat sexti toni: Anima mea [K.919]	-	Morales, Cristóbal de (ca. 1500–1553)
Magnificat sexti toni: Anima mea [K.919] Morales, Cristóbal de (ca. 1500–1553) Appears on: 169–177 Genres: BVM, Canticle, Magnificat General Note NB: not clear which verses (odd or even, or both) are set in this copy; beginning on recto may also mean it is incomplete?
181v–188	Omnes amici mei	-	Ingegneri, Marc'Antonio
Omnes amici mei Ingegneri, Marc'Antonio Appears on: 181v–188 Genres: Responsory
181v–188	Velum templi scissum est	-	Ingegneri, Marc'Antonio
Velum templi scissum est Ingegneri, Marc'Antonio Appears on: 181v–188 Genres: Responsory
181v–188	Vinea mea electa	-	Ingegneri, Marc'Antonio
Vinea mea electa Ingegneri, Marc'Antonio Appears on: 181v–188 Genres: Responsory
191v–198	Tamquam ad latronem	-	Ingegneri, Marc'Antonio
Tamquam ad latronem Ingegneri, Marc'Antonio Appears on: 191v–198 Genres: Responsory
191v–198	Tenebrae factae sunt	-	Ingegneri, Marc'Antonio
Tenebrae factae sunt Ingegneri, Marc'Antonio Appears on: 191v–198 Genres: Responsory
191v–198	Animam meam dilectam tradidi in manus iniquorum	-	Ingegneri, Marc'Antonio
Animam meam dilectam tradidi in manus iniquorum Ingegneri, Marc'Antonio Appears on: 191v–198 Genres: Responsory
201v–206	Tradiderunt me in manus impiorum	-	Ingegneri, Marc'Antonio
Tradiderunt me in manus impiorum Ingegneri, Marc'Antonio Appears on: 201v–206 Genres: Responsory
201v–206	Jesum tradidit impius	-	Ingegneri, Marc'Antonio
Jesum tradidit impius Ingegneri, Marc'Antonio Appears on: 201v–206 Genres: Responsory
201v–206	Caligaverunt oculi mei	-	Ingegneri, Marc'Antonio
Caligaverunt oculi mei Ingegneri, Marc'Antonio Appears on: 201v–206 Genres: Responsory
212v–219	Benedictus Dominus Deus Israel - Quia visitavit	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Benedictus Dominus Deus Israel - Quia visitavit Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 212v–219 Genres: Psalm
223v–241	Passio Domini secundum Joannem: Jesum Nazarenum	-	Clinio, Teodoro
Passio Domini secundum Joannem: Jesum Nazarenum Clinio, Teodoro Appears on: 223v–241 Genres: Passion
242v–248	Popule meus	-	Ingegneri, Marc'Antonio
Popule meus Ingegneri, Marc'Antonio Appears on: 242v–248 Genres: Antiphon
249v–251	Crux fidelis	-	Poss, Georg
Crux fidelis Poss, Georg Appears on: 249v–251 Genres: Hymn
254v–259	Magnificat primi toni: Anima mea {Bk.I:1)	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Magnificat primi toni: Anima mea {Bk.I:1) Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 254v–259 Genres: Magnificat General Note Identity of this Magnificat not confirmed; perhaps the same one copied into A-Wn 15943, which also has the same sequence of Ingegneri responses, etc
262v–267	Sicut ovis	-	Ingegneri, Marc'Antonio
Sicut ovis Ingegneri, Marc'Antonio Appears on: 262v–267 Genres: Responsory
262v–267	Jerusalem surge	-	Ingegneri, Marc'Antonio
Jerusalem surge Ingegneri, Marc'Antonio Appears on: 262v–267 Genres: Responsory
262v–267	Plange quasi virgo	-	Ingegneri, Marc'Antonio
Plange quasi virgo Ingegneri, Marc'Antonio Appears on: 262v–267 Genres: Responsory
270v–275	Recessit pastor noster	-	Ingegneri, Marc'Antonio
Recessit pastor noster Ingegneri, Marc'Antonio Appears on: 270v–275 Genres: Responsory
270v–275	O vos omnes	-	Ingegneri, Marc'Antonio
O vos omnes Ingegneri, Marc'Antonio Appears on: 270v–275 Genres: Responsory
270v–275	Ecce quomodo moritur justus	-	Ingegneri, Marc'Antonio
Ecce quomodo moritur justus Ingegneri, Marc'Antonio Appears on: 270v–275 Genres: Responsory
278v–283	Astiterunt reges terrae	-	Ingegneri, Marc'Antonio
Astiterunt reges terrae Ingegneri, Marc'Antonio Appears on: 278v–283 Genres: Responsory
278v–283	Aestimatus sum	-	Ingegneri, Marc'Antonio
Aestimatus sum Ingegneri, Marc'Antonio Appears on: 278v–283 Genres: Responsory
278v–283	Sepulto Domino	-	Ingegneri, Marc'Antonio
Sepulto Domino Ingegneri, Marc'Antonio Appears on: 278v–283 Genres: Responsory
289v–294	Benedictus Dominus Deus	-	Cortino, Johannes
Benedictus Dominus Deus Cortino, Johannes Appears on: 289v–294 Genres: Psalm
301v–308	Kyrie paschale	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Kyrie paschale Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 301v–308 Genres: Kyrie eleison, Mass Ordinary
308v–316	Gloria [Et in terra] (6vv)	-	Cleve, Johannes de (ca. 1528–1582)
Gloria [Et in terra] (6vv) Cleve, Johannes de (ca. 1528–1582) Appears on: 308v–316 Genres: Gloria (et in terra pax), Mass Ordinary
317v–318	Laudate Dominum omnes gentes (5vv)	-	Anonymous
Laudate Dominum omnes gentes (5vv) Anonymous Appears on: 317v–318 Genres: Psalm
318v–324	Magnificat octavi toni: Anima mea	-	Mazzone, Marc'Antonio
Magnificat octavi toni: Anima mea Mazzone, Marc'Antonio Appears on: 318v–324 Genres: Magnificat

Composer	Compositions
Animuccia, Giovanni (ca. 1520–1571)	Magnificat (4vv) – 100–105
Anonymous	Antiphona cum psalmis; illae cantu greg. hi post intonationem 4 vocibus "a falso bordone" decantanda – 80–85 Antiphonae (c. greg.) et psalmi 5 voc. "a falso bordone" (praeter intonationem) – 163v–168v Laudate Dominum omnes gentes (5vv) – 317v–318 Preces & Psalm "Miserere" – 105v–108 Vexilla regis – 94v–99 [No description] – ii_v–iii_v
Bruck, Arnold von (ca. 1500–1554)	Gloria laus et honor – 7v–8
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Kyrie paschale – 301v–308
Cleve, Johannes de (ca. 1528–1582)	Gloria [Et in terra] (6vv) – 308v–316
Clinio, Teodoro	Passio Domini secundum Joannem: Jesum Nazarenum – 223v–241 Passio Domini secundum Lucam – 62v–79 Passio Domini secundum Marcum – 42v–59 Passio Domini secundum Matthaeum: Non in die festo – 12v–39
Cortino, Johannes	Benedictus Dominus Deus – 289v–294
Ingegneri, Marc'Antonio	Aestimatus sum – 278v–283 Amicus meus – 123v–129 Animam meam dilectam tradidi in manus iniquorum – 191v–198 Astiterunt reges terrae – 278v–283 Benedictus Dominus Deus – 143v–150 Caligaverunt oculi mei – 201v–206 Ecce quomodo moritur justus – 270v–275 Ecce vidimus eum – 112v–119 Eram quasi agnus – 132v–137 In monte Oliveti – 112v–119 Jerusalem surge – 262v–267 Jesum tradidit impius – 201v–206 Judas mercator – 123v–129 O vos omnes – 270v–275 Omnes amici mei – 181v–188 Plange quasi virgo – 262v–267 Popule meus – 242v–248 Recessit pastor noster – 270v–275 Seniores populi – 132v–137 Sepulto Domino – 278v–283 Sicut ovis – 262v–267 Tamquam ad latronem – 191v–198 Tenebrae factae sunt – 191v–198 Tradiderunt me in manus impiorum – 201v–206 Tristis est anima mea – 112v–119 Una hora non potuistis – 132v–137 Unus ex discipulis – 123v–129 Velum templi scissum est – 181v–188 Vinea mea electa – 181v–188
Mazzone, Marc'Antonio	Magnificat octavi toni: Anima mea – 318v–324
Morales, Cristóbal de (ca. 1500–1553)	Magnificat sexti toni: Anima mea [K.919] – 169–177
Palestrina, Giovanni Pierluigi da (1525–1594)	Benedictus Dominus Deus Israel - Quia visitavit – 212v–219 Magnificat primi toni: Anima mea {Bk.I:1) – 254v–259 Vexilla regis – 85v–94 [unidentified mass 4vv]: KSA – 151v–163
Poss, Georg	Crux fidelis – 249v–251
Spontoni, Bartolomeo	Pueri Hebraeorum – 4v–7

Composition	Composers (? Uncertain)	Folios / Pages
[unidentified mass 4vv]: KSA	Palestrina, Giovanni Pierluigi da (1525–1594)	151v–163
Aestimatus sum	Ingegneri, Marc'Antonio	278v–283
Amicus meus	Ingegneri, Marc'Antonio	123v–129
Animam meam dilectam tradidi in manus iniquorum	Ingegneri, Marc'Antonio	191v–198
Antiphona cum psalmis; illae cantu greg. hi post intonationem 4 vocibus "a falso bordone" decantanda	Anonymous	80–85
Antiphonae (c. greg.) et psalmi 5 voc. "a falso bordone" (praeter intonationem)	Anonymous	163v–168v
Astiterunt reges terrae	Ingegneri, Marc'Antonio	278v–283
Benedictus Dominus Deus	Ingegneri, Marc'Antonio	143v–150
Benedictus Dominus Deus	Cortino, Johannes	289v–294
Benedictus Dominus Deus Israel - Quia visitavit	Palestrina, Giovanni Pierluigi da (1525–1594)	212v–219
Caligaverunt oculi mei	Ingegneri, Marc'Antonio	201v–206
Crux fidelis	Poss, Georg	249v–251
Ecce quomodo moritur justus	Ingegneri, Marc'Antonio	270v–275
Ecce vidimus eum	Ingegneri, Marc'Antonio	112v–119
Eram quasi agnus	Ingegneri, Marc'Antonio	132v–137
Gloria [Et in terra] (6vv)	Cleve, Johannes de (ca. 1528–1582)	308v–316
Gloria laus et honor	Bruck, Arnold von (ca. 1500–1554)	7v–8
In monte Oliveti	Ingegneri, Marc'Antonio	112v–119
Jerusalem surge	Ingegneri, Marc'Antonio	262v–267
Jesum tradidit impius	Ingegneri, Marc'Antonio	201v–206
Judas mercator	Ingegneri, Marc'Antonio	123v–129
Kyrie paschale	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	301v–308
Laudate Dominum omnes gentes (5vv)	Anonymous	317v–318
Magnificat (4vv)	Animuccia, Giovanni (ca. 1520–1571)	100–105
Magnificat octavi toni: Anima mea	Mazzone, Marc'Antonio	318v–324
Magnificat primi toni: Anima mea {Bk.I:1)	Palestrina, Giovanni Pierluigi da (1525–1594)	254v–259
Magnificat sexti toni: Anima mea [K.919]	Morales, Cristóbal de (ca. 1500–1553)	169–177
O vos omnes	Ingegneri, Marc'Antonio	270v–275
Omnes amici mei	Ingegneri, Marc'Antonio	181v–188
Passio Domini secundum Joannem: Jesum Nazarenum	Clinio, Teodoro	223v–241
Passio Domini secundum Lucam	Clinio, Teodoro	62v–79
Passio Domini secundum Marcum	Clinio, Teodoro	42v–59
Passio Domini secundum Matthaeum: Non in die festo	Clinio, Teodoro	12v–39
Plange quasi virgo	Ingegneri, Marc'Antonio	262v–267
Popule meus	Ingegneri, Marc'Antonio	242v–248
Preces & Psalm "Miserere"	Anonymous	105v–108
Pueri Hebraeorum	Spontoni, Bartolomeo	4v–7
Recessit pastor noster	Ingegneri, Marc'Antonio	270v–275
Seniores populi	Ingegneri, Marc'Antonio	132v–137
Sepulto Domino	Ingegneri, Marc'Antonio	278v–283
Sicut ovis	Ingegneri, Marc'Antonio	262v–267
Tamquam ad latronem	Ingegneri, Marc'Antonio	191v–198
Tenebrae factae sunt	Ingegneri, Marc'Antonio	191v–198
Tradiderunt me in manus impiorum	Ingegneri, Marc'Antonio	201v–206
Tristis est anima mea	Ingegneri, Marc'Antonio	112v–119
Una hora non potuistis	Ingegneri, Marc'Antonio	132v–137
Unus ex discipulis	Ingegneri, Marc'Antonio	123v–129
Velum templi scissum est	Ingegneri, Marc'Antonio	181v–188
Vexilla regis	Palestrina, Giovanni Pierluigi da (1525–1594)	85v–94
Vexilla regis	Anonymous	94v–99
Vinea mea electa	Ingegneri, Marc'Antonio	181v–188

‡ denotes primary source study

Comberiati, Carmelo Peter. 1983. Polyphonic Settings of the Mass Ordinary at the Court of Rudolf II (1576-1612). University of Michigan, Unpublished Ph.D. dissertation. Pages: 173. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 173. Notes: contents list (partial); concordances (partial); incipits (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XCIX, v, 120. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 391-4. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description