A-Wn Mus.Hs. 19189

Österreichische Nationalbibliothek, Wien (Vienna), Austria

manuscript of polyphony: Last third of 16th century

Archive Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark Mus.Hs. 19189
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 420 x 282 mm
Other Identifiers
  • CCM: VienNB Mus. 19189
  • olim (Former shelfmark): A.N. 44.C.9
Notations
  • black void mensural
External Links
External Authorities
Provenance
  • Bavaria, Germany
Contents 60 pieces from 27 composers
General Description

Copied by a single scribe. Probably of German origin.

DIAMM, 2017
Binding

Rebound in modern covers of white parchment over heavy pasteboard, gold stamped front and back with double eagle; spine gold stamped with 'CANTIONES / ECCLESIAST. / IV ET V VOC. / DIVERS. AUCTOR.'

DIAMM, 2017
Watermark

resembles Briquet #8079

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Last third of 16th century (Call); 17th century (MantTC).

DIAMM, 2017
Ruling

Staff height 18.5-19.0

DIAMM, 2017
Foliation

Modem ink foliation, I-III + original ink foliation, i-[cclviii] (a few errors, most corrected by pasteovers or crossing out; ff. cclvii-cclviii incorrectly numbered as 'ccxlvii-ccxlviii').

DIAMM, 2017
Decoration

Black and red inked calligraphic initials on new f. III' + original f. i; no other decoration.

DIAMM, 2017
Index

Original index on new ff. I'-II lists motets in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

55 motets

(Arcadelt)-2, Bar-1, Barbion-1, Bracquet-1, Canis? [Can.]-1, C. Chastellain-1, Clemens non Papa-19 + 2?, S. Cornet-1, Crecquillon-1, Criecken-1, L. Episcopius-4, Feys-1, Ivo de Vento-1, (Jonckers)-1, Lassus [Horlando]-2, Lupi-1, Manchicourt-1, Philippe de Monte-1, Pevernage-3, Rocour-1, Tonsor-5, Tubai-1, Vaet-2

ii + iii + 258 + ii paper folios, 420 x 282. Modem ink foliation, I-III + original ink foliation, i-[cclviii] (a few errors, most corrected by pasteovers or crossing out; ff. cclvii-cclviii incorrectly numbered as "ccxlvii-ccxlviii"). Rebound in modern covers of white parchment over heavy pasteboard, gold stamped front and back with double eagle; spine gold stamped with "CANTIONES / ECCLESIAST. / IV ET V VOC. / DIVERS. AUCTOR." Original index on new ff. I'-II lists motets in order of appearance. Copied by a single scribe. Staff height 18.5-19.0. Black and red inked calligraphic initials on new f. III' + original f. i; no other decoration. Watermark resembles Briquet #8079.

Last third of 16th century (Call); 17th century (MantTC). Probably of German origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
Iv–II index - -

index

Appears on: Iv–II
IIIv–7a De profundis (5vv) Clemens non papa
Appears on: IIIv–7a
Genres: Motet
Source Attribution: Clemens non papa
7v–11 O beata Caecilia (2p. Cilicio induta) L. Episcopius
Appears on: 7v–11
Genres: Motet
Source Attribution: L. Episcopius
11v–16 Regnum mundi (2p. Eructavit cor meum) L. Episcopius
Appears on: 11v–16
Genres: Motet
Source Attribution: L. Episcopius
16v–21 Homo Dei ducebatur Andreas Pevernaige
Appears on: 16v–21
Genres: Motet
Source Attribution: Andreas Pevernaige
General Note

ONB catalogue follows a late ms annotation in the ms, in calling "Ex eius tumba marmorea" the 2a pars; but "Home Dei" is SAATB, "Ex eius" SATTB so this is unlikely

21v–25 Ex eius tumba marmorea anon (Vaet??)
Appears on: 21v–25
Genres: Motet
Source Attribution: anon (Vaet??)
General Note

ONB catalogue follows a late ms annotation in the ms, in calling "Ex eius tumba marmorea" the 2a pars of "Homo Dei"; but "Home Dei" is SAATB, "Ex eius" SATTB so this is unlikely

25v–29 Suscipe verbum (2p. Paries quidem filium) Cristophorus Bar
Appears on: 25v–29
Genres: Motet
Source Attribution: Cristophorus Bar
29v–34 Jerusalem plantabis vineam in montibus tuis (2p. Deus a Libano veniet et sanctus de monte) Michael Tonsoris
Appears on: 29v–34
Genres: Motet
Source Attribution: Michael Tonsoris
34v–38 Jerusalem cito veniet salus tua quare maerore (2p. Civitas Jerusalem noli flere quoniam) Clemens
Appears on: 34v–38
Genres: Motet
Source Attribution: Clemens
38v–44 Exsurgens Maria abiit (2p. Benedicta tu inter mulieres) L. Episcopius
Appears on: 38v–44
Genres: Motet
Source Attribution: L. Episcopius
44v–48 Salve regina sup. Doulce mémoire L. Episcopius (in later hand, crossed out in index)
Appears on: 44v–48
Source Attribution: L. Episcopius (in later hand, crossed out in index)
48v–52 Lapidabant Stephanum (2p. Impetum fecerunt) Clemens
Appears on: 48v–52
Genres: Motet
Source Attribution: Clemens
52v–57 Exaudi Domine - 1a pars (of 3): Exaudi Domine orationem meam et ne contemne Clemens
Appears on: 52v–57
Genres: Motet
Source Attribution: Clemens
52v–57 Exaudi Domine - 2a pars (of 3): Contristatus sum in cogitatione mea -
Appears on: 52v–57
Genres: Motet
General Note

3a pars not copied?

57v–63 Caro mea vero est cibus (2p. Panis quem ego dabo) Clemens
Appears on: 57v–63
Genres: Motet
Source Attribution: Clemens
63v–68 Inclina Domine aurem Clemens non papa
Appears on: 63v–68
Genres: Motet
Source Attribution: Clemens non papa
68v–72 Christi virgo dilectessima (2p. Quoniam peccatorum mole) Jacobus Clemens in later hand at top, crossed out in index
Appears on: 68v–72
Genres: Motet
Source Attribution: Jacobus Clemens in later hand at top, crossed out in index
72v–76 Ave sanctissima Maria (2p. Tu peperisti creatorem) Ivone de Vento
Appears on: 72v–76
Genres: Motet
Source Attribution: Ivone de Vento
76v–80 Homo quidam fecit coenam (2p. Venite et comedite) Braquet
Appears on: 76v–80
Genres: Motet
Source Attribution: Braquet
80v–86 Dum steteritis ante reges et praesides (2p. Non enim vos estis) Jacobus Vaedt
Appears on: 80v–86
Genres: Motet
Source Attribution: Jacobus Vaedt
86v–91 Ecce ego mitto vos Clemens
Appears on: 86v–91
Genres: Motet
Source Attribution: Clemens
91v–94 Ave regina caelorum Can. (=Canis?)
Appears on: 91v–94
Genres: Ave regina caelorum, Motet
Source Attribution: Can. (=Canis?)
94v–98 Misit me pater vivens (2p. Cibavit eum Dominus) -
Appears on: 94v–98
Genres: Motet
98v–102 Congregati sunt inimici nostri -
Appears on: 98v–102
Genres: Motet
102v–104 Ecce nunc tempus acceptabile (2p. In omnibus exhibeamus) Andreas Pevernaige
Appears on: 102v–104
Genres: Motet
Source Attribution: Andreas Pevernaige
104v–114 Accepit Jesus calicem (2p. Memoria memor ero) Clemens
Appears on: 104v–114
Genres: Motet
Source Attribution: Clemens
Concordances

Appears in RISM 1556-7 as "Musica dligitur 2p. Ergo noscetis modulamina"

114v–119 Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus) Arn: feys
Appears on: 114v–119
Genres: Motet
Source Attribution: Arn: feys
119v–125 Maria Magdalena et altera Maria (2p. Cito euntes dicite) Carolus Criecken
Appears on: 119v–125
Genres: Motet
Source Attribution: Carolus Criecken
125v–131 Spiritus sanctus procedens a throno (2p. Advenit ignis) Tubal
Appears on: 125v–131
Source Attribution: Tubal
131v–137 Ego sum panis vivus (2p. Et panis quem ego dabo) Clemens
Appears on: 131v–137
Genres: Motet
Source Attribution: Clemens
Concordances

Apparently not the same setting as printed in (e.g.) Quintus Liber Modulorum 1556 -- that setting is SAATB, this one is SSATB

137v–140 Veni in hortum meum Horlando
Appears on: 137v–140
Genres: Motet
Source Attribution: Horlando
General Note

ortum/hortum --> Orlando/Horlando?

140v–146 O crux gloriosa O crux adoranda (2p. Adoramus te Jesu Christe) Clemens non papa
Appears on: 140v–146
Genres: Motet
Source Attribution: Clemens non papa
146v–150 O lux et decus Hispaniae (2p. O singulare praesidium) Clemens
Appears on: 146v–150
Genres: Motet
Source Attribution: Clemens
150v–155 O decus virginitatis (2p. Admitte preces nostras) Roucourt
Appears on: 150v–155
Genres: Motet
Source Attribution: Roucourt
155v–161 Benedic, Domine, domum (2p. Beati qui habitabunt) Andreas Pevernaige
Appears on: 155v–161
Genres: Motet
Source Attribution: Andreas Pevernaige
161v–166 Sancte confessor Dei (2p. Et cum dies extrema advenerit) Carolus Chastilain
Appears on: 161v–166
Genres: Motet
Source Attribution: Carolus Chastilain
166v–169 Domine Jesu Christe (II) Philippus de monte
Appears on: 166v–169
Genres: Motet
Source Attribution: Philippus de monte
169v–175 Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) Orlando
Appears on: 169v–175
Genres: Motet
Source Attribution: Orlando
175v–181 Nos autem gloriari oporte (2p. Tuam crucem adoramus) Crequillon
Appears on: 175v–181
Genres: Motet
Source Attribution: Crequillon
181v–186 Sospitati dedit aegros (2p. Ergo laudes Nicolao) Barbion
Appears on: 181v–186
Genres: Motet
Source Attribution: Barbion
186v–190 Domine Deus, qui conteris bella (2p. Salus nostra in manu tua) Severinus Cornet
Appears on: 186v–190
Genres: Motet
Source Attribution: Severinus Cornet
190v–194 Cantate Domino canticum novum (2p. Exultate justi in Domino) Michael Tonsoris
Appears on: 190v–194
Genres: Motet
Source Attribution: Michael Tonsoris
194v–197 Tribularer si nescirem Michael Tonsoris
Appears on: 194v–197
Genres: Motet
Source Attribution: Michael Tonsoris
197v–200 Descendi in hortum meum Michael Tonsoris
Appears on: 197v–200
Genres: Motet
Source Attribution: Michael Tonsoris
200v–207 Sancta Dei genitrix virgo semper Maria (2p. Haec est illa regina virginum) Lupi
Appears on: 200v–207
Genres: Motet
Source Attribution: Lupi
207v–213 Istorum est enim regnum (2p. Sancti et justi) Clemens
Appears on: 207v–213
Genres: Motet
Source Attribution: Clemens
213v–218 Corona aurea - 1a pars (of 2): Corona aurea super caput eius [Arcadelt] / 'Jacobus Clemens (?)' in later hand
Appears on: 213v–218
Genres: Motet
Source Attribution: [Arcadelt] / 'Jacobus Clemens (?)' in later hand
213v–218 Corona aurea - 2a pars (of 2): Quoniam praevenisti eum -
Appears on: 213v–218
Genres: Motet
218v–223 Stella maris luminosa (2p. O Maria singularis;3p. Ergo dulcis et benigna) Clemens non papa
Appears on: 218v–223
Genres: Motet
Source Attribution: Clemens non papa
223v–226 O admirabile commercium creator generis Michael Tonsoris
Appears on: 223v–226
Genres: Motet
Source Attribution: Michael Tonsoris
226v–233 Suscipiens Jesum in ulnas suas Simeon (2p. Responsum accepit Simeon a spiritu) [Hollander] / 'Jacobus Clemens(?)' in later hand - not in index
Appears on: 226v–233
Genres: Motet
Source Attribution: [Hollander] / 'Jacobus Clemens(?)' in later hand - not in index
233v–235 Crux fidelis inter omnes arbor una nobilis Clemens
Appears on: 233v–235
Genres: Motet
Source Attribution: Clemens
235v–239 Beata es virgo Maria quae Dominum portasti (2p. Ave Maria gratia plena Dominus tecum) Clemens
Appears on: 235v–239
Genres: Ave Maria, Motet
Source Attribution: Clemens
239v–243 Virgines prudentes ornate lampades vestras (2p. Media autem nocte clamor factus est) Clemens
Appears on: 239v–243
Genres: Motet
Source Attribution: Clemens
243v–248 Caeleste beneficium - 1a pars (of 2): Caeleste beneficium Clemens
Appears on: 243v–248
Genres: Motet
Source Attribution: Clemens
243v–248 Caeleste beneficium - 2a pars (of 2): Tu nos Anna pia -
Appears on: 243v–248
Genres: Motet
248v–251 Hic est vere martir - 1a pars (of 2): Hic est vere martir qui pro Christi nomine Jacobus Clemens (in later hand; no ascription in index)
Appears on: 248v–251
Genres: Motet
Source Attribution: Jacobus Clemens (in later hand; no ascription in index)
248v–251 Hic est vere martir - 2a pars (of 2): Omnipotens Deus qui beatum Sebastianum -
Appears on: 248v–251
Genres: Motet
251v–255 Amavit eum Dominus (2p. Induit eum Dominus) Clemens
Appears on: 251v–255
Genres: Motet
Source Attribution: Clemens
255v–258 O bone Jesu salvator mundi Manchicourt
Appears on: 255v–258
Genres: Motet
Source Attribution: Manchicourt
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Bar, Christoph
Barbion, Eustachius (–ca. 1556)
Bracquet, Gilles
Canis, Cornelius
Chastelain, Charles (ca. 1490–1578)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cornet, Severin (ca. 1520–1582)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Criecken, Carolus
Episcopus, Lodovicus (ca. 1520–1595)
Feys, Arnoldus
Hollander, Christian
Jonckers, Maistre Gosse
Lassus, Orlande de (ca. 1532–1594)
Lupi, Johannes (ca. 1506–1539)
Maessens, Pieter
Manchicourt, Pierre de
Monte, Philippe de
Pevernage, Andreas
Roucourt, Pierre de
Tonsor, Michael
Tubal, Adrian
Vaet, Jacobus (ca. 1529–ca. 1567)
Valent, Adrian
Vento, Ivo de
Composition Composers (? Uncertain) Folios / Pages
Accepit Jesus calicem (2p. Memoria memor ero) 104v–114
Amavit eum Dominus (2p. Induit eum Dominus) 251v–255
Ave regina caelorum 91v–94
Ave sanctissima Maria (2p. Tu peperisti creatorem) 72v–76
Beata es virgo Maria quae Dominum portasti (2p. Ave Maria gratia plena Dominus tecum) 235v–239
Benedic, Domine, domum (2p. Beati qui habitabunt) 155v–161
Caeleste beneficium - 1a pars (of 2): Caeleste beneficium 243v–248
Caeleste beneficium - 2a pars (of 2): Tu nos Anna pia 243v–248
Cantate Domino canticum novum (2p. Exultate justi in Domino) 190v–194
Caro mea vero est cibus (2p. Panis quem ego dabo) 57v–63
Christi virgo dilectessima (2p. Quoniam peccatorum mole) 68v–72
Congregati sunt inimici nostri 98v–102
Corona aurea - 1a pars (of 2): Corona aurea super caput eius 213v–218
Corona aurea - 2a pars (of 2): Quoniam praevenisti eum 213v–218
Crux fidelis inter omnes arbor una nobilis 233v–235
De profundis (5vv) IIIv–7a
Descendi in hortum meum 197v–200
Domine Deus, qui conteris bella (2p. Salus nostra in manu tua) 186v–190
Domine Jesu Christe (II) 166v–169
Dum steteritis ante reges et praesides (2p. Non enim vos estis) 80v–86
Ecce ego mitto vos 86v–91
Ecce nunc tempus acceptabile (2p. In omnibus exhibeamus) 102v–104
Ego sum panis vivus (2p. Et panis quem ego dabo) 131v–137
Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus) 114v–119
Ex eius tumba marmorea 21v–25
Exaudi Domine - 1a pars (of 3): Exaudi Domine orationem meam et ne contemne 52v–57
Exaudi Domine - 2a pars (of 3): Contristatus sum in cogitatione mea 52v–57
Exsurgens Maria abiit (2p. Benedicta tu inter mulieres) 38v–44
Hic est vere martir - 1a pars (of 2): Hic est vere martir qui pro Christi nomine 248v–251
Hic est vere martir - 2a pars (of 2): Omnipotens Deus qui beatum Sebastianum 248v–251
Homo Dei ducebatur 16v–21
Homo quidam fecit coenam (2p. Venite et comedite) 76v–80
Inclina Domine aurem 63v–68
Istorum est enim regnum (2p. Sancti et justi) 207v–213
Jerusalem cito veniet salus tua quare maerore (2p. Civitas Jerusalem noli flere quoniam) 34v–38
Jerusalem plantabis vineam in montibus tuis (2p. Deus a Libano veniet et sanctus de monte) 29v–34
Lapidabant Stephanum (2p. Impetum fecerunt) 48v–52
Maria Magdalena et altera Maria (2p. Cito euntes dicite) 119v–125
Misit me pater vivens (2p. Cibavit eum Dominus) 94v–98
Nos autem gloriari oporte (2p. Tuam crucem adoramus) 175v–181
O admirabile commercium creator generis 223v–226
O beata Caecilia (2p. Cilicio induta) 7v–11
O bone Jesu salvator mundi 255v–258
O crux gloriosa O crux adoranda (2p. Adoramus te Jesu Christe) 140v–146
O decus virginitatis (2p. Admitte preces nostras) 150v–155
O lux et decus Hispaniae (2p. O singulare praesidium) 146v–150
Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) 169v–175
Regnum mundi (2p. Eructavit cor meum) 11v–16
Salve regina sup. Doulce mémoire 44v–48
Sancta Dei genitrix virgo semper Maria (2p. Haec est illa regina virginum) 200v–207
Sancte confessor Dei (2p. Et cum dies extrema advenerit) 161v–166
Sospitati dedit aegros (2p. Ergo laudes Nicolao) 181v–186
Spiritus sanctus procedens a throno (2p. Advenit ignis) 125v–131
Stella maris luminosa (2p. O Maria singularis;3p. Ergo dulcis et benigna) 218v–223
Suscipe verbum (2p. Paries quidem filium) 25v–29
Suscipiens Jesum in ulnas suas Simeon (2p. Responsum accepit Simeon a spiritu) 226v–233
Tribularer si nescirem 194v–197
Veni in hortum meum 137v–140
Virgines prudentes ornate lampades vestras (2p. Media autem nocte clamor factus est) 239v–243

denotes primary source study

Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I, 11, 296-7, 355-6 II, 598-616. Notes: physical description (partial); contents list (partial); transcription (partial); texts (partial).

Ingram, Sonja S. 1973. The Polyphonic Salve Regina, 1425-1550. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 71. Notes: contents list (partial); concordances (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 836-7. Notes: physical description (partial).

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: XVIII, ix-x, 65-8 XIX, ix, 6-9, 22-4 XX, x, 26-33 XXI, x-xiv, 30-9, 86-92, 103-8, 133-52, 180-8. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 331-4. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description