Composite of originally separate fascicles assembled by Aldobrando Trabochio in 1632 (inscription on f. 1). The fascicles themselves were copied mostly by Flaminio Oddi, whose signatures are found in the MS. The first two pieces were copied by Joseph Dosius (named in initials on ff. 8'-9). Copied in Rome, for use by Cappella Sistina.
V-CVbav MS Capp. Sist. 77
Biblioteca Apostolica Vaticana, Vatican City, Vatican
manuscript of polyphony: c. 1611-22
| Archive | Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav) |
|---|---|
| Shelfmark | MS Capp. Sist. 77 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 462 x 365 mm |
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| Contents | Contains 7 compositions, 6 from 2 composers, 1 is anonymous. |
General Description
Binding
Original covers of dark parchment over boards.
Notation
black void mensural
Date
1611-2 in manuscript.
Foliation
Modern pencil foliation, 1-108, on lower center rectos (excludes front flyleaf).
Decoration
Initials on ff. 4'-5 and ff. 8'-9 decorated with floral/vine motifs. Other folios have inked initials in calligraphic or plain block styles.
Index
Original index on f. 1 lists pieces in order of appearance.
Surface
paper
Census Catalogue of Music Description
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4 Masses, 1 psalm, 1 motet = 6
(Josquin/Mouton)-1, Oddi-4, anon-1
i + 108 paper folios, 462 x 365. Composite of originally separate fascicles assembled by Aldobrando Trabochio in 1632 (inscription on f. 1). Modern pencil foliation, 1-108, on lower center rectos (excludes front flyleaf). Original covers of dark parchment over boards. Original index on f. 1 lists pieces in order of appearance. Copied mostly by Flaminio Oddi (signatures in manuscript); first two pieces copied by Joseph Dosius (named in initials on ff. 8'-9). Initials on ff. 4'-5 and ff. 8'-9 decorated with floral/vine motifs; other folios have inked initials in calligraphic or plain block styles.
Ca. 1611-22; dates 1611-2 in manuscript. Copied in Rome, for use by Cappella Sistina.
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‡ denotes primary source study
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 211-2. Notes: contents list (partial); concordances (partial).
Llorens Cisteró, José Maria. 1969. The Musical Codexes of the Sistine Chapel Written Through the Generosity of the Pauline Popes. Studies in Musicology: Essays in the History, Style, and Bibliography of Music in Memory of Glen Haydon, 18-50. Chapel Hill, N.C. Pages: 41. Notes: physical description.
Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices. Vatican City. Pages: 133-4, 494. Notes: physical description; contents list; incipits (partial).
Haberl, Franz Xavier. 1888 R 1971. Bibliographischer und Thematischer Musikkatalog des Päpstlichen Kapellarchives im Vatikan zu Rom. Supplement to Monatshefte für Musikgeschichte, 19: . Pages: 29, 100, 106, 110, 155. Notes: physical description (partial); contents list; concordances (partial); incipits (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description