V-CVbav MS Capp. Sist. 72

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: Late 16th-early 17th century

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Capp. Sist. 72
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 494 x 359 mm
Other Identifiers
  • CCM: VatS 72
  • olim (Former shelfmark): I-Rvat MS Capp. Sist. 72
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
Contents 18 pieces from 6 composers
General Description

Composite of originally separate fascicles. Copied by six scribes: (1) ff. 3'-10, 11'-18, 87'-93; (2) ff. 19'-23, 53'-68; (3) ff. 25'-36; (4) ff. 37'-46, 47'-52; (5) ff. 70'-75, 94'-101; (6) ff. 77'-84. Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017
Binding

Original covers of dark parchment over boards; two cloth ties

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation, [l]-100, on upper right rectos (mostly obliterated by later trimming; one folio between ff. 72/73 not numbered). Modern pencil foliation (cited here), 1-103, on lower center rectos (excludes front flyleaf).

DIAMM, 2017
Decoration

Inked initials in calligraphic or plain block styles.

DIAMM, 2017
Index

Original index on f. 2 lists pieces in order of appearance

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

12 motets

(F. Anerio)-1, A. Crivelli-2, (Jaquet of Mantua)-1, Nanino-2, (Palestrina)-5, anon-1

ii + i + 101 paper folios, 494 x 359. Composite of originally separate fascicles. Original ink foliation, [l]-100, on upper right rectos (mostly obliterated by later trimming; one folio between ff. 72/73 not numbered). Modern pencil foliation (cited here), 1-103, on lower center rectos (excludes front flyleaf). Original covers of dark parchment over boards; two cloth ties. Original index on f. 2 lists pieces in order of appearance. Copied by six scribes: (1) ff. 3'-10, 11'-18, 87'-93; (2) ff. 19'-23, 53'-68; (3) ff. 25'-36; (4) ff. 37'-46, 47'-52; (5) ff. 70'-75, 94'-101; (6) ff. 77'-84. Inked initials in calligraphic or plain block styles.

Late 16th-early 17th century. Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
3v–6 Salvatorem expectamus - 1a pars (of 2): Salvatorem expectamus -
Appears on: 3v–6
Genres: Motet
6v–10 Salvatorem expectamus - 2a pars (of 2): Sobrie et iuste et pie vivamus -
Appears on: 6v–10
Genres: Motet
11v–15 Hodie nobis caelorum Rex - 1a pars (of 2): Hodie nobis caelorum Rex Jo: Marie Nanini
Appears on: 11v–15
Genres: Motet
Source Attribution: Jo: Marie Nanini
15v–18 Hodie nobis caelorum Rex - 2a pars (of 2): Gloria in excelsis Deo -
Appears on: 15v–18
Genres: Motet
19v–23 O rex gloriae domine virtutum qui triumphator -
Appears on: 19v–23
Genres: Motet
25v–30 Suscipe verbum - 1a pars (of 2): Suscipe verbum virgo Maria quod tibi a Domino -
Appears on: 25v–30
Genres: Motet
31v–36 Suscipe verbum - 2a pars (of 2): Paries quidem filium et virginitatis -
Appears on: 31v–36
Genres: Motet
37v–41 Ecce odor filii mei Arcangelo Crivelli
Appears on: 37v–41
Genres: Motet
Source Attribution: Arcangelo Crivelli
41v–46 Cantemus Domino Arcangelo Crivelli
Appears on: 41v–46
Genres: Motet
Source Attribution: Arcangelo Crivelli
47v–52 Salvum me - 1a pars (of 2): Salvum me fac Domine -
Appears on: 47v–52
Genres: Motet
53v–60 Angelus Domini descendit - 1a pars (of 2): Angelus Domini descendit de caelo et accedens -
Appears on: 53v–60
Genres: Motet
61v–68 Angelus Domini descendit - 2a pars (of 2): Et introeuntes in monumentum viderunt -
Appears on: 61v–68
Genres: Motet
70v–75 Voce mea ad Dominum (8vv) -
Appears on: 70v–75
Genres: Motet
76v–80 Nos autem gloriari - 1a pars (of 2): Nos autem gloriari Jo: Marie Nanini
Appears on: 76v–80
Genres: Motet
Source Attribution: Jo: Marie Nanini
80v–83 Nos autem gloriari - 2a pars (of 2): Crucem tuam adoramus -
Appears on: 80v–83
Genres: Motet
86v–89 Fuit homo missus - 1a pars (of 2): Fuit homo missus a deo cui nomen erat -
Appears on: 86v–89
Genres: Motet
89v–92 Fuit homo missus - 2a pars (of 2): Erat Johannes in deserto praedicans -
Appears on: 89v–92
Genres: Motet
93v–100 Sancta Francisca ora pro nobis (8vv) - Anonymous
Appears on: 93v–100
Genres: Motet
Composition Composers (? Uncertain) Folios / Pages
Angelus Domini descendit - 1a pars (of 2): Angelus Domini descendit de caelo et accedens 53v–60
Angelus Domini descendit - 2a pars (of 2): Et introeuntes in monumentum viderunt 61v–68
Cantemus Domino 41v–46
Ecce odor filii mei 37v–41
Fuit homo missus - 1a pars (of 2): Fuit homo missus a deo cui nomen erat 86v–89
Fuit homo missus - 2a pars (of 2): Erat Johannes in deserto praedicans 89v–92
Hodie nobis caelorum Rex - 1a pars (of 2): Hodie nobis caelorum Rex 11v–15
Hodie nobis caelorum Rex - 2a pars (of 2): Gloria in excelsis Deo 15v–18
Nos autem gloriari - 1a pars (of 2): Nos autem gloriari 76v–80
Nos autem gloriari - 2a pars (of 2): Crucem tuam adoramus 80v–83
O rex gloriae domine virtutum qui triumphator 19v–23
Salvatorem expectamus - 1a pars (of 2): Salvatorem expectamus 3v–6
Salvatorem expectamus - 2a pars (of 2): Sobrie et iuste et pie vivamus 6v–10
Salvum me - 1a pars (of 2): Salvum me fac Domine 47v–52
Sancta Francisca ora pro nobis (8vv) Anonymous 93v–100
Suscipe verbum - 1a pars (of 2): Suscipe verbum virgo Maria quod tibi a Domino 25v–30
Suscipe verbum - 2a pars (of 2): Paries quidem filium et virginitatis 31v–36
Voce mea ad Dominum (8vv) 70v–75

denotes primary source study

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 154. Notes: contents list (partial); concordances (partial).

Schuler, Richard Joseph. 1963. The Life and Liturgical Works of Giovanni Maria Nanino (1545-1607). University of Minnesota, Unpublished Ph.D. dissertation. Pages: I, 141, 201-2, 220-1, 232-3, 255-6 II, 385-97, 452-61. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial).

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices.  Vatican City. Pages: 127-8, 493);HabV:DpLCpIp(26-7, 73-4, 104, 106, 123, 153. Notes: physical description; contents list; incipits (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description