Composite of originally separate fascicles. Copied by Johannes Parvus, except for ff. 48'-67 (music and text) and ff. 110'-115 (music), copied by Johannes Ochon (BraunerP). Copied in Rome, for use by Cappella Sistina. Letter addressed to papal singer and composer Ivo Barri (datable 1545-52 - BraunerP) now mounted on unnumbered modern leaf bound in between ff. 109/110.
V-CVbav MS Capp. Sist. 57
Biblioteca Apostolica Vaticana, Vatican City, Vatican
manuscript of polyphony: c. 1535-77
| Archive | Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav) |
|---|---|
| Shelfmark | MS Capp. Sist. 57 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 585 x 440 mm |
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| Contents | Contains 32 compositions, 19 from 7 composers, 13 are anonymous. |
General Description
Physical Description
New ff. 132-140 now bound in incorrect sequence; latter folios in very poor condition due to severe ink corrosion, with loss of some music.
Binding
Rebound in modern covers of cream-coloured vellum over boards
Watermark
(1) anchor in circle surmounted by six-pointed star (not in Briquet); (2-3) crossed arrows surmounted by six-pointed star (two variants, neither in Briquet); (4) resembles Briquet #1131 (see BraunerP for other manuscripts with same marks).
Notation
black void mensural
Ruling
Staff height 29
Foliation
Original ink foliation, [1]-138, on lower right rectos; modern pencil foliation (cited here), 1-140, on lower center rectos (excludes front modern flyleaf, letter [see below], and rear modern flyleaf).
Decoration
Inked calligraphic initials
Index
Index on f. 2 probably dates from late 16th century; pieces listed in order of appearance.
Surface
paper
DIAMM Note
Inventory kindly provided by David Wyatt, 2017
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
4 Masses, 1 Kyrie, 1 Credo, 6 motets = 12 Bauldeweyn-1, C. Festa-1, (Jacotin/Jaquet of Mantua)-1, Palestrina-2, Piéton-1, anon-6 it + i + 107 + i [= letter] + 31 + i paper folios, 585 x 440. Composite of originally separate fascicles. New ff. 132-140 now bound in incorrect sequence; latter folios in very poor condition due to severe ink corrosion, with loss of some music. Original ink foliation, [1]-138, on lower right rectos; modern pencil foliation (cited here), 1-140, on lower center rectos (excludes front modern flyleaf, letter [see below], and rear modern flyleaf). Rebound in modern covers of cream-colored vellum over boards. Index on f. 2 probably dates from late 16th century; pieces listed in order of appearance. Copied by Johannes Parvus, except for ff. 48'-67 (music and text) and ff. 110'-115 (music), copied by Johannes Ochon (BraunerP). Staff height 29. Inked calligraphic initials. Watermarks: (1) anchor in circle surmounted by six-pointed star (not in Briquet); (2-3) crossed arrows surmounted by six-pointed star (two variants, neither in Briquet); (4) resembles Briquet #1131 (see BraunerP for other manuscripts with same marks). Letter addressed to papal singer and composer Ivo Barri (datable 1545-52 - BraunerP) now mounted on unnumbered modern leaf bound in between ff. 109/110. Ca. 1535-77 (BraunerP); date 1571 on f. 9. Copied in Rome, for use by Cappella Sistina.
The inventory could not be loaded.
‡ denotes primary source study
Brauner, Mitchell Paul. 1984. Music from the Cappella Sistina at the Cappella Giulia. The Journal of Musicology, 3: 287-311. Pages: 302-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 12, 51ff, 226ff, 371, 383, 385, 387, passim. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 342, 815. Notes: contents list (partial); concordances (partial).
Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 140, 154. Notes: mention of MS; contents list (partial); concordances (partial).
Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 5-7, 120-1, 132 [some information on dating and scribes incorrect: Bauldeweyn Mass on ff. 48'-67 copied ca. 1535-8 by Johannes Ochon]. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.
Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, iv, xi, 94-104. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices. Vatican City. Pages: 111-2, 490-1. Notes: physical description; contents list; incipits (partial).
Haberl, Franz Xavier. 1888 R 1971. Bibliographischer und Thematischer Musikkatalog des Päpstlichen Kapellarchives im Vatikan zu Rom. Supplement to Monatshefte für Musikgeschichte, 19: . Pages: 23, 72, 84, 89-91, 99, 116, 131, 159. Notes: physical description (partial); contents list; concordances (partial); incipits (partial).
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David Wyatt
Monday, 23 October, 2017
Inventory added
David Wyatt
Monday, 4 September, 2017
comment merged with previous report
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description