V-CVbav MS Capp. Sist. 22

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1563-8

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Capp. Sist. 22
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 648 x 474 mm
Other Identifiers
  • CCM: VatS 22
  • olim (Former shelfmark): I-Rvat MS Capp. Sist. 22
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 30 pieces from 4 composers
General Description

Composite of originally separate fascicles. Copied by Johannes Parvus (JepP). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017
Physical Description

Many folios in poor condition due to ink corrosion; some music now illegible.

DIAMM, 2017
Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style.

DIAMM, 2017
Watermark

crossed arrows surmounted by six-pointed star (not in Briquet)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 27-29

DIAMM, 2017
Foliation

Original ink foliation, i-cxliii, on upper right rectos; modern pencil foliation, 1-144, on lower center rectos (excludes first and last flyleaves)

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses

Bauldeweyn-1, Palestrina-3, Robledo-1, G. M. Rossi [II Rosso]-l

ii + 143 + i paper folios, 648 x 474. Composite of originally separate fascicles. Many folios in poor condition due to ink corrosion; some music now illegible. Original ink foliation, i-cxliii, on upper right rectos; modern pencil foliation, 1-144, on lower center rectos (excludes first and last flyleaves). Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings. No index. Copied by Johannes Parvus (JepP); see general index for other manuscripts copied by the same scribe. Staff height 27-29. Inked calligraphic initials. Watermark (not in Briquet): crossed arrows surmounted by six-pointed star (see BraunerP for other manuscripts with same mark).

Ca. 1563-8 (BraunerP); dates 1565 and 1568 in manuscript. Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–4 Missa En douleur en tristesse a 5 = Missa in diapason: Kyrie Noel baul[deweyn]
Appears on: 1v–4
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Noel baul[deweyn]
4v–8 Missa En douleur en tristesse a 5 = Missa in diapason: Gloria -
Appears on: 4v–8
Genres: Gloria (et in terra pax), Mass Ordinary
8v–13 Missa En douleur en tristesse a 5 = Missa in diapason: Credo -
Appears on: 8v–13
Genres: Credo (patrem omnipotentem), Mass Ordinary
13v–17 Missa En douleur en tristesse a 5 = Missa in diapason: Sanctus -
Appears on: 13v–17
Genres: Mass Ordinary, Sanctus [& Benedictus]
17v–19 Missa En douleur en tristesse a 5 = Missa in diapason: Agnus Dei -
Appears on: 17v–19
Genres: Agnus Dei, Mass Ordinary
20v–23 Missa Fa re ut fa sol la: Kyrie R[obledo]
Appears on: 20v–23
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: R[obledo]
General Note

date 1568 in 'O' of Osanna, f. 37

23v–27 Missa Fa re ut fa sol la: Gloria -
Appears on: 23v–27
Genres: Gloria (et in terra pax), Mass Ordinary
27v–34 Missa Fa re ut fa sol la: Credo -
Appears on: 27v–34
Genres: Credo (patrem omnipotentem), Mass Ordinary
34v–38 Missa Fa re ut fa sol la: Sanctus -
Appears on: 34v–38
Genres: Mass Ordinary, Sanctus [& Benedictus]
38v–41 Missa Fa re ut fa sol la: Agnus Dei -
Appears on: 38v–41
Genres: Agnus Dei, Mass Ordinary
42v–45 Missa Benedicta es caelorum regina: Kyrie Jo. Pr[enestinus]
Appears on: 42v–45
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Jo. Pr[enestinus]
45v–51 Missa Benedicta es caelorum regina: Gloria -
Appears on: 45v–51
Genres: Gloria (et in terra pax), Mass Ordinary
51v–60 Missa Benedicta es caelorum regina: Credo -
Appears on: 51v–60
Genres: Credo (patrem omnipotentem), Mass Ordinary
60v–65 Missa Benedicta es caelorum regina: Sanctus -
Appears on: 60v–65
Genres: Mass Ordinary, Sanctus [& Benedictus]
65v–69 Missa Benedicta es caelorum regina: Agnus Dei -
Appears on: 65v–69
Genres: Agnus Dei, Mass Ordinary
70v–73 Missa Papae Marcelli: Kyrie -
Appears on: 70v–73
Genres: Kyrie eleison, Mass Ordinary
73v–77 Missa Papae Marcelli: Gloria -
Appears on: 73v–77
Genres: Gloria (et in terra pax), Mass Ordinary
77v–84 Missa Papae Marcelli: Credo -
Appears on: 77v–84
Genres: Credo (patrem omnipotentem), Mass Ordinary
84v–88 Missa Papae Marcelli: Sanctus & Benedictus -
Appears on: 84v–88
Genres: Mass Ordinary, Sanctus [& Benedictus]
88v–92 Missa Papae Marcelli: Agnus Dei -
Appears on: 88v–92
Genres: Agnus Dei, Mass Ordinary
93v–96 Missa Illumina oculos meos: Kyrie -
Appears on: 93v–96
Genres: Kyrie eleison, Mass Ordinary
96v–101 Missa Illumina oculos meos: Gloria -
Appears on: 96v–101
Genres: Gloria (et in terra pax), Mass Ordinary
101v–109 Missa Illumina oculos meos: Credo -
Appears on: 101v–109
Genres: Credo (patrem omnipotentem), Mass Ordinary
109v–116 Missa Illumina oculos meos: Sanctus -
Appears on: 109v–116
Genres: Mass Ordinary, Sanctus [& Benedictus]
116v–119 Missa Illumina oculos meos: Agnus Dei -
Appears on: 116v–119
Genres: Agnus Dei, Mass Ordinary
120v–124 Missa: Kyrie -
Appears on: 120v–124
Genres: Kyrie eleison, Mass Ordinary
124v–129 Missa: Gloria -
Appears on: 124v–129
Genres: Gloria (et in terra pax), Mass Ordinary
129v–137 Missa: Credo -
Appears on: 129v–137
Genres: Credo (patrem omnipotentem), Mass Ordinary
137v–141 Missa: Sanctus -
Appears on: 137v–141
Genres: Mass Ordinary, Sanctus [& Benedictus]
141v–144 Missa: Agnus Dei -
Appears on: 141v–144
Genres: Agnus Dei, Mass Ordinary
Composer Compositions
Bauldeweyn, Noel (ca. 1480–1529)
Palestrina, Giovanni Pierluigi da (1525–1594)
Robledo, Melchor
Rossi, Giovanni Maria de
Composition Composers (? Uncertain) Folios / Pages
Missa Benedicta es caelorum regina: Agnus Dei 65v–69
Missa Benedicta es caelorum regina: Credo 51v–60
Missa Benedicta es caelorum regina: Gloria 45v–51
Missa Benedicta es caelorum regina: Kyrie 42v–45
Missa Benedicta es caelorum regina: Sanctus 60v–65
Missa En douleur en tristesse a 5 = Missa in diapason: Agnus Dei 17v–19
Missa En douleur en tristesse a 5 = Missa in diapason: Credo 8v–13
Missa En douleur en tristesse a 5 = Missa in diapason: Gloria 4v–8
Missa En douleur en tristesse a 5 = Missa in diapason: Kyrie 1v–4
Missa En douleur en tristesse a 5 = Missa in diapason: Sanctus 13v–17
Missa Fa re ut fa sol la: Agnus Dei 38v–41
Missa Fa re ut fa sol la: Credo 27v–34
Missa Fa re ut fa sol la: Gloria 23v–27
Missa Fa re ut fa sol la: Kyrie 20v–23
Missa Fa re ut fa sol la: Sanctus 34v–38
Missa Illumina oculos meos: Agnus Dei 116v–119
Missa Illumina oculos meos: Credo 101v–109
Missa Illumina oculos meos: Gloria 96v–101
Missa Illumina oculos meos: Kyrie 93v–96
Missa Illumina oculos meos: Sanctus 109v–116
Missa Papae Marcelli: Agnus Dei 88v–92
Missa Papae Marcelli: Credo 77v–84
Missa Papae Marcelli: Gloria 73v–77
Missa Papae Marcelli: Kyrie 70v–73
Missa Papae Marcelli: Sanctus & Benedictus 84v–88
Missa: Agnus Dei 141v–144
Missa: Credo 129v–137
Missa: Gloria 124v–129
Missa: Kyrie 120v–124
Missa: Sanctus 137v–141

denotes primary source study

Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 206ff, 370, 381-4, passim. Notes: physical description (partial); contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Calahorra Martínez, Pedro. 1976-77. El polifonista Melchor Robledo y su obra (T1586). Anuario Musical, 1-35. Pages: 20. Notes: contents list (partial); concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 132-3. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age.  Berkeley and Los Angeles. Pages: 325-6. Notes: contents list (partial); mention of MS; discussion.

Lenaerts, René Bernard (editor). 1960. Drie Missen van Pierre de La Rue. Monumenta Musicae Belgicae. <em>NederlandsePolyfonieuitspannseBronnen</em>MonumentaMusicaeBelgicaeVol.IX(1963). Berchem-Antwerpen. Pages: IX, vi. Notes: contents list (partial); concordances (partial).

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices.  Vatican City. Pages: 47-8. Notes: physical description; contents list.

Jeppesen, Knud. 1944-45. Marcellus-Probleme: Einige Bemerkungen über die Missa Papae Marcelli des Giovanni Pierluigi da Palestrina. Acta Musicologica, 11-38. Pages: 28-34. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description