V-CVbav MS Capp. Giulia VIII,39

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: Second half of 16th century

Archive	Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark	MS Capp. Giulia VIII,39
Image Availability	DIAMM does not have images of this source.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	462 x 346 mm
Other Identifiers	CCM: VatG VIII.39 olim (Former shelfmark): I-Rvat MS Capp. Giulia VIII,39
Copyists	Terzetti, Pietro Music
Relationships	Cappella Giulia (copied at)
External Links	Images
Provenance	Cappella Giulia , Rome? Italy
Contents	42 pieces from 7 composers

General Description

Copied by one main scribe (unidentified) and several additional scribes, including Pietro Terzetti (LlorCG). Copied in Rome, for use by Cappella Giulia.

DIAMM, 2017

Physical Description

Folios in poor condition due to ink corrosion; some music now illegible. Attributions, titles, etc. partly or completely obliterated by later trimming.

DIAMM, 2017

Binding

Original covers of dark brown leather over boards, blind tooled with central diamond surrounded by rectangular borders decorated with floral motifs; brass corners and bosses.

DIAMM, 2017

Watermark

(1) crossed arrows with six-pointed star; (2) anchor in circle; (3) anchor in circle with six-pointed star.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Second half of 16th century, with additions in 1587-9 and early 17th century

DIAMM, 2017

Ruling

Staff height 21

DIAMM, 2017

Foliation

Original ink foliation (upper right rectos), corrected by modern pencil foliation (lower center rectos) to form single consistent system, 1-220.

DIAMM, 2017

Decoration

Inked calligraphic initials in black and red.

DIAMM, 2017

Surface

ii parchment + 220 paper + ii parchment

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

40 Magnificats, 4 motets, 2 canons = 46

(C. Festa)-6, Hosquet(?)-1, (Mallapert)-1, Morales-16,* (Mouton) -1, Palestrina-1, anon-20

*Sections of several Morales Magnificats have additional si placet voices, most of which bear attributions to Palestrina or Soriano.

ii parchment + 220 paper + ii parchment folios, 462 x 346. Folios in poor condition due to ink corrosion; some music now illegible. Attributions, titles, etc. partly or completely obliterated by later trimming. Original ink foliation (upper right rectos), corrected by modern pencil foliation (lower center rectos) to form single consistent system, 1-220. Original covers of dark brown leather over boards, blind tooled with central diamond surrounded by rectangular borders decorated with floral motifs; brass corners and bosses. No index.

Copied by one main scribe (unidentified) and several additional scribes, including Pietro Terzetti (LlorCG). Staff height 21. Inked calligraphic initials in black and red. Watermarks: (1) crossed arrows with six-pointed star; (2) anchor in circle; (3) anchor in circle with six-pointed star.

Second half of 16th century, with additions in 1587-9 and early 17th century. Copied in Rome, for use by Cappella Giulia.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–4	Magnificat Primi Toni: Et exultavit [K.42]	-	Anonymous
Magnificat Primi Toni: Et exultavit [K.42] Anonymous Appears on: 1v–4 Genres: BVM, Canticle, Magnificat
4v–7	Magnificat Secundi Toni: Et exultavit [K.43]	-	Anonymous
Magnificat Secundi Toni: Et exultavit [K.43] Anonymous Appears on: 4v–7 Genres: BVM, Canticle, Magnificat
7v–9	Magnificat Tertii Toni: Anima mea [K.44]	-	Anonymous
Magnificat Tertii Toni: Anima mea [K.44] Anonymous Appears on: 7v–9 Genres: BVM, Canticle, Magnificat
9v–12	Magnificat Quarti Toni: Et exultavit [K.45]	-	Anonymous
Magnificat Quarti Toni: Et exultavit [K.45] Anonymous Appears on: 9v–12 Genres: BVM, Canticle, Magnificat
12v–14	Magnificat Quintii Toni: Et exultavit [K.46]	-	Anonymous
Magnificat Quintii Toni: Et exultavit [K.46] Anonymous Appears on: 12v–14 Genres: BVM, Canticle, Magnificat
14v–17	Magnificat tone 6: Et exultavit [K.1031]	-	Mallapert, Robin
Magnificat tone 6: Et exultavit [K.1031] Mallapert, Robin Appears on: 14v–17 Genres: BVM, Canticle, Magnificat
17v–19	Magnificat primi toni [K.146]	-	Anonymous
Magnificat primi toni [K.146] Anonymous Appears on: 17v–19 Genres: BVM, Canticle, Magnificat
19v–21	Magnificat Octavi Toni: Anima mea [K.48]	-	Anonymous
Magnificat Octavi Toni: Anima mea [K.48] Anonymous Appears on: 19v–21 Genres: BVM, Canticle, Magnificat
21v–27	Magnificat Primi Toni: Et exultavit [K.167]	-	Anonymous
Magnificat Primi Toni: Et exultavit [K.167] Anonymous Appears on: 21v–27 Genres: BVM, Canticle, Magnificat
27v–33	Magnificat septimi toni [K.360]	-	Anonymous
Magnificat septimi toni [K.360] Anonymous Appears on: 27v–33 Genres: BVM, Canticle, Magnificat
33v–39	Magnificat tone 1: Et exultavit [K.81]	-	Anonymous
Magnificat tone 1: Et exultavit [K.81] Anonymous Appears on: 33v–39 Genres: BVM, Canticle, Magnificat
39v–45	Magnificat tone 2: Et exultavit [K.82]	-	Anonymous
Magnificat tone 2: Et exultavit [K.82] Anonymous Appears on: 39v–45 Genres: BVM, Canticle, Magnificat
45v–51	Magnificat tone 3: Et exultavit [K.83]	-	Anonymous
Magnificat tone 3: Et exultavit [K.83] Anonymous Appears on: 45v–51 Genres: BVM, Canticle, Magnificat
51v–57	Magnificat tone 4: Et exultavit [K.84]	-	Anonymous
Magnificat tone 4: Et exultavit [K.84] Anonymous Appears on: 51v–57 Genres: BVM, Canticle, Magnificat
57v–63	Magnificat tone 5: Et exultavit [K.85]	-	Anonymous
Magnificat tone 5: Et exultavit [K.85] Anonymous Appears on: 57v–63 Genres: BVM, Canticle, Magnificat
63v–69	Magnificat tone 6: Et exultavit [K.86]	-	Anonymous
Magnificat tone 6: Et exultavit [K.86] Anonymous Appears on: 63v–69 Genres: BVM, Canticle, Magnificat
69v–75	Magnificat tone 7: Et exultavit [K.87]	-	Anonymous
Magnificat tone 7: Et exultavit [K.87] Anonymous Appears on: 69v–75 Genres: BVM, Canticle, Magnificat
75v–81	Magnificat tone 8: Et exultavit [K.88]	-	Anonymous
Magnificat tone 8: Et exultavit [K.88] Anonymous Appears on: 75v–81 Genres: BVM, Canticle, Magnificat
81v–87	Magnificat primi toni: Anima Mea [K.914]	(Morales - mostly cut off)	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Anima Mea [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 81v–87 Genres: BVM, Canticle, Magnificat Source Attribution: (Morales - mostly cut off)
87v–93	Magnificat primi toni: Et exultavit [K.914]	-	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Et exultavit [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 87v–93 Genres: BVM, Canticle, Magnificat
93v–99	Magnificat secundi toni: Anima mea [K.915]	-	Morales, Cristóbal de (ca. 1500–1553)
Magnificat secundi toni: Anima mea [K.915] Morales, Cristóbal de (ca. 1500–1553) Appears on: 93v–99 Genres: BVM, Canticle, Magnificat
99v–105	Magnificat secundi toni: Et exultavit [K.915]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat secundi toni: Et exultavit [K.915] Morales, Cristóbal de (ca. 1500–1553) Appears on: 99v–105 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
105v–111	Magnificat tertii toni: Anima mea [K.916]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat tertii toni: Anima mea [K.916] Morales, Cristóbal de (ca. 1500–1553) Appears on: 105v–111 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
111v–117	Magnificat tertii toni: Et exultavit [K.916]	(Morales - mostly cut off)	Morales, Cristóbal de (ca. 1500–1553)
Magnificat tertii toni: Et exultavit [K.916] Morales, Cristóbal de (ca. 1500–1553) Appears on: 111v–117 Source Attribution: (Morales - mostly cut off)
117v–123	Magnificat quarti toni: Anima mea [K.917]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quarti toni: Anima mea [K.917] Morales, Cristóbal de (ca. 1500–1553) Appears on: 117v–123 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
123v–129	Magnificat quarti toni: Et exultavit [K.917]	-	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quarti toni: Et exultavit [K.917] Morales, Cristóbal de (ca. 1500–1553) Appears on: 123v–129 Genres: BVM, Canticle, Magnificat
129v–135	Magnificat sexti toni: Anima mea [K.919]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat sexti toni: Anima mea [K.919] Morales, Cristóbal de (ca. 1500–1553) Appears on: 129v–135 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
135v–141	Magnificat sexti toni: Et exultavit [K.919]	-	Morales, Cristóbal de (ca. 1500–1553)
Magnificat sexti toni: Et exultavit [K.919] Morales, Cristóbal de (ca. 1500–1553) Appears on: 135v–141 Genres: BVM, Canticle, Magnificat
141v–147	Magnificat septimi toni: Anima mea [K.920]	-	Morales, Cristóbal de (ca. 1500–1553)
Magnificat septimi toni: Anima mea [K.920] Morales, Cristóbal de (ca. 1500–1553) Appears on: 141v–147 Genres: BVM, Canticle, Magnificat
147v–153	Magnificat septimi toni: Et exultavit [K.920]	(Morales - mostly cut off)	Morales, Cristóbal de (ca. 1500–1553)
Magnificat septimi toni: Et exultavit [K.920] Morales, Cristóbal de (ca. 1500–1553) Appears on: 147v–153 Genres: BVM, Canticle, Magnificat Source Attribution: (Morales - mostly cut off)
153v–159	Magnificat octavi toni: Anima mea [K.921]	(Morales - mostly cut off)	Morales, Cristóbal de (ca. 1500–1553)
Magnificat octavi toni: Anima mea [K.921] Morales, Cristóbal de (ca. 1500–1553) Appears on: 153v–159 Genres: BVM, Canticle, Magnificat Source Attribution: (Morales - mostly cut off)
159v–160	Magnificat octavi toni: Et exultavit [K.921]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat octavi toni: Et exultavit [K.921] Morales, Cristóbal de (ca. 1500–1553) Appears on: 159v–160 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
166v–178	Magnificat primi toni (all verses) [K.764]	-	Festa, Costanzo (ca. 1485–1545)
Magnificat primi toni (all verses) [K.764] Festa, Costanzo (ca. 1485–1545) Appears on: 166v–178 Genres: BVM, Canticle, Magnificat Concordances 'Anima mea' (odd verses) ff. 166v-172; 'Et exultavit' (even verses) ff. 172v-178
178v–190	Magnificat secundi toni (all verses) [K.765]	-	Festa, Costanzo (ca. 1485–1545)
Magnificat secundi toni (all verses) [K.765] Festa, Costanzo (ca. 1485–1545) Appears on: 178v–190 Genres: BVM, Canticle, Magnificat General Note 'Anima mea' (odd verses) ff. 178v-184; 'Et exultavit' (even verses) ff. 184v-190
190v–191	Sancta Dei genitrix	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Sancta Dei genitrix Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 190v–191 Genres: Motet
191v–192	Petrus apostolus	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Petrus apostolus Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 191v–192 Genres: Motet
192v–193	Da pacem Domine	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Da pacem Domine Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 192v–193 Genres: Motet
193v–196	Egredimini Et videte filiae Sion	Hosquet(?)	Hosquet (?)
Egredimini Et videte filiae Sion Hosquet (?) Appears on: 193v–196 Genres: Motet Source Attribution: Hosquet(?)
196v–201	Magnificat quarti toni: Et exultavit [K.939]	-	Mouton, Jean (ca. 1459–1522)
Magnificat quarti toni: Et exultavit [K.939] Mouton, Jean (ca. 1459–1522) Appears on: 196v–201 Genres: BVM, Canticle, Magnificat
201v–207	Magnificat quinti toni: Anima mea [K.918]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quinti toni: Anima mea [K.918] Morales, Cristóbal de (ca. 1500–1553) Appears on: 201v–207 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
207v–214	Magnificat quinti toni: Et exultavit [K.918]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quinti toni: Et exultavit [K.918] Morales, Cristóbal de (ca. 1500–1553) Appears on: 207v–214 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
214v–220	Magnificat sexti toni	Jo. Prenestini	Palestrina, Giovanni Pierluigi da (1525–1594)
Magnificat sexti toni Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 214v–220 Genres: BVM, Canticle, Magnificat Source Attribution: Jo. Prenestini

Composer	Compositions
Anonymous	Magnificat Octavi Toni: Anima mea [K.48] – 19v–21 Magnificat Primi Toni: Et exultavit [K.167] – 21v–27 Magnificat Primi Toni: Et exultavit [K.42] – 1v–4 Magnificat Quarti Toni: Et exultavit [K.45] – 9v–12 Magnificat Quintii Toni: Et exultavit [K.46] – 12v–14 Magnificat Secundi Toni: Et exultavit [K.43] – 4v–7 Magnificat Tertii Toni: Anima mea [K.44] – 7v–9 Magnificat primi toni [K.146] – 17v–19 Magnificat septimi toni [K.360] – 27v–33 Magnificat tone 1: Et exultavit [K.81] – 33v–39 Magnificat tone 2: Et exultavit [K.82] – 39v–45 Magnificat tone 3: Et exultavit [K.83] – 45v–51 Magnificat tone 4: Et exultavit [K.84] – 51v–57 Magnificat tone 5: Et exultavit [K.85] – 57v–63 Magnificat tone 6: Et exultavit [K.86] – 63v–69 Magnificat tone 7: Et exultavit [K.87] – 69v–75 Magnificat tone 8: Et exultavit [K.88] – 75v–81
Festa, Costanzo (ca. 1485–1545)	Magnificat primi toni (all verses) [K.764] – 166v–178 Magnificat secundi toni (all verses) [K.765] – 178v–190
Hosquet	(?) Egredimini Et videte filiae Sion – 193v–196
Mallapert, Robin	Magnificat tone 6: Et exultavit [K.1031] – 14v–17
Morales, Cristóbal de (ca. 1500–1553)	Magnificat octavi toni: Anima mea [K.921] – 153v–159 Magnificat octavi toni: Et exultavit [K.921] – 159v–160 Magnificat primi toni: Anima Mea [K.914] – 81v–87 Magnificat primi toni: Et exultavit [K.914] – 87v–93 Magnificat quarti toni: Anima mea [K.917] – 117v–123 Magnificat quarti toni: Et exultavit [K.917] – 123v–129 Magnificat quinti toni: Anima mea [K.918] – 201v–207 Magnificat quinti toni: Et exultavit [K.918] – 207v–214 Magnificat secundi toni: Anima mea [K.915] – 93v–99 Magnificat secundi toni: Et exultavit [K.915] – 99v–105 Magnificat septimi toni: Anima mea [K.920] – 141v–147 Magnificat septimi toni: Et exultavit [K.920] – 147v–153 Magnificat sexti toni: Anima mea [K.919] – 129v–135 Magnificat sexti toni: Et exultavit [K.919] – 135v–141 Magnificat tertii toni: Anima mea [K.916] – 105v–111 Magnificat tertii toni: Et exultavit [K.916] – 111v–117
Mouton, Jean (ca. 1459–1522)	Magnificat quarti toni: Et exultavit [K.939] – 196v–201
Palestrina, Giovanni Pierluigi da (1525–1594)	Da pacem Domine – 192v–193 Magnificat sexti toni – 214v–220 Petrus apostolus – 191v–192 Sancta Dei genitrix – 190v–191

Composition	Composers (? Uncertain)	Folios / Pages
Da pacem Domine	Palestrina, Giovanni Pierluigi da (1525–1594)	192v–193
Egredimini Et videte filiae Sion	Hosquet (?)	193v–196
Magnificat Octavi Toni: Anima mea [K.48]	Anonymous	19v–21
Magnificat octavi toni: Anima mea [K.921]	Morales, Cristóbal de (ca. 1500–1553)	153v–159
Magnificat octavi toni: Et exultavit [K.921]	Morales, Cristóbal de (ca. 1500–1553)	159v–160
Magnificat primi toni (all verses) [K.764]	Festa, Costanzo (ca. 1485–1545)	166v–178
Magnificat primi toni [K.146]	Anonymous	17v–19
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	81v–87
Magnificat Primi Toni: Et exultavit [K.167]	Anonymous	21v–27
Magnificat Primi Toni: Et exultavit [K.42]	Anonymous	1v–4
Magnificat primi toni: Et exultavit [K.914]	Morales, Cristóbal de (ca. 1500–1553)	87v–93
Magnificat quarti toni: Anima mea [K.917]	Morales, Cristóbal de (ca. 1500–1553)	117v–123
Magnificat Quarti Toni: Et exultavit [K.45]	Anonymous	9v–12
Magnificat quarti toni: Et exultavit [K.917]	Morales, Cristóbal de (ca. 1500–1553)	123v–129
Magnificat quarti toni: Et exultavit [K.939]	Mouton, Jean (ca. 1459–1522)	196v–201
Magnificat quinti toni: Anima mea [K.918]	Morales, Cristóbal de (ca. 1500–1553)	201v–207
Magnificat quinti toni: Et exultavit [K.918]	Morales, Cristóbal de (ca. 1500–1553)	207v–214
Magnificat Quintii Toni: Et exultavit [K.46]	Anonymous	12v–14
Magnificat secundi toni (all verses) [K.765]	Festa, Costanzo (ca. 1485–1545)	178v–190
Magnificat secundi toni: Anima mea [K.915]	Morales, Cristóbal de (ca. 1500–1553)	93v–99
Magnificat Secundi Toni: Et exultavit [K.43]	Anonymous	4v–7
Magnificat secundi toni: Et exultavit [K.915]	Morales, Cristóbal de (ca. 1500–1553)	99v–105
Magnificat septimi toni [K.360]	Anonymous	27v–33
Magnificat septimi toni: Anima mea [K.920]	Morales, Cristóbal de (ca. 1500–1553)	141v–147
Magnificat septimi toni: Et exultavit [K.920]	Morales, Cristóbal de (ca. 1500–1553)	147v–153
Magnificat sexti toni	Palestrina, Giovanni Pierluigi da (1525–1594)	214v–220
Magnificat sexti toni: Anima mea [K.919]	Morales, Cristóbal de (ca. 1500–1553)	129v–135
Magnificat sexti toni: Et exultavit [K.919]	Morales, Cristóbal de (ca. 1500–1553)	135v–141
Magnificat Tertii Toni: Anima mea [K.44]	Anonymous	7v–9
Magnificat tertii toni: Anima mea [K.916]	Morales, Cristóbal de (ca. 1500–1553)	105v–111
Magnificat tertii toni: Et exultavit [K.916]	Morales, Cristóbal de (ca. 1500–1553)	111v–117
Magnificat tone 1: Et exultavit [K.81]	Anonymous	33v–39
Magnificat tone 2: Et exultavit [K.82]	Anonymous	39v–45
Magnificat tone 3: Et exultavit [K.83]	Anonymous	45v–51
Magnificat tone 4: Et exultavit [K.84]	Anonymous	51v–57
Magnificat tone 5: Et exultavit [K.85]	Anonymous	57v–63
Magnificat tone 6: Et exultavit [K.1031]	Mallapert, Robin	14v–17
Magnificat tone 6: Et exultavit [K.86]	Anonymous	63v–69
Magnificat tone 7: Et exultavit [K.87]	Anonymous	69v–75
Magnificat tone 8: Et exultavit [K.88]	Anonymous	75v–81
Petrus apostolus	Palestrina, Giovanni Pierluigi da (1525–1594)	191v–192
Sancta Dei genitrix	Palestrina, Giovanni Pierluigi da (1525–1594)	190v–191

‡ denotes primary source study

Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 338. Notes: mention of MS.

Llorens Cisteró, José Maria. 1971. Le opere musicali della Cappella Giulia. I Manoscritti e edizioni fino al '700. Studi e testi. Città del Vaticano. Pages: 69-74, 325-7. Notes: physical description; contents list; incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 159. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Anglès, Higinio. 1953. Palestrina y los 'Magnificat' de Morales. Anuário Musical, 153ff. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XVII, 50-1. Notes: physical description (partial); contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description