S-V Molér 71 (2d) [Discantus]

Stadsbiblioteket, Västeras, Sweden

partbook: Second half of 16th century/early 17th century

Archive	Stadsbiblioteket, Västeras, Sweden (S-V)
Shelfmark	Molér 71 (2d) [Discantus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	None
Measurements	160 x 200 mm
Other Identifiers	CCM: VastS 71 olim (Former shelfmark): 2d
Notations	black void mensural
External Links	images
Provenance	Västeras, Sweden
Contents	150 pieces from 18 composers

General Description

A Discantus partbook from a set of 4, each consisting of the print RISM D3522, with manuscript additions. Copied by many scribes (one of them apparently a 'Holgerus Sueno'), in Västerås.

DIAMM, 2022

Binding

Original covers of black parchment.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

date 1611 in manuscript

DIAMM, 2017

Foliation

Other numberings: Original numbering of pieces, 1-74 in Discantus (remainder unnumbered), 1-113 in other books with omissions and inconsistencies.

DIAMM, 2022

Foliation

No foliation. DIAMM inventory foliation based on library images.

DIAMM, 2022

Decoration

Some inked initials, in plain block style.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Kyrie-Gloria pair, 1 Sanctus, 1 hymn, 86 motets, 1 set of responses, 2 Latin/German sacred pieces, 13 Swedish sacred pieces, 8 German sacred pieces, 3 German secular pieces, 1 Latin secular piece = 119

(Arcadelt)-1, (Brumel)-1, (Certon)-1, (Clemens non Papa)-1, (Donato/Willaert)-1, (Dressier)-1, (Figulus)-1, (Hofhaimer)-1, (Kinner)-1, Lassus-14, (Maillard)-1, (Meiland)-2, (Morel)-1, (Othmayr?)-1, (Phinot)-2, C. Praetorius-1, (Rein)-1, (Resinarius)-1, (Rivulo)-1, (Scandello)-1, (Schönfelder)-1, (Sermisy)-1, (Verdelot/Walter)-1, (Villiers)-1, (Vogelhuber)-1, (Walter)-2, (Willaert)-1, anon-76

4 paper partbooks, each consisting of the print RISM D3522, with manuscript additions (D-67 folios, A-60, T-61, B-64), 160 x 200. No foliation or pagination. Original numbering of pieces, 1-113, with some omissions and inconsistencies. Original covers of black parchment. No index. Copied by many scribes. Some inked initials, in plain block style.

Second half of 16th century-early 17th century (date 1611 in manuscript). Copied in Västerås

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–1v	In me transierunt irae tuae et terrores	-	Maillard, Jean (fl. c1538–1570)
In me transierunt irae tuae et terrores Maillard, Jean (fl. c1538–1570) Appears on: 1–1v Genres: Motet
1v–2	Deus Domini mei Abraham	-	Anonymous
Deus Domini mei Abraham Anonymous Appears on: 1v–2 Genres: Motet
2	Domine probasti me	-	Anonymous
Domine probasti me Anonymous Appears on: 2 Genres: Motet
2v–3	Vom Himmel hoch da komm' ich her	-	Walter, Johann (1496–1570)
Vom Himmel hoch da komm' ich her Walter, Johann (1496–1570) Appears on: 2v–3 Genres: Motet Voice: [no designation] Languages: Swedish Voice Text: Aff himmels högd kommer iag här General Note written across the top of the opening, a single stave of music on both pages
2v	Kom helge ande Herre Godh	-	Anonymous
Kom helge ande Herre Godh Anonymous Appears on: 2v Genres: Motet General Note numbered 4, but written at foot of page below no. 5!
3–3v	Deus qui sedes super thronum (4vv)	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Walter, Johann (1496–1570) (?)
Deus qui sedes super thronum (4vv) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Walter, Johann (1496–1570) (?) Appears on: 3–3v Genres: Motet
4–4v	Ad te salvator noster clamamus	-	Anonymous
Ad te salvator noster clamamus Anonymous Appears on: 4–4v Genres: Motet
4v	Iniquitates meas ne respicias	-	Anonymous
Iniquitates meas ne respicias Anonymous Appears on: 4v Genres: Motet
4v	Christus den rätte Herren	-	Anonymous
Christus den rätte Herren Anonymous Appears on: 4v Genres: Motet Voice: [no designation] Languages: German Voice Text: Christus then rette Herren General Note text incipit only, otherwise untexted
5	Oculi omnium - 1a pars (of 3): Oculi omnium in te sperant	-	Anonymous
Oculi omnium - 1a pars (of 3): Oculi omnium in te sperant Anonymous Appears on: 5 Genres: Motet
5–5v	Oculi omnium - 2a pars (of 3): Pater noster qui es in caelis	-	Anonymous
Oculi omnium - 2a pars (of 3): Pater noster qui es in caelis Anonymous Appears on: 5–5v Genres: Motet, Pater noster
5v–6	Oculi omnium - 3a pars (of 3): Domine Deus pater caelestis	-	Anonymous
Oculi omnium - 3a pars (of 3): Domine Deus pater caelestis Anonymous Appears on: 5v–6 Genres: Motet
6–6v	Confitemini Domino - 1a pars (of 3): Confitemini Domino	-	Anonymous
Confitemini Domino - 1a pars (of 3): Confitemini Domino Anonymous Appears on: 6–6v Genres: Motet
6v–7	Confitemini Domino - 2a pars (of 3): Pater noster qui es in caelis	-	Anonymous
Confitemini Domino - 2a pars (of 3): Pater noster qui es in caelis Anonymous Appears on: 6v–7 Genres: Motet, Pater noster
7	Confitemini Domino - 3a pars (of 3): Gratias agimus	-	Anonymous
Confitemini Domino - 3a pars (of 3): Gratias agimus Anonymous Appears on: 7 Genres: Motet
7–7v	Wo soll ich mich hinkehren	-	Vogelhuber, Georg
Wo soll ich mich hinkehren Vogelhuber, Georg Appears on: 7–7v Genres: Song
7v	Qui sapit in Domino	-	Anonymous
Qui sapit in Domino Anonymous Appears on: 7v Genres: Motet General Note Text incipit only, otherwise untexted
7v–8	Qui timent Dominum (=Beati omnes?)	-	Anonymous
Qui timent Dominum (=Beati omnes?) Anonymous Appears on: 7v–8 Genres: Motet General Note Text incipit only, otherwise untexted
8	Felices nimium quibus obligit	-	Anonymous
Felices nimium quibus obligit Anonymous Appears on: 8 Genres: Motet
8–8v	Ubi venit plenitudo temporis	-	Anonymous
Ubi venit plenitudo temporis Anonymous Appears on: 8–8v Genres: Motet
8v	Dum iuvat et vultu ridet fortuna sereno	-	Anonymous
Dum iuvat et vultu ridet fortuna sereno Anonymous Appears on: 8v Genres: Motet
9	Timete Dominum omnes sancti eius	-	Anonymous
Timete Dominum omnes sancti eius Anonymous Appears on: 9 Genres: Motet General Note Text incipit only, otherwise untexted
9	Nec Veneris nec tu vini capiaris amore	-	Anonymous
Nec Veneris nec tu vini capiaris amore Anonymous Appears on: 9 Genres: Motet
9–9v	Mit hopp och tröst	-	Anonymous
Mit hopp och tröst Anonymous Appears on: 9–9v Genres: Motet General Note Text incipit only, otherwise untexted
9v–10	Ich stund an einem morgen (5vv)	-	Anonymous
Ich stund an einem morgen (5vv) Anonymous Appears on: 9v–10 Genres: Lied
10	In trauriger pein	-	Anonymous
In trauriger pein Anonymous Appears on: 10 Genres: Lied
10–10v	Mein Herr und Gott	-	Anonymous
Mein Herr und Gott Anonymous Appears on: 10–10v Genres: Motet General Note Text incipit only, otherwise untexted
10v–11	Rex autem David cooperto capite incedens	-	Willaert, Adrian (ca. 1490–1562) (?)
Rex autem David cooperto capite incedens Willaert, Adrian (ca. 1490–1562) (?) Appears on: 10v–11 Genres: Motet
11	Sic Deus dilexit mundum ut filium suum unigenitum daret (3vv)	-	Anonymous
Sic Deus dilexit mundum ut filium suum unigenitum daret (3vv) Anonymous Appears on: 11 Genres: Motet
11–11v	In tali convivio benedicamus Domino	-	Anonymous
In tali convivio benedicamus Domino Anonymous Appears on: 11–11v Genres: Motet
11v–12	Herr Jesu Christ	-	Anonymous
Herr Jesu Christ Anonymous Appears on: 11v–12 Genres: Motet General Note Text incipit only, otherwise untexted
12–12v	Tota pulchra es amica mea	-	Anonymous
Tota pulchra es amica mea Anonymous Appears on: 12–12v Genres: Motet
12v–13	In te Domine speravi - 1a pars (of 2): In te Domine speravi non confundar in aeternum	-	Anonymous
In te Domine speravi - 1a pars (of 2): In te Domine speravi non confundar in aeternum Anonymous Appears on: 12v–13 Genres: Motet Concordances Copied again at f. 43v; also appears in Uppsala Utl. vok. mus. i tr. 478-481
13	In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea	-	Anonymous
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea Anonymous Appears on: 13 Genres: Motet Concordances Copied again at f. 43v; also appears in Uppsala Utl. vok. mus. i tr. 478-481
13v–14	Tota pulchra es amica mea	Christoph. Poetorius cantor Luneburgensis ad D. Johannem	Praetorius, Christoph
Tota pulchra es amica mea Praetorius, Christoph Appears on: 13v–14 Genres: Motet Source Attribution: Christoph. Poetorius cantor Luneburgensis ad D. Johannem
14–14v	O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa	-	Meiland, Jacob (1542–1577)
O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa Meiland, Jacob (1542–1577) Appears on: 14–14v Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and the extra voices are copied in a discrete section at the back of each book (ff. 59-61) by the same copyist.
14v	O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum	-	Meiland, Jacob (1542–1577)
O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum Meiland, Jacob (1542–1577) Appears on: 14v Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and the extra voices are copied in a discrete section at the back of each book (ff. 59-61) by the same copyist.
15–15v	Vulnerasti cor meum (8vv) - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa	-	Anonymous
Vulnerasti cor meum (8vv) - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa Anonymous Appears on: 15–15v Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and the extra voices are copied in a discrete section at the back of each book (ff. 59-61) by the same copyist.
15v–16	Vulnerasti cor meum (8vv) - 2a pars (of 2): Veni in hortum meum	-	Anonymous
Vulnerasti cor meum (8vv) - 2a pars (of 2): Veni in hortum meum Anonymous Appears on: 15v–16 Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and the extra voices are copied in a discrete section at the back of each book (ff. 59-61) by the same copyist.
16	Surge propera - 2a pars (of 2): Surge amica mea speciosa mea	-	Lassus, Orlande de (ca. 1532–1594)
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea Lassus, Orlande de (ca. 1532–1594) Appears on: 16 Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and the extra voices are copied in a discrete section at the back of each book (ff. 59-61) by the same copyist. Parts copied in wrong order - a note on the page corrects the order, and the scribe then copied out the 2a pars again!
16–16v	Surge propera - 1a pars (of 2): Surge propera amica mea columba mea	-	Lassus, Orlande de (ca. 1532–1594)
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea Lassus, Orlande de (ca. 1532–1594) Appears on: 16–16v Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and the extra voices are copied in a discrete section at the back of each book (ff. 59-61) by the same copyist. Parts copied in wrong order - a note on the page corrects the order.
16v–17	Surge propera - 2a pars (of 2): Surge amica mea speciosa mea	-	Lassus, Orlande de (ca. 1532–1594)
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea Lassus, Orlande de (ca. 1532–1594) Appears on: 16v–17 Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and the extra voices are copied in a discrete section at the back of each book (ff. 59-61) by the same copyist.
17	Junior fui et consenui	-	Anonymous
Junior fui et consenui Anonymous Appears on: 17 Genres: Motet
17v	Ack vi syndare arme - Kyrie eleison	-	Anonymous
Ack vi syndare arme - Kyrie eleison Anonymous Appears on: 17v Genres: Motet Voice: [no designation] Languages: Swedish Voice Text: Ack wi syndare arme - Kyrie eleison, Christe eleison, Kyrie elesion General Note The first phrase repeats 4 times ('Alas poor sinners') followed by the triple petition of the Kyrie
17v	Agimus tibi gratias	-	Lassus, Orlande de (ca. 1532–1594)
Agimus tibi gratias Lassus, Orlande de (ca. 1532–1594) Appears on: 17v Genres: Motet
18–18v	Ingemuit Susanna	-	Tonsor, Michael
Ingemuit Susanna Tonsor, Michael Appears on: 18–18v Genres: Motet
18v	Ad cantus leticiae (2vv)	-	Anonymous
Ad cantus leticiae (2vv) Anonymous Appears on: 18v Genres: Motet
19	Paranymphus adiens (2vv)	-	Anonymous
Paranymphus adiens (2vv) Anonymous Appears on: 19 Genres: Motet
19v	Puer natus in Bethlehem (2vv)	-	Anonymous
Puer natus in Bethlehem (2vv) Anonymous Appears on: 19v Genres: Motet
20–20v	Gaudete Christus est natus	-	Anonymous
Gaudete Christus est natus Anonymous Appears on: 20–20v Genres: Motet
20v	Jesu dulcis memoria	-	Anonymous
Jesu dulcis memoria Anonymous Appears on: 20v Genres: Motet
20v	Cedit hiems eminus (3vv)	-	Anonymous
Cedit hiems eminus (3vv) Anonymous Appears on: 20v Genres: Motet
21	Aetas carmen melodiae psallat (3vv)	-	Anonymous
Aetas carmen melodiae psallat (3vv) Anonymous Appears on: 21 Genres: Motet
21–21v	Jucundare jugiter (3vv)	-	Anonymous
Jucundare jugiter (3vv) Anonymous Appears on: 21–21v Genres: Motet
21v–22	Regimen scholarium volo commendare (2vv)	-	Anonymous
Regimen scholarium volo commendare (2vv) Anonymous Appears on: 21v–22 Genres: Motet
22–22v	Gratias agimus tibi	-	Anonymous
Gratias agimus tibi Anonymous Appears on: 22–22v Genres: Motet
22v–23	Singen wir aus Herzen grund	-	Anonymous
Singen wir aus Herzen grund Anonymous Appears on: 22v–23 Genres: Motet
23–23v	Vos ad se pueri (3vv)	-	Anonymous
Vos ad se pueri (3vv) Anonymous Appears on: 23–23v Genres: Motet
23v–24	Sinite parvulos ad me venire (3vv)	-	Anonymous
Sinite parvulos ad me venire (3vv) Anonymous Appears on: 23v–24 Genres: Motet
24–24v	Kompt her ir lieben bruderlein	-	Anonymous
Kompt her ir lieben bruderlein Anonymous Appears on: 24–24v Genres: Motet
24v	(Praefatio ad collectam) Und mit deinem Geiste - Amen	-	Anonymous
(Praefatio ad collectam) Und mit deinem Geiste - Amen Anonymous Appears on: 24v Genres: Response
24v	(Praefatio ad evangelium) Et cum spiritu tuo	-	Anonymous
(Praefatio ad evangelium) Et cum spiritu tuo Anonymous Appears on: 24v Genres: Response
24v–25	(Praefatio ad praefationem) Et cum spiritu tuo ... Amen	-	Anonymous
(Praefatio ad praefationem) Et cum spiritu tuo ... Amen Anonymous Appears on: 24v–25 Genres: Response
25	(Praefatio ad conclusionem) Und mit deinem Geiste/Et cum spiritu tuo	-	Anonymous
(Praefatio ad conclusionem) Und mit deinem Geiste/Et cum spiritu tuo Anonymous Appears on: 25 Genres: Response
25	(Response to the dismissal) Amen - Amen	-	Anonymous
(Response to the dismissal) Amen - Amen Anonymous Appears on: 25 Genres: Response
25v	Beatus autor seculi servile corpus induit	-	Anonymous
Beatus autor seculi servile corpus induit Anonymous Appears on: 25v Genres: Hymn
25v	Puer natus est nobis	-	Anonymous
Puer natus est nobis Anonymous Appears on: 25v Genres: Motet
25v–26	Surrexit Christus hodie	-	Anonymous
Surrexit Christus hodie Anonymous Appears on: 25v–26 Genres: Motet
26	Ascendit Christus hodie	-	Anonymous
Ascendit Christus hodie Anonymous Appears on: 26 Genres: Motet
26	Spiritus Sancti gratia	-	Anonymous
Spiritus Sancti gratia Anonymous Appears on: 26 Genres: Motet
26v	Surrexit pastor bonus qui animam suam	Orlandus	Lassus, Orlande de (ca. 1532–1594)
Surrexit pastor bonus qui animam suam Lassus, Orlande de (ca. 1532–1594) Appears on: 26v Genres: Motet Source Attribution: Orlandus General Note Text incipit "Sur..." only, otherwise untexted
27	Nun bitten wir den heiligen geist (5vv)	Orland: [Lassus - wrongly]	Walter, Johann (1496–1570) Rupsch, Conrad (?)
Nun bitten wir den heiligen geist (5vv) Walter, Johann (1496–1570) Rupsch, Conrad (?) Appears on: 27 Genres: Motet, Veni sancte spiritus Source Attribution: Orland: [Lassus - wrongly] General Note Text incipit only, otherwise untexted
27	Diliges Dominum	-	Anonymous
Diliges Dominum Anonymous Appears on: 27 Genres: Motet
27v–28	O sacrum convivium in quo Christus sumitur (8vv)	-	Phinot, Dominique
O sacrum convivium in quo Christus sumitur (8vv) Phinot, Dominique Appears on: 27v–28 Genres: Motet General Note 8vv - 2vv copied in each book. Discantus I & II on the two pages of the opening
28v–29	Honorabile est inter omnes coniugium	-	Lassus, Orlande de (ca. 1532–1594)
Honorabile est inter omnes coniugium Lassus, Orlande de (ca. 1532–1594) Appears on: 28v–29 Genres: Motet
29–29v	Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius	-	Lassus, Orlande de (ca. 1532–1594)
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius Lassus, Orlande de (ca. 1532–1594) Appears on: 29–29v Genres: Motet
29v–30	Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius	-	Lassus, Orlande de (ca. 1532–1594)
Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius Lassus, Orlande de (ca. 1532–1594) Appears on: 29v–30 Genres: Motet
30v–31	Lobet den Herren, den er ist sehr freundlich	-	Scandello, Antonio
Lobet den Herren, den er ist sehr freundlich Scandello, Antonio Appears on: 30v–31 Genres: Lied, Sacred Song General Note A single stave of music runs straight across both pages of the opening
30v–31	Nun lass uns got den herren dancklassen - Låter oss Gud	-	Selnecker, Nikolaus (1528–1592)
Nun lass uns got den herren dancklassen - Låter oss Gud Selnecker, Nikolaus (1528–1592) Appears on: 30v–31 Genres: Motet Voice: [no designation] Languages: German, Swedish Voice Text: Nun lass uns got den herren dancklassen (Bassus has Swedish text: Låter oss Gud) General Note 3vv texted in German; Bassus has Swedish text 'Låter oss Gud'. A single stave of music runs straight across both pages of the opening
31v	Jesus Kristus är vår hälsa	-	Anonymous
Jesus Kristus är vår hälsa Anonymous Appears on: 31v Genres: Motet Voice: [no designation] Languages: Swedish Voice Text: Jesus Christus är wår helsa
31v	Surrexit Christus hodie / Erstunden ist der heilige Christ	-	Anonymous
Surrexit Christus hodie / Erstunden ist der heilige Christ Anonymous Appears on: 31v Genres: Motet General Note German text in Discantus, Latin in other voices
32	O Gud din godhet tackar vi	-	Anonymous
O Gud din godhet tackar vi Anonymous Appears on: 32 Genres: Motet Voice: [no designation] Languages: Swedish Voice Text: O Gud tin godheet tacke wi
32v–33	Ich hört ein vöglein singen	-	Anonymous
Ich hört ein vöglein singen Anonymous Appears on: 32v–33 Genres: Lied General Note A single stave of music across both pages of the opening
32v–33	Arma gregis Domini	-	Anonymous
Arma gregis Domini Anonymous Appears on: 32v–33 Genres: Motet General Note 2 voice-parts, Discantus & Tenor
33v	Dixit Dominus Domino meo (tone 1)	-	Walter, Johann (1496–1570)
Dixit Dominus Domino meo (tone 1) Walter, Johann (1496–1570) Appears on: 33v Genres: Motet
34–34v	Omnia quae fecisti nobis Domine in vero	-	Lassus, Orlande de (ca. 1532–1594)
Omnia quae fecisti nobis Domine in vero Lassus, Orlande de (ca. 1532–1594) Appears on: 34–34v Genres: Motet
34v–35	Veni in hortum meum	-	Lassus, Orlande de (ca. 1532–1594)
Veni in hortum meum Lassus, Orlande de (ca. 1532–1594) Appears on: 34v–35 Genres: Motet
35v–36	Angelus ad pastores ait annuntio vobis	-	Lassus, Orlande de (ca. 1532–1594)
Angelus ad pastores ait annuntio vobis Lassus, Orlande de (ca. 1532–1594) Appears on: 35v–36 Genres: Motet
36–36v	Stabunt justi - 1a pars (of 2): Stabunt justi in magna constantia adversus	-	Lassus, Orlande de (ca. 1532–1594)
Stabunt justi - 1a pars (of 2): Stabunt justi in magna constantia adversus Lassus, Orlande de (ca. 1532–1594) Appears on: 36–36v Genres: Motet
36v–37	Stabunt justi - 2a pars (of 2): Hi sunt quos habuimus aliquando	-	Lassus, Orlande de (ca. 1532–1594)
Stabunt justi - 2a pars (of 2): Hi sunt quos habuimus aliquando Lassus, Orlande de (ca. 1532–1594) Appears on: 36v–37 Genres: Motet
37v–38	Veni dilecte - 1a pars (of 2): Veni dilecte mi	-	Lassus, Orlande de (ca. 1532–1594)
Veni dilecte - 1a pars (of 2): Veni dilecte mi Lassus, Orlande de (ca. 1532–1594) Appears on: 37v–38 Genres: Motet
38	Veni dilecte - 2a pars (of 2): Videamus si floruit	-	Lassus, Orlande de (ca. 1532–1594)
Veni dilecte - 2a pars (of 2): Videamus si floruit Lassus, Orlande de (ca. 1532–1594) Appears on: 38 Genres: Motet
38v	Inter natos mulierum non surrexit major	-	Lassus, Orlande de (ca. 1532–1594)
Inter natos mulierum non surrexit major Lassus, Orlande de (ca. 1532–1594) Appears on: 38v Genres: Motet
39–39v	Gaudete filiae Jerusalem nam flores apparuerunt	-	Meiland, Jacob (1542–1577)
Gaudete filiae Jerusalem nam flores apparuerunt Meiland, Jacob (1542–1577) Appears on: 39–39v Genres: Motet
39v–40	Missa: Kyrie	-	Anonymous
Missa: Kyrie Anonymous Appears on: 39v–40 Genres: Kyrie eleison, Mass Ordinary
40	Missa: Gloria	-	Anonymous
Missa: Gloria Anonymous Appears on: 40 Genres: Gloria (et in terra pax), Mass Ordinary General Note Ends at '...filius patris'
40v–41	Missa: Credo	-	Anonymous
Missa: Credo Anonymous Appears on: 40v–41 Genres: Credo (patrem omnipotentem), Mass Ordinary
41–41v	Qui suos parentes hic pie vivens colit	-	Anonymous
Qui suos parentes hic pie vivens colit Anonymous Appears on: 41–41v Genres: Motet
41v–42	Viri diligite uxores vestras et vestris	-	Anonymous
Viri diligite uxores vestras et vestris Anonymous Appears on: 41v–42 Genres: Motet Concordances This is NOT the setting by Kinner von Scherffenstein in D-D MS Mus. 1/D/6. The same music appears with text "Lobet dem Herrn" in S-Uu Vok. Mus. 76g.
42–42v	Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 42–42v Genres: Motet
42v–43	Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 42v–43 Genres: Motet
43v	In te Domine speravi - 1a pars (of 2): In te Domine speravi non confundar in aeternum	-	Anonymous
In te Domine speravi - 1a pars (of 2): In te Domine speravi non confundar in aeternum Anonymous Appears on: 43v Genres: Motet General Note Copied earlier at f. 12v; also appears in Uppsala Utl. vok. mus. i tr. 478-481
43v–44	In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea	-	Anonymous
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea Anonymous Appears on: 43v–44 Genres: Motet General Note Copied earlier at f. 13; also appears in Uppsala Utl. vok. mus. i tr. 478-481
44–44v	Dilectus meus loquitur mihi surge et propera	-	Anonymous
Dilectus meus loquitur mihi surge et propera Anonymous Appears on: 44–44v Genres: Motet
44v–45	Domine ne longe facias auxilium	-	Anonymous
Domine ne longe facias auxilium Anonymous Appears on: 44v–45 Genres: Motet
45	Missa Il me suffit: Kyrie	-	Lassus, Orlande de (ca. 1532–1594)
Missa Il me suffit: Kyrie Lassus, Orlande de (ca. 1532–1594) Appears on: 45 Genres: Kyrie eleison, Mass Ordinary
45v–46	Missa Il me suffit: Gloria	-	Lassus, Orlande de (ca. 1532–1594)
Missa Il me suffit: Gloria Lassus, Orlande de (ca. 1532–1594) Appears on: 45v–46 Genres: Gloria (et in terra pax), Mass Ordinary
46–46v	Missa Il me suffit: Credo	-	Lassus, Orlande de (ca. 1532–1594)
Missa Il me suffit: Credo Lassus, Orlande de (ca. 1532–1594) Appears on: 46–46v Genres: Credo (patrem omnipotentem), Mass Ordinary General Note Ends at '...descendit de caelis'
46v	Venite filii mei	-	Anonymous
Venite filii mei Anonymous Appears on: 46v Genres: Motet Layout Squeezed in in an empty stave at the foot of the page
47	Missa: Sanctus	-	Anonymous
Missa: Sanctus Anonymous Appears on: 47 Genres: Mass Ordinary, Sanctus [& Benedictus] General Note untexted
47–48	Ego Dominus Deus vester	-	Anonymous
Ego Dominus Deus vester Anonymous Appears on: 47–48 Genres: Motet
48–48v	En tibi peccavimus	-	Anonymous
En tibi peccavimus Anonymous Appears on: 48–48v Genres: Motet
48v–49	O milde Jesu ewige Guds son	-	Praetorius, Michael
O milde Jesu ewige Guds son Praetorius, Michael Appears on: 48v–49 Genres: Motet
49–49v	Ah Jesu mellitissime	-	Anonymous
Ah Jesu mellitissime Anonymous Appears on: 49–49v Genres: Motet Concordances also in Vaxjo Mus. MS 3
49v–50	Christus adest iustus salvator	-	Anonymous
Christus adest iustus salvator Anonymous Appears on: 49v–50 Genres: Motet
50	Istam ego dilexi a iuventute	-	Anonymous
Istam ego dilexi a iuventute Anonymous Appears on: 50 Genres: Motet
50v	Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir	-	Dressler, Gallus
Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir Dressler, Gallus Appears on: 50v Genres: Motet
50v–51	Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf	-	Dressler, Gallus
Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf Dressler, Gallus Appears on: 50v–51 Genres: Motet
51v–52	Sacrum coniugium sic Deus instituit	-	Anonymous
Sacrum coniugium sic Deus instituit Anonymous Appears on: 51v–52 Genres: Motet General Note A single stave of music written across both pages of the opening
51v	Gud välsigne detta hus	-	Anonymous
Gud välsigne detta hus Anonymous Appears on: 51v Genres: Motet Voice: [no designation] Languages: Swedish Voice Text: Gudh welsigne tätta huus
52v	Missa: Kyrie	-	Anonymous
Missa: Kyrie Anonymous Appears on: 52v Genres: Kyrie eleison, Mass Ordinary
52v–53v	Missa: Gloria	-	Anonymous
Missa: Gloria Anonymous Appears on: 52v–53v Genres: Gloria (et in terra pax), Mass Ordinary
53v–54	Da pacem Domine in diebus nostris	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 53v–54 Genres: Motet
54–54v	Laudate nomen Domini	-	Anonymous
Laudate nomen Domini Anonymous Appears on: 54–54v Genres: Motet
54v–55v	Audi tellus, audi magni mari nimbus	-	Anonymous
Audi tellus, audi magni mari nimbus Anonymous Appears on: 54v–55v Genres: Motet Concordances also in Vaxjo ms
55v–56	O allsmäktig Gud som allting har verskapat - Beatus qui timet Dominum ('Tin rundheet')	-	Anonymous
O allsmäktig Gud som allting har verskapat - Beatus qui timet Dominum ('Tin rundheet') Anonymous Appears on: 55v–56 Genres: Motet Voice: [no designation] Languages: Swedish Voice Text: O alzmägtig Gud som alting haf verskapat -- Tin rundheet (Din rundhet = a round) Concordances Also found in Septiesme livre des chansons a quatre parties [...], Louvain 1570 texted "Allegez moy doulce et plaisante brunette"; and apparently elsewhere as 'Beatus qui timet'. General Note Marked "Tin rundheet" ('Din rundhet' - a round), untexted in this book
56	Nostro nunc genio faveamus pectore fratres	-	Anonymous
Nostro nunc genio faveamus pectore fratres Anonymous Appears on: 56 Genres: Motet
56v	Foedus coniugii tibi sit beatum	-	Anonymous
Foedus coniugii tibi sit beatum Anonymous Appears on: 56v Genres: Motet Voice: Discantus Languages: Latin Voice Text: Faedus coniugij tibi sit beatum
57	Musica et vinum laetificant cor	-	Anonymous
Musica et vinum laetificant cor Anonymous Appears on: 57 Genres: Motet
57v	Hospitibus similes in orbe vagamur	-	Anonymous
Hospitibus similes in orbe vagamur Anonymous Appears on: 57v Genres: Motet
57v	Kommer hit till mig säger Guds son	-	Anonymous
Kommer hit till mig säger Guds son Anonymous Appears on: 57v Genres: Motet Voice: [no designation] Languages: Swedish Voice Text: Kommer hijt til migh seger Guds son General Note Text incipit only "Kommer", otherwise untexted
58–58v	Gaude laetare Jerusalem	-	Anonymous
Gaude laetare Jerusalem Anonymous Appears on: 58–58v Genres: Motet
58v–59	Angelus ad pastores ait	-	Anonymous
Angelus ad pastores ait Anonymous Appears on: 58v–59 Genres: Motet
59	En natus est Emanuel quem praedixit	-	Anonymous
En natus est Emanuel quem praedixit Anonymous Appears on: 59 Genres: Motet
59v	Ära vare Gud i högden	-	Anonymous
Ära vare Gud i högden Anonymous Appears on: 59v Genres: Motet Voice: [no designation] Languages: Swedish Voice Text: Ärha vari gud i högden
60–60v	[blank staves]	-	-
[blank staves] Appears on: 60–60v
61	O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa	-	Meiland, Jacob (1542–1577)
O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa Meiland, Jacob (1542–1577) Appears on: 61 Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and this section contains the second Discantus voices of each; the Discantus parts are copied at ff. 14-17.
61–61v	O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum	-	Meiland, Jacob (1542–1577)
O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum Meiland, Jacob (1542–1577) Appears on: 61–61v Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and this section contains the second Discantus voices of each; the Discantus parts are copied at ff. 14-17.
61v–62	Vulnerasti cor meum (8vv) - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa	-	Anonymous
Vulnerasti cor meum (8vv) - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa Anonymous Appears on: 61v–62 Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and this section contains the second Discantus voices of each; the Discantus parts are copied at ff. 14-17.
62–62v	Vulnerasti cor meum (8vv) - 2a pars (of 2): Veni in hortum meum	-	Anonymous
Vulnerasti cor meum (8vv) - 2a pars (of 2): Veni in hortum meum Anonymous Appears on: 62–62v Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and this section contains the second Discantus voices of each; the Discantus parts are copied at ff. 14-17.
62v–63	Surge propera - 1a pars (of 2): Surge propera amica mea columba mea	-	Lassus, Orlande de (ca. 1532–1594)
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea Lassus, Orlande de (ca. 1532–1594) Appears on: 62v–63 Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and this section contains the second Discantus voices of each; the Discantus parts are copied at ff. 14-17.
63	Surge propera - 2a pars (of 2): Surge amica mea speciosa mea	-	Lassus, Orlande de (ca. 1532–1594)
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea Lassus, Orlande de (ca. 1532–1594) Appears on: 63 Genres: Motet General Note The group of 3 pieces 'O pulcherrima', 'Vulnerasti' and 'Surge propera' are all for more than 4vv, and this section contains the second Discantus voices of each; the Discantus parts are copied at ff. 14-17.
63v	[blank staves]	-	-
[blank staves] Appears on: 63v
64–64v	Jam non dicam vos servos sed amicos (8vv)	-	Phinot, Dominique
Jam non dicam vos servos sed amicos (8vv) Phinot, Dominique Appears on: 64–64v Genres: Motet General Note The last 7 motets in the manuscript are by the same hand. Over the first, Iam non dicam, is written in all books "Suo Domino praeceptori Erico Andreae, Holgerus Sueno misit". The first 3 and the last of these motets (Iam non dicam, Veni sancte, Sancta trinitas, Semper honorabile) seem to be incomplete versions of 8vv originals.
65	Veni sancte spiritus (8vv?)	-	Anonymous
Veni sancte spiritus (8vv?) Anonymous Appears on: 65 Genres: Motet, Veni sancte spiritus
65v	Sancta Trinitas unus Deus (8vv?)	-	Anonymous
Sancta Trinitas unus Deus (8vv?) Anonymous Appears on: 65v Genres: Motet
66	Hei mihi Domine quia peccavi nimis	-	Anonymous
Hei mihi Domine quia peccavi nimis Anonymous Appears on: 66 Genres: Motet
66v	O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli	-	Rein, Conrad (ca. 1475–1522)
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli Rein, Conrad (ca. 1475–1522) Appears on: 66v Genres: Motet Concordances copy in S-Skma K-R (late 16th century or early 17th).
67	O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis	-	Rein, Conrad (ca. 1475–1522)
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis Rein, Conrad (ca. 1475–1522) Appears on: 67 Genres: Motet
67v	Semper honorabile sit coniugium (8vv?)	-	Anonymous
Semper honorabile sit coniugium (8vv?) Anonymous Appears on: 67v Genres: Motet

Composer	Compositions
Anonymous	(Praefatio ad collectam) Und mit deinem Geiste - Amen – 24v (Praefatio ad conclusionem) Und mit deinem Geiste/Et cum spiritu tuo – 25 (Praefatio ad evangelium) Et cum spiritu tuo – 24v (Praefatio ad praefationem) Et cum spiritu tuo ... Amen – 24v–25 (Response to the dismissal) Amen - Amen – 25 Ack vi syndare arme - Kyrie eleison – 17v Ad cantus leticiae (2vv) – 18v Ad te salvator noster clamamus – 4–4v Aetas carmen melodiae psallat (3vv) – 21 Ah Jesu mellitissime – 49–49v Angelus ad pastores ait – 58v–59 Arma gregis Domini – 32v–33 Ascendit Christus hodie – 26 Audi tellus, audi magni mari nimbus – 54v–55v Beatus autor seculi servile corpus induit – 25v Cedit hiems eminus (3vv) – 20v Christus adest iustus salvator – 49v–50 Christus den rätte Herren – 4v Confitemini Domino - 1a pars (of 3): Confitemini Domino – 6–6v Confitemini Domino - 2a pars (of 3): Pater noster qui es in caelis – 6v–7 Confitemini Domino - 3a pars (of 3): Gratias agimus – 7 Da pacem Domine in diebus nostris – 53v–54 Deus Domini mei Abraham – 1v–2 Dilectus meus loquitur mihi surge et propera – 44–44v Diliges Dominum – 27 Domine ne longe facias auxilium – 44v–45 Domine probasti me – 2 Dum iuvat et vultu ridet fortuna sereno – 8v Ego Dominus Deus vester – 47–48 En natus est Emanuel quem praedixit – 59 En tibi peccavimus – 48–48v Felices nimium quibus obligit – 8 Foedus coniugii tibi sit beatum – 56v Gaude laetare Jerusalem – 58–58v Gaudete Christus est natus – 20–20v Gratias agimus tibi – 22–22v Gud välsigne detta hus – 51v Hei mihi Domine quia peccavi nimis – 66 Herr Jesu Christ – 11v–12 Hospitibus similes in orbe vagamur – 57v Ich hört ein vöglein singen – 32v–33 Ich stund an einem morgen (5vv) – 9v–10 In tali convivio benedicamus Domino – 11–11v In te Domine speravi - 1a pars (of 2): In te Domine speravi non confundar in aeternum – 12v–13 In te Domine speravi - 1a pars (of 2): In te Domine speravi non confundar in aeternum – 43v In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea – 43v–44 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea – 13 In trauriger pein – 10 Iniquitates meas ne respicias – 4v Istam ego dilexi a iuventute – 50 Jesu dulcis memoria – 20v Jesus Kristus är vår hälsa – 31v Jucundare jugiter (3vv) – 21–21v Junior fui et consenui – 17 Kom helge ande Herre Godh – 2v Kommer hit till mig säger Guds son – 57v Kompt her ir lieben bruderlein – 24–24v Laudate nomen Domini – 54–54v Mein Herr und Gott – 10–10v Missa: Credo – 40v–41 Missa: Gloria – 52v–53v Missa: Gloria – 40 Missa: Kyrie – 39v–40 Missa: Kyrie – 52v Missa: Sanctus – 47 Mit hopp och tröst – 9–9v Musica et vinum laetificant cor – 57 Nec Veneris nec tu vini capiaris amore – 9 Nostro nunc genio faveamus pectore fratres – 56 O Gud din godhet tackar vi – 32 O allsmäktig Gud som allting har verskapat - Beatus qui timet Dominum ('Tin rundheet') – 55v–56 Oculi omnium - 1a pars (of 3): Oculi omnium in te sperant – 5 Oculi omnium - 2a pars (of 3): Pater noster qui es in caelis – 5–5v Oculi omnium - 3a pars (of 3): Domine Deus pater caelestis – 5v–6 Paranymphus adiens (2vv) – 19 Puer natus est nobis – 25v Puer natus in Bethlehem (2vv) – 19v Qui sapit in Domino – 7v Qui suos parentes hic pie vivens colit – 41–41v Qui timent Dominum (=Beati omnes?) – 7v–8 Regimen scholarium volo commendare (2vv) – 21v–22 Sacrum coniugium sic Deus instituit – 51v–52 Sancta Trinitas unus Deus (8vv?) – 65v Semper honorabile sit coniugium (8vv?) – 67v Sic Deus dilexit mundum ut filium suum unigenitum daret (3vv) – 11 Singen wir aus Herzen grund – 22v–23 Sinite parvulos ad me venire (3vv) – 23v–24 Spiritus Sancti gratia – 26 Surrexit Christus hodie – 25v–26 Surrexit Christus hodie / Erstunden ist der heilige Christ – 31v Timete Dominum omnes sancti eius – 9 Tota pulchra es amica mea – 12–12v Ubi venit plenitudo temporis – 8–8v Veni sancte spiritus (8vv?) – 65 Venite filii mei – 46v Viri diligite uxores vestras et vestris – 41v–42 Vos ad se pueri (3vv) – 23–23v Vulnerasti cor meum (8vv) - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa – 61v–62 Vulnerasti cor meum (8vv) - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa – 15–15v Vulnerasti cor meum (8vv) - 2a pars (of 2): Veni in hortum meum – 62–62v Vulnerasti cor meum (8vv) - 2a pars (of 2): Veni in hortum meum – 15v–16 Ära vare Gud i högden – 59v [No description] – 63v [No description] – 60–60v
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem – 42–42v Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac – 42v–43
Dressler, Gallus	Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir – 50v Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf – 50v–51
Lassus, Orlande de (ca. 1532–1594)	Agimus tibi gratias – 17v Angelus ad pastores ait annuntio vobis – 35v–36 Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius – 29–29v Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius – 29v–30 Honorabile est inter omnes coniugium – 28v–29 Inter natos mulierum non surrexit major – 38v Missa Il me suffit: Credo – 46–46v Missa Il me suffit: Gloria – 45v–46 Missa Il me suffit: Kyrie – 45 Omnia quae fecisti nobis Domine in vero – 34–34v Stabunt justi - 1a pars (of 2): Stabunt justi in magna constantia adversus – 36–36v Stabunt justi - 2a pars (of 2): Hi sunt quos habuimus aliquando – 36v–37 Surge propera - 1a pars (of 2): Surge propera amica mea columba mea – 62v–63 Surge propera - 1a pars (of 2): Surge propera amica mea columba mea – 16–16v Surge propera - 2a pars (of 2): Surge amica mea speciosa mea – 63 Surge propera - 2a pars (of 2): Surge amica mea speciosa mea – 16 Surge propera - 2a pars (of 2): Surge amica mea speciosa mea – 16v–17 Surrexit pastor bonus qui animam suam – 26v Veni dilecte - 1a pars (of 2): Veni dilecte mi – 37v–38 Veni dilecte - 2a pars (of 2): Videamus si floruit – 38 Veni in hortum meum – 34v–35
Maillard, Jean (fl. c1538–1570)	In me transierunt irae tuae et terrores – 1–1v
Meiland, Jacob (1542–1577)	Gaudete filiae Jerusalem nam flores apparuerunt – 39–39v O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa – 61 O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa – 14–14v O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum – 61–61v O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum – 14v
Phinot, Dominique	Jam non dicam vos servos sed amicos (8vv) – 64–64v O sacrum convivium in quo Christus sumitur (8vv) – 27v–28
Praetorius, Christoph	Tota pulchra es amica mea – 13v–14
Praetorius, Michael	O milde Jesu ewige Guds son – 48v–49
Rein, Conrad (ca. 1475–1522)	O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli – 66v O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis – 67
Rupsch, Conrad	(?) Nun bitten wir den heiligen geist (5vv) – 27
Scandello, Antonio	Lobet den Herren, den er ist sehr freundlich – 30v–31
Selnecker, Nikolaus (1528–1592)	Nun lass uns got den herren dancklassen - Låter oss Gud – 30v–31
Tonsor, Michael	Ingemuit Susanna – 18–18v
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Deus qui sedes super thronum (4vv) – 3–3v
Vogelhuber, Georg	Wo soll ich mich hinkehren – 7–7v
Walter, Johann (1496–1570)	(?) Deus qui sedes super thronum (4vv) – 3–3v Dixit Dominus Domino meo (tone 1) – 33v Nun bitten wir den heiligen geist (5vv) – 27 Vom Himmel hoch da komm' ich her – 2v–3
Willaert, Adrian (ca. 1490–1562)	(?) Rex autem David cooperto capite incedens – 10v–11

Composition	Composers (? Uncertain)	Folios / Pages
(Praefatio ad collectam) Und mit deinem Geiste - Amen	Anonymous	24v
(Praefatio ad conclusionem) Und mit deinem Geiste/Et cum spiritu tuo	Anonymous	25
(Praefatio ad evangelium) Et cum spiritu tuo	Anonymous	24v
(Praefatio ad praefationem) Et cum spiritu tuo ... Amen	Anonymous	24v–25
(Response to the dismissal) Amen - Amen	Anonymous	25
Ack vi syndare arme - Kyrie eleison	Anonymous	17v
Ad cantus leticiae (2vv)	Anonymous	18v
Ad te salvator noster clamamus	Anonymous	4–4v
Aetas carmen melodiae psallat (3vv)	Anonymous	21
Agimus tibi gratias	Lassus, Orlande de (ca. 1532–1594)	17v
Ah Jesu mellitissime	Anonymous	49–49v
Angelus ad pastores ait	Anonymous	58v–59
Angelus ad pastores ait annuntio vobis	Lassus, Orlande de (ca. 1532–1594)	35v–36
Arma gregis Domini	Anonymous	32v–33
Ascendit Christus hodie	Anonymous	26
Audi tellus, audi magni mari nimbus	Anonymous	54v–55v
Beatus autor seculi servile corpus induit	Anonymous	25v
Cedit hiems eminus (3vv)	Anonymous	20v
Christus adest iustus salvator	Anonymous	49v–50
Christus den rätte Herren	Anonymous	4v
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius	Lassus, Orlande de (ca. 1532–1594)	29–29v
Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius	Lassus, Orlande de (ca. 1532–1594)	29v–30
Confitemini Domino - 1a pars (of 3): Confitemini Domino	Anonymous	6–6v
Confitemini Domino - 2a pars (of 3): Pater noster qui es in caelis	Anonymous	6v–7
Confitemini Domino - 3a pars (of 3): Gratias agimus	Anonymous	7
Da pacem Domine in diebus nostris	Anonymous	53v–54
Deus Domini mei Abraham	Anonymous	1v–2
Deus qui sedes super thronum (4vv)	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Walter, Johann (1496–1570) (?)	3–3v
Dilectus meus loquitur mihi surge et propera	Anonymous	44–44v
Diliges Dominum	Anonymous	27
Dixit Dominus Domino meo (tone 1)	Walter, Johann (1496–1570)	33v
Domine ne longe facias auxilium	Anonymous	44v–45
Domine probasti me	Anonymous	2
Dum iuvat et vultu ridet fortuna sereno	Anonymous	8v
Ego Dominus Deus vester	Anonymous	47–48
En natus est Emanuel quem praedixit	Anonymous	59
En tibi peccavimus	Anonymous	48–48v
Felices nimium quibus obligit	Anonymous	8
Foedus coniugii tibi sit beatum	Anonymous	56v
Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir	Dressler, Gallus	50v
Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf	Dressler, Gallus	50v–51
Gaude laetare Jerusalem	Anonymous	58–58v
Gaudete Christus est natus	Anonymous	20–20v
Gaudete filiae Jerusalem nam flores apparuerunt	Meiland, Jacob (1542–1577)	39–39v
Gratias agimus tibi	Anonymous	22–22v
Gud välsigne detta hus	Anonymous	51v
Hei mihi Domine quia peccavi nimis	Anonymous	66
Herr Jesu Christ	Anonymous	11v–12
Honorabile est inter omnes coniugium	Lassus, Orlande de (ca. 1532–1594)	28v–29
Hospitibus similes in orbe vagamur	Anonymous	57v
Ich hört ein vöglein singen	Anonymous	32v–33
Ich stund an einem morgen (5vv)	Anonymous	9v–10
In me transierunt irae tuae et terrores	Maillard, Jean (fl. c1538–1570)	1–1v
In tali convivio benedicamus Domino	Anonymous	11–11v
In te Domine speravi - 1a pars (of 2): In te Domine speravi non confundar in aeternum	Anonymous	12v–13
In te Domine speravi - 1a pars (of 2): In te Domine speravi non confundar in aeternum	Anonymous	43v
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea	Anonymous	13
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea	Anonymous	43v–44
In trauriger pein	Anonymous	10
Ingemuit Susanna	Tonsor, Michael	18–18v
Iniquitates meas ne respicias	Anonymous	4v
Inter natos mulierum non surrexit major	Lassus, Orlande de (ca. 1532–1594)	38v
Istam ego dilexi a iuventute	Anonymous	50
Jam non dicam vos servos sed amicos (8vv)	Phinot, Dominique	64–64v
Jesu dulcis memoria	Anonymous	20v
Jesus Kristus är vår hälsa	Anonymous	31v
Jucundare jugiter (3vv)	Anonymous	21–21v
Junior fui et consenui	Anonymous	17
Kom helge ande Herre Godh	Anonymous	2v
Kommer hit till mig säger Guds son	Anonymous	57v
Kompt her ir lieben bruderlein	Anonymous	24–24v
Laudate nomen Domini	Anonymous	54–54v
Lobet den Herren, den er ist sehr freundlich	Scandello, Antonio	30v–31
Mein Herr und Gott	Anonymous	10–10v
Missa Il me suffit: Credo	Lassus, Orlande de (ca. 1532–1594)	46–46v
Missa Il me suffit: Gloria	Lassus, Orlande de (ca. 1532–1594)	45v–46
Missa Il me suffit: Kyrie	Lassus, Orlande de (ca. 1532–1594)	45
Missa: Credo	Anonymous	40v–41
Missa: Gloria	Anonymous	40
Missa: Gloria	Anonymous	52v–53v
Missa: Kyrie	Anonymous	39v–40
Missa: Kyrie	Anonymous	52v
Missa: Sanctus	Anonymous	47
Mit hopp och tröst	Anonymous	9–9v
Musica et vinum laetificant cor	Anonymous	57
Nec Veneris nec tu vini capiaris amore	Anonymous	9
Nostro nunc genio faveamus pectore fratres	Anonymous	56
Nun bitten wir den heiligen geist (5vv)	Walter, Johann (1496–1570) Rupsch, Conrad (?)	27
Nun lass uns got den herren dancklassen - Låter oss Gud	Selnecker, Nikolaus (1528–1592)	30v–31
O allsmäktig Gud som allting har verskapat - Beatus qui timet Dominum ('Tin rundheet')	Anonymous	55v–56
O Gud din godhet tackar vi	Anonymous	32
O milde Jesu ewige Guds son	Praetorius, Michael	48v–49
O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa	Meiland, Jacob (1542–1577)	14–14v
O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa	Meiland, Jacob (1542–1577)	61
O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum	Meiland, Jacob (1542–1577)	14v
O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum	Meiland, Jacob (1542–1577)	61–61v
O sacrum convivium in quo Christus sumitur (8vv)	Phinot, Dominique	27v–28
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli	Rein, Conrad (ca. 1475–1522)	66v
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis	Rein, Conrad (ca. 1475–1522)	67
Oculi omnium - 1a pars (of 3): Oculi omnium in te sperant	Anonymous	5
Oculi omnium - 2a pars (of 3): Pater noster qui es in caelis	Anonymous	5–5v
Oculi omnium - 3a pars (of 3): Domine Deus pater caelestis	Anonymous	5v–6
Omnia quae fecisti nobis Domine in vero	Lassus, Orlande de (ca. 1532–1594)	34–34v
Paranymphus adiens (2vv)	Anonymous	19
Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	42–42v
Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	42v–43
Puer natus est nobis	Anonymous	25v
Puer natus in Bethlehem (2vv)	Anonymous	19v
Qui sapit in Domino	Anonymous	7v
Qui suos parentes hic pie vivens colit	Anonymous	41–41v
Qui timent Dominum (=Beati omnes?)	Anonymous	7v–8
Regimen scholarium volo commendare (2vv)	Anonymous	21v–22
Rex autem David cooperto capite incedens	Willaert, Adrian (ca. 1490–1562) (?)	10v–11
Sacrum coniugium sic Deus instituit	Anonymous	51v–52
Sancta Trinitas unus Deus (8vv?)	Anonymous	65v
Semper honorabile sit coniugium (8vv?)	Anonymous	67v
Sic Deus dilexit mundum ut filium suum unigenitum daret (3vv)	Anonymous	11
Singen wir aus Herzen grund	Anonymous	22v–23
Sinite parvulos ad me venire (3vv)	Anonymous	23v–24
Spiritus Sancti gratia	Anonymous	26
Stabunt justi - 1a pars (of 2): Stabunt justi in magna constantia adversus	Lassus, Orlande de (ca. 1532–1594)	36–36v
Stabunt justi - 2a pars (of 2): Hi sunt quos habuimus aliquando	Lassus, Orlande de (ca. 1532–1594)	36v–37
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea	Lassus, Orlande de (ca. 1532–1594)	16–16v
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea	Lassus, Orlande de (ca. 1532–1594)	62v–63
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea	Lassus, Orlande de (ca. 1532–1594)	16
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea	Lassus, Orlande de (ca. 1532–1594)	16v–17
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea	Lassus, Orlande de (ca. 1532–1594)	63
Surrexit Christus hodie	Anonymous	25v–26
Surrexit Christus hodie / Erstunden ist der heilige Christ	Anonymous	31v
Surrexit pastor bonus qui animam suam	Lassus, Orlande de (ca. 1532–1594)	26v
Timete Dominum omnes sancti eius	Anonymous	9
Tota pulchra es amica mea	Anonymous	12–12v
Tota pulchra es amica mea	Praetorius, Christoph	13v–14
Ubi venit plenitudo temporis	Anonymous	8–8v
Veni dilecte - 1a pars (of 2): Veni dilecte mi	Lassus, Orlande de (ca. 1532–1594)	37v–38
Veni dilecte - 2a pars (of 2): Videamus si floruit	Lassus, Orlande de (ca. 1532–1594)	38
Veni in hortum meum	Lassus, Orlande de (ca. 1532–1594)	34v–35
Veni sancte spiritus (8vv?)	Anonymous	65
Venite filii mei	Anonymous	46v
Viri diligite uxores vestras et vestris	Anonymous	41v–42
Vom Himmel hoch da komm' ich her	Walter, Johann (1496–1570)	2v–3
Vos ad se pueri (3vv)	Anonymous	23–23v
Vulnerasti cor meum (8vv) - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa	Anonymous	15–15v
Vulnerasti cor meum (8vv) - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa	Anonymous	61v–62
Vulnerasti cor meum (8vv) - 2a pars (of 2): Veni in hortum meum	Anonymous	15v–16
Vulnerasti cor meum (8vv) - 2a pars (of 2): Veni in hortum meum	Anonymous	62–62v
Wo soll ich mich hinkehren	Vogelhuber, Georg	7–7v
Ära vare Gud i högden	Anonymous	59v

Set: Molér 71 (2d)

Type: Partbooks

No images available

S-V Molér 71 (2d) [Altus]

No images available

S-V Molér 71 (2d) [Bassus]

No images available

S-V Molér 71 (2d) [Discantus]

No images available

S-V Molér 71 (2d) [Tenor]

‡ denotes primary source study

Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe. Kassel and Basel. Pages: XII, xxvii. Notes: physical description (partial); contents list (partial).

Molér, Wilhelm. 1917. Förteckning över Musikalier i Västerås Högre Allm. Läroverks Bibliotek t. o. m. 1850. Västerås. Pages: 18-20. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description