S-V Molér 68 (24) [Discantus 1]

Stadsbiblioteket, Västeras, Sweden

partbook: Late 16th century-first half of 17th century

Archive Stadsbiblioteket, Västeras, Sweden (S-V)
Shelfmark Molér 68 (24) [Discantus 1]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 160 x 200 mm
Other Identifiers
  • CCM: VastS 68
  • olim (Former shelfmark): 24
Notations
  • black void mensural
Copyists
External Links
Provenance
  • Västeras, Sweden
Contents 58 pieces from 8 composers
General Description

A Discantus 1 partbook from a set of 8, copied by several scribes, including Olaus Andreae Walliander (ca. 1577-1648), named inside front cover of most books. Copied in Västerås.

DIAMM, 2017
Extent

45 ff

DIAMM, 2022
Binding

Original parchment covers cut from chant manuscript.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

date 1598 in manuscript

DIAMM, 2017
Ruling

Staff height ca. 13-17 (variable)

DIAMM, 2017
Foliation

No foliation. Original numbering of pieces, 1-34, but there are some inconsistencies in numbering among books.

DIAMM, 2017
Decoration

Inked initials in plain block and calligraphic styles.

DIAMM, 2017
Index

Original indices at beginning of D1, D2, A1, T1, and T2 books list pieces in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 1 Kyrie-Gloria pair, 22 motets, 3 German sacred pieces, 2 Swedish sacred pieces, 5 Latin secular pieces = 38

(Bischoff)-1, Crappius-1, (Grothusius)-1, (Händl)-8, (B. Kellner)-1, (Lassus)-11, (Meiland)-3, (Phinot)-2, (Rhyacander)-2, anon-8

8 paper partbooks (D1-45 folios, D2-47, Al-44, A2-36, T1-48, T2-48, B1-44, B2-39), ca. 160 x 200. No foliation or pagination. Original numbering of pieces, 1-34 (some inconsistencies in numbering among books). Original parchment covers cut from chant manuscript. Original indices at beginning of D1, D2, A1, T1, and T2 books list pieces in order of appearance. Copied by several scribes, including Olaus Andreae Walliander (ca. 1577-1648), named inside front cover of most books. Staff height ca. 13-17 (variable). Inked initials in plain block and calligraphic styles.

Late 16th century-first half of 17th century (date 1598 in manuscript). Copied in Västerås.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
inside front cover Gud vare torsk orf lof - Anonymous
Appears on: inside front cover
Genres: Hymn
Voice: [no designation]
Languages: Swedish
Voice Text: Gůdi wari tarsk orf lof
General Note

2 voice parts for this short piece

inside front cover fragment - Anonymous

fragment

Anonymous
Appears on: inside front cover
Genres: fragment, Song
ii–ii_v index - -

index

Appears on: ii–ii_v
1–1v Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua -
Appears on: 1–1v
Genres: Motet
1v–2 Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi -
Appears on: 1v–2
Genres: Motet
2v–3 Missa Quam dilecta (8vv): Kyrie - Anonymous
Appears on: 2v–3
Genres: Kyrie eleison, Mass Ordinary
3–4v Missa Quam dilecta (8vv): Gloria - Anonymous
Appears on: 3–4v
Genres: Gloria (et in terra pax), Mass Ordinary
4v–5 Missa Quam dilecta (8vv): Sanctus - Anonymous
Appears on: 4v–5
Genres: Mass Ordinary, Sanctus [& Benedictus]
5 Missa Quam dilecta (8vv): Agnus Dei - Anonymous
Appears on: 5
Genres: Agnus Dei, Mass Ordinary
5v–6 Deus misereatur nostri et benedicat nobis -
Appears on: 5v–6
Genres: Motet
6–7 Missa Deus misereatur: Kyrie -
Appears on: 6–7
Genres: Kyrie eleison, Mass Ordinary
7–8 Missa Deus misereatur: Gloria -
Appears on: 7–8
Genres: Gloria (et in terra pax), Mass Ordinary
8–9v Missa Deus misereatur: Credo -
Appears on: 8–9v
Genres: Credo (patrem omnipotentem), Mass Ordinary
9v–10 Deus misereatur nostri et benedicat nobis -
Appears on: 9v–10
Genres: Motet
General Note

a repeat of the first piece in the book!

10v–11 Sancta Trinitas unus Deus miserere nobis (8vv) -
Appears on: 10v–11
Genres: Motet
General Note

a repeat of the first piece in the book!

11–11v Jam non dicam vos servos sed amicos (8vv) -
Appears on: 11–11v
Genres: Motet
11v–13 Dixit Dominus (8vv) - Anonymous
Appears on: 11v–13
Genres: Motet
13–14 Beatus vir qui timet Dominum (8vv) -
Appears on: 13–14
Genres: Motet
General Note

marked '8 vocum' but only this voice part is copied, the piece does not appear in the other books

14v–15 Congregati sunt inimici nostri (8vv) -
Appears on: 14v–15
Genres: Motet
15 Laus et perennis gloria Deo patri et filio (8vv) -
Appears on: 15
Genres: Motet
15v–16 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 15v–16
Genres: Motet
General Note

1a pars only

16–16v Confitebor tibi Domine in toto corde (8vv, LV189) -
Appears on: 16–16v
Genres: Motet
16v–17 Decantabat populus Israel alleluia (7vv) -
Appears on: 16v–17
Genres: Motet
17–17v Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius -
Appears on: 17–17v
Genres: Motet
17v–18 Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius -
Appears on: 17v–18
Genres: Motet
18 Surge propera - 1a pars (of 2): Surge propera amica mea columba mea -
Appears on: 18
Genres: Motet
18v Surge propera - 2a pars (of 2): Surge amica mea speciosa mea -
Appears on: 18v
Genres: Motet
19 Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat -
Appears on: 19
Genres: Alleluia, Motet
19–19v Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant -
Appears on: 19–19v
Genres: Alleluia
19v–20 Delectare in Domino et dabit tibi peticiones -
Appears on: 19v–20
Genres: Motet
20–20v Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque -
Appears on: 20–20v
Genres: Motet
General Note

Only the 1a pars, the model for the mass, is copied

20v–21v Missa Non auferetur: Kyrie autore Andrea Crappio
Appears on: 20v–21v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: autore Andrea Crappio
21v–22 Missa Non auferetur: Gloria -
Appears on: 21v–22
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

Ends at '...filius patris'

22–22v Missa Non auferetur: Sanctus -
Appears on: 22–22v
Genres: Mass Ordinary, Sanctus [& Benedictus]
22v–23 Missa Non auferetur: Agnus Dei -
Appears on: 22v–23
Genres: Agnus Dei, Mass Ordinary
23–23v Gaudete filiae Jerusalem nam flores apparuerunt -
Appears on: 23–23v
Genres: Motet
24–25 Missa Gaudete filiae (6vv): Kyrie - Anonymous
Appears on: 24–25
Genres: Kyrie eleison, Mass Ordinary
25–25v Missa Gaudete filiae (6vv): Gloria - Anonymous
Appears on: 25–25v
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

Ends at '...filius patris'. Note at end, in T1: "Sanctus ut Kyrie; Agnus ut Christe"

25v–26 Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum -
Appears on: 25v–26
Genres: Motet
General Note

Only the 1a pars, the model for the mass, is copied

26–27 Missa Lauda Jerusalem (6vv): Kyrie -
Appears on: 26–27
Genres: Kyrie eleison, Mass Ordinary
27–27v Missa Lauda Jerusalem (6vv): Gloria -
Appears on: 27–27v
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

Ends at '...filius patris'

28–28v Missa Lauda Jerusalem (6vv): Sanctus -
Appears on: 28–28v
Genres: Mass Ordinary, Sanctus [& Benedictus]
28v–29 Missa Lauda Jerusalem (6vv): Agnus Dei -
Appears on: 28v–29
Genres: Agnus Dei, Mass Ordinary
29–29v Veni in hortum meum -
Appears on: 29–29v
Genres: Motet
29v–30 Missa Veni in ortum meum: Kyrie -
Appears on: 29v–30
Genres: Kyrie eleison, Mass Ordinary
30–31 Missa Veni in ortum meum: Et in terra [Gloria] -
Appears on: 30–31
Genres: Gloria (et in terra pax), Mass Ordinary
31 Missa Veni in ortum meum: Sanctus -
Appears on: 31
Genres: Mass Ordinary, Sanctus [& Benedictus]
31–31v Missa Veni in ortum meum: Agnus Dei -
Appears on: 31–31v
Genres: Agnus Dei, Mass Ordinary
31v–32 Vulnerasti cor meum (6vv) - Anonymous
Appears on: 31v–32
Genres: Motet
Concordances

Concordances in D-HN Mc 15, D-WRha Neustadt 39; D-B Mus.ms. 30437 (all anonymous)

32v–33 Domine Dominus noster quam admirabile est (6vv) -
Appears on: 32v–33
Genres: Motet
33–33v Diversos diversa iuvant (8vv) -
Appears on: 33–33v
Genres: Motet
33v–34 Tempore felici multi numerantur (8vv) -
Appears on: 33v–34
Genres: Motet
34–34v Usibus edocto (8vv) - 2a pars (of 2): Crede mihi bene -
Appears on: 34–34v
Genres: Motet
General Note

Note: in this book the piece has the introductory note 'Secunda pars', though this makes it seem as if it were the 2a pars of 'Tempore felici'; in otherbooks there is no indication it is a 2a pars

34v–35 Sperne lucrum vexat (8vv) -
Appears on: 34v–35
Genres: Motet
35–35v Usibus edocto (8vv) - 1a pars (of 2): Usibus edocto -
Appears on: 35–35v
Genres: Motet
35v–36 Cede repugnanti (8vv) -
Appears on: 35v–36
Genres: Motet
36v–37 [blank staves] - -

[blank staves]

Appears on: 36v–37
37v–43v [blank pages] - -

[blank pages]

Appears on: 37v–43v
Composer Compositions
Anonymous
Bischoff, Melchior
Crappius, Andreas (ca. 1542–1623)
Handl (Gallus), Jacobus (1550–1591)
Kellner, Bartholomaeus
Lassus, Orlande de (ca. 1532–1594)
Meiland, Jacob (1542–1577)
Phinot, Dominique
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat 19
Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant 19–19v
Beatus vir qui timet Dominum (8vv) 13–14
Cede repugnanti (8vv) 35v–36
Confitebor tibi Domine in toto corde (8vv, LV189) 16–16v
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius 17–17v
Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius 17v–18
Congregati sunt inimici nostri (8vv) 14v–15
Decantabat populus Israel alleluia (7vv) 16v–17
Delectare in Domino et dabit tibi peticiones 19v–20
Deus misereatur nostri et benedicat nobis 5v–6
Deus misereatur nostri et benedicat nobis 9v–10
Diversos diversa iuvant (8vv) 33–33v
Dixit Dominus (8vv) Anonymous 11v–13
Domine Dominus noster quam admirabile est (6vv) 32v–33
fragment Anonymous inside front cover
Gaudete filiae Jerusalem nam flores apparuerunt 23–23v
Gud vare torsk orf lof Anonymous inside front cover
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 15v–16
Jam non dicam vos servos sed amicos (8vv) 11–11v
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum 25v–26
Laus et perennis gloria Deo patri et filio (8vv) 15
Missa Deus misereatur: Credo 8–9v
Missa Deus misereatur: Gloria 7–8
Missa Deus misereatur: Kyrie 6–7
Missa Gaudete filiae (6vv): Gloria Anonymous 25–25v
Missa Gaudete filiae (6vv): Kyrie Anonymous 24–25
Missa Lauda Jerusalem (6vv): Agnus Dei 28v–29
Missa Lauda Jerusalem (6vv): Gloria 27–27v
Missa Lauda Jerusalem (6vv): Kyrie 26–27
Missa Lauda Jerusalem (6vv): Sanctus 28–28v
Missa Non auferetur: Agnus Dei 22v–23
Missa Non auferetur: Gloria 21v–22
Missa Non auferetur: Kyrie 20v–21v
Missa Non auferetur: Sanctus 22–22v
Missa Quam dilecta (8vv): Agnus Dei Anonymous 5
Missa Quam dilecta (8vv): Gloria Anonymous 3–4v
Missa Quam dilecta (8vv): Kyrie Anonymous 2v–3
Missa Quam dilecta (8vv): Sanctus Anonymous 4v–5
Missa Veni in ortum meum: Agnus Dei 31–31v
Missa Veni in ortum meum: Et in terra [Gloria] 30–31
Missa Veni in ortum meum: Kyrie 29v–30
Missa Veni in ortum meum: Sanctus 31
Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque 20–20v
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua 1–1v
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi 1v–2
Sancta Trinitas unus Deus miserere nobis (8vv) 10v–11
Sperne lucrum vexat (8vv) 34v–35
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea 18
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea 18v
Tempore felici multi numerantur (8vv) 33v–34
Usibus edocto (8vv) - 1a pars (of 2): Usibus edocto 35–35v
Usibus edocto (8vv) - 2a pars (of 2): Crede mihi bene 34–34v
Veni in hortum meum 29–29v
Vulnerasti cor meum (6vv) Anonymous 31v–32

Set: S-V 68

Type: Partbooks

No images available

S-V Molér 68 (24) [Altus 1]

No images available

S-V Molér 68 (24) [Altus 2]

No images available

S-V Molér 68 (24) [Bassus 1]

No images available

S-V Molér 68 (24) [Bassus 2]

No images available

S-V Molér 68 (24) [Discantus 1]

No images available

S-V Molér 68 (24) [Discantus 2]

No images available

S-V Molér 68 (24) [Tenor 1]

No images available

S-V Molér 68 (24) [Tenor 2]

denotes primary source study

Lundberg, Mattias. 2012. Motetter till mässan i Västerås domkyrka och skola kring sekelskiftet 1600. Liturgihistoriska implikationer. Svenskt gudstjänstliv: Årsbok för liturgi, kyrkokonst, kyrkomusik och homileti, 27-56.

Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe.  Kassel and Basel. Pages: XII, xv, xvii liii. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Molér, Wilhelm. 1917. Förteckning över Musikalier i Västerås Högre Allm. Läroverks Bibliotek t. o. m. 1850.  Västerås. Pages: 13-4. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description