E-V 21

Catedral Metropolitana, Archivo de Música, Valladolid, Spain

manuscript of polyphony: Late 16th century

Archive	Catedral Metropolitana, Archivo de Música, Valladolid, Spain (E-V)
Shelfmark	21
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	419 x 284 mm
Other Identifiers	CCM: VallaC s.s. olim (Former shelfmark): s.s.
Notations	black void mensural
Relationships	Valladolid Cathedral (copied at)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Valladolid Cathedral , Valladolid, Spain
Contents	63 pieces from 4 composers

General Description

Copied by one main scribe and five or more additional scribes. Copied in Valladolid, for use by cathedral choir.

Cristina Urchuegía, 2010

Physical Description

Some worn folios repaired and reinforced with paper strips

Cristina Urchuegía, 2010

Binding

Original covers of brown parchment over cardboard; remnants of leather ties.

Cristina Urchuegía, 2010

Watermark

Main watermark: sun with initials 'AM'; watermark on ff. [93-94]: grape cluster.

Cristina Urchuegía, 2010

Liminary Note

Title page: 'Liber Officium / Defunctorum / Ecclesie Chatedralis / ValliSoleti / Anno D.N. Jesu / Christi, M Dc xxxxix.'

Cristina Urchuegía, 2010

Notation

black void mensural

Cristina Urchuegía, 2010

Ruling

Staff height 17

Cristina Urchuegía, 2010

Foliation

Original ink foliation, 1-90 (last seven folios and one folio between ff. 59/60 not numbered; '80' and '87' omitted; some original foliation partly or completely obliterated by fraying or later trimming).

Cristina Urchuegía, 2010

Decoration

Inked calligraphic initials.

Cristina Urchuegía, 2010

Surface

paper

Cristina Urchuegía, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Requiem Mass, 1 Credo fragment, 1 Te Deum, 1 canticle, 3 psalms (1 fragmentary), 4 hymns, 2 Lamentations, 16 motets, 1 Spanish secular piece, 3 textless pieces (1 fragmentary), 3 unidentified fragments = 36

R. Ceballos [Cevallos]-2 + 1?, Morales-13 + 2?, anon-18

i + 96 paper folios, 419 x 284. Some worn folios repaired and reinforced with paper strips. Original ink foliation, 1-90 (last seven folios and one folio between ff. 59/60 not numbered; "80" and "87" omitted; some original foliation partly or completely obliterated by fraying or later trimming). Original covers of brown parchment over cardboard; remnants of leather ties. No index. Copied by one main scribe and five or more additional scribes. Staff height 17. Inked calligraphic initials. Title page: "Liber Officium / Defunctorum / Ecclesie Chatedralis / ValliSoleti / Anno D.N. Jesu / Christi, M Dc xxxxix." Main watermark: sun with initials "AM"; watermark on ff. [93-94]: grape cluster.

Late 16th century (date 1581 on last folio), with some additions and recopying in 1649, when title page was added (RussellM). Copied in Valladolid, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
0v–1	Invitatorium pro defunctis: viii. Regem cui	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: viii. Regem cui Morales, Cristóbal de (ca. 1500–1553) Appears on: 0v–1 Genres: Motet Concordances Avila 1, ff. 203-226 'Christophorus Morales' Avila 2, ff. 100-121 'Mr [=Maestro] Morales' Granada 1, ff. 38v-44 'Morales' Puebla 3, ff. 37v-42 (versicles only - sections iii, iv, v, vii) 'Morales' Zaragoza 18 (sections i-iv) Concordances In this source the first 'Regem cui' is a duplicate of the last item; in other sources thre is a different opening 'Regem cui'
0v–1	Invitatorium pro defunctis: ii. Venit exultemus	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: ii. Venit exultemus Morales, Cristóbal de (ca. 1500–1553) Appears on: 0v–1 Genres: Motet
1v–2	Invitatorium pro defunctis: iii. Quoniam Deus	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: iii. Quoniam Deus Morales, Cristóbal de (ca. 1500–1553) Appears on: 1v–2 Genres: Motet
2v–3	Invitatorium pro defunctis: iv. Quoniam ipsius	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: iv. Quoniam ipsius Morales, Cristóbal de (ca. 1500–1553) Appears on: 2v–3 Genres: Motet
3v–4	Invitatorium pro defunctis: v. Hodie si vocem	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: v. Hodie si vocem Morales, Cristóbal de (ca. 1500–1553) Appears on: 3v–4 Genres: Motet
4v–5	Invitatorium pro defunctis: vi. Quadraginta annis	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: vi. Quadraginta annis Morales, Cristóbal de (ca. 1500–1553) Appears on: 4v–5 Genres: Motet
5v–6	Invitatorium pro defunctis: vii. Requiem aeternam	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: vii. Requiem aeternam Morales, Cristóbal de (ca. 1500–1553) Appears on: 5v–6 Genres: Motet
5v–6	Invitatorium pro defunctis: viii. Regem cui	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: viii. Regem cui Morales, Cristóbal de (ca. 1500–1553) Appears on: 5v–6 Genres: Motet
6v–8	Parce mihi Domine	-	Morales, Cristóbal de (ca. 1500–1553)
Parce mihi Domine Morales, Cristóbal de (ca. 1500–1553) Appears on: 6v–8 Genres: Fauxbourdon/faburden, Motet Concordances Avila 1, f. 227 (Sup/Ten only) Avila 2, ff. 122-123 'Mr [=Maestro] Morales' Granada 1, ff. 44v-46 Valladolid 1, ff. 84v-86
8v–10	Taedet animam (I)	-	Morales, Cristóbal de (ca. 1500–1553)
Taedet animam (I) Morales, Cristóbal de (ca. 1500–1553) Appears on: 8v–10 Genres: Motet Concordances Avila 2, ff. 124-125 'Mr [=Maestro] Morales' Granada 1, ff. 46v-47 Valladolid 1, ff. 86v-88
10v–12	Manus tuae Domine fecerunt (4vv)	-	Morales, Cristóbal de (ca. 1500–1553)
Manus tuae Domine fecerunt (4vv) Morales, Cristóbal de (ca. 1500–1553) Appears on: 10v–12 Genres: Fauxbourdon/faburden, Motet Concordances Avila 2, ff. 126-127 'Mr [=Maestro] Morales' Granada 1, ff. 47v-50? [not the same as the piece in E-E MS 3, E-V 16?]
12v–14	Parce mihi Domine (II) - 1a pars (of 2): Parce mihi Domine	-	Morales, Cristóbal de (ca. 1500–1553)
Parce mihi Domine (II) - 1a pars (of 2): Parce mihi Domine Morales, Cristóbal de (ca. 1500–1553) Appears on: 12v–14 Genres: Motet
14v–16	Parce mihi Domine (II) - 2a pars (of 2): Quid faciam tibi	-	Morales, Cristóbal de (ca. 1500–1553)
Parce mihi Domine (II) - 2a pars (of 2): Quid faciam tibi Morales, Cristóbal de (ca. 1500–1553) Appears on: 14v–16 Genres: Motet
16v–18	Taedet animam meam (II) - 1a pars (of 2): Taedet animam meam	-	Morales, Cristóbal de (ca. 1500–1553)
Taedet animam meam (II) - 1a pars (of 2): Taedet animam meam Morales, Cristóbal de (ca. 1500–1553) Appears on: 16v–18 Genres: Motet
18v–20	Taedet animam meam (II) - 2a pars (of 2): Num quid oculi carne	-	Morales, Cristóbal de (ca. 1500–1553)
Taedet animam meam (II) - 2a pars (of 2): Num quid oculi carne Morales, Cristóbal de (ca. 1500–1553) Appears on: 18v–20 Genres: Motet
20v–23	Manus tuae Domine fecerunt me (5vv)	-	Morales, Cristóbal de (ca. 1500–1553)
Manus tuae Domine fecerunt me (5vv) Morales, Cristóbal de (ca. 1500–1553) Appears on: 20v–23 Genres: Motet
23v–25	Missa Requiem (4vv): 1. Introitus: Requiem aeternam	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 1. Introitus: Requiem aeternam Morales, Cristóbal de (ca. 1500–1553) Appears on: 23v–25 Genres: Introit, Requiem Voice: [no designation] Languages: Latin, Greek Voice Text: Missa de Requiem: Introitus. Kyrie. Graduale. Motette. Tractus(Sicut cervus). Motette (Si ambulavero). Offertorium, Sanctus (with: Pleni, Benedictus). Agnus. Communio. Postcommunio. Concordances for the Requiem as a whole: Avila 1, ff. 101-120 (Introit, Kyrie, Offertory, Sanctus, Agnus) Malaga 4, ff. 10v-22 ( (Introit, Kyrie, Gradual, Offertory, Sanctus, Agnus) -- plus Montserrat 753, Segovia 3, Valladolid Parish s.s.
25v–26	Missa Requiem (4vv): 2. Kyrie	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 2. Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 25v–26 Genres: Kyrie eleison, Mass Ordinary
26v–28	Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine Morales, Cristóbal de (ca. 1500–1553) Appears on: 26v–28 Genres: Gradual, Requiem
28v–31	Missa Requiem (4vv): 3a. Tractus: De profundis	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 3a. Tractus: De profundis Morales, Cristóbal de (ca. 1500–1553) Appears on: 28v–31 Genres: Requiem, Tract
31v–33	Missa Requiem (4vv): 4. Tractus: Sicut cervus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 4. Tractus: Sicut cervus Morales, Cristóbal de (ca. 1500–1553) Appears on: 31v–33 Genres: Requiem
33v–35	Missa Requiem (4vv): 4a: Evangelium: Dicit Dominus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 4a: Evangelium: Dicit Dominus Morales, Cristóbal de (ca. 1500–1553) Appears on: 33v–35 Genres: Requiem
35v–37	Missa Requiem (4vv): 5. Motette Si ambulavero	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 5. Motette Si ambulavero Morales, Cristóbal de (ca. 1500–1553) Appears on: 35v–37 Genres: Motet, Requiem
37v–41	Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces Morales, Cristóbal de (ca. 1500–1553) Appears on: 37v–41 Genres: Offertory, Requiem
41v–43	Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus Morales, Cristóbal de (ca. 1500–1553) Appears on: 41v–43 Genres: Requiem, Sanctus [& Benedictus]
43v–44	Missa Requiem (4vv): 8. Agnus Dei	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 8. Agnus Dei Morales, Cristóbal de (ca. 1500–1553) Appears on: 43v–44 Genres: Agnus Dei, Requiem
44v–46	Missa Requiem (4vv): 9. Communio: Lux aeterna	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 9. Communio: Lux aeterna Morales, Cristóbal de (ca. 1500–1553) Appears on: 44v–46 Genres: Communion, Requiem
46v–47	Missa Requiem (4vv): 9a. Communio: Absolve Domine	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 9a. Communio: Absolve Domine Morales, Cristóbal de (ca. 1500–1553) Appears on: 46v–47 Genres: Requiem
47v–49	O magnum mysterium	-	Morales, Cristóbal de (ca. 1500–1553)
O magnum mysterium Morales, Cristóbal de (ca. 1500–1553) Appears on: 47v–49 Genres: Motet
49v–51	Veni Domine et noli tardare (4vv)	-	Morales, Cristóbal de (ca. 1500–1553)
Veni Domine et noli tardare (4vv) Morales, Cristóbal de (ca. 1500–1553) Appears on: 49v–51 Genres: Motet Concordances Fuenllana 'Orphenica lyra' lxvi-lxvii Not the same as the 2-part motet in Capp Sist 19?
51v–53	Inter vestibulum et altare	-	Morales, Cristóbal de (ca. 1500–1553)
Inter vestibulum et altare Morales, Cristóbal de (ca. 1500–1553) Appears on: 51v–53 Genres: Motet Concordances Also in Capp Sist 484-487, ff. 42v-43
53v–55	Simile est regnum - 1a pars (of 2): Simile est regnum celorum	-	Morales, Cristóbal de (ca. 1500–1553)
Simile est regnum - 1a pars (of 2): Simile est regnum celorum Morales, Cristóbal de (ca. 1500–1553) Appears on: 53v–55 Genres: Motet Concordances also in Granada s.s., no 237 'Morales'
55v–56	Simile est regnum - 2a pars (of 2): Cum sero autem	-	Morales, Cristóbal de (ca. 1500–1553)
Simile est regnum - 2a pars (of 2): Cum sero autem Morales, Cristóbal de (ca. 1500–1553) Appears on: 55v–56 Genres: Motet
56v–58	In illo tempore assumpsit Jesus duodecim discipulos	-	Morales, Cristóbal de (ca. 1500–1553)
In illo tempore assumpsit Jesus duodecim discipulos Morales, Cristóbal de (ca. 1500–1553) Appears on: 56v–58 Genres: Motet Concordances Granada s.s., no. 238
56v–60	Accepit Jesus panes	-	Morales, Cristóbal de (ca. 1500–1553)
Accepit Jesus panes Morales, Cristóbal de (ca. 1500–1553) Appears on: 56v–60 Genres: Motet
60v–66	Te Deum	-	Morales, Cristóbal de (ca. 1500–1553)
Te Deum Morales, Cristóbal de (ca. 1500–1553) Appears on: 60v–66 Genres: Hymn, Te Deum Concordances = Granada s.s., no. 207 'Morales' = Montserrat 752, ff. 11v-20
67v–69	Salve regina II	-	Guerrero, Francisco
Salve regina II Guerrero, Francisco Appears on: 67v–69 Genres: Motet, Salve Regina
69v–70	[fragment, untexted]	-	Anonymous
[fragment, untexted] Anonymous Appears on: 69v–70 General Note unfinished Sup & Altus parts, Bassus fragment
70v–74	Lamentations (Maundy Thursday) - 1a pars (of 5): Et factum est postquam in captivitas	Cevallos	Ceballos, Rodrigo de (ca. 1525–1581)
Lamentations (Maundy Thursday) - 1a pars (of 5): Et factum est postquam in captivitas Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 70v–74 Genres: Lamentations Source Attribution: Cevallos
70v–74	Lamentations (Maundy Thursday) - 2a pars (of 5): Aleph, Quo modo sedet sola	-	Ceballos, Rodrigo de (ca. 1525–1581)
Lamentations (Maundy Thursday) - 2a pars (of 5): Aleph, Quo modo sedet sola Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 70v–74 Genres: Lamentations
70v–74	Lamentations (Maundy Thursday) - 3a pars (of 5): Beth, Plorans ploravit	-	Ceballos, Rodrigo de (ca. 1525–1581)
Lamentations (Maundy Thursday) - 3a pars (of 5): Beth, Plorans ploravit Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 70v–74 Genres: Lamentations
70v–74	Lamentations (Maundy Thursday) - 4a pars (of 5): Gimel, Migravit Juda	-	Ceballos, Rodrigo de (ca. 1525–1581)
Lamentations (Maundy Thursday) - 4a pars (of 5): Gimel, Migravit Juda Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 70v–74 Genres: Lamentations
70v–74	Lamentations (Maundy Thursday) - 5a pars (of 5): Jerusalem convertere as Dominum	-	Ceballos, Rodrigo de (ca. 1525–1581)
Lamentations (Maundy Thursday) - 5a pars (of 5): Jerusalem convertere as Dominum Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 70v–74 Genres: Lamentations
74v–78	Lamentations (Good Friday) - 1a pars (of 4): Aleph, Quo modo obtenui caligini	(anon) (=Ceballos?)	Ceballos, Rodrigo de (ca. 1525–1581) (?)
Lamentations (Good Friday) - 1a pars (of 4): Aleph, Quo modo obtenui caligini Ceballos, Rodrigo de (ca. 1525–1581) (?) Appears on: 74v–78 Genres: Lamentations Source Attribution: (anon) (=Ceballos?)
74v–78	Lamentations (Good Friday) - 2a pars (of 4): Beth, Precipitavit Dominus	-	Ceballos, Rodrigo de (ca. 1525–1581) (?)
Lamentations (Good Friday) - 2a pars (of 4): Beth, Precipitavit Dominus Ceballos, Rodrigo de (ca. 1525–1581) (?) Appears on: 74v–78 Genres: Lamentations
74v–78	Lamentations (Good Friday) - 3a pars (of 4): Gimel, Confregit in ira	-	Ceballos, Rodrigo de (ca. 1525–1581) (?)
Lamentations (Good Friday) - 3a pars (of 4): Gimel, Confregit in ira Ceballos, Rodrigo de (ca. 1525–1581) (?) Appears on: 74v–78 Genres: Lamentations
74v–78	Lamentations (Good Friday) - 4a pars (of 4): Jerusalem convertere	-	Ceballos, Rodrigo de (ca. 1525–1581) (?)
Lamentations (Good Friday) - 4a pars (of 4): Jerusalem convertere Ceballos, Rodrigo de (ca. 1525–1581) (?) Appears on: 74v–78 Genres: Lamentations
78v–79	Christus natus est	-	Anonymous
Christus natus est Anonymous Appears on: 78v–79 Genres: Antiphon
79v–80	Christe redemptor omnium	-	Anonymous
Christe redemptor omnium Anonymous Appears on: 79v–80 Genres: Hymn
80v–81	[Hostis Herodes] Ibant magi quam viderant	-	Anonymous
[Hostis Herodes] Ibant magi quam viderant Anonymous Appears on: 80v–81 Genres: Hymn
81v–82	[Jesu nostra redemptio] Quae te vicit clementia	-	Anonymous
[Jesu nostra redemptio] Quae te vicit clementia Anonymous Appears on: 81v–82 Genres: Hymn
82v–83	Veni creator spiritus	-	Anonymous
Veni creator spiritus Anonymous Appears on: 82v–83 Genres: Hymn
83v–84	[textless paraphrase of preceding Veni creator]	-	Anonymous
[textless paraphrase of preceding Veni creator] Anonymous Appears on: 83v–84
84v–85	Quia visi .... [fragments]	-	Anonymous
Quia visi .... [fragments] Anonymous Appears on: 84v–85 Genres: fragment
85v–86	Sicut locutus est [fragments]	(2 settings?)	Anonymous
Sicut locutus est [fragments] Anonymous Appears on: 85v–86 Genres: fragment Source Attribution: (2 settings?)
86v–90	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 86v–90
90v–91	Lumen ad revelationem - Nunc dimittis	-	Anonymous
Lumen ad revelationem - Nunc dimittis Anonymous Appears on: 90v–91 Genres: Antiphon
91v	Pis no my voy venir	-	Anonymous
Pis no my voy venir Anonymous Appears on: 91v Genres: Text only
92	Sit nomen Domini - Gloria Patri	-	Anonymous
Sit nomen Domini - Gloria Patri Anonymous Appears on: 92 Genres: Antiphon General Note incomplete - A-T-B only
92v–93	[Lauda Jerusalem] (v6) Mittet cristalum	-	Anonymous
[Lauda Jerusalem] (v6) Mittet cristalum Anonymous Appears on: 92v–93 Genres: Psalm
93v–94	[Dixit Dominus] Donec ponam (vv. 2, 5, 7 & Gloria Patri)	-	Anonymous
[Dixit Dominus] Donec ponam (vv. 2, 5, 7 & Gloria Patri) Anonymous Appears on: 93v–94 Genres: Psalm
94v–96	[exercises?]	-	Anonymous
[exercises?] Anonymous Appears on: 94v–96 Genres: textless
95v–96	Et incarnatus Alternatim	-	Anonymous
Et incarnatus Alternatim Anonymous Appears on: 95v–96 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et incarnatus (Alternatim)

Composer	Compositions
Anonymous	Christe redemptor omnium – 79v–80 Christus natus est – 78v–79 Et incarnatus Alternatim – 95v–96 Lumen ad revelationem - Nunc dimittis – 90v–91 Pis no my voy venir – 91v Quia visi .... [fragments] – 84v–85 Sicut locutus est [fragments] – 85v–86 Sit nomen Domini - Gloria Patri – 92 Veni creator spiritus – 82v–83 [Dixit Dominus] Donec ponam (vv. 2, 5, 7 & Gloria Patri) – 93v–94 [Hostis Herodes] Ibant magi quam viderant – 80v–81 [Jesu nostra redemptio] Quae te vicit clementia – 81v–82 [Lauda Jerusalem] (v6) Mittet cristalum – 92v–93 [exercises?] – 94v–96 [fragment, untexted] – 69v–70 [textless paraphrase of preceding Veni creator] – 83v–84 [untexted] – 86v–90
Ceballos, Rodrigo de (ca. 1525–1581)	(?) Lamentations (Good Friday) - 1a pars (of 4): Aleph, Quo modo obtenui caligini – 74v–78 (?) Lamentations (Good Friday) - 2a pars (of 4): Beth, Precipitavit Dominus – 74v–78 (?) Lamentations (Good Friday) - 3a pars (of 4): Gimel, Confregit in ira – 74v–78 (?) Lamentations (Good Friday) - 4a pars (of 4): Jerusalem convertere – 74v–78 Lamentations (Maundy Thursday) - 1a pars (of 5): Et factum est postquam in captivitas – 70v–74 Lamentations (Maundy Thursday) - 2a pars (of 5): Aleph, Quo modo sedet sola – 70v–74 Lamentations (Maundy Thursday) - 3a pars (of 5): Beth, Plorans ploravit – 70v–74 Lamentations (Maundy Thursday) - 4a pars (of 5): Gimel, Migravit Juda – 70v–74 Lamentations (Maundy Thursday) - 5a pars (of 5): Jerusalem convertere as Dominum – 70v–74
Guerrero, Francisco	Salve regina II – 67v–69
Morales, Cristóbal de (ca. 1500–1553)	Accepit Jesus panes – 56v–60 In illo tempore assumpsit Jesus duodecim discipulos – 56v–58 Inter vestibulum et altare – 51v–53 Invitatorium pro defunctis: ii. Venit exultemus – 0v–1 Invitatorium pro defunctis: iii. Quoniam Deus – 1v–2 Invitatorium pro defunctis: iv. Quoniam ipsius – 2v–3 Invitatorium pro defunctis: v. Hodie si vocem – 3v–4 Invitatorium pro defunctis: vi. Quadraginta annis – 4v–5 Invitatorium pro defunctis: vii. Requiem aeternam – 5v–6 Invitatorium pro defunctis: viii. Regem cui – 5v–6 Invitatorium pro defunctis: viii. Regem cui – 0v–1 Manus tuae Domine fecerunt (4vv) – 10v–12 Manus tuae Domine fecerunt me (5vv) – 20v–23 Missa Requiem (4vv): 1. Introitus: Requiem aeternam – 23v–25 Missa Requiem (4vv): 2. Kyrie – 25v–26 Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine – 26v–28 Missa Requiem (4vv): 3a. Tractus: De profundis – 28v–31 Missa Requiem (4vv): 4. Tractus: Sicut cervus – 31v–33 Missa Requiem (4vv): 4a: Evangelium: Dicit Dominus – 33v–35 Missa Requiem (4vv): 5. Motette Si ambulavero – 35v–37 Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces – 37v–41 Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus – 41v–43 Missa Requiem (4vv): 8. Agnus Dei – 43v–44 Missa Requiem (4vv): 9. Communio: Lux aeterna – 44v–46 Missa Requiem (4vv): 9a. Communio: Absolve Domine – 46v–47 O magnum mysterium – 47v–49 Parce mihi Domine – 6v–8 Parce mihi Domine (II) - 1a pars (of 2): Parce mihi Domine – 12v–14 Parce mihi Domine (II) - 2a pars (of 2): Quid faciam tibi – 14v–16 Simile est regnum - 1a pars (of 2): Simile est regnum celorum – 53v–55 Simile est regnum - 2a pars (of 2): Cum sero autem – 55v–56 Taedet animam (I) – 8v–10 Taedet animam meam (II) - 1a pars (of 2): Taedet animam meam – 16v–18 Taedet animam meam (II) - 2a pars (of 2): Num quid oculi carne – 18v–20 Te Deum – 60v–66 Veni Domine et noli tardare (4vv) – 49v–51

Composition	Composers (? Uncertain)	Folios / Pages
[Dixit Dominus] Donec ponam (vv. 2, 5, 7 & Gloria Patri)	Anonymous	93v–94
[exercises?]	Anonymous	94v–96
[fragment, untexted]	Anonymous	69v–70
[Hostis Herodes] Ibant magi quam viderant	Anonymous	80v–81
[Jesu nostra redemptio] Quae te vicit clementia	Anonymous	81v–82
[Lauda Jerusalem] (v6) Mittet cristalum	Anonymous	92v–93
[textless paraphrase of preceding Veni creator]	Anonymous	83v–84
[untexted]	Anonymous	86v–90
Accepit Jesus panes	Morales, Cristóbal de (ca. 1500–1553)	56v–60
Christe redemptor omnium	Anonymous	79v–80
Christus natus est	Anonymous	78v–79
Et incarnatus Alternatim	Anonymous	95v–96
In illo tempore assumpsit Jesus duodecim discipulos	Morales, Cristóbal de (ca. 1500–1553)	56v–58
Inter vestibulum et altare	Morales, Cristóbal de (ca. 1500–1553)	51v–53
Invitatorium pro defunctis: ii. Venit exultemus	Morales, Cristóbal de (ca. 1500–1553)	0v–1
Invitatorium pro defunctis: iii. Quoniam Deus	Morales, Cristóbal de (ca. 1500–1553)	1v–2
Invitatorium pro defunctis: iv. Quoniam ipsius	Morales, Cristóbal de (ca. 1500–1553)	2v–3
Invitatorium pro defunctis: v. Hodie si vocem	Morales, Cristóbal de (ca. 1500–1553)	3v–4
Invitatorium pro defunctis: vi. Quadraginta annis	Morales, Cristóbal de (ca. 1500–1553)	4v–5
Invitatorium pro defunctis: vii. Requiem aeternam	Morales, Cristóbal de (ca. 1500–1553)	5v–6
Invitatorium pro defunctis: viii. Regem cui	Morales, Cristóbal de (ca. 1500–1553)	0v–1
Invitatorium pro defunctis: viii. Regem cui	Morales, Cristóbal de (ca. 1500–1553)	5v–6
Lamentations (Good Friday) - 1a pars (of 4): Aleph, Quo modo obtenui caligini	Ceballos, Rodrigo de (ca. 1525–1581) (?)	74v–78
Lamentations (Good Friday) - 2a pars (of 4): Beth, Precipitavit Dominus	Ceballos, Rodrigo de (ca. 1525–1581) (?)	74v–78
Lamentations (Good Friday) - 3a pars (of 4): Gimel, Confregit in ira	Ceballos, Rodrigo de (ca. 1525–1581) (?)	74v–78
Lamentations (Good Friday) - 4a pars (of 4): Jerusalem convertere	Ceballos, Rodrigo de (ca. 1525–1581) (?)	74v–78
Lamentations (Maundy Thursday) - 1a pars (of 5): Et factum est postquam in captivitas	Ceballos, Rodrigo de (ca. 1525–1581)	70v–74
Lamentations (Maundy Thursday) - 2a pars (of 5): Aleph, Quo modo sedet sola	Ceballos, Rodrigo de (ca. 1525–1581)	70v–74
Lamentations (Maundy Thursday) - 3a pars (of 5): Beth, Plorans ploravit	Ceballos, Rodrigo de (ca. 1525–1581)	70v–74
Lamentations (Maundy Thursday) - 4a pars (of 5): Gimel, Migravit Juda	Ceballos, Rodrigo de (ca. 1525–1581)	70v–74
Lamentations (Maundy Thursday) - 5a pars (of 5): Jerusalem convertere as Dominum	Ceballos, Rodrigo de (ca. 1525–1581)	70v–74
Lumen ad revelationem - Nunc dimittis	Anonymous	90v–91
Manus tuae Domine fecerunt (4vv)	Morales, Cristóbal de (ca. 1500–1553)	10v–12
Manus tuae Domine fecerunt me (5vv)	Morales, Cristóbal de (ca. 1500–1553)	20v–23
Missa Requiem (4vv): 1. Introitus: Requiem aeternam	Morales, Cristóbal de (ca. 1500–1553)	23v–25
Missa Requiem (4vv): 2. Kyrie	Morales, Cristóbal de (ca. 1500–1553)	25v–26
Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine	Morales, Cristóbal de (ca. 1500–1553)	26v–28
Missa Requiem (4vv): 3a. Tractus: De profundis	Morales, Cristóbal de (ca. 1500–1553)	28v–31
Missa Requiem (4vv): 4. Tractus: Sicut cervus	Morales, Cristóbal de (ca. 1500–1553)	31v–33
Missa Requiem (4vv): 4a: Evangelium: Dicit Dominus	Morales, Cristóbal de (ca. 1500–1553)	33v–35
Missa Requiem (4vv): 5. Motette Si ambulavero	Morales, Cristóbal de (ca. 1500–1553)	35v–37
Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces	Morales, Cristóbal de (ca. 1500–1553)	37v–41
Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus	Morales, Cristóbal de (ca. 1500–1553)	41v–43
Missa Requiem (4vv): 8. Agnus Dei	Morales, Cristóbal de (ca. 1500–1553)	43v–44
Missa Requiem (4vv): 9. Communio: Lux aeterna	Morales, Cristóbal de (ca. 1500–1553)	44v–46
Missa Requiem (4vv): 9a. Communio: Absolve Domine	Morales, Cristóbal de (ca. 1500–1553)	46v–47
O magnum mysterium	Morales, Cristóbal de (ca. 1500–1553)	47v–49
Parce mihi Domine	Morales, Cristóbal de (ca. 1500–1553)	6v–8
Parce mihi Domine (II) - 1a pars (of 2): Parce mihi Domine	Morales, Cristóbal de (ca. 1500–1553)	12v–14
Parce mihi Domine (II) - 2a pars (of 2): Quid faciam tibi	Morales, Cristóbal de (ca. 1500–1553)	14v–16
Pis no my voy venir	Anonymous	91v
Quia visi .... [fragments]	Anonymous	84v–85
Salve regina II	Guerrero, Francisco	67v–69
Sicut locutus est [fragments]	Anonymous	85v–86
Simile est regnum - 1a pars (of 2): Simile est regnum celorum	Morales, Cristóbal de (ca. 1500–1553)	53v–55
Simile est regnum - 2a pars (of 2): Cum sero autem	Morales, Cristóbal de (ca. 1500–1553)	55v–56
Sit nomen Domini - Gloria Patri	Anonymous	92
Taedet animam (I)	Morales, Cristóbal de (ca. 1500–1553)	8v–10
Taedet animam meam (II) - 1a pars (of 2): Taedet animam meam	Morales, Cristóbal de (ca. 1500–1553)	16v–18
Taedet animam meam (II) - 2a pars (of 2): Num quid oculi carne	Morales, Cristóbal de (ca. 1500–1553)	18v–20
Te Deum	Morales, Cristóbal de (ca. 1500–1553)	60v–66
Veni creator spiritus	Anonymous	82v–83
Veni Domine et noli tardare (4vv)	Morales, Cristóbal de (ca. 1500–1553)	49v–51

‡ denotes primary source study

López Calo, S.J., José. 2007. La música en la Catedral de Valladolid (8 vols.). Valladolid: Ayuntamiento de Valladolid. Pages: v.1 p.251. Notes: physical description; contents list.

Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 9-49. Notes: physical description; contents list; concordances; incipits (partial); transcription (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-V 21

Catedral Metropolitana, Archivo de Música, Valladolid, Spain

manuscript of polyphony: Late 16th century

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Census Catalogue of Music Description

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