I-TVd 35

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: Third quarter of 16th century

Archive	Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark	35
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Other Identifiers	CCM: TrevBC 35
Notations	black void mensural
Relationships	Treviso Cathedral (owner) Lancenigo, Nicolo (owner) Treviso Cathedral (copied at) d'Alessi, Giovanni (1884–1969) (saw and described MS)
Provenance	Treviso, Italy
Contents	27 pieces from 5 composers Contains 1 uninventoried works or miscellaneous sections.

General Description

Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Copied in Treviso. Owned by Nicolò Lancenigo of Treviso; passed to chapter library upon Lancenigo's death in 1607 (AlesT). No further physical description available.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

(date 1554 in manuscript)

DIAMM, 2017

Foliation

some pages apparently left blank; and some pieces left unfinished (or incompletely copied?)

DIAMM, 2020

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Magnificat, 16 motets, 8 Italian secular pieces, 1 textless piece =27

Barra [Hotiner Barta]-1, (Lassus?)-1, Nasco-9, Olivetus-1 + 1?, Willaert-1, anon-13

Ca. 35 paper folios. No further physical description available.

Third quarter of 16th century (date 1554 in manuscript). Copied in Treviso. Owned by Nicolò Lancenigo of Treviso; passed to chapter library upon Lancenigo's death in 1607 (AlesT). Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.

Known compositions

Composition	Composers (? Uncertain)	Folios / Pages	Source Attribution
[untexted]	Anonymous	6v	-
Adoramus te	Anonymous	28v–29	-
Ante thronum Trinitatis	Anonymous	21–22v	-
Ave virgo ... fra le donne	Nasco, Jan	0v–1	Jo Nasco
Che t'haggio fatto che m'hai tolto il core	Nasco, Jan	31v–32	Jo Nasco
Christus resurgens	Anonymous	18v–19	-
Da poi che sotto 'l ciel	Anonymous	24v–25	-
Dolce mese di maggio II: Dolce mese III: Dolce mese	Anonymous	22v–24	-
Hodie Simon Petrus II: Hodie Paulus apostolus	Anonymous	1v–2	-
In manus tuas Domine	Willaert, Adrian (ca. 1490–1562)	11v–13	Adrian Willaert
Innocentes pro Christo	Nasco, Jan	27v–28	Jo Nasco
Laetatus sum II: Rogate quae ad pacem	Anonymous	4v–6	-
Madona quando più strazi	Nasco, Jan	32v–33	Jo Nasco
Madonna mia pieta	Anonymous	34v–35	-
Magnificat Secundi Toni: Et exultavit [K.612]	Barra, Hotinet (fl. 1510-23)	19v–21	Hotiner Barra (sic)
Messa sopra la Gerometa	Nasco, Jan	14v–18	Jo Nasco
Misit Herodes manus II: Petrus autem ad se eversus	Anonymous	2v–3	-
O inestimabile sacramentum	Anonymous	27v–28	-
O salutaris	Nasco, Jan	27v–28	Jo Nasco
Popule meus	Anonymous	9v–10	-
Se quant' in voi	Nasco, Jan (?)	33v–34	-
Se ti piace o madonna	Nasco, Jan	32v–33	Jo Nasco
Senza di voi veder	Nasco, Jan	33v–34	Jo Nasco
Sepulto Domino	Olivetus, Nicolaus	10v–11	Nic Olivetus
Tantum ergo	Nasco, Jan	28v–29	Jo Nasco
Triburarer si nescirem II: Secundum multitudinem	Anonymous	13v–14	-
Virgo clemens II: Gloriosa Dei Mater III: Virgo Mater	Nasco, Jan	3v–4	Jo Nasco

Known composers

Composers (? Uncertain)	Folios / Pages	Item title	Attribution in Source
Works by Lassus, Orlande de (ca. 1532–1594) (?)	[-]	-	-

Composer	Compositions
Anonymous	Adoramus te – 28v–29 Ante thronum Trinitatis – 21–22v Christus resurgens – 18v–19 Da poi che sotto 'l ciel – 24v–25 Dolce mese di maggio II: Dolce mese III: Dolce mese – 22v–24 Hodie Simon Petrus II: Hodie Paulus apostolus – 1v–2 Laetatus sum II: Rogate quae ad pacem – 4v–6 Madonna mia pieta – 34v–35 Misit Herodes manus II: Petrus autem ad se eversus – 2v–3 O inestimabile sacramentum – 27v–28 Popule meus – 9v–10 Triburarer si nescirem II: Secundum multitudinem – 13v–14 [untexted] – 6v
Barra, Hotinet (fl. 1510-23)	Magnificat Secundi Toni: Et exultavit [K.612] – 19v–21
Nasco, Jan	Ave virgo ... fra le donne – 0v–1 Che t'haggio fatto che m'hai tolto il core – 31v–32 Innocentes pro Christo – 27v–28 Madona quando più strazi – 32v–33 Messa sopra la Gerometa – 14v–18 O salutaris – 27v–28 (?) Se quant' in voi – 33v–34 Se ti piace o madonna – 32v–33 Senza di voi veder – 33v–34 Tantum ergo – 28v–29 Virgo clemens II: Gloriosa Dei Mater III: Virgo Mater – 3v–4
Olivetus, Nicolaus	Sepulto Domino – 10v–11
Willaert, Adrian (ca. 1490–1562)	In manus tuas Domine – 11v–13

Composition	Composers (? Uncertain)	Folios / Pages
[untexted]	Anonymous	6v
Adoramus te	Anonymous	28v–29
Ante thronum Trinitatis	Anonymous	21–22v
Ave virgo ... fra le donne	Nasco, Jan	0v–1
Che t'haggio fatto che m'hai tolto il core	Nasco, Jan	31v–32
Christus resurgens	Anonymous	18v–19
Da poi che sotto 'l ciel	Anonymous	24v–25
Dolce mese di maggio II: Dolce mese III: Dolce mese	Anonymous	22v–24
Hodie Simon Petrus II: Hodie Paulus apostolus	Anonymous	1v–2
In manus tuas Domine	Willaert, Adrian (ca. 1490–1562)	11v–13
Innocentes pro Christo	Nasco, Jan	27v–28
Laetatus sum II: Rogate quae ad pacem	Anonymous	4v–6
Madona quando più strazi	Nasco, Jan	32v–33
Madonna mia pieta	Anonymous	34v–35
Magnificat Secundi Toni: Et exultavit [K.612]	Barra, Hotinet (fl. 1510-23)	19v–21
Messa sopra la Gerometa	Nasco, Jan	14v–18
Misit Herodes manus II: Petrus autem ad se eversus	Anonymous	2v–3
O inestimabile sacramentum	Anonymous	27v–28
O salutaris	Nasco, Jan	27v–28
Popule meus	Anonymous	9v–10
Se quant' in voi	Nasco, Jan (?)	33v–34
Se ti piace o madonna	Nasco, Jan	32v–33
Senza di voi veder	Nasco, Jan	33v–34
Sepulto Domino	Olivetus, Nicolaus	10v–11
Tantum ergo	Nasco, Jan	28v–29
Triburarer si nescirem II: Secundum multitudinem	Anonymous	13v–14
Virgo clemens II: Gloriosa Dei Mater III: Virgo Mater	Nasco, Jan	3v–4

‡ denotes primary source study

Maas, Chris J. 1968. Determinering van Codex 73 uit de Illustre Lieve Vrouwe Broederschap te's Hertogenbosch. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 37-45. Pages: 44 [erroneously referred to as MS 25]. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 170 [erroneously referred to as MS 25]. Notes: contents list (partial); concordances (partial); incipits (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso. Vedelago (Treviso). Pages: 183-5, 215, 218. Notes: mention of MS; contents list (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description