I-TVd 35

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: Third quarter of 16th century

Archive	Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark	35
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Other Identifiers	CCM: TrevBC 35
Notations	black void mensural
Relationships	Treviso Cathedral (owner) Lancenigo, Nicolo (owner) Treviso Cathedral (copied at) d'Alessi, Giovanni (1884–1969) (saw and described MS)
Provenance	Treviso, Italy
Contents	Contains 27 compositions, 14 from 4 composers, 13 are anonymous.

General Description

Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Copied in Treviso. Owned by Nicolò Lancenigo of Treviso; passed to chapter library upon Lancenigo's death in 1607 (AlesT). No further physical description available.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

(date 1554 in manuscript)

DIAMM, 2017

Foliation

some pages apparently left blank; and some pieces left unfinished (or incompletely copied?)

DIAMM, 2020

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Magnificat, 16 motets, 8 Italian secular pieces, 1 textless piece =27

Barra [Hotiner Barta]-1, (Lassus?)-1, Nasco-9, Olivetus-1 + 1?, Willaert-1, anon-13

Ca. 35 paper folios. No further physical description available.

Third quarter of 16th century (date 1554 in manuscript). Copied in Treviso. Owned by Nicolò Lancenigo of Treviso; passed to chapter library upon Lancenigo's death in 1607 (AlesT). Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
0v–1	Ave virgo ... fra le donne	4	Jo Nasco	Nasco, Jan
Ave virgo ... fra le donne Nasco, Jan Appears on: 0v–1 Genres: Chanson, Motet Source Attribution: Jo Nasco Number of voices: 4
1v–2	Hodie Simon Petrus II: Hodie Paulus apostolus	4	-	Anonymous
Hodie Simon Petrus II: Hodie Paulus apostolus Anonymous Appears on: 1v–2 Genres: Motet Number of voices: 4
2v–3	Misit Herodes manus II: Petrus autem ad se eversus	4	-	Anonymous
Misit Herodes manus II: Petrus autem ad se eversus Anonymous Appears on: 2v–3 Genres: Motet Number of voices: 4
3v–4	Virgo clemens II: Gloriosa Dei Mater III: Virgo Mater	3-4	Jo Nasco	Nasco, Jan
Virgo clemens II: Gloriosa Dei Mater III: Virgo Mater Nasco, Jan Appears on: 3v–4 Genres: Motet Source Attribution: Jo Nasco Number of voices: 3-4
4v–6	Laetatus sum II: Rogate quae ad pacem	4	-	Anonymous
Laetatus sum II: Rogate quae ad pacem Anonymous Appears on: 4v–6 Genres: Motet Number of voices: 4
6v	[untexted]	2 of 4?	-	Anonymous
[untexted] Anonymous Appears on: 6v Genres: textless Number of voices: 2 of 4? General Note incomplete: Cantus & Tenor have music, the page for Altus & Bassus is blank
9v–10	Popule meus	4	-	Anonymous
Popule meus Anonymous Appears on: 9v–10 Genres: Motet Number of voices: 4 General Note with 12 short verses of text
10v–11	Sepulto Domino	4	Nic Olivetus	Olivetus, Nicolaus
Sepulto Domino Olivetus, Nicolaus Appears on: 10v–11 Genres: Motet Source Attribution: Nic Olivetus Number of voices: 4
11v–13	In manus tuas Domine	4	Adrian Willaert	Willaert, Adrian (ca. 1490–1562)
In manus tuas Domine Willaert, Adrian (ca. 1490–1562) Appears on: 11v–13 Genres: Responsory Source Attribution: Adrian Willaert Number of voices: 4
13v–14	Triburarer si nescirem II: Secundum multitudinem	4	-	Anonymous
Triburarer si nescirem II: Secundum multitudinem Anonymous Appears on: 13v–14 Genres: Motet Number of voices: 4
14v–18	Messa sopra la Gerometa	4	Jo Nasco	Nasco, Jan
Messa sopra la Gerometa Nasco, Jan Appears on: 14v–18 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Jo Nasco Number of voices: 4
18v–19	Christus resurgens	4	-	Anonymous
Christus resurgens Anonymous Appears on: 18v–19 Genres: Motet Number of voices: 4
19v–21	Magnificat Secundi Toni: Et exultavit [K.612]	4?	Hotiner Barra (sic)	Barra, Hotinet (fl. 1510-23)
Magnificat Secundi Toni: Et exultavit [K.612] Barra, Hotinet (fl. 1510-23) Appears on: 19v–21 Genres: BVM, Canticle, Magnificat Source Attribution: Hotiner Barra (sic) Number of voices: 4? General Note incomplete: Cantus & Tenor have music, the remainder is blank
21–22v	Ante thronum Trinitatis	4	-	Anonymous
Ante thronum Trinitatis Anonymous Appears on: 21–22v Genres: Motet Number of voices: 4
22v–24	Dolce mese di maggio II: Dolce mese III: Dolce mese	4?	-	Anonymous
Dolce mese di maggio II: Dolce mese III: Dolce mese Anonymous Appears on: 22v–24 Genres: Madrigal (Italian) Number of voices: 4? General Note only the Bassus has music; the other parts have blank staves
24v–25	Da poi che sotto 'l ciel	4?	-	Anonymous
Da poi che sotto 'l ciel Anonymous Appears on: 24v–25 Genres: Madrigal (Italian) Number of voices: 4? General Note INcomplete: Cantus part blank. All parts end with indication for a 2a pars, which was not copied.
27v–28	O salutaris	4	Jo Nasco	Nasco, Jan
O salutaris Nasco, Jan Appears on: 27v–28 Genres: Motet Source Attribution: Jo Nasco Number of voices: 4
27v–28	Innocentes pro Christo	4	Jo Nasco	Nasco, Jan
Innocentes pro Christo Nasco, Jan Appears on: 27v–28 Genres: Motet Source Attribution: Jo Nasco Number of voices: 4
27v–28	O inestimabile sacramentum	4	-	Anonymous
O inestimabile sacramentum Anonymous Appears on: 27v–28 Genres: Motet Number of voices: 4
28v–29	Tantum ergo	4	Jo Nasco	Nasco, Jan
Tantum ergo Nasco, Jan Appears on: 28v–29 Genres: Motet Source Attribution: Jo Nasco Number of voices: 4
28v–29	Adoramus te	4	-	Anonymous
Adoramus te Anonymous Appears on: 28v–29 Genres: Motet Number of voices: 4
31v–32	Che t'haggio fatto che m'hai tolto il core	4	Jo Nasco	Nasco, Jan
Che t'haggio fatto che m'hai tolto il core Nasco, Jan Appears on: 31v–32 Source Attribution: Jo Nasco Number of voices: 4
32v–33	Se ti piace o madonna	4	Jo Nasco	Nasco, Jan
Se ti piace o madonna Nasco, Jan Appears on: 32v–33 Genres: Madrigal (Italian) Source Attribution: Jo Nasco Number of voices: 4
32v–33	Madona quando più strazi	4	Jo Nasco	Nasco, Jan
Madona quando più strazi Nasco, Jan Appears on: 32v–33 Genres: Madrigal (Italian) Source Attribution: Jo Nasco Number of voices: 4
33v–34	Senza di voi veder	4	Jo Nasco	Nasco, Jan
Senza di voi veder Nasco, Jan Appears on: 33v–34 Genres: Madrigal (Italian) Source Attribution: Jo Nasco Number of voices: 4
33v–34	Se quant' in voi	4	-	Nasco, Jan (?)
Se quant' in voi Nasco, Jan (?) Appears on: 33v–34 Genres: Madrigal (Italian) Number of voices: 4 General Note anonymous in manuscript but Alessi suggests it is perhaps, like the other one on this page, by Nasco
34v–35	Madonna mia pieta	4	-	Anonymous
Madonna mia pieta Anonymous Appears on: 34v–35 Genres: Madrigal (Italian) Number of voices: 4

Composer	Compositions
Anonymous	Adoramus te – 28v–29 Ante thronum Trinitatis – 21–22v Christus resurgens – 18v–19 Da poi che sotto 'l ciel – 24v–25 Dolce mese di maggio II: Dolce mese III: Dolce mese – 22v–24 Hodie Simon Petrus II: Hodie Paulus apostolus – 1v–2 Laetatus sum II: Rogate quae ad pacem – 4v–6 Madonna mia pieta – 34v–35 Misit Herodes manus II: Petrus autem ad se eversus – 2v–3 O inestimabile sacramentum – 27v–28 Popule meus – 9v–10 Triburarer si nescirem II: Secundum multitudinem – 13v–14 [untexted] – 6v
Barra, Hotinet (1510-23)	Magnificat Secundi Toni: Et exultavit [K.612] – 19v–21
Nasco, Jan	Ave virgo ... fra le donne – 0v–1 Che t'haggio fatto che m'hai tolto il core – 31v–32 Innocentes pro Christo – 27v–28 Madona quando più strazi – 32v–33 Messa sopra la Gerometa – 14v–18 O salutaris – 27v–28 (?) Se quant' in voi – 33v–34 Se ti piace o madonna – 32v–33 Senza di voi veder – 33v–34 Tantum ergo – 28v–29 Virgo clemens II: Gloriosa Dei Mater III: Virgo Mater – 3v–4
Olivetus, Nicolaus	Sepulto Domino – 10v–11
Willaert, Adrian (ca. 1490-1562)	In manus tuas Domine – 11v–13

Composition	Composers (? Uncertain)	Folios / Pages
[untexted]	Anonymous	6v
Adoramus te	Anonymous	28v–29
Ante thronum Trinitatis	Anonymous	21–22v
Ave virgo ... fra le donne	Nasco, Jan	0v–1
Che t'haggio fatto che m'hai tolto il core	Nasco, Jan	31v–32
Christus resurgens	Anonymous	18v–19
Da poi che sotto 'l ciel	Anonymous	24v–25
Dolce mese di maggio II: Dolce mese III: Dolce mese	Anonymous	22v–24
Hodie Simon Petrus II: Hodie Paulus apostolus	Anonymous	1v–2
In manus tuas Domine	Willaert, Adrian (ca. 1490–1562)	11v–13
Innocentes pro Christo	Nasco, Jan	27v–28
Laetatus sum II: Rogate quae ad pacem	Anonymous	4v–6
Madona quando più strazi	Nasco, Jan	32v–33
Madonna mia pieta	Anonymous	34v–35
Magnificat Secundi Toni: Et exultavit [K.612]	Barra, Hotinet (fl. 1510-23)	19v–21
Messa sopra la Gerometa	Nasco, Jan	14v–18
Misit Herodes manus II: Petrus autem ad se eversus	Anonymous	2v–3
O inestimabile sacramentum	Anonymous	27v–28
O salutaris	Nasco, Jan	27v–28
Popule meus	Anonymous	9v–10
Se quant' in voi	Nasco, Jan (?)	33v–34
Se ti piace o madonna	Nasco, Jan	32v–33
Senza di voi veder	Nasco, Jan	33v–34
Sepulto Domino	Olivetus, Nicolaus	10v–11
Tantum ergo	Nasco, Jan	28v–29
Triburarer si nescirem II: Secundum multitudinem	Anonymous	13v–14
Virgo clemens II: Gloriosa Dei Mater III: Virgo Mater	Nasco, Jan	3v–4

‡ denotes primary source study

Maas, Chris J. 1968. Determinering van Codex 73 uit de Illustre Lieve Vrouwe Broederschap te's Hertogenbosch. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 21: 37-45. Pages: 44 [erroneously referred to as MS 25]. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 170 [erroneously referred to as MS 25]. Notes: contents list (partial); concordances (partial); incipits (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso. Vedelago (Treviso). Pages: 183-5, 215, 218. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

I-TVd 35

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: Third quarter of 16th century

General Description

Notation

Date

Foliation

Surface

Census Catalogue of Music Description

General Note

General Note

General Note

General Note

General Note

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017