I-TVd 34

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

partbooks: Late 16th-early 17th century

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 34
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Other Identifiers
  • CCM: TrevBC 34
Notations
  • black void mensural
Relationships
Provenance
Contents 40 pieces from 4 composers Contains 2 uninventoried works or miscellaneous sections.
General Description

Four partbooks. Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Copied by several scribes; the pieces by Dottino in a different hand from the anonymous pieces before and after; the 7 canzonette (34-40), copied in score at the back of the Bassus book only, in a late 17th/early 18th century hand.

Several blank pages after no. 27 before the hymn, Masses and magnificat.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

pieces rather than pages are numbered in Alessi's catalogue

DIAMM, 2020
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, I Mass Proper section, 1 Magnificat, 1 psalm, 25 motets, 6 Italian secular pieces, 1 textless piece, 1 instrumental piece = 38

Dottino-5, (Jaquet of Mantua)-1, (Obrecht/Willaert)-1, (Willaert)-2, anon-29

Al4 paper partbooks. No further physical description available.

Late 16th-early 17th century. Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.

Known compositions

Composition Composers (? Uncertain) Folios / Pages Source Attribution
[Gaudeamus] omnes in Deo Anonymous 28 -
[untexted song] Anonymous 40 -
Ad te Domine preces nostras Anonymous 5 -
Antoni pater inclite Anonymous 12 -
Aspice bone Deus Anonymous 4 -
Ave altum exilium Anonymous 18 -
Ave dolcissime domine Jesu Christe Anonymous 2 -
Ave domina sancta Maria Anonymous 11 -
Ave Maria Anonymous 10 -
Ave regina caelorum Anonymous 7 -
Ave verum corpus Anonymous 16 -
Beata viscera Mariae Anonymous 9 -
Che mai Giova desidera Anonymous 36 -
Confiteor Deo omnipotenti Anonymous 31 -
Congratulamini mihi Anonymous 21 -
Egredimini filiae Sion 23 J. D. (=Johannes (Giovanni) Dottino?)
Io son ferito e pur morir Anonymous 39 -
Magnificat: Et exultavit Anonymous 32 -
Melchisedech rex Anonymous 17 -
Mille dure catene Anonymous 38 -
Missa sine nomine (I) Anonymous 29 -
Missa Sine nomine (II) Anonymous 33 -
O belta piu del sol Anonymous 34 -
O doctor optime 26 J. D. (=Johannes (Giovanni) Dottino?)
O pulcherrima mulierum Anonymous 8 -
O sacrum convivium Anonymous 20 -
Oime quanto mi dol Anonymous 37 -
Pater noster Anonymous 15 -
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis 13 -
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 14 -
Recedentibus discipulis Anonymous 22 -
Recordare virgo mater Anonymous 1 -
ricercare primo tuono 27 J. D. (=Johannes (Giovanni) Dottino?)
Rogamus te sanctissima virgo Anonymous 3 -
Salve corpus Christi Anonymous 19 -
Salve regina Anonymous 30 -
Se voi m'amaster Anonymous 35 -
Si bona suscepimus Anonymous 6 -
Surrexit pastor 25 J. D. (=Johannes (Giovanni) Dottino?)
Vox clamantis in deserto II: Omnis vallis implebitur 24 J. D. (=Johannes (Giovanni) Dottino?)

Known composers

Composers (? Uncertain) Folios / Pages Item title Attribution in Source
Works by [-] - -
Works by [-] - -

Composer Compositions
Anonymous
Dottino, Giovanni
Obrecht, Jacobus (ca. 1457–1505)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[Gaudeamus] omnes in Deo Anonymous 28
[untexted song] Anonymous 40
Ad te Domine preces nostras Anonymous 5
Antoni pater inclite Anonymous 12
Aspice bone Deus Anonymous 4
Ave altum exilium Anonymous 18
Ave dolcissime domine Jesu Christe Anonymous 2
Ave domina sancta Maria Anonymous 11
Ave Maria Anonymous 10
Ave regina caelorum Anonymous 7
Ave verum corpus Anonymous 16
Beata viscera Mariae Anonymous 9
Che mai Giova desidera Anonymous 36
Confiteor Deo omnipotenti Anonymous 31
Congratulamini mihi Anonymous 21
Egredimini filiae Sion 23
Io son ferito e pur morir Anonymous 39
Magnificat: Et exultavit Anonymous 32
Melchisedech rex Anonymous 17
Mille dure catene Anonymous 38
Missa sine nomine (I) Anonymous 29
Missa Sine nomine (II) Anonymous 33
O belta piu del sol Anonymous 34
O doctor optime 26
O pulcherrima mulierum Anonymous 8
O sacrum convivium Anonymous 20
Oime quanto mi dol Anonymous 37
Pater noster Anonymous 15
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis 13
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 14
Recedentibus discipulis Anonymous 22
Recordare virgo mater Anonymous 1
ricercare primo tuono 27
Rogamus te sanctissima virgo Anonymous 3
Salve corpus Christi Anonymous 19
Salve regina Anonymous 30
Se voi m'amaster Anonymous 35
Si bona suscepimus Anonymous 6
Surrexit pastor 25
Vox clamantis in deserto II: Omnis vallis implebitur 24

denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 57. Notes: contents list (partial); concordances (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 139, 152. Notes: mention of MS; contents list (partial); concordances (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 158, 185, 210. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description