I-TVd 30

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

partbooks: Ca. 1570 (NugentJ), with one or more additions in early 17th century

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 30
Image Availability DIAMM does not have images of this source.
Surface Paper
Format portrait
Measurements c. 240 x 170 mm
Other Identifiers
  • CCM: TrevBC 30
Notations
  • black void mensural
Relationships
Provenance
Contents Contains 52 compositions, 49 from 26 composers, 3 are anonymous.
General Description

5 paper partbooks of an original 6 (the Sexta book being lost before 1944). No further physical description available. Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi. A microfilm of some or all of the ms survives, which was made by Jeppesen before the war (Pozzobon 2021).

A note at the end of the Bassus partbook says "Ad clarissimum Jo. Baptistam Contarenum patavii praetorem dignissimum Guglielmus Textoris carceratus" - a plea for release from prison by Testore; its position at the end of the book may imply that Testore was the copyist or presented the collection.

Alessi identified these partbooks with the 'sei libri da motetti, altra volta scritti da messer pre Francisco Santa Croce Maestro de capella' - but this would mean they had been copied by 1551, when Santacroce ceased to be maestro di capella. BlackTrev believes this date too early (particularly for Nasco's works included in the ms, as he succeeded Santacroce) and proposes the early 1570s.

DIAMM, 2026
Notation

black void mensural

DIAMM, 2017
Ruling

9 staves per page - based on the surviving photographs of only some pages

DIAMM, 2020
Foliation

Alessi's catalogue gives each motet (or mass) a number, rather than numbering folios. There are 2 sequences of 20 pieces: '0'-19 ('0' being a piece added later at the beginning of the ms), then II: 1-20

DIAMM, 2020
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 38 motets = 40

I. Alberti-1, Arcadelt-1, Bauldeweyn-1, Contini-1, Cuglias-1, Danckerts-1, Giuston-1, Jaquet of Mantua [Jachet]-2, Jhan of Ferrara [Metre Jan]-3, Josquin-1, Lupus/(Richafort)-1, Menchini-1, Metallo-1, Morales-2, Nasco-1, Portinaro-5, Rore-2, Ruffo-1, Santacroce [Franciscus Patav.]-3, Schaffen-1, Testore-1, Werrecore [Mattias]-1, Willaert-4, anon-3

5 paper partbooks of an original 6. No further physical description available.

Ca. 1570 (NugentJ), with one or more additions in early 17th century. Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Pozzobon, Michele. 2021. Si resurrexistis una cum Christo: un brano inedito di Cipriano de Rore nella Biblioteca Capitolare di Treviso. Rivista italiana di musicologia, 56: 221-238. Notes: description; discussion; edition (partial).

Blackburn, Bonnie J. 1987. Music for Treviso Cathedral in the Late Sixteenth Century: A Reconstruction of the Lost Manuscripts 29 and 30. vi+162. London: Royal Musical Association. Notes: description of ms; contents list; concordances; incipits; discussion; transcriptions (partial).

Owens, Jessie Ann. 1979. An Illuminated Manuscript of Motets by Cipriano de Rore (München, Bayerische Staatsbibliothek, Mus. Ms. B). Princeton University, Unpublished Ph.D. dissertation. Pages: I, 72, 232, 234. Notes: contents list (partial); concordances (partial).

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 75-6, 129-30. Notes: contents list (partial); concordances (partial); incipits (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 139, 155, 197, 383. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 135-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Lockwood, Lewis Henry. 1970. The Counter-Reformation and the Masses of Vincenzo Ruffo.  Venice. Pages: 259. Notes: contents list (partial); concordances (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 185, 209-18. Notes: mention of MS; contents list (partial).

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Jessie Ann Owens

Thursday, 5 March, 2026

Added bibliography entry for Pozzobon 2021 (edition of Rore unicum in this ms), which also notes that a microfiolm of part or the whole of the lost ms survives.

Edward Tambling

Friday, 7 November, 2025

Pointed out that the Missa Surge Petre at II: 18, ascribed to 'Franc. Portina.', is not by Francesco Londariti (as previously stated here) but by Francesco Portinaro – and that it has a concordance in D-Mbs 45.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description