I-TVd 30

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

partbooks: Ca. 1570 (NugentJ), with one or more additions in early 17th century

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 30
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Format portrait
Measurements c. 240 x 170 mm
Other Identifiers
  • CCM: TrevBC 30
Notations
  • black void mensural
Relationships
Provenance
Contents 52 pieces from 27 composers
General Description

5 paper partbooks of an original 6 (the Sexta book being lost before 1944). No further physical description available. Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

A note at the end of the Bassus partbook says "Ad clarissimum Jo. Baptistam Contarenum patavii praetorem dignissimum Guglielmus Textoris carceratus" - a plea for release from prison by Testore; its position at the end of the book may imply that Testore was the copyist or presented the collection.

Alessi identified these partbooks with the 'sei libri da motetti, altra volta scritti da messer pre Francisco Santa Croce Maestro de capella' - but this would mean they had been copied by 1551, when Santacroce ceased to be maestro di capella. BlackTrev believes this date too early (particularly for Nasco's works included in the ms, as he succeeded Santacroce) and proposes the early 1570s.

DIAMM, 2020
Notation

black void mensural

DIAMM, 2017
Ruling

9 staves per page - based on the surviving photographs of only some pages

DIAMM, 2020
Foliation

Alessi's catalogue gives each motet (or mass) a number, rather than numbering folios. There are 2 sequences of 20 pieces: '0'-19 ('0' being a piece added later at the beginning of the ms), then II: 1-20

DIAMM, 2020
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 38 motets = 40

I. Alberti-1, Arcadelt-1, Bauldeweyn-1, Contini-1, Cuglias-1, Danckerts-1, Giuston-1, Jaquet of Mantua [Jachet]-2, Jhan of Ferrara [Metre Jan]-3, Josquin-1, Lupus/(Richafort)-1, Menchini-1, Metallo-1, Morales-2, Nasco-1, Portinaro-5, Rore-2, Ruffo-1, Santacroce [Franciscus Patav.]-3, Schaffen-1, Testore-1, Werrecore [Mattias]-1, Willaert-4, anon-3

5 paper partbooks of an original 6. No further physical description available.

Ca. 1570 (NugentJ), with one or more additions in early 17th century. Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
'0' Gabriel angelus II: Michael archangelus Benedicti Menchini Pistoiensis
Appears on: '0'
Genres: Motet
Source Attribution: Benedicti Menchini Pistoiensis
Voice: [no designation]
Languages: Latin
Voice Text: Gabriel angelus II: Michael archangelus
1 Christi corpus ave sancta de virgine natum II: Christi sanguis ave tibi corpus H. Scaffen [= Schaffen]
Appears on: 1
Genres: Motet
Source Attribution: H. Scaffen [= Schaffen]
Voice: [no designation]
Languages: Latin
Voice Text: Christi corpus ave sancta de virgine natum II: Christi sanguis ave tibi corpus
2 Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda Morales
Appears on: 2
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Cum natus esset Jesus in Bethleem Juda II: At illi dixerunt ei in Bethleem III: Et ecce stella quam viderant
2 Cum natus esset - 2a pars (of 3): At illi dixerunt -
Appears on: 2
Genres: Motet
2 Cum natus esset - 3a pars (of 3): Et ecce stela quam viderant -
Appears on: 2
Genres: Motet
3 Laetare sancta mater ecclesia - 1a pars (of 2): Laetare sancta mater ecclesia quia salvator Adrian W. [= Willaert]
Appears on: 3
Genres: Motet
Source Attribution: Adrian W. [= Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Letare sancta mater ecclesia quia salvator II: Augustine lux doctorum fundamentum
3 Laetare sancta mater ecclesia - 2a pars (of 2): Augustine lux doctorum fundamentum -
Appears on: 3
Genres: Motet
4 Signum salutis pone domine Jesu Christe II: Lapidem quem exprobaverunt aedificantes Archadelt/[Crecquillon]
Appears on: 4
Genres: Motet
Source Attribution: Archadelt/[Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Signum salutis pone domine Jesu Christe II: Lapidem quem reprobaverunt aedificantes
General Note

attributed to Crecquillon in other sources; Treviso 29, no. 8, is a contrafactum (also attr. to Arcadelt)

5 Magnum misterium declaratur hodie quia creator Franciscus Patav. [= Santacroce]
Appears on: 5
Genres: Motet
Source Attribution: Franciscus Patav. [= Santacroce]
Voice: [no designation]
Languages: Latin
Voice Text: Magnum misterium declaratur hodie quia creator
6 Sufficiebat nobis paupertas nostra - 1a pars (of 2): Sufficiebat nobis paupertas nostra / Mon souvenir Jachet [of Mantua]
Appears on: 6
Genres: Motet
Source Attribution: Jachet [of Mantua]
Voice: [no designation]
Languages: Latin, French
Voice Text: Sufficiebat nobis paupertas/Mon souvenir II: Heu me fili mi et quod te
General Note

Alessi notes: "Il Tenor ha die segni di misura e il testo 'Mon souvenir my fayt mourir'."

6 Sufficiebat nobis paupertas nostra - 2a pars (of 2): Heu me fili mi et quod te -
Appears on: 6
Genres: Motet
7 Ingressus est Raphael angelus Giuston
Appears on: 7
Genres: Motet
Source Attribution: Giuston
Voice: [no designation]
Languages: Latin
Voice Text: Ingressus est Raphael angelus
8 Pater noster qui es in caelis Ciprianus Rore
Appears on: 8
Genres: Motet
Source Attribution: Ciprianus Rore
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in celis
9 Domine Deus omnipotens qui ad principium Franc. Pata.
Appears on: 9
Genres: Motet
Source Attribution: Franc. Pata.
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus omnipotens qui ad principium

Item Bibliography

Blackburn, Bonnie J. 1987. Music for Treviso Cathedral in the Late Sixteenth Century: A Reconstruction of the Lost Manuscripts 29 and 30. vi+162. London: Royal Musical Association. Pages: 129-134. Notes: transcription.

10 Dirigere et sanctificare regere et gubernare Francis. Pata.
Appears on: 10
Genres: Motet
Source Attribution: Francis. Pata.
Voice: [no designation]
Languages: Latin
Voice Text: Dirigere et sanctificare regere et gubernare
11 Ne derelinquas me Domine virtus salutis Cuglias
Appears on: 11
Genres: Motet
Source Attribution: Cuglias
Voice: [no designation]
Languages: Latin
Voice Text: Ne derelinquas me domine virtus salutis
12 Clementissime Deus - 1a pars (of 2): Clementissime Deus Metre Jan [= Jhan of Ferrara]
Appears on: 12
Genres: Motet
Source Attribution: Metre Jan [= Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Clementissime deus II: Tu que sacer Hieronime
12 Clementissime Deus - 2a pars (of 2): Tu que sacer Hieronime MetreJan
Appears on: 12
Genres: Motet
Source Attribution: MetreJan
13 Antoni pater inclite qui cruciatos reficis Morales
Appears on: 13
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Antoni pater inclite qui cruciatos reficis
General Note

attribution to Morales added in a later hand - perhaps copied from Treviso 29? The motet is otherwise unknown.

14 Jam non dicam - 1a pars (of 2): Jam non dicam vos servos Lupus/[Richafort]
Appears on: 14
Genres: Motet
Source Attribution: Lupus/[Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Jam non dicam vos servos sed amicos II: Cum venerit ille spiritus veritatis
General Note

attributed to Richafort in most other sources

14 Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis -
Appears on: 14
Genres: Motet
15 Si resurrexistis una cum Christo Ciprianus Rore
Appears on: 15
Genres: Motet
Source Attribution: Ciprianus Rore
Voice: [no designation]
Languages: Latin
Voice Text: Si resurrexistis una cum Christo
16 Non est in hominis potestate consilium II: Non enim delectaris in perditionibus Innocentius Alberti
Appears on: 16
Genres: Motet
Source Attribution: Innocentius Alberti
Voice: [no designation]
Languages: Latin
Voice Text: Non est in hominis potestate consilium II: Non enim delectaris in perditionibus
17 Domine ante te omne desiderium meum Guglielmus Testoris
Appears on: 17
Genres: Motet
Source Attribution: Guglielmus Testoris
Voice: [no designation]
Languages: Latin
Voice Text: Domine ante te omne desiderium meum
18 Immensis beneficiis Hieronymorum Metallo
Appears on: 18
Genres: Motet
Source Attribution: Metallo
Voice: [no designation]
Languages: Latin
Voice Text: Immensis beneficiis Hieronymorum
19 Peccata mea Domine - 1a pars (of 2): Peccata mea Domine sicut sagitte infixa [Willaert]
Appears on: 19
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Peccata mea domine sicut sagitte infixa II: Quoniam iniquitatem meam ego cognosco
19 Peccata mea Domine - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco -
Appears on: 19
Genres: Motet
II: 1 Quis tuus has nostras Franc. Portina.
Appears on: II: 1
Genres: Motet
Source Attribution: Franc. Portina.
Voice: [no designation]
Languages: Latin
Voice Text: Quis tuus has nostras
General Note

'motetto in onore di Enrico Brunesvic', perhaps Heinrich the Younger, Duke of Brunswick (Braunschweig) 1514-1568

II: 2 Eripe me Domine ab homine malo Franc. Portinaro
Appears on: II: 2
Genres: Motet
Source Attribution: Franc. Portinaro
Voice: [no designation]
Languages: Latin
Voice Text: Eripe me domine ab homine malo
General Note

canon: post semibrevem, me statim sequere in dyatessaron superius

II: 3 Benedicta et venerabilis es virgo Maria Franc. Portinaro
Appears on: II: 3
Genres: Motet
Source Attribution: Franc. Portinaro
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta et venerabilis es virgo Maria
II: 4 Domine ne in furore tuo arguas me II: Converte Domine Et eripe animam meam Franc. Portenaro
Appears on: II: 4
Genres: Motet
Source Attribution: Franc. Portenaro
Voice: [no designation]
Languages: Latin
Voice Text: Domine ne in furore tuo arguas me II: [Converte domine] Et eripe animam meam
II: 5 Memor esto verbi tui - 1a pars (of 2): Memor esto verbi tui servo tuo Jo. Nasco
Appears on: II: 5
Genres: Motet
Source Attribution: Jo. Nasco
Voice: [no designation]
Languages: Latin
Voice Text: Memor esto verbi tui servo tuo II: Hec me consolata est in humilitate
General Note

2nd soprano canon 'in subdyatessaron'

Item Bibliography

Blackburn, Bonnie J. 1987. Music for Treviso Cathedral in the Late Sixteenth Century: A Reconstruction of the Lost Manuscripts 29 and 30. vi+162. London: Royal Musical Association. Pages: 142-144. Notes: transcription of 1a pars.

II: 5 Memor esto verbi tui - 2a pars (of 2): Haec me consolata est in humilitate -
Appears on: II: 5
Genres: Motet
II: 6 Cantate caeli Domino Anon. Anonymous
Appears on: II: 6
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Cantate celi domino
General Note

tenor in canon at 5th

II: 7 Infelix ego - 1a pars (of 2): Infelix ego omnium Adriani W. [= Willaert]
Appears on: II: 7
Genres: Motet
Source Attribution: Adriani W. [= Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Infelix ego omnium auxilio destituti II: Ad te igitur piissime deus tristis
II: 7 Infelix ego - 2a pars (of 2): Ad te igitur piissime -
Appears on: II: 7
Genres: Motet
II: 8 Enixa est puerpera - 1a pars (of 2): Enixa est puerpera fulget dies quem predixerat Adriani W.
Appears on: II: 8
Genres: Motet
Source Attribution: Adriani W.
Voice: [no designation]
Languages: Latin
Voice Text: Enixa est puerpera fulget dies quem predixerat II: Parvoque lacte pastus est fulget dies
II: 8 Enixa est puerpera - 2a pars (of 2): Parvoque lacte pastus est fulget dies -
Appears on: II: 8
Genres: Motet
II: 9 Miseremini mei saltem vos amici mei (2p. Scio enim quod redemptor meus vivit) Joannes Continus [= Contini]
Appears on: II: 9
Genres: Motet
Source Attribution: Joannes Continus [= Contini]
Voice: [no designation]
Languages: Latin
Voice Text: Miseremini mei saltem vos amici mei II: Scio enim quod redemptor meus vivit
II: 10 Suscipe verbum virgo Maria quod tibi II: Paries quidem filium et virginitatis Ghislinus Danchera [= Danckerts]
Appears on: II: 10
Genres: Motet
Source Attribution: Ghislinus Danchera [= Danckerts]
Voice: [no designation]
Languages: Latin
Voice Text: Suscipe verbum virgo Maria quod tibi II: Paries quidem filium et virginitatis

Item Bibliography

Blackburn, Bonnie J. 1987. Music for Treviso Cathedral in the Late Sixteenth Century: A Reconstruction of the Lost Manuscripts 29 and 30. vi+162. London: Royal Musical Association. Pages: 114-123. Notes: transcription/restoration.

II: 11 Sancte Marce II: O gemma clara martirum Anon. Anonymous
Appears on: II: 11
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sancte Marce II: O gemma clara martirum
II: 12 Apparens Christus post passionem suam II: Non reliquam vos orphanos veniam Anon. Anonymous
Appears on: II: 12
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Apparens Christus post passionem suam II: Non reliquam vos orphanos veniam
II: 13 O felix custos martirum II: Rogamus te ergo M. Jan
Appears on: II: 13
Genres: Motet
Source Attribution: M. Jan
Voice: [no designation]
Languages: Latin
Voice Text: O felix custos martirum II: Rogamus te ergo
II: 14 Deus in nomine tuo salvum me fac II: Averte mala inimicis meis et in veritate Vincen. Ruffus
Appears on: II: 14
Genres: Motet
Source Attribution: Vincen. Ruffus
Voice: [no designation]
Languages: Latin
Voice Text: Deus in nomine tuo salvum me fac II: Averte mala inimicis meis et in veritate
II: 15 Tua est potentia tuum regnum Domine M. Jan/[Danckerts]
Appears on: II: 15
Genres: Motet
Source Attribution: M. Jan/[Danckerts]
Voice: [no designation]
Languages: Latin
Voice Text: Tua est potentia tuum regnum domine
General Note

One of the 'puzzle canons' mentioned by Ghiselin in his treatise (Rome Biblioteca Vallicelliana MS R 56, f. 350). In RISM 1540-7 there is no canon and the tenor is an ostinato on 'Da pacem': here the canon is "Vocales docunt cantum quod lilia florent", the vowels teach the melody that the lilies may flourish'..Alessi reproduces the drawing of the lilies of the coat of arms of Paul III, which (BlackTrev) may be superimposed on the stave to produce a series of notes 'spelling' the 'Da pacem' ostinato which is written out in RISM 1540-7. (In a now-lost print, the motto 'Te nunc gens adorat' was also present, providing the vowels in the correct sequence re-ut-re-fa-sol-fa.)

II: 16 Congregati sunt inimici nostri et gloriantur Matthias [= Werrecore]
Appears on: II: 16
Genres: Motet
Source Attribution: Matthias [= Werrecore]
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt inimici nostri et gloriantur
II: 17 Missa Surge Petre Jachet [of Mantua]
Appears on: II: 17
Genres: Mass Ordinary
Source Attribution: Jachet [of Mantua]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Surge Petre
II: 18 Missa Surge Petre Franc. Portina.
Appears on: II: 18
Genres: Mass Ordinary
Source Attribution: Franc. Portina.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Surge Petre
General Note

based on Jachet's motet (as is Jachet's own mass)

II: 19 Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina Jousquin
Appears on: II: 19
Genres: Motet
Source Attribution: Jousquin
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta es celorum regina et mundi 23.13 II: Per illud ave prolatum III: Nunc mater exora natum
II: 19 Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum -
Appears on: II: 19
Genres: Motet
II: 19 Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum -
Appears on: II: 19
Genres: Motet
II: 20 Tu Domine universorum qui nullam habes Noe Balduin
Appears on: II: 20
Genres: Motet
Source Attribution: Noe Balduin
Voice: [no designation]
Languages: Latin
Voice Text: Tu domine universorum qui nullam habes
General Note

Tenor in canon at the unison (but erroneously resolved at the upper octave in this source)

Composer Compositions
Alberti, Innocentio (ca. 1535–1615)
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Bauldeweyn, Noel (ca. 1480–1529)
Contino, Giovanni
Crecquillon, Thomas (ca. 1505–ca. 1557)
Cuglias
Danckerts, Ghiselin
Despres, Josquin (ca. 1450–1521)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Giuston
Hellinck, Lupus (ca. 1494–1541)
Londariti, Francesco
Mantua, Jacquet de (1483–1559)
Menchini da Pistoia, Benedetto
Metallo, Grammatio
Morales, Cristóbal de (ca. 1500–1553)
Nasco, Jan
Patavino, Francesco (ca. 1487–ca. 1556)
Portinari, Francesco (ca. 1520–ca. 1577)
Richafort, Jean (ca. 1480–ca. 1550)
Rore, Cipriano de (ca. 1515–1565)
Ruffo, Vincenzo (ca. 1508–1587)
Schaffen, Henri
Testori, Guglielmus
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Antoni pater inclite qui cruciatos reficis 13
Apparens Christus post passionem suam II: Non reliquam vos orphanos veniam Anonymous II: 12
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina II: 19
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum II: 19
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum II: 19
Benedicta et venerabilis es virgo Maria II: 3
Cantate caeli Domino Anonymous II: 6
Christi corpus ave sancta de virgine natum II: Christi sanguis ave tibi corpus 1
Clementissime Deus - 1a pars (of 2): Clementissime Deus 12
Clementissime Deus - 2a pars (of 2): Tu que sacer Hieronime 12
Congregati sunt inimici nostri et gloriantur II: 16
Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda 2
Cum natus esset - 2a pars (of 3): At illi dixerunt 2
Cum natus esset - 3a pars (of 3): Et ecce stela quam viderant 2
Deus in nomine tuo salvum me fac II: Averte mala inimicis meis et in veritate II: 14
Dirigere et sanctificare regere et gubernare 10
Domine ante te omne desiderium meum 17
Domine Deus omnipotens qui ad principium 9
Domine ne in furore tuo arguas me II: Converte Domine Et eripe animam meam II: 4
Enixa est puerpera - 1a pars (of 2): Enixa est puerpera fulget dies quem predixerat II: 8
Enixa est puerpera - 2a pars (of 2): Parvoque lacte pastus est fulget dies II: 8
Eripe me Domine ab homine malo II: 2
Gabriel angelus II: Michael archangelus '0'
Immensis beneficiis Hieronymorum 18
Infelix ego - 1a pars (of 2): Infelix ego omnium II: 7
Infelix ego - 2a pars (of 2): Ad te igitur piissime II: 7
Ingressus est Raphael angelus 7
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos 14
Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis 14
Laetare sancta mater ecclesia - 1a pars (of 2): Laetare sancta mater ecclesia quia salvator 3
Laetare sancta mater ecclesia - 2a pars (of 2): Augustine lux doctorum fundamentum 3
Magnum misterium declaratur hodie quia creator 5
Memor esto verbi tui - 1a pars (of 2): Memor esto verbi tui servo tuo II: 5
Memor esto verbi tui - 2a pars (of 2): Haec me consolata est in humilitate II: 5
Miseremini mei saltem vos amici mei (2p. Scio enim quod redemptor meus vivit) II: 9
Missa Surge Petre II: 17
Missa Surge Petre II: 18
Ne derelinquas me Domine virtus salutis 11
Non est in hominis potestate consilium II: Non enim delectaris in perditionibus 16
O felix custos martirum II: Rogamus te ergo II: 13
Pater noster qui es in caelis 8
Peccata mea Domine - 1a pars (of 2): Peccata mea Domine sicut sagitte infixa 19
Peccata mea Domine - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco 19
Quis tuus has nostras II: 1
Sancte Marce II: O gemma clara martirum Anonymous II: 11
Si resurrexistis una cum Christo 15
Signum salutis pone domine Jesu Christe II: Lapidem quem exprobaverunt aedificantes 4
Sufficiebat nobis paupertas nostra - 1a pars (of 2): Sufficiebat nobis paupertas nostra / Mon souvenir 6
Sufficiebat nobis paupertas nostra - 2a pars (of 2): Heu me fili mi et quod te 6
Suscipe verbum virgo Maria quod tibi II: Paries quidem filium et virginitatis II: 10
Tu Domine universorum qui nullam habes II: 20
Tua est potentia tuum regnum Domine II: 15

denotes primary source study

Blackburn, Bonnie J. 1987. Music for Treviso Cathedral in the Late Sixteenth Century: A Reconstruction of the Lost Manuscripts 29 and 30. vi+162. London: Royal Musical Association. Notes: description of ms; contents list; concordances; incipits; discussion; transcriptions (partial).

Owens, Jessie Ann. 1979. An Illuminated Manuscript of Motets by Cipriano de Rore (München, Bayerische Staatsbibliothek, Mus. Ms. B). Princeton University, Unpublished Ph.D. dissertation. Pages: I, 72, 232, 234. Notes: contents list (partial); concordances (partial).

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 75-6, 129-30. Notes: contents list (partial); concordances (partial); incipits (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 139, 155, 197, 383. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 135-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Lockwood, Lewis Henry. 1970. The Counter-Reformation and the Masses of Vincenzo Ruffo.  Venice. Pages: 259. Notes: contents list (partial); concordances (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 185, 209-18. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description