I-TVd 25

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: ca. 1560-75, with a few additions in late 16th century.

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 25
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 447x 365 mm
Other Identifiers
  • CCM: TrevBC 25
Notations
  • black void mensural
Inventory This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Provenance
  • Italy
Contents 20 pieces from 10 composers
General Description

Main corpus copied by one principal scribe and one additional scribe; later additions by two other scribes. Copied in northern Italy; one or more pieces probably added after manuscript reached Treviso, in late 16th century. Originally 127 folios or more.

DIAMM, 2017
Binding

Original covers of brown boards; leather(?) spine and clasps now missing.

DIAMM, 2017
Watermark

crown surmounted by six-pointed star (not in Briquet)

DIAMM, 2017
Notation

Monophonic music and incipits of some polyphonic pieces in square chant notation; all other music in black void mensural notation

DIAMM, 2017
Ruling

Staff height 19

DIAMM, 2017
Foliation

Original ink foliation, I-LXXV (ff. III, X, LXV-LXVII now missing) + new pencil foliation, 76-126. (Arabic numbers used throughout DIAMM inventory.)

DIAMM, 2017
Decoration

Inked calligraphic initials, some decorated with drawings of animals, birds, and human faces.

DIAMM, 2017
Index

Index of composers pasted inside front cover.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

44 hymns (3 incomplete), 41 motets* (1 incomplete), 2 textless pieces (1 incomplete), 1 piece with unidentified incipit = 88**

*Some on antiphon texts, with chant incipits.

**Contents also include 19 monophonic antiphons and Mass Proper sections.

Chamaterò-9, Contini-6, Johann Flori [Jo. Florio]-1, Hoste da Reggio [Hosti]-2, Ivo de Vento [Yvo]-1, Jaquet of Mantua [Jachet]-2, Kerle-7, Nasco-9, (C. Porta)-1, Phinot-1, Ruffo-1, Willaert-6, anon-42

121 paper folios of an original 127 or more, 447 x 365. Original ink foliation, I-LXXV (ff. III, X, LXV-LXVII now missing; f. XXXVII appears twice) + new pencil foliation, 76-126. Original covers of brown boards; leather(?) spine and clasps now missing. Index of composers pasted inside front cover. Monophonic music and incipits of some polyphonic pieces in square chant notation; all other music in white mensural notation. Main corpus copied by one principal scribe and one additional scribe; later additions by two other scribes. Staff height 19. Inked calligraphic initials, some decorated with drawings of animals, birds, and human faces. Watermark: crown surmounted by six-pointed star (not in Briquet).

Ca. 1560-75, with a few additions in late 16th century. Main corpus copied in northern Italy; one or more pieces probably added after manuscript reached Treviso, in late 16th century.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
15v–16 Hodie beata Maria puer Jesum - Anonymous

Hodie beata Maria puer Jesum

Anonymous
Appears on: 15v–16
Genres: Antiphon
16v–17 Gloria Deo per immenso Continus Joannes
Contino, Giovanni

Gloria Deo per immenso

Contino, Giovanni
Appears on: 16v–17
Genres: Hymn
Source Attribution: Continus Joannes
17v–18 Dum esset summus pontifex - Anonymous

Dum esset summus pontifex

Anonymous
Appears on: 17v–18
Genres: Motet
18v–19 Respice clemens - Anonymous

Respice clemens

Anonymous
Appears on: 18v–19
Genres: Motet
19v Magnificat Secundi Toni: Et exultavit [K.612] -
Barra, Hotinet (fl. 1510-23)

Magnificat Secundi Toni: Et exultavit [K.612]

Barra, Hotinet (fl. 1510-23)
Appears on: 19v
Genres: BVM, Canticle, Magnificat
20 [blank staves] - -

[blank staves]

Appears on: 20
20v–21 Procul a nobis (6vv) - Anonymous

Procul a nobis (6vv)

Anonymous
Appears on: 20v–21
Genres: Hymn
21v–24 [Vexilla regis] Quo vulneratus (6vv) - Anonymous

[Vexilla regis] Quo vulneratus (6vv)

Anonymous
Appears on: 21v–24
Genres: Hymn
24v–27 Ad caenam agni providi et stolis albis 2 Cuius corpus sanctissimum in ara crucis 3 Protecti paschae vespere à devastante 4 Jam pascha nostrum Christus est 5 O vere digna hostia per quam fracta 6 Cum surgit Christus tumulo victor 7 Quaesumus autor omnium in hoc paschali 8 Gloria tibi Domine qui surrexi Kerle Jac. (flam.)
Kerle, Jacobus de

Ad caenam agni providi et stolis albis 2 Cuius corpus sanctissimum in ara crucis 3 Protecti paschae vespere à devastante 4 Jam pascha nostrum Christus est 5 O vere digna hostia per quam fracta 6 Cum surgit Christus tumulo victor 7 Quaesumus autor omnium in hoc paschali 8 Gloria tibi Domine qui surrexi

Kerle, Jacobus de
Appears on: 24v–27
Genres: Motet
Source Attribution: Kerle Jac. (flam.)
27v–29 Quae te vicit clementia Kerle Jac. (flam.)
Kerle, Jacobus de

Quae te vicit clementia

Kerle, Jacobus de
Appears on: 27v–29
Genres: Hymn
Source Attribution: Kerle Jac. (flam.)
29v–34 Veni creator spiritus mentes tuorum 3 Tu septiformis munere dextre Dei 5 Hostem repellas longius pacemque dones 8 Gloria patri Domino natoque qui a mortuis Willaert Adrian
Willaert, Adrian (ca. 1490–1562)

Veni creator spiritus mentes tuorum 3 Tu septiformis munere dextre Dei 5 Hostem repellas longius pacemque dones 8 Gloria patri Domino natoque qui a mortuis

Willaert, Adrian (ca. 1490–1562)
Appears on: 29v–34
Genres: Hymn, Veni creator spiritus
Source Attribution: Willaert Adrian
34v–35 Si quis diligit me Ciera Hipp.
Ciera, Ippolito (fl. 1546-1561)

Si quis diligit me

Ciera, Ippolito (fl. 1546-1561)
Appears on: 34v–35
Genres: Antiphon
Source Attribution: Ciera Hipp.
General Note

(said to be Ciera in the version of the Alessi catalogue used; but CCM lists no pieces by Ciera. Possibly therefore by Chamatero?)
35v–36 Pacem relinquo vobis Ciera Hipp.
Ciera, Ippolito (fl. 1546-1561)

Pacem relinquo vobis

Ciera, Ippolito (fl. 1546-1561)
Appears on: 35v–36
Genres: Motet
Source Attribution: Ciera Hipp.
General Note

(said to be Ciera in the version of the Alessi catalogue used; but CCM lists no pieces by Ciera. Possibly therefore by Chamatero?)
36v–37 Nolite indicare Camatero Hipp.
Chamatero, Ippolito (ca. 1535–ca. 1592)

Nolite indicare

Chamatero, Ippolito (ca. 1535–ca. 1592)
Appears on: 36v–37
Genres: Antiphon
Source Attribution: Camatero Hipp.
37v–39 Aeterne mentis oculo Camatero Hipp.
Chamatero, Ippolito (ca. 1535–ca. 1592)

Aeterne mentis oculo

Chamatero, Ippolito (ca. 1535–ca. 1592)
Appears on: 37v–39
Genres: Hymn
Source Attribution: Camatero Hipp.
Layout

(includes the duplicate f. 37(a), so covers 37v, 37a, 37a v, 38, 38v, 39)
39v–42 [Pange lingua] Nobis natus nobis datus Continus Joannes
Contino, Giovanni

[Pange lingua] Nobis natus nobis datus

Contino, Giovanni
Appears on: 39v–42
Genres: Hymn
Source Attribution: Continus Joannes
42v–44 Nuntius celso Jachet
Mantua, Jacquet de (1483–1559)

Nuntius celso

Mantua, Jacquet de (1483–1559)
Appears on: 42v–44
Genres: Motet
Source Attribution: Jachet
44v–45 Puer natus est nobis H.C. (=Camatero)
Chamatero, Ippolito (ca. 1535–ca. 1592)

Puer natus est nobis

Chamatero, Ippolito (ca. 1535–ca. 1592)
Appears on: 44v–45
Genres: Motet
Source Attribution: H.C. (=Camatero)
45v–47 Ianitor caeli Yvo
Vento, Ivo de

Ianitor caeli

Vento, Ivo de
Appears on: 45v–47
Genres: Hymn
Source Attribution: Yvo
47v–? Armatura catholica Nasco Joan
Nasco, Jan

Armatura catholica

Nasco, Jan
Appears on: 47v–?
Genres: Hymn
Source Attribution: Nasco Joan
Composer Compositions
Anonymous
Barra, Hotinet (fl. 1510-23)
Chamatero, Ippolito (ca. 1535–ca. 1592)
Ciera, Ippolito (fl. 1546-1561)
Contino, Giovanni
Kerle, Jacobus de
Mantua, Jacquet de (1483–1559)
Nasco, Jan
Vento, Ivo de
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[Pange lingua] Nobis natus nobis datus
Contino, Giovanni
39v–42
[Vexilla regis] Quo vulneratus (6vv) Anonymous 21v–24
Ad caenam agni providi et stolis albis 2 Cuius corpus sanctissimum in ara crucis 3 Protecti paschae vespere à devastante 4 Jam pascha nostrum Christus est 5 O vere digna hostia per quam fracta 6 Cum surgit Christus tumulo victor 7 Quaesumus autor omnium in hoc paschali 8 Gloria tibi Domine qui surrexi
Kerle, Jacobus de
24v–27
Aeterne mentis oculo
Chamatero, Ippolito (ca. 1535–ca. 1592)
37v–39
Armatura catholica
Nasco, Jan
47v–?
Dum esset summus pontifex Anonymous 17v–18
Gloria Deo per immenso
Contino, Giovanni
16v–17
Hodie beata Maria puer Jesum Anonymous 15v–16
Ianitor caeli
Vento, Ivo de
45v–47
Magnificat Secundi Toni: Et exultavit [K.612]
Barra, Hotinet (fl. 1510-23)
19v
Nolite indicare
Chamatero, Ippolito (ca. 1535–ca. 1592)
36v–37
Nuntius celso
Mantua, Jacquet de (1483–1559)
42v–44
Pacem relinquo vobis
Ciera, Ippolito (fl. 1546-1561)
35v–36
Procul a nobis (6vv) Anonymous 20v–21
Puer natus est nobis
Chamatero, Ippolito (ca. 1535–ca. 1592)
44v–45
Quae te vicit clementia
Kerle, Jacobus de
27v–29
Respice clemens Anonymous 18v–19
Si quis diligit me
Ciera, Ippolito (fl. 1546-1561)
34v–35
Veni creator spiritus mentes tuorum 3 Tu septiformis munere dextre Dei 5 Hostem repellas longius pacemque dones 8 Gloria patri Domino natoque qui a mortuis
Willaert, Adrian (ca. 1490–1562)
29v–34

‡ denotes primary source study

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 154, 191-2, 196, 219-23, 313, 319. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Lockwood, Lewis Henry. 1970. The Counter-Reformation and the Masses of Vincenzo Ruffo.  Venice. Pages: 261. Notes: contents list (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 185, 209-18. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description