I-TVd 21

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1563-72

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 21
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Other Identifiers
  • CCM: TrevBC 21
Notations
  • black void mensural
Relationships
External Links
Provenance
Contents 16 pieces from 5 composers
General Description

Some pieces damaged by ink corrosion. At least 4 scribes (one for the masses, one for the vesper psalms etc, another for the final Dies irae; plus one for the Spalenza pieces). No further physical description available. Copied in Treviso, for use by cathedral choir.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1563-72 (dates in manuscript); Spalenza pieces probably added ca. 1573-7

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Requiem Masses (2 incomplete), 1 Requiem Mass section, 1 Magnificat,

5 psalms, 5 motets = 16

Barges [A.B.]-1, Berchem-1, Morales-1, Spalenza-2, anon-11

Ca. 65 paper folios. No further physical description available.

1563-72 (dates in manuscript); Spalenza pieces probably added ca. 1573-7. Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–12 Requiem mass (with Libera me) - Anonymous

Requiem mass (with Libera me)

Anonymous
Appears on: 1v–12
Genres: Mass Ordinary, Requiem
General Note

Significant losses through ink corrosion
12v–13 Libera me Domine - Anonymous

Libera me Domine

Anonymous
Appears on: 12v–13
Genres: Motet, Requiem
13v–14 Credo quod redemptor Spalenza Pietrantonio
Spalenza, Pietr’Antonio

Credo quod redemptor

Spalenza, Pietr’Antonio
Appears on: 13v–14
Genres: Responsory
Source Attribution: Spalenza Pietrantonio
14v–15 Qui Lazarum resuscitasti Spalenza Pietrantonio
Spalenza, Pietr’Antonio

Qui Lazarum resuscitasti

Spalenza, Pietr’Antonio
Appears on: 14v–15
Genres: Motet, Requiem
Source Attribution: Spalenza Pietrantonio
15v–27 Requiem Mass (incomplete) - Anonymous

Requiem Mass (incomplete)

Anonymous
Appears on: 15v–27
Genres: Introit, Kyrie eleison, Requiem
General Note

Mass incomplete - no gradual, offertory or Libera me
27v–40 Requiem mass (lacks Gradual & Libera me) A.B. (=Antonio Barges)
Barges, Antonio (fl. 1547–65)

Requiem mass (lacks Gradual & Libera me)

Barges, Antonio (fl. 1547–65)
Appears on: 27v–40
Genres: Mass Ordinary, Requiem
Source Attribution: A.B. (=Antonio Barges)
40v–49 Missa Requiem (5vv) Morales
Morales, Cristóbal de (ca. 1500–1553)

Missa Requiem (5vv)

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 40v–49
Genres: Mass Ordinary, Requiem
Source Attribution: Morales
49v–50 Dilexi quoniam exaudiet - Anonymous

Dilexi quoniam exaudiet

Anonymous
Appears on: 49v–50
Genres: Psalm
General Note

Significant losses due to ink corrosion
50v–51 Ad Dominum cum tribularer - Anonymous

Ad Dominum cum tribularer

Anonymous
Appears on: 50v–51
Genres: Psalm
General Note

Significant losses due to ink corrosion
51v–52 Levavi oculos meos - Anonymous

Levavi oculos meos

Anonymous
Appears on: 51v–52
Genres: Psalm
General Note

Significant losses due to ink corrosion & pages stuck together
52v–53 De profundis clamavi - Anonymous

De profundis clamavi

Anonymous
Appears on: 52v–53
Genres: Psalm
General Note

Significant losses due to ink corrosion & pages stuck together
53v–54 Confitebor tibi Domine quoniam audisti - Anonymous

Confitebor tibi Domine quoniam audisti

Anonymous
Appears on: 53v–54
Genres: Psalm
General Note

The composition is completely lost due to ink corrosion & pages stuck together
54v–55 Magnificat - Anonymous

Magnificat

Anonymous
Appears on: 54v–55
Genres: BVM, Canticle, Magnificat
General Note

The composition is completely lost due to ink corrosion & pages stuck together
55v–58 Ne recorderis Domine - Anonymous

Ne recorderis Domine

Anonymous
Appears on: 55v–58
Genres: Motet
General Note

The composition is completely lost due to ink corrosion & pages stuck together
58v–59 Peccantem me quotidie (6vv) Jachet Berchem
Berchem, Jacques (ca. 1505–1567)

Peccantem me quotidie (6vv)

Berchem, Jacques (ca. 1505–1567)
Appears on: 58v–59
Genres: Responsory
Source Attribution: Jachet Berchem
59v–60 Dies irae - Anonymous

Dies irae

Anonymous
Appears on: 59v–60
Genres: Requiem, Sequence
General Note

setting of a single verse only
Composer Compositions
Anonymous
Barges, Antonio (fl. 1547–65)
Berchem, Jacques (ca. 1505–1567)
Morales, Cristóbal de (ca. 1500–1553)
Spalenza, Pietr’Antonio
Composition Composers (? Uncertain) Folios / Pages
Ad Dominum cum tribularer Anonymous 50v–51
Confitebor tibi Domine quoniam audisti Anonymous 53v–54
Credo quod redemptor
Spalenza, Pietr’Antonio
13v–14
De profundis clamavi Anonymous 52v–53
Dies irae Anonymous 59v–60
Dilexi quoniam exaudiet Anonymous 49v–50
Levavi oculos meos Anonymous 51v–52
Libera me Domine Anonymous 12v–13
Magnificat Anonymous 54v–55
Missa Requiem (5vv)
Morales, Cristóbal de (ca. 1500–1553)
40v–49
Ne recorderis Domine Anonymous 55v–58
Peccantem me quotidie (6vv)
Berchem, Jacques (ca. 1505–1567)
58v–59
Qui Lazarum resuscitasti
Spalenza, Pietr’Antonio
14v–15
Requiem Mass (incomplete) Anonymous 15v–27
Requiem mass (lacks Gradual & Libera me)
Barges, Antonio (fl. 1547–65)
27v–40
Requiem mass (with Libera me) Anonymous 1v–12

‡ denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 390, 812. Notes: contents list (partial); concordances (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 153. Notes: contents list (partial); concordances (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 185, 212, 214, 217. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description