I-TVd 18

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1565-8

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 18
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Other Identifiers
  • CCM: TrevBC 18
  • olim (Former shelfmark): Z
Notations
  • black void mensural
Relationships
Provenance
Contents 24 pieces from 3 composers Contains 3 uninventoried works or miscellaneous sections.
General Description

Copied in Treviso, for use by cathedral choir. Destroyed in 1944. Entitled "Morales Magnificat", though containing other works too; mostly even-verse settings of the Magnificat, with a later, slightly smaller manuscript of motets bound in. Copied by at least three scribes: one who copied the Morales pieces, the remainder of the first manuscript in (an)other hand(s); then a later 17th century hand on smaller sheets from f. 61, copying a set of motets with gregorian intonations at the beginning of each.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

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15 Magnificats, 2 hymns, 7 motets = 24

Jaquet of Mantua [Jachet]-1, (Lupino?)-2, Morales-8, (Nasco?)-1, (Rore)-1, anon-11

Ca. 67 paper folios. No further physical description available.

1565-8 (dates in manuscript). Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.

Known compositions

Composition Composers (? Uncertain) Folios / Pages Source Attribution
Corpora sanctorum Anonymous 63v–64 -
Da pacem Domine Anonymous 64v–65 -
Lux perpetua lucebit Anonymous 65v–66 -
Magnificat octavi toni: Et exultavit Anonymous 41v–43 -
Magnificat octavi toni: Et exultavit Anonymous 48v–50 -
Magnificat octavi toni: Et exultavit [K.921] 36v–41 Morales
Magnificat primi toni: Et exultavit [K.914] 5v–9 Morales
Magnificat quarti toni: Et exultavit [K.917] 17v–20 Morales
Magnificat quinti toni: Et exultavit [K.918] 20v–26 Morales
Magnificat secundi toni: Anima mea Anonymous 50v–53 -
Magnificat secundi toni: Et exultavit [K.915] 9v–13 Morales
Magnificat septimi toni: Et exultavit [K.920] 30v–36 Morales
Magnificat sexti toni: Et exultavit Anonymous 43v–46 -
Magnificat sexti toni: Et exultavit Anonymous 46v–48 -
Magnificat sexti toni: Et exultavit [K.919] 26v–30 Morales
Magnificat tertii toni: Et exultavit [K.916] 13v–17 Morales
Magnificat: Et exultavit Anonymous 1v–3 -
Magnificat: Et exultavit spiritus meus (Primi toni) [K.157] 53v–59 Jachet da Mantova
O clavis David Anonymous 66v–67 -
Petrus apostolus Anonymous 62v–63 -
Qui mane iunctum (I) Anonymous 3v–5 -
Qui mane iunctum (II) Anonymous 59v–60 -
Sancta maria succurre Anonymous 61v–62 -
Stephanus autem Anonymous 60v–61 -

Known composers

Composers (? Uncertain) Folios / Pages Item title Attribution in Source
Works by [-] - -
Works by [-] - -
Works by [-] - -

Composition Composers (? Uncertain) Folios / Pages
Corpora sanctorum Anonymous 63v–64
Da pacem Domine Anonymous 64v–65
Lux perpetua lucebit Anonymous 65v–66
Magnificat octavi toni: Et exultavit Anonymous 41v–43
Magnificat octavi toni: Et exultavit Anonymous 48v–50
Magnificat octavi toni: Et exultavit [K.921] 36v–41
Magnificat primi toni: Et exultavit [K.914] 5v–9
Magnificat quarti toni: Et exultavit [K.917] 17v–20
Magnificat quinti toni: Et exultavit [K.918] 20v–26
Magnificat secundi toni: Anima mea Anonymous 50v–53
Magnificat secundi toni: Et exultavit [K.915] 9v–13
Magnificat septimi toni: Et exultavit [K.920] 30v–36
Magnificat sexti toni: Et exultavit Anonymous 43v–46
Magnificat sexti toni: Et exultavit Anonymous 46v–48
Magnificat sexti toni: Et exultavit [K.919] 26v–30
Magnificat tertii toni: Et exultavit [K.916] 13v–17
Magnificat: Et exultavit Anonymous 1v–3
Magnificat: Et exultavit spiritus meus (Primi toni) [K.157] 53v–59
O clavis David Anonymous 66v–67
Petrus apostolus Anonymous 62v–63
Qui mane iunctum (I) Anonymous 3v–5
Qui mane iunctum (II) Anonymous 59v–60
Sancta maria succurre Anonymous 61v–62
Stephanus autem Anonymous 60v–61

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 425-32, 812. Notes: contents list (partial); concordances (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 358. Notes: contents list (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 170 [does not list all Magnificats in this source]. Notes: contents list (partial); concordances (partial); incipits (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 185, 212, 214. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description