I-TVd 13

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1562-5

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 13
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 517-23 x 375 mm
Other Identifiers
  • CCM: TrevBC 13
  • olim (Former shelfmark): R
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 44 pieces from 5 composers Contains 1 uninventoried works or miscellaneous sections.
General Description

Original index pasted inside front cover. Main scribe possibly Liberale Sugana, a singer at Treviso Cathedral from 1535 (maestro di cappella 1567-73); Spalenza hymn on ff. 82'-85 is later addition, possibly copied by the composer. Copied in Treviso, for use by cathedral choir.

DIAMM, 2017
Binding

Original covers of cardboard covered with parchment cut from non-musical manuscript

DIAMM, 2017
Watermark

anchor in circle surmounted by six-pointed star, with initials 'N C' (not in Briquet).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1562-5, with addition (ff. 82'-85) in 1575 (dates in manuscript).

DIAMM, 2017
Ruling

Staff height 23.

DIAMM, 2017
Foliation

Modern pencil foliation, 1-96 ('50' applied to five consecutive folios).

DIAMM, 2017
Decoration

Inked calligraphic initials

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

45 hymns + 1 duplicate = 46

Johann Flori-1, Olivetus [N.O.]-2, (C. Porta)-2, Spalenza-1, Willaert-18, Willaert-anon-1, anon-20

100 paper folios, 517-23 x 375. Modern pencil foliation, 1-96 ("50" applied to five consecutive folios). Original covers of cardboard covered with parchment cut from non-musical manuscript. Original index pasted inside front cover. Main scribe possibly Liberale Sugana, a singer at Treviso Cathedral from 1535 (maestro di cappella 1567-73); Spalenza hymn on ff. 82'-85 is later addition, possibly copied by the composer. Staff height 23. Inked calligraphic initials. Watermark: anchor in circle surmounted by six-pointed star, with initials "N C" (not in Briquet).

1562-5, with addition (ff. 82'-85) in 1575 (dates in manuscript). Copied in Treviso, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.

Known compositions

Composition Composers (? Uncertain) Folios / Pages Source Attribution
[Ad caenam agni] Cuius corpus sanctissimum (in dominica in albis) 43v–47 Willaert Adrian
[Aurea luce] Ianitor caeli Anonymous 73v–74 -
[Christe redemptor omnium] Beata quoque agmina Anonymous 49v–50d -
[Christe redemptor omnium] Beata quoque agmina Anonymous 76v–79 -
[Maria mater Domini] Impar ancilla Domine sed pari fulget Anonymous 61v–63 -
]Proles de caelo prodiit] Spoliatis Aegyptiis transit Anonymous 85v–88 -
Ad caenam agni providi stolis albis 2 Cuius corpus sanctissimum in ara crucis 6 Cum surgit Christus tumulo victor 8 Gloria tibi Domine qui surrexisti 41v–43 Willaert Adrian
Ad preces nostras deitatis 82v–85 Spalenza Pietrantonio
Adesto sancta trinitas par splendor 2 Te caelorum militia laudat adorat 4 Unum te lumen credimus quod et ter 67v–69 Willaert Adrian
Aurea luce, Ianitor caeli 72v–73 Willaert Adrian
Conditor alme siderum aeterna lux 3 Vergente mundi vespere uti sponsus 6 Te deprecamur agie venture judex 79v–82 Willaert Adrian
Decus morum dux minorum 2 Plaudat frater regnat pater 4 Pro terrenis 6 Regis signum duce dignum 8 Mina gregem 88v–91 Willaert Adrian
Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad ethera 4 Oramus Domine conditor inclite devotos 6 Presta hoc genitor optime maxime 51v–54 Willaert Adrian
Francisci patris aemulus Anonymous 93v–96 -
Gloria Deo per immenda Anonymous 60v–61 -
Hi sunt quos retines 14v–16 Olivetto
Hi sunt quos retines 33v–36 Willaert Adrian
Hic nempe mundi (I) (in festo martirum) Anonymous 27v–28 -
Hic nempe mundi (II) Anonymous 28v–30 -
Hic nemper mundi gaudia (I) 9v–10 Olivetto
Hic nemper mundi gaudia (II) 10v–12 Olivetto
Hinc Marchiae provinciae (in festo S. Prosdocimi Episcopi at Confessoris) Anonymous 20v–21 -
Hodie festum pie celebremus diem 2 Quo sanctum Marcum chorus angelorum 4 Sacerdotali predictum honore typicum 6 Ut a devotis fratribus exactus 47v–50 Willaert Adrian
Huius obtentae Deus almae Anonymous 39v–41 -
Iste confessor Domini colentes Anonymous 6v–9 -
Lucis creato optime Anonymous 2–4v -
Lucis creator optime lucem dierum 2 Qui mane iunctum vesperi diem 4 Caelorum pulset intimum vitale 31v–33 Willaert Adrian
Maria mater Domini Maria soror Lazari 2 Impar ancilla Domine sed pari fulget 4 Maria pedes genuit quos ista plorans 6 Accessit eius merito mirabilis dignatio 9 Gloria sit unigenito eiusque unigenito 74v–76 Willaert Adrian
Nova veniens e caelo Anonymous 18v–20 -
Nuntius celso veniens Anonymous 55v–57 -
Nuntius celso veniens 57v–59 Olivetus Nic(olaus)
Pange lingua gloriosi corporis mysterium 2 Nobis datus nobis natus ex intacta 4 Verbum caro panem verum verbo carnem 6 Genitori genitoque laus et jubilatio 69v–72 Willaert Adrian
Qui (pius) prudens 21v–22 -
Qui carne quondam contegi Anonymous 65v–67 -
Qui mane iunctum Anonymous 30v–31 -
Qui mane luctum 4v–6 Olivetus Nic(olaus)
Qui pascis inter lilia Anonymous 16v–18 -
Qui pius prudens (I) Anonymous 36v–37 -
Qui pius prudens (II) Anonymous 37v–39 -
Sit Trinitati sempiterne 59v–60 Willaert Adrian
Ubi patres percellentes Anonymous 63v–65 -
Vos saecli iusti iudices 12v–14 Olivetto
Vos saecli iusti iudices (I) Anonymous 22v–25 -
Vos saecli iusti iudices (II) Anonymous 25v–27 -

Known composers

Composers (? Uncertain) Folios / Pages Item title Attribution in Source
Works by [-] - -

Composer Compositions
Anonymous
Flori, Giorgio
Olivetus, Nicolaus
Spalenza, Pietr’Antonio
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[Ad caenam agni] Cuius corpus sanctissimum (in dominica in albis) 43v–47
[Aurea luce] Ianitor caeli Anonymous 73v–74
[Christe redemptor omnium] Beata quoque agmina Anonymous 49v–50d
[Christe redemptor omnium] Beata quoque agmina Anonymous 76v–79
[Maria mater Domini] Impar ancilla Domine sed pari fulget Anonymous 61v–63
]Proles de caelo prodiit] Spoliatis Aegyptiis transit Anonymous 85v–88
Ad caenam agni providi stolis albis 2 Cuius corpus sanctissimum in ara crucis 6 Cum surgit Christus tumulo victor 8 Gloria tibi Domine qui surrexisti 41v–43
Ad preces nostras deitatis 82v–85
Adesto sancta trinitas par splendor 2 Te caelorum militia laudat adorat 4 Unum te lumen credimus quod et ter 67v–69
Aurea luce, Ianitor caeli 72v–73
Conditor alme siderum aeterna lux 3 Vergente mundi vespere uti sponsus 6 Te deprecamur agie venture judex 79v–82
Decus morum dux minorum 2 Plaudat frater regnat pater 4 Pro terrenis 6 Regis signum duce dignum 8 Mina gregem 88v–91
Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad ethera 4 Oramus Domine conditor inclite devotos 6 Presta hoc genitor optime maxime 51v–54
Francisci patris aemulus Anonymous 93v–96
Gloria Deo per immenda Anonymous 60v–61
Hi sunt quos retines 14v–16
Hi sunt quos retines 33v–36
Hic nempe mundi (I) (in festo martirum) Anonymous 27v–28
Hic nempe mundi (II) Anonymous 28v–30
Hic nemper mundi gaudia (I) 9v–10
Hic nemper mundi gaudia (II) 10v–12
Hinc Marchiae provinciae (in festo S. Prosdocimi Episcopi at Confessoris) Anonymous 20v–21
Hodie festum pie celebremus diem 2 Quo sanctum Marcum chorus angelorum 4 Sacerdotali predictum honore typicum 6 Ut a devotis fratribus exactus 47v–50
Huius obtentae Deus almae Anonymous 39v–41
Iste confessor Domini colentes Anonymous 6v–9
Lucis creato optime Anonymous 2–4v
Lucis creator optime lucem dierum 2 Qui mane iunctum vesperi diem 4 Caelorum pulset intimum vitale 31v–33
Maria mater Domini Maria soror Lazari 2 Impar ancilla Domine sed pari fulget 4 Maria pedes genuit quos ista plorans 6 Accessit eius merito mirabilis dignatio 9 Gloria sit unigenito eiusque unigenito 74v–76
Nova veniens e caelo Anonymous 18v–20
Nuntius celso veniens Anonymous 55v–57
Nuntius celso veniens 57v–59
Pange lingua gloriosi corporis mysterium 2 Nobis datus nobis natus ex intacta 4 Verbum caro panem verum verbo carnem 6 Genitori genitoque laus et jubilatio 69v–72
Qui (pius) prudens 21v–22
Qui carne quondam contegi Anonymous 65v–67
Qui mane iunctum Anonymous 30v–31
Qui mane luctum 4v–6
Qui pascis inter lilia Anonymous 16v–18
Qui pius prudens (I) Anonymous 36v–37
Qui pius prudens (II) Anonymous 37v–39
Sit Trinitati sempiterne 59v–60
Ubi patres percellentes Anonymous 63v–65
Vos saecli iusti iudices 12v–14
Vos saecli iusti iudices (I) Anonymous 22v–25
Vos saecli iusti iudices (II) Anonymous 25v–27

denotes primary source study

Weidensaul, Jane Bennett. 1978. The Polyphonic Hymns of Adrian Willaert. Rutgers University, Unpublished Ph.D. dissertation. Pages: 53-71, 86-9, 235-349. Notes: physical description (partial); contents list; concordances; transcription (partial); texts (partial).

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 191-2, 195, 320. Notes: contents list (partial); incipits (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 185, 211, 215, 217-8. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description