I-TVd 13

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1562-5

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 13
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 517-23 x 375 mm
Other Identifiers
  • CCM: TrevBC 13
  • olim (Former shelfmark): R
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents Contains 44 compositions, 21 from 4 composers, 23 are anonymous.
General Description

Original index pasted inside front cover. Main scribe possibly Liberale Sugana, a singer at Treviso Cathedral from 1535 (maestro di cappella 1567-73); Spalenza hymn on ff. 82'-85 is later addition, possibly copied by the composer. Copied in Treviso, for use by cathedral choir.

DIAMM, 2017
Binding

Original covers of cardboard covered with parchment cut from non-musical manuscript

DIAMM, 2017
Watermark

anchor in circle surmounted by six-pointed star, with initials 'N C' (not in Briquet).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1562-5, with addition (ff. 82'-85) in 1575 (dates in manuscript).

DIAMM, 2017
Ruling

Staff height 23.

DIAMM, 2017
Foliation

Modern pencil foliation, 1-96 ('50' applied to five consecutive folios).

DIAMM, 2017
Decoration

Inked calligraphic initials

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

45 hymns + 1 duplicate = 46

Johann Flori-1, Olivetus [N.O.]-2, (C. Porta)-2, Spalenza-1, Willaert-18, Willaert-anon-1, anon-20

100 paper folios, 517-23 x 375. Modern pencil foliation, 1-96 ("50" applied to five consecutive folios). Original covers of cardboard covered with parchment cut from non-musical manuscript. Original index pasted inside front cover. Main scribe possibly Liberale Sugana, a singer at Treviso Cathedral from 1535 (maestro di cappella 1567-73); Spalenza hymn on ff. 82'-85 is later addition, possibly copied by the composer. Staff height 23. Inked calligraphic initials. Watermark: anchor in circle surmounted by six-pointed star, with initials "N C" (not in Briquet).

1562-5, with addition (ff. 82'-85) in 1575 (dates in manuscript). Copied in Treviso, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
2–4v Lucis creato optime 4 - Anonymous
Appears on: 2–4v
Genres: Hymn
Number of voices: 4
4v–6 Qui mane luctum 4 Olivetus Nic(olaus)
Appears on: 4v–6
Genres: Hymn
Source Attribution: Olivetus Nic(olaus)
Number of voices: 4
6v–9 Iste confessor Domini colentes 4 - Anonymous
Appears on: 6v–9
Genres: Hymn
Number of voices: 4
9v–10 Hic nemper mundi gaudia (I) 4 Olivetto
Appears on: 9v–10
Genres: Hymn
Source Attribution: Olivetto
Number of voices: 4
10v–12 Hic nemper mundi gaudia (II) 4 Olivetto
Appears on: 10v–12
Genres: Hymn
Source Attribution: Olivetto
Number of voices: 4
12v–14 Vos saecli iusti iudices 4 Olivetto
Appears on: 12v–14
Genres: Hymn
Source Attribution: Olivetto
Number of voices: 4
14v–16 Hi sunt quos retines 4 Olivetto
Appears on: 14v–16
Genres: Hymn
Source Attribution: Olivetto
Number of voices: 4
16v–18 Qui pascis inter lilia 4 - Anonymous
Appears on: 16v–18
Genres: Hymn
Number of voices: 4
18v–20 Nova veniens e caelo 4 - Anonymous
Appears on: 18v–20
Genres: Hymn
Number of voices: 4
20v–21 Hinc Marchiae provinciae (in festo S. Prosdocimi Episcopi at Confessoris) 4 - Anonymous
Appears on: 20v–21
Genres: Hymn
Number of voices: 4
21v–22 Qui (pius) prudens 4 -
Appears on: 21v–22
Genres: Hymn
Number of voices: 4
22v–25 Vos saecli iusti iudices (I) 4 - Anonymous
Appears on: 22v–25
Genres: Hymn
Number of voices: 4
25v–27 Vos saecli iusti iudices (II) 4 - Anonymous
Appears on: 25v–27
Genres: Hymn
Number of voices: 4
27v–28 Hic nempe mundi (I) (in festo martirum) 4 - Anonymous
Appears on: 27v–28
Genres: Hymn
Number of voices: 4
28v–30 Hic nempe mundi (II) 4 - Anonymous
Appears on: 28v–30
Genres: Hymn
Number of voices: 4
30v–31 Qui mane iunctum 4 - Anonymous

Qui mane iunctum

Anonymous
Appears on: 30v–31
Genres: Hymn
Number of voices: 4
31v–33 Lucis creator optime lucem dierum 2 Qui mane iunctum vesperi diem 4 Caelorum pulset intimum vitale 4 Willaert Adrian
Appears on: 31v–33
Genres: Hymn
Source Attribution: Willaert Adrian
Number of voices: 4
33v–36 Hi sunt quos retines 4 Willaert Adrian
Appears on: 33v–36
Genres: Hymn
Source Attribution: Willaert Adrian
Number of voices: 4
36v–37 Qui pius prudens (I) 4 - Anonymous
Appears on: 36v–37
Genres: Hymn
Number of voices: 4
37v–39 Qui pius prudens (II) 4 - Anonymous
Appears on: 37v–39
Genres: Hymn
Number of voices: 4
39v–41 Huius obtentae Deus almae 4 - Anonymous
Appears on: 39v–41
Genres: Hymn
Number of voices: 4
41v–43 Ad caenam agni providi stolis albis 2 Cuius corpus sanctissimum in ara crucis 6 Cum surgit Christus tumulo victor 8 Gloria tibi Domine qui surrexisti 4 Willaert Adrian
Appears on: 41v–43
Genres: Hymn
Source Attribution: Willaert Adrian
Number of voices: 4
43v–47 [Ad caenam agni] Cuius corpus sanctissimum (in dominica in albis) 4 Willaert Adrian
Appears on: 43v–47
Genres: Hymn
Source Attribution: Willaert Adrian
Number of voices: 4
General Note

Alessi's catalogue (treviso 13) states this is by Willaert - and follows another Willaert setting of the same. Willaert wrote one published setting - but apparently wrote another.

47v–50 Hodie festum pie celebremus diem 2 Quo sanctum Marcum chorus angelorum 4 Sacerdotali predictum honore typicum 6 Ut a devotis fratribus exactus 4 Willaert Adrian
Appears on: 47v–50
Genres: Hymn
Source Attribution: Willaert Adrian
Number of voices: 4
49v–50d [Christe redemptor omnium] Beata quoque agmina 4 - Anonymous
Appears on: 49v–50d
Genres: Hymn
Number of voices: 4
General Note

An extra 2 bifolios inserted in the ms here - all folios numbered 50

51v–54 Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad ethera 4 Oramus Domine conditor inclite devotos 6 Presta hoc genitor optime maxime 4 Willaert Adrian
Appears on: 51v–54
Genres: Hymn
Source Attribution: Willaert Adrian
Number of voices: 4
55v–57 Nuntius celso veniens 4 - Anonymous
Appears on: 55v–57
Genres: Hymn
Number of voices: 4
57v–59 Nuntius celso veniens 4 Olivetus Nic(olaus)
Appears on: 57v–59
Genres: Hymn
Source Attribution: Olivetus Nic(olaus)
Number of voices: 4
59v–60 Sit Trinitati sempiterne 4 Willaert Adrian
Appears on: 59v–60
Genres: Hymn
Source Attribution: Willaert Adrian
Number of voices: 4
60v–61 Gloria Deo per immenda 4 - Anonymous
Appears on: 60v–61
Genres: Hymn
Number of voices: 4
61v–63 [Maria mater Domini] Impar ancilla Domine sed pari fulget 4 - Anonymous
Appears on: 61v–63
Genres: Hymn
Number of voices: 4
63v–65 Ubi patres percellentes 4 - Anonymous
Appears on: 63v–65
Genres: Hymn
Number of voices: 4
65v–67 Qui carne quondam contegi 4 - Anonymous
Appears on: 65v–67
Genres: Hymn
Number of voices: 4
67v–69 Adesto sancta trinitas par splendor 2 Te caelorum militia laudat adorat 4 Unum te lumen credimus quod et ter 4 Willaert Adrian
Appears on: 67v–69
Genres: Hymn
Source Attribution: Willaert Adrian
Number of voices: 4
69v–72 Pange lingua gloriosi corporis mysterium 2 Nobis datus nobis natus ex intacta 4 Verbum caro panem verum verbo carnem 6 Genitori genitoque laus et jubilatio 4 Willaert Adrian
Appears on: 69v–72
Genres: Hymn
Source Attribution: Willaert Adrian
Number of voices: 4
72v–73 Aurea luce, Ianitor caeli 5 Willaert Adrian
Appears on: 72v–73
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 5
73v–74 [Aurea luce] Ianitor caeli 4 - Anonymous
Appears on: 73v–74
Genres: Hymn
Number of voices: 4
74v–76 Maria mater Domini Maria soror Lazari 2 Impar ancilla Domine sed pari fulget 4 Maria pedes genuit quos ista plorans 6 Accessit eius merito mirabilis dignatio 9 Gloria sit unigenito eiusque unigenito 4 Willaert Adrian
Appears on: 74v–76
Genres: Hymn
Source Attribution: Willaert Adrian
Number of voices: 4
76v–79 [Christe redemptor omnium] Beata quoque agmina 4 - Anonymous
Appears on: 76v–79
Genres: Hymn
Number of voices: 4
79v–82 Conditor alme siderum aeterna lux 3 Vergente mundi vespere uti sponsus 6 Te deprecamur agie venture judex 4 Willaert Adrian
Appears on: 79v–82
Genres: Hymn
Source Attribution: Willaert Adrian
Number of voices: 4
General Note

marginal note: ""24 zugno 1563 finito de notar questo hymno et in tal giorno si partì ms. Alouise nepote di ms. Adrian Willart p. Fiandra et qual hymno copiaj zozo li libri del ditto ms. Adrian e li reis al padre fra Antonino Barges el qual li mandava in Fiandra con le r..."

82v–85 Ad preces nostras deitatis 4 Spalenza Pietrantonio
Appears on: 82v–85
Genres: Hymn
Source Attribution: Spalenza Pietrantonio
Number of voices: 4
85v–88 ]Proles de caelo prodiit] Spoliatis Aegyptiis transit 4 - Anonymous
Appears on: 85v–88
Genres: Hymn
Number of voices: 4
88v–91 Decus morum dux minorum 2 Plaudat frater regnat pater 4 Pro terrenis 6 Regis signum duce dignum 8 Mina gregem 4 Willaert Adrian
Appears on: 88v–91
Genres: Hymn
Source Attribution: Willaert Adrian
Number of voices: 4
93v–96 Francisci patris aemulus 4 - Anonymous
Appears on: 93v–96
Genres: Hymn
Number of voices: 4
General Note

same music as hymn at f. 85v-88

Composer Compositions
Anonymous
Flori, Giorgio
Olivetus, Nicolaus
Spalenza, Pietr’Antonio
Willaert, Adrian (ca. 1490-1562)
Composition Composers (? Uncertain) Folios / Pages
[Ad caenam agni] Cuius corpus sanctissimum (in dominica in albis) 43v–47
[Aurea luce] Ianitor caeli Anonymous 73v–74
[Christe redemptor omnium] Beata quoque agmina Anonymous 49v–50d
[Christe redemptor omnium] Beata quoque agmina Anonymous 76v–79
[Maria mater Domini] Impar ancilla Domine sed pari fulget Anonymous 61v–63
]Proles de caelo prodiit] Spoliatis Aegyptiis transit Anonymous 85v–88
Ad caenam agni providi stolis albis 2 Cuius corpus sanctissimum in ara crucis 6 Cum surgit Christus tumulo victor 8 Gloria tibi Domine qui surrexisti 41v–43
Ad preces nostras deitatis 82v–85
Adesto sancta trinitas par splendor 2 Te caelorum militia laudat adorat 4 Unum te lumen credimus quod et ter 67v–69
Aurea luce, Ianitor caeli 72v–73
Conditor alme siderum aeterna lux 3 Vergente mundi vespere uti sponsus 6 Te deprecamur agie venture judex 79v–82
Decus morum dux minorum 2 Plaudat frater regnat pater 4 Pro terrenis 6 Regis signum duce dignum 8 Mina gregem 88v–91
Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad ethera 4 Oramus Domine conditor inclite devotos 6 Presta hoc genitor optime maxime 51v–54
Francisci patris aemulus Anonymous 93v–96
Gloria Deo per immenda Anonymous 60v–61
Hi sunt quos retines 14v–16
Hi sunt quos retines 33v–36
Hic nempe mundi (I) (in festo martirum) Anonymous 27v–28
Hic nempe mundi (II) Anonymous 28v–30
Hic nemper mundi gaudia (I) 9v–10
Hic nemper mundi gaudia (II) 10v–12
Hinc Marchiae provinciae (in festo S. Prosdocimi Episcopi at Confessoris) Anonymous 20v–21
Hodie festum pie celebremus diem 2 Quo sanctum Marcum chorus angelorum 4 Sacerdotali predictum honore typicum 6 Ut a devotis fratribus exactus 47v–50
Huius obtentae Deus almae Anonymous 39v–41
Iste confessor Domini colentes Anonymous 6v–9
Lucis creato optime Anonymous 2–4v
Lucis creator optime lucem dierum 2 Qui mane iunctum vesperi diem 4 Caelorum pulset intimum vitale 31v–33
Maria mater Domini Maria soror Lazari 2 Impar ancilla Domine sed pari fulget 4 Maria pedes genuit quos ista plorans 6 Accessit eius merito mirabilis dignatio 9 Gloria sit unigenito eiusque unigenito 74v–76
Nova veniens e caelo Anonymous 18v–20
Nuntius celso veniens Anonymous 55v–57
Nuntius celso veniens 57v–59
Pange lingua gloriosi corporis mysterium 2 Nobis datus nobis natus ex intacta 4 Verbum caro panem verum verbo carnem 6 Genitori genitoque laus et jubilatio 69v–72
Qui (pius) prudens 21v–22
Qui carne quondam contegi Anonymous 65v–67
Qui mane iunctum Anonymous 30v–31
Qui mane luctum 4v–6
Qui pascis inter lilia Anonymous 16v–18
Qui pius prudens (I) Anonymous 36v–37
Qui pius prudens (II) Anonymous 37v–39
Sit Trinitati sempiterne 59v–60
Ubi patres percellentes Anonymous 63v–65
Vos saecli iusti iudices 12v–14
Vos saecli iusti iudices (I) Anonymous 22v–25
Vos saecli iusti iudices (II) Anonymous 25v–27

denotes primary source study

Weidensaul, Jane Bennett. 1978. The Polyphonic Hymns of Adrian Willaert. Rutgers University, Unpublished Ph.D. dissertation. Pages: 53-71, 86-9, 235-349. Notes: physical description (partial); contents list; concordances; transcription (partial); texts (partial).

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 191-2, 195, 320. Notes: contents list (partial); incipits (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 185, 211, 215, 217-8. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description