Copied by two or three scribes, who also wrote portions of TrevBC 7, 8, 9, 11b, 13, 14, 16, 19, and 22. Copied in Treviso, for use by cathedral choir.
I-TVd 10
Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy
manuscript of polyphony: 1556-70
| Archive | Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd) |
|---|---|
| Shelfmark | 10 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | ca. 500 x 360 (Manuscript in restoration and unavailable for examination during preparation of this entry. Estimated dimensions based on size of comparable choirbooks in this library) mm |
| Other Identifiers |
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| Notations |
|
| Relationships |
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| Provenance |
|
| Contents | Contains 33 compositions, 11 from 7 composers, 22 are anonymous. |
General Description
Notation
black void mensural
Date
1556-70 (dates in manuscript).
Foliation
Modern pencil foliation, 1-95 (one folio between ff. 30/31 not numbered).
Decoration
Inked calligraphic initials.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
18 Magnificats, 1 Magnificat fragment, 23 short liturgical pieces (sets of responses, etc.) = 42
(Carpentras)-1, Morales-2, Olivetus-2, Rore/(Wert)-1, Santacroce [F.P.]-6, Willaert-1, anon-29
96 paper folios, probably ca. 500 x 360.* Modern pencil foliation, 1-95 (one folio between ff. 30/31 not numbered). No index. Copied by two or three scribes, who also wrote portions of TrevBC 7, 8, 9, 11b, 13, 14, 16, 19, 22, and several other TrevBC manuscripts not within scope of this catalogue. Inked calligraphic initials.
*Manuscript in restoration and unavailable for examination during preparation of this entry. Estimated dimensions based on size of comparable choirbooks in this library.
1556-70 (dates in manuscript). Copied in Treviso, for use by cathedral choir.
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‡ denotes primary source study
Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae, vol. 58. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: lV, xi. Notes: contents list (partial); concordances (partial).
Crawford, David Eugene. 1971. The Francesco Sforza Manuscript at Casale Monferrato. Journal of the American Musicological Society, 24: 457-62. Pages: 461. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 169 [erroneously gives date of copying as 1574 date on f. 80' clearly reads "1570"]. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).
Meier, Bernhard (editor). 1959-. Cipriani Rore: Opera Omnia. Corpus mensurabilis musicae, vol. 14. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VIII, x, 22-5. Notes: contents list (partial); transcription (partial).
d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso. Vedelago (Treviso). Pages: 185, 214-7. Notes: mention of MS; contents list (partial).
Johnson, Alvin Harold. 1954. The Liturgical Music of Cipriano de Rore. Yale University, Unpublished Ph.D. dissertation. Pages: 102-5. Notes: contents list (partial); mention of MS; discussion.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description