I-TVd 10

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1556-70

Archive	Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark	10
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	ca. 500 x 360 (Manuscript in restoration and unavailable for examination during preparation of this entry. Estimated dimensions based on size of comparable choirbooks in this library) mm
Other Identifiers	CCM: TrevBC 10 olim (Former shelfmark): N
Notations	black void mensural
Relationships	Treviso Cathedral (copied at)
Provenance	Treviso Cathedral , Treviso, Italy
Contents	33 pieces from 8 composers Contains 1 uninventoried works or miscellaneous sections.

General Description

Copied by two or three scribes, who also wrote portions of TrevBC 7, 8, 9, 11b, 13, 14, 16, 19, and 22. Copied in Treviso, for use by cathedral choir.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

1556-70 (dates in manuscript).

DIAMM, 2017

Foliation

Modern pencil foliation, 1-95 (one folio between ff. 30/31 not numbered).

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

18 Magnificats, 1 Magnificat fragment, 23 short liturgical pieces (sets of responses, etc.) = 42

(Carpentras)-1, Morales-2, Olivetus-2, Rore/(Wert)-1, Santacroce [F.P.]-6, Willaert-1, anon-29

96 paper folios, probably ca. 500 x 360.* Modern pencil foliation, 1-95 (one folio between ff. 30/31 not numbered). No index. Copied by two or three scribes, who also wrote portions of TrevBC 7, 8, 9, 11b, 13, 14, 16, 19, 22, and several other TrevBC manuscripts not within scope of this catalogue. Inked calligraphic initials.

*Manuscript in restoration and unavailable for examination during preparation of this entry. Estimated dimensions based on size of comparable choirbooks in this library.

1556-70 (dates in manuscript). Copied in Treviso, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.

Known compositions

Composition	Composers (? Uncertain)	Folios / Pages	Source Attribution
Deo gratias	Patavino, Francesco (ca. 1487–ca. 1556)	4v–5	Santacroce
Deo gratias (I)	Anonymous	1v–2	-
Deo gratias (II)	Anonymous	1v–2	-
Deo gratias (III) In dominicis diebus tempore adventu et a sep: usque ad Pasqua	Anonymous	2v–3	-
Deo gratias (in festis maioribus duplicibus)	Olivetus, Nicolaus	6v–7	-
Deo gratias (IV)	Anonymous	3v–4	-
Deo gratias (V)	Anonymous	4v–5	-
Deo gratias (VI) Alleluja Inter paschalia	Anonymous	5v–6	-
Deo gratias (VII) In festivitate Virginis Mariae	Anonymous	9v–10	-
Deo gratias (VIII)	Anonymous	16v–17	-
In manus tuas	Anonymous	8v–9	-
In manus tuas Domine	Willaert, Adrian (ca. 1490–1562)	7v–8	Willaert Adrian
Magnificat primi toni: Anima mea	Rore, Cipriano de (ca. 1515–1565) (?) Wert, Giaches [Jaches] de (1535–1596) (?)	28v–31	Cipriano de Rore
Magnificat primi toni: Anima mea [K.145]	Anonymous	31v–34	-
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	18v–23	Morales
Magnificat primi toni: Et exultavit [K.165]	Anonymous	68v–73	-
Magnificat primi toni: Et exultavit [K.166]	Anonymous	90v–96	-
Magnificat primi toni: Et exultavit [K.185]	Anonymous	52v–55	-
Magnificat quarti toni: Anima mea [K.249]	Anonymous	39v–42	-
Magnificat quarti toni: Anima mea [K.267]	Anonymous	47v–52	-
Magnificat quarti toni: Et exultavit [K.260]	Anonymous	77v–84	-
Magnificat secundi toni: Anima mea [K.201]	Anonymous	34v–36	-
Magnificat secundi toni: Anima mea [K.915]	Morales, Cristóbal de (ca. 1500–1553)	23v–28	Morales
Magnificat secundi toni: Et exultavit [K.211]	Anonymous	73v–77	-
Magnificat septimi toni: Et exultavit [K.650]	Carpentras, Elzear Genet (ca. 1470–1548)	42v–47	-
Magnificat tertii toni: Anima mea [K.225]	Anonymous	36v–39	-
Magnificat tertii toni: Et exultavit [K.234]	Anonymous	55v–60	-
Magnificat tertii toni: Et exultavit [K.235]	Anonymous	84v–88	-
Magnificat: Et exultavit	Olivetus, Nicolaus	60v–68	Olivetus Nic(olaus)
Magnificat: Et exultavit	Patavino, Francesco (ca. 1487–ca. 1556)	88v–90	Patavino Francesco (Santacroce)
Responses (Dominus vobiscum - preface to Pater Noster - Pax Domini - Pontifical Benediction)	Anonymous	10v–12	-
Responses (Dominus vobiscum - preface to Pater Noster - Pax Domini - Pontifical Benediction)	Patavino, Francesco (ca. 1487–ca. 1556)	12v–14	Patavino Francesco (Santacroce)
Responses (preface to Pater Noster - Pax Domini)	Anonymous	15v–16	-

Known composers

Composers (? Uncertain)	Folios / Pages	Item title	Attribution in Source
Works by Carpentras, Elzear Genet (ca. 1470–1548)	[-]	-	-

Composer	Compositions
Anonymous	Deo gratias (I) – 1v–2 Deo gratias (II) – 1v–2 Deo gratias (III) In dominicis diebus tempore adventu et a sep: usque ad Pasqua – 2v–3 Deo gratias (IV) – 3v–4 Deo gratias (V) – 4v–5 Deo gratias (VI) Alleluja Inter paschalia – 5v–6 Deo gratias (VII) In festivitate Virginis Mariae – 9v–10 Deo gratias (VIII) – 16v–17 In manus tuas – 8v–9 Magnificat primi toni: Anima mea [K.145] – 31v–34 Magnificat primi toni: Et exultavit [K.165] – 68v–73 Magnificat primi toni: Et exultavit [K.166] – 90v–96 Magnificat primi toni: Et exultavit [K.185] – 52v–55 Magnificat quarti toni: Anima mea [K.249] – 39v–42 Magnificat quarti toni: Anima mea [K.267] – 47v–52 Magnificat quarti toni: Et exultavit [K.260] – 77v–84 Magnificat secundi toni: Anima mea [K.201] – 34v–36 Magnificat secundi toni: Et exultavit [K.211] – 73v–77 Magnificat tertii toni: Anima mea [K.225] – 36v–39 Magnificat tertii toni: Et exultavit [K.234] – 55v–60 Magnificat tertii toni: Et exultavit [K.235] – 84v–88 Responses (Dominus vobiscum - preface to Pater Noster - Pax Domini - Pontifical Benediction) – 10v–12 Responses (preface to Pater Noster - Pax Domini) – 15v–16
Carpentras, Elzear Genet (ca. 1470–1548)	Magnificat septimi toni: Et exultavit [K.650] – 42v–47
Morales, Cristóbal de (ca. 1500–1553)	Magnificat primi toni: Anima Mea [K.914] – 18v–23 Magnificat secundi toni: Anima mea [K.915] – 23v–28
Olivetus, Nicolaus	Deo gratias (in festis maioribus duplicibus) – 6v–7 Magnificat: Et exultavit – 60v–68
Patavino, Francesco (ca. 1487–ca. 1556)	Deo gratias – 4v–5 Magnificat: Et exultavit – 88v–90 Responses (Dominus vobiscum - preface to Pater Noster - Pax Domini - Pontifical Benediction) – 12v–14
Rore, Cipriano de (ca. 1515–1565)	(?) Magnificat primi toni: Anima mea – 28v–31
Wert, Giaches [Jaches] de (1535–1596)	(?) Magnificat primi toni: Anima mea – 28v–31
Willaert, Adrian (ca. 1490–1562)	In manus tuas Domine – 7v–8

Composition	Composers (? Uncertain)	Folios / Pages
Deo gratias	Patavino, Francesco (ca. 1487–ca. 1556)	4v–5
Deo gratias (I)	Anonymous	1v–2
Deo gratias (II)	Anonymous	1v–2
Deo gratias (III) In dominicis diebus tempore adventu et a sep: usque ad Pasqua	Anonymous	2v–3
Deo gratias (in festis maioribus duplicibus)	Olivetus, Nicolaus	6v–7
Deo gratias (IV)	Anonymous	3v–4
Deo gratias (V)	Anonymous	4v–5
Deo gratias (VI) Alleluja Inter paschalia	Anonymous	5v–6
Deo gratias (VII) In festivitate Virginis Mariae	Anonymous	9v–10
Deo gratias (VIII)	Anonymous	16v–17
In manus tuas	Anonymous	8v–9
In manus tuas Domine	Willaert, Adrian (ca. 1490–1562)	7v–8
Magnificat primi toni: Anima mea	Rore, Cipriano de (ca. 1515–1565) (?) Wert, Giaches [Jaches] de (1535–1596) (?)	28v–31
Magnificat primi toni: Anima mea [K.145]	Anonymous	31v–34
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	18v–23
Magnificat primi toni: Et exultavit [K.165]	Anonymous	68v–73
Magnificat primi toni: Et exultavit [K.166]	Anonymous	90v–96
Magnificat primi toni: Et exultavit [K.185]	Anonymous	52v–55
Magnificat quarti toni: Anima mea [K.249]	Anonymous	39v–42
Magnificat quarti toni: Anima mea [K.267]	Anonymous	47v–52
Magnificat quarti toni: Et exultavit [K.260]	Anonymous	77v–84
Magnificat secundi toni: Anima mea [K.201]	Anonymous	34v–36
Magnificat secundi toni: Anima mea [K.915]	Morales, Cristóbal de (ca. 1500–1553)	23v–28
Magnificat secundi toni: Et exultavit [K.211]	Anonymous	73v–77
Magnificat septimi toni: Et exultavit [K.650]	Carpentras, Elzear Genet (ca. 1470–1548)	42v–47
Magnificat tertii toni: Anima mea [K.225]	Anonymous	36v–39
Magnificat tertii toni: Et exultavit [K.234]	Anonymous	55v–60
Magnificat tertii toni: Et exultavit [K.235]	Anonymous	84v–88
Magnificat: Et exultavit	Olivetus, Nicolaus	60v–68
Magnificat: Et exultavit	Patavino, Francesco (ca. 1487–ca. 1556)	88v–90
Responses (Dominus vobiscum - preface to Pater Noster - Pax Domini - Pontifical Benediction)	Anonymous	10v–12
Responses (Dominus vobiscum - preface to Pater Noster - Pax Domini - Pontifical Benediction)	Patavino, Francesco (ca. 1487–ca. 1556)	12v–14
Responses (preface to Pater Noster - Pax Domini)	Anonymous	15v–16

‡ denotes primary source study

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: lV, xi. Notes: contents list (partial); concordances (partial).

Crawford, David Eugene. 1971. The Francesco Sforza Manuscript at Casale Monferrato. Journal of the American Musicological Society, 457-62. Pages: 461. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 169 [erroneously gives date of copying as 1574 date on f. 80' clearly reads "1570"]. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Meier, Bernhard (editor). 1959-. Cipriani Rore: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VIII, x, 22-5. Notes: contents list (partial); transcription (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso. Vedelago (Treviso). Pages: 185, 214-7. Notes: mention of MS; contents list (partial).

Johnson, Alvin Harold. 1954. The Liturgical Music of Cipriano de Rore. Yale University, Unpublished Ph.D. dissertation. Pages: 102-5. Notes: contents list (partial); mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description