Copied by two or three scribes, who also wrote portions of TrevBC 8, 9, 10, l1b, 13, 14, 16, 19, 22, and several other TrevBC manuscripts. Copied in Treviso, for use by cathedral choir.
| Archive | Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd) |
|---|---|
| Shelfmark | 7 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 490-506 x 359-65 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 70 compositions, 44 from 22 composers, 26 are anonymous. |
General Description
Physical Description
Folios in poor condition due to water, smoke, and fire damage, but most music still legible.
Binding
Rebound in new covers of brown boards, with leather spine
Watermark
(1) anchor in circle surmounted by six-pointed star, with initials 'N C' (not in Briquet); (2) resembles Briquet #517; (3) crossed arrows with six-pointed star (not in Briquet).
Notation
black void mensural
Ruling
Staff height variable (19-28)
Foliation
Original ink foliation, 1-106 ('52' applied to two consecutive folios)
Decoration
Inked calligraphic initials.
Index
Original index on recto of second flyleaf at front lists motets in order of appearance; index now fragmentary due to fire damage.
Surface
paper
Census Catalogue of Music Description
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1 Mass Proper section (incomplete), 48 motets = 49
Alart-1, Arcadelt-2, Courtois-1, Gombert-1, Hellinck [Lupus]-1, Hellinck [Lupus]/(Gombert)-1, Jaquet of Mantua [Jachet]-3, Jaquet of Mantua*/Willaert*/(Verdelot)-1, Jhan of Ferrara [Matre Jam]-3, Jonckers [Gose]-1, Lasson-1, (Lasson/Verdelot)-1, Lupus-1, (Mouton/Richafort)-1, Nasco-2, (L. Padovano)-1, Penet-1, Phinot-2, (Pionnier)-1, G. Ponte [Jaques du pont]-1, (C. Porta)-1, Portinaro-1, Richafort-2, Rore-1, Ruffo [V.R.]-1, Santacroce [F. Patavus]-1, Silva-1, (Verdelot)-1, Willaert-1, anon-12
*'Motet "Videns dominus" (ff. 83'-84) attributed to "Jachet" by original scribe on f. 83'; later scribe crossed out "Jachet" and added "Magni Adriani" on f. 84.
ii + 107 + i paper folios, 490-506 x 359-65. Folios in poor condition due to water, smoke, and fire damage, but most music still legible. Original ink foliation, 1-106 ("52" applied to two consecutive folios). Blank staves only on ff. 1, 7, 16'-19, 20'-21, 27'-30, 39'-40, 47'-48, 49'-50, 60'-61, 63'-65, 66'-67, 73'-74, 82'-83, 84'-86, 89'-90, 96'-97, 102'-103, 104'-106'. Rebound in new covers of brown boards, with leather spine. Original index on recto of second flyleaf at front lists motets in order of appearance; index now fragmentary due to fire damage.
Copied by two or three scribes, who also wrote portions of TrevBC 8, 9, 10, l1b, 13, 14, 16, 19, 22, and several other TrevBC manuscripts not within scope of this catalogue. Staff height variable (19-28). Inked calligraphic initials. Watermarks: (1) anchor in circle surmounted by six-pointed star, with initials "N C" (not in Briquet); (2) resembles Briquet #517; (3) crossed arrows with six-pointed star (not in Briquet).
1558-71 (dates in manuscript). Copied in Treviso, for use by cathedral choir.
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‡ denotes primary source study
Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 31: 16-72. Pages: 54-6, 59-62. Notes: contents list (partial); concordances (partial).
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 342, 355-60, 363-4, 421, 440-1, 496, 514, 522, 811. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft, vol. 2. Tutzing. Pages: 19, 40, 44-5, 90, 437, 443. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 154, 191-2, 195, 296, 314. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 74, 116-7, 178-80, 184-5, 206. Notes: contents list (partial); concordances (partial); incipits (partial).
Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 143ff. Notes: mention of MS; contents list (partial); concordances (partial).
Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 377, 383, 388. Notes: contents list (partial); concordances (partial).
Lockwood, Lewis Henry. 1970. The Counter-Reformation and the Masses of Vincenzo Ruffo. Venice. Pages: 260. Notes: contents list (partial); concordances (partial).
Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V. Chicago. Pages: III, 142, 150. Notes: contents list (partial); concordances (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 322-4. Notes: contents list (partial); concordances (partial); incipits (partial).
d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso. Vedelago (Treviso). Pages: 185, 209ff. Notes: mention of MS; contents list (partial).
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description