I-TVd 7

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1558-71

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 7
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 490-506 x 359-65 mm
Other Identifiers
  • CCM: TrevBC 7
  • olim (Former shelfmark): K
Notations
  • black void mensural
Relationships
Provenance
Contents Contains 70 compositions, 44 from 22 composers, 26 are anonymous.
General Description

Copied by two or three scribes, who also wrote portions of TrevBC 8, 9, 10, l1b, 13, 14, 16, 19, 22, and several other TrevBC manuscripts. Copied in Treviso, for use by cathedral choir.

DIAMM, 2017
Physical Description

Folios in poor condition due to water, smoke, and fire damage, but most music still legible.

DIAMM, 2017
Binding

Rebound in new covers of brown boards, with leather spine

DIAMM, 2017
Watermark

(1) anchor in circle surmounted by six-pointed star, with initials 'N C' (not in Briquet); (2) resembles Briquet #517; (3) crossed arrows with six-pointed star (not in Briquet).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height variable (19-28)

DIAMM, 2017
Foliation

Original ink foliation, 1-106 ('52' applied to two consecutive folios)

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Index

Original index on recto of second flyleaf at front lists motets in order of appearance; index now fragmentary due to fire damage.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Proper section (incomplete), 48 motets = 49

Alart-1, Arcadelt-2, Courtois-1, Gombert-1, Hellinck [Lupus]-1, Hellinck [Lupus]/(Gombert)-1, Jaquet of Mantua [Jachet]-3, Jaquet of Mantua*/Willaert*/(Verdelot)-1, Jhan of Ferrara [Matre Jam]-3, Jonckers [Gose]-1, Lasson-1, (Lasson/Verdelot)-1, Lupus-1, (Mouton/Richafort)-1, Nasco-2, (L. Padovano)-1, Penet-1, Phinot-2, (Pionnier)-1, G. Ponte [Jaques du pont]-1, (C. Porta)-1, Portinaro-1, Richafort-2, Rore-1, Ruffo [V.R.]-1, Santacroce [F. Patavus]-1, Silva-1, (Verdelot)-1, Willaert-1, anon-12

*'Motet "Videns dominus" (ff. 83'-84) attributed to "Jachet" by original scribe on f. 83'; later scribe crossed out "Jachet" and added "Magni Adriani" on f. 84.

ii + 107 + i paper folios, 490-506 x 359-65. Folios in poor condition due to water, smoke, and fire damage, but most music still legible. Original ink foliation, 1-106 ("52" applied to two consecutive folios). Blank staves only on ff. 1, 7, 16'-19, 20'-21, 27'-30, 39'-40, 47'-48, 49'-50, 60'-61, 63'-65, 66'-67, 73'-74, 82'-83, 84'-86, 89'-90, 96'-97, 102'-103, 104'-106'. Rebound in new covers of brown boards, with leather spine. Original index on recto of second flyleaf at front lists motets in order of appearance; index now fragmentary due to fire damage.

Copied by two or three scribes, who also wrote portions of TrevBC 8, 9, 10, l1b, 13, 14, 16, 19, 22, and several other TrevBC manuscripts not within scope of this catalogue. Staff height variable (19-28). Inked calligraphic initials. Watermarks: (1) anchor in circle surmounted by six-pointed star, with initials "N C" (not in Briquet); (2) resembles Briquet #517; (3) crossed arrows with six-pointed star (not in Briquet).

1558-71 (dates in manuscript). Copied in Treviso, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
1v–2 Angelus Domini 4 Willaert Adrian
Appears on: 1v–2
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 4
2v–4 Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 4 Alart
Appears on: 2v–4
Genres: Motet
Source Attribution: Alart
Number of voices: 4
4v–6 Dum transisset sabbatum - 2a pars (of 2): Et valde mane 4 -
Appears on: 4v–6
Genres: Motet
Number of voices: 4
6v Victimae paschali 1 (of 4?) - Anonymous

Victimae paschali

Anonymous
Appears on: 6v
Genres: Motet
Number of voices: 1 (of 4?)
General Note

only 1 voice written, the remainder blank

7v–8 Alleluia. Et apparuit - 1a pars (of 2): Alleluia. Et apparuit 4 Jachet
Appears on: 7v–8
Genres: Motet
Source Attribution: Jachet
Number of voices: 4
8v–9 Alleluia. Et apparuit - 2a pars (of 2): Qui fecit coelum et terram 4 -
Appears on: 8v–9
Genres: Motet
Number of voices: 4
9v–10 Haec dies quam fecit Dominus 4 - Anonymous
Appears on: 9v–10
Genres: Motet
Number of voices: 4
10v–12 Congratulamini mihi omnes qui diligitis II: Recedentibus discipulis non recedebam 4 Lasson
Appears on: 10v–12
Genres: Motet
Source Attribution: Lasson
Number of voices: 4
12v–13 Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis 4 (anon)
Appears on: 12v–13
Genres: Motet
Source Attribution: (anon)
Number of voices: 4
13v–14 Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta 4 -
Appears on: 13v–14
Genres: Motet
Number of voices: 4
14v–15 Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium 4 (anon)
Appears on: 14v–15
Genres: Motet
Source Attribution: (anon)
Number of voices: 4
15v–16 Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto 4 -
Appears on: 15v–16
Genres: Motet
Number of voices: 4
19v–20 Fulget Tarvisina civitas 4 - Anonymous
Appears on: 19v–20
Genres: Motet
Number of voices: 4
21v–22 Tanto tempore 4 - Anonymous

Tanto tempore

Anonymous
Appears on: 21v–22
Genres: Motet
Number of voices: 4
22v–23 Tanto tempore vobiscum sum et non cognovistis (8vv) 4 Finot Domenico
Appears on: 22v–23
Genres: Motet
Source Attribution: Finot Domenico
Number of voices: 4
23v–26 Tanto tempore Domine ostende 4 - Anonymous
Appears on: 23v–26
Genres: Motet
Number of voices: 4
26v–27 Creditis in Deum 4 - Anonymous

Creditis in Deum

Anonymous
Appears on: 26v–27
Genres: Antiphon
Number of voices: 4
26v–27 Quodcumque petieritis 4 - Anonymous
Appears on: 26v–27
Genres: Antiphon
Number of voices: 4
30v–31 Cenantibus illis - 1a pars (of 2): Cenantibus illis accepit Jesus panem 4 Jacques du Pont
Appears on: 30v–31
Genres: Motet
Source Attribution: Jacques du Pont
Number of voices: 4
31v–32 Cenantibus illis - 1a pars (of 2): Dixerunt viri tabernaculi mei 4 -
Appears on: 31v–32
Genres: Motet
Number of voices: 4
32v–33 O sacrum convivium 4 Nasco Joan
Appears on: 32v–33
Genres: Motet
Source Attribution: Nasco Joan
Number of voices: 4
33v–34 O quam suavis 5 Patavino Francesco (Santacroce)
Appears on: 33v–34
Genres: Motet
Source Attribution: Patavino Francesco (Santacroce)
Number of voices: 5
34v–35 Adoramus te Christe 5 Portinari Francesco
Appears on: 34v–35
Genres: Motet
Source Attribution: Portinari Francesco
Number of voices: 5
35v–36 Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo 4 Lupus
Appears on: 35v–36
Genres: Motet
Source Attribution: Lupus
Number of voices: 4
36v–37 Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum 4 -
Appears on: 36v–37
Genres: Motet
Number of voices: 4
37v–38 In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus 4 Silva Andrea
Appears on: 37v–38
Genres: Motet
Source Attribution: Silva Andrea
Number of voices: 4
38v–39 In illo tempore dixit Jesus - 2a pars (of 2): Sicut me misit 4 -
Appears on: 38v–39
Genres: Motet
Number of voices: 4
40v–41 Ecce aperti sunt caeli - 1a pars (of 2): Ecce aperti sunt caeli 4 - Anonymous
Appears on: 40v–41
Genres: Motet
Number of voices: 4
41v–42 Ecce aperti sunt caeli - 2a pars (of 2): Eodem hora 4 - Anonymous
Appears on: 41v–42
Genres: Motet
Number of voices: 4
42v–43 Justi epulentur et exultent 4 - Anonymous
Appears on: 42v–43
Genres: Motet
Number of voices: 4
General Note

Tenor entirely in gregorian notation

43v–45 Da ecclesiae tuae 5 Matre Jam
Appears on: 43v–45
Genres: Motet
Source Attribution: Matre Jam
Number of voices: 5
General Note

T1 (?) repeats "Sancte Vite ora pro nobis" continually

45v–47 Sacratus martir (feast of S. Vito) 4 - Anonymous
Appears on: 45v–47
Genres: Motet
Number of voices: 4
48v–49 Tu es pastor ovium 4 - Anonymous

Tu es pastor ovium

Anonymous
Appears on: 48v–49
Genres: Motet
Number of voices: 4
50v–51 Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram 4 Hose
Appears on: 50v–51
Genres: Motet
Source Attribution: Hose
Number of voices: 4
51v–52 Quem dicunt homines - 1a pars (of 2): Quem dicunt homines 4 Richafort
Appears on: 51v–52
Genres: Motet
Source Attribution: Richafort
Number of voices: 4
52v–53 Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit 4 -
Appears on: 52v–53
Genres: Motet
Number of voices: 4
53v–54 Tu es Petrus 4 - Anonymous

Tu es Petrus

Anonymous
Appears on: 53v–54
Genres: Motet
Number of voices: 4
54v–56 Quem dicunt homines 6 - Anonymous
Appears on: 54v–56
Genres: Motet
Number of voices: 6
56v–57 In illo tempore - 1a pars (of 2): In illo tempore dixit Jesus Simon Petro 4 - Anonymous
Appears on: 56v–57
Genres: Motet
Number of voices: 4
57v–58 In illo tempore - 2a pars (of 2): Domine tu omnia nostri 4 - Anonymous
Appears on: 57v–58
Genres: Motet
Number of voices: 4
58v–59 Petrus et Johannes - 1a pars (of 2): Petrus et Johannes 4 - Anonymous
Appears on: 58v–59
Genres: Motet
Number of voices: 4
59v–60 Petrus et Johannes - 2a pars (of 2): In nomine Jesu Christi Nazareni surge 4 - Anonymous
Appears on: 59v–60
Genres: Motet
Number of voices: 4
General Note

Alessi suggests (reasonably) that this is 2a pars of previous motet, even though Altus clef changes

61v–62 Benedixit Deus Noe - 1a pars (of 2): Benedixit Deus Noe et filiis eius 4 Archadelt
Appears on: 61v–62
Genres: Motet
Source Attribution: Archadelt
Number of voices: 4
62v–63 Benedixit Deus Noe - 2a pars (of 2): Ecce ego statuam pactum meum 4 -
Appears on: 62v–63
Genres: Motet
Number of voices: 4
65v–66 O lumen ecclesiae doctor 4 V.R. [Vincenzo Ruffo]
Appears on: 65v–66
Genres: Motet
Source Attribution: V.R. [Vincenzo Ruffo]
Number of voices: 4
67v–69 Multae tribulationes (in festo SS. Thenonisti Thabre et Thabrate) 4 - Anonymous
Appears on: 67v–69
Genres: Motet
Number of voices: 4
69v–70 Deus alme spes 4 - Anonymous

Deus alme spes

Anonymous
Appears on: 69v–70
Genres: Motet
Number of voices: 4
70v–71 Diem namque praesentem 4 - Anonymous
Appears on: 70v–71
Genres: Motet
Number of voices: 4
71v–72 Orante Sancto Theonisto - 1a pars (of 2): Orante Sancto Theonisto 4 - Anonymous
Appears on: 71v–72
Genres: Motet
Number of voices: 4
72v–73 Orante Sancto Theonisto - 2a pars (of 2): In omnibus Angelus meus 4 - Anonymous
Appears on: 72v–73
Genres: Motet
Number of voices: 4
74v–75 Emendemus in melius - 1a pars (of 2): Emendemus in melius 4 - Anonymous
Appears on: 74v–75
Genres: Motet
Number of voices: 4
75v–76 Emendemus in melius - 2a pars (of 2): Peccavimus 4 - Anonymous
Appears on: 75v–76
Genres: Motet
Number of voices: 4
76v–78 Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter 4 Gombert
Appears on: 76v–78
Genres: Motet
Source Attribution: Gombert
Number of voices: 4
78v–80 Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus 4 -
Appears on: 78v–80
Genres: Motet
Number of voices: 4
80v–81 Tibi soli peccavi - 1a pars (of 2): Tibi soli peccavi 4 Jachet
Appears on: 80v–81
Genres: Motet
Source Attribution: Jachet
Number of voices: 4
81v–82 Tibi soli peccavi - 2a pars (of 2): Cor contritum 4 -
Appears on: 81v–82
Genres: Motet
Number of voices: 4
83v–84 Videns Dominus flentes sorores Lazari 7 Jachet, crossed out; Magni Adriani [Willaert] added
Appears on: 83v–84
Genres: Motet
Source Attribution: Jachet, crossed out; Magni Adriani [Willaert] added
Number of voices: 7
86v–87 Descendit angelus - 1a pars (of 2): Descendit angelus Domini ad Zachariam 4 Hylayre
Appears on: 86v–87
Genres: Motet
Source Attribution: Hylayre
Number of voices: 4
87v–88 Descendit angelus - 2a pars (of 2): Ne timeas Zacharia quoniam 4 -
Appears on: 87v–88
Genres: Motet
Number of voices: 4
88v–89 Puer qui natus est nobis plus quam propheta 4 Iachet de Mantua
Appears on: 88v–89
Genres: Motet
Source Attribution: Iachet de Mantua
Number of voices: 4
89v–90 Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum 4 Lupus
Appears on: 89v–90
Genres: Motet
Source Attribution: Lupus
Number of voices: 4
90v–91 Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo 4 -
Appears on: 90v–91
Genres: Motet
Number of voices: 4
92v–93 In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion 4 Lupus
Appears on: 92v–93
Genres: Motet
Source Attribution: Lupus
Number of voices: 4
93v–94 In convertendo - 2a pars (of 2): Qui seminant in lachrimis 4 -
Appears on: 93v–94
Genres: Motet
Number of voices: 4
94v–96 Domine quis habitabit in tabernaculo suo (2p. Ad nihilum deductus est in conspectu) 4 Curtois Jo
Appears on: 94v–96
Genres: Motet
Source Attribution: Curtois Jo
Number of voices: 4
97v–98 Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 4 Cipriano de Rore
Appears on: 97v–98
Genres: Motet
Source Attribution: Cipriano de Rore
Number of voices: 4
98v–99 Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet 4 -
Appears on: 98v–99
Genres: Motet
Number of voices: 4
99v–101 Memor esto verbi tui - 1a pars (of 2): Memor esto verbi tui 4 Matre Jam
Appears on: 99v–101
Genres: Motet
Source Attribution: Matre Jam
Number of voices: 4
101v–102 Memor esto verbi tui - 2a pars (of 2): Portio mea domine 4 -
Appears on: 101v–102
Genres: Motet
Number of voices: 4
103v–104 Exaudivit de templo 4 Nasco Joan
Appears on: 103v–104
Genres: Motet
Source Attribution: Nasco Joan
Number of voices: 4
Composer Compositions
Alart, Simon (c1535–60)
Anonymous
Arcadelt, Jacques (ca. 1507-1568)
Courtois, Jean (1530-1545)
Du Pont, Jacques
Ferrara, Maistre Jhan of (ca. 1485-1538)
Gombert, Nicolas (ca. 1495-ca. 1560)
Hellinck, Lupus (ca. 1494-1541)
Jonckers, Maistre Gosse
Lasson, Mathieu
Mantua, Jacquet de (1483-1559)
Mouton, Jean (ca. 1459-1522)
Nasco, Jan
Patavino, Francesco (ca. 1487-ca. 1556)
Penet, Hilaire (ca. 1501)
Phinot, Dominique
Portinari, Francesco (ca. 1520-ca. 1577)
Richafort, Jean (ca. 1480-ca. 1550)
Rore, Cipriano de (ca. 1515-1565)
Ruffo, Vincenzo (ca. 1508-1587)
Silva, Andreas de (ca. 1475-ca. 1522)
Verdelot, Philippe (ca. 1480-ca. 1532)
Willaert, Adrian (ca. 1490-1562)
Composition Composers (? Uncertain) Folios / Pages
Adoramus te Christe 34v–35
Alleluia. Et apparuit - 1a pars (of 2): Alleluia. Et apparuit 7v–8
Alleluia. Et apparuit - 2a pars (of 2): Qui fecit coelum et terram 8v–9
Angelus Domini 1v–2
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum 89v–90
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 97v–98
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet 98v–99
Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo 90v–91
Benedixit Deus Noe - 1a pars (of 2): Benedixit Deus Noe et filiis eius 61v–62
Benedixit Deus Noe - 2a pars (of 2): Ecce ego statuam pactum meum 62v–63
Cenantibus illis - 1a pars (of 2): Cenantibus illis accepit Jesus panem 30v–31
Cenantibus illis - 1a pars (of 2): Dixerunt viri tabernaculi mei 31v–32
Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis 12v–13
Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta 13v–14
Congratulamini mihi omnes qui diligitis II: Recedentibus discipulis non recedebam 10v–12
Creditis in Deum Anonymous 26v–27
Da ecclesiae tuae 43v–45
Descendit angelus - 1a pars (of 2): Descendit angelus Domini ad Zachariam 86v–87
Descendit angelus - 2a pars (of 2): Ne timeas Zacharia quoniam 87v–88
Deus alme spes Anonymous 69v–70
Diem namque praesentem Anonymous 70v–71
Domine quis habitabit in tabernaculo suo (2p. Ad nihilum deductus est in conspectu) 94v–96
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 2v–4
Dum transisset sabbatum - 2a pars (of 2): Et valde mane 4v–6
Ecce aperti sunt caeli - 1a pars (of 2): Ecce aperti sunt caeli Anonymous 40v–41
Ecce aperti sunt caeli - 2a pars (of 2): Eodem hora Anonymous 41v–42
Emendemus in melius - 1a pars (of 2): Emendemus in melius Anonymous 74v–75
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter 76v–78
Emendemus in melius - 2a pars (of 2): Peccavimus Anonymous 75v–76
Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus 78v–80
Exaudivit de templo 103v–104
Fulget Tarvisina civitas Anonymous 19v–20
Haec dies quam fecit Dominus Anonymous 9v–10
In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion 92v–93
In convertendo - 2a pars (of 2): Qui seminant in lachrimis 93v–94
In illo tempore - 1a pars (of 2): In illo tempore dixit Jesus Simon Petro Anonymous 56v–57
In illo tempore - 2a pars (of 2): Domine tu omnia nostri Anonymous 57v–58
In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus 37v–38
In illo tempore dixit Jesus - 2a pars (of 2): Sicut me misit 38v–39
Justi epulentur et exultent Anonymous 42v–43
Memor esto verbi tui - 1a pars (of 2): Memor esto verbi tui 99v–101
Memor esto verbi tui - 2a pars (of 2): Portio mea domine 101v–102
Multae tribulationes (in festo SS. Thenonisti Thabre et Thabrate) Anonymous 67v–69
O lumen ecclesiae doctor 65v–66
O quam suavis 33v–34
O sacrum convivium 32v–33
Orante Sancto Theonisto - 1a pars (of 2): Orante Sancto Theonisto Anonymous 71v–72
Orante Sancto Theonisto - 2a pars (of 2): In omnibus Angelus meus Anonymous 72v–73
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo 35v–36
Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum 36v–37
Petrus et Johannes - 1a pars (of 2): Petrus et Johannes Anonymous 58v–59
Petrus et Johannes - 2a pars (of 2): In nomine Jesu Christi Nazareni surge Anonymous 59v–60
Puer qui natus est nobis plus quam propheta 88v–89
Quem dicunt homines Anonymous 54v–56
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines 51v–52
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit 52v–53
Quodcumque petieritis Anonymous 26v–27
Sacratus martir (feast of S. Vito) Anonymous 45v–47
Tanto tempore Anonymous 21v–22
Tanto tempore Domine ostende Anonymous 23v–26
Tanto tempore vobiscum sum et non cognovistis (8vv) 22v–23
Tibi soli peccavi - 1a pars (of 2): Tibi soli peccavi 80v–81
Tibi soli peccavi - 2a pars (of 2): Cor contritum 81v–82
Tu es pastor ovium Anonymous 48v–49
Tu es Petrus Anonymous 53v–54
Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram 50v–51
Victimae paschali Anonymous 6v
Videns Dominus flentes sorores Lazari 83v–84
Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium 14v–15
Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto 15v–16

denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 31: 16-72. Pages: 54-6, 59-62. Notes: contents list (partial); concordances (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 342, 355-60, 363-4, 421, 440-1, 496, 514, 522, 811. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft, vol. 2.  Tutzing. Pages: 19, 40, 44-5, 90, 437, 443. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 154, 191-2, 195, 296, 314. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 74, 116-7, 178-80, 184-5, 206. Notes: contents list (partial); concordances (partial); incipits (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 143ff. Notes: mention of MS; contents list (partial); concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 377, 383, 388. Notes: contents list (partial); concordances (partial).

Lockwood, Lewis Henry. 1970. The Counter-Reformation and the Masses of Vincenzo Ruffo.  Venice. Pages: 260. Notes: contents list (partial); concordances (partial).

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V.  Chicago. Pages: III, 142, 150. Notes: contents list (partial); concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 322-4. Notes: contents list (partial); concordances (partial); incipits (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 185, 209ff. Notes: mention of MS; contents list (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description