Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.
| Archive | Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd) |
|---|---|
| Shelfmark | 6 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 52 compositions, 37 from 17 composers, 15 are anonymous. |
General Description
Notation
black void mensural
Date
1560-8 (dates in manuscript)
Surface
Paper
Census Catalogue of Music Description
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36 motets
Arcadelt-1, Ciera-1, (Donato)-1, (Jaquet of Mantua)-1, (Jaquet of Mantua/Lupus)-1, Jhan of Ferrara-1, (Lafage)-1, (Lassus)-1, Morales-2, Nasco-5, Perissone Cambio-1, (Rore)-1, Santacroce [F.P.]-1, (Verdelot)-1, Willaert-4, Zarlino-1, anon-12
Ca. 78 paper folios. No further physical description available.
1560-8 (dates in manuscript). Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.
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‡ denotes primary source study
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 206, 451, 492, 811. Notes: contents list (partial); concordances (partial).
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 149. Notes: contents list (partial); concordances (partial); incipits (partial).
Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 150, 154. Notes: mention of MS; contents list (partial); concordances (partial).
d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso. Vedelago (Treviso). Pages: 184, 209ff. Notes: mention of MS; contents list (partial).
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Edward Tambling
Friday, 5 April, 2024
Identified many 'anonymous' compositions in this ms: 7v–9. Sancte Paule apostole is by Willaert 16v–18. Estote fortes in bello attrib. Arcadelt here = anon. in GB-Lbl Roy. App. 49-54 25v–27. Qui habitat is by Willaert 29v–33. In te Domine speravi is by Lassus 33v–36. Domine Dominus [n.b. spelling] noster is by Donato 39v–41. Locutus est Dominus is by de Mantua 41v–43. Cum sublevasset oculos is by Certon 43v–47. Infelix ego is by de Rore 47v-50. Locuti sunt is by Willaert 54v–56. Attende Domine is by Verdelot 58v–61. Salvum me fac is by de Mantua
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description