I-TVd 6

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1560-8

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 6
Image Availability DIAMM does not have images of this source.
Surface Paper
Other Identifiers
  • CCM: TrevBC 6
  • olim (Former shelfmark): I
Notations
  • black void mensural
Relationships
Provenance
Contents Contains 52 compositions, 37 from 17 composers, 15 are anonymous.
General Description

Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1560-8 (dates in manuscript)

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

36 motets

Arcadelt-1, Ciera-1, (Donato)-1, (Jaquet of Mantua)-1, (Jaquet of Mantua/Lupus)-1, Jhan of Ferrara-1, (Lafage)-1, (Lassus)-1, Morales-2, Nasco-5, Perissone Cambio-1, (Rore)-1, Santacroce [F.P.]-1, (Verdelot)-1, Willaert-4, Zarlino-1, anon-12

Ca. 78 paper folios. No further physical description available.

1560-8 (dates in manuscript). Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
1v–2 Omnes fideles Christi 4 - Anonymous
Appears on: 1v–2
Genres: Antiphon
Number of voices: 4
General Note

Bassus entirely in greghorian notation

2v–5 Ave confessor gloriose liberalis 4 Nasco Joan
Appears on: 2v–5
Genres: Motet
Source Attribution: Nasco Joan
Number of voices: 4
5v–7 Scio cui credidi 5 - Anonymous

Scio cui credidi

Anonymous
Appears on: 5v–7
Genres: Motet
Number of voices: 5
7v–9 Sancte Paule apostole (4vv) 4 -
Appears on: 7v–9
Genres: Motet
Number of voices: 4
9v–10 Sit Trinitati sempiterna gloria 6 - Anonymous
Appears on: 9v–10
Genres: Motet
Number of voices: 6
10v–12 Paulus apostolus Paulus spirans in discipulos II: Quis es Domine ego sum Jesus Nazarenus 4 M. Jan
Appears on: 10v–12
Genres: Motet
Source Attribution: M. Jan
Number of voices: 4
12v–13 Sancte Paule apostole (5vv) (=Partus et integritas) 5 -
Appears on: 12v–13
Genres: Motet
Number of voices: 5
General Note

Canon in sub dyapente

13v–15 Tu es vas (7vv) - 1a pars (of 2): Tu es vas electionis 7 - Anonymous
Appears on: 13v–15
Genres: Motet
Number of voices: 7
15v–16 Tu es vas (7vv) - 2a pars (of 2): Intercede pro nobis 7 - Anonymous
Appears on: 15v–16
Genres: Motet
Number of voices: 7
16v–17 Estote fortes - 1a pars (of 2): Estote fortes in bello 6 Archadelt
Appears on: 16v–17
Genres: Motet
Source Attribution: Archadelt
Number of voices: 6
17v–18 Estote fortes - 2a pars (of 2): Vos amici mei - -
Appears on: 17v–18
Genres: Motet
18v–20 Tu es vas (6vv) - 1a pars (of 2): Tu es vas electionis 6 - Anonymous
Appears on: 18v–20
Genres: Motet
Number of voices: 6
20v–21 Tu es vas (6vv) - 2a pars (of 2): Paulus alter Petrus 6 - Anonymous
Appears on: 20v–21
Genres: Motet
Number of voices: 6
21v–25 Asperges me (8vv) 8 - Anonymous

Asperges me (8vv)

Anonymous
Appears on: 21v–25
Genres: Motet
Number of voices: 8
General Note

untexted, and in a later hand than the rest of the ms

25v–27 Qui habitat in adiutorio 4 -
Appears on: 25v–27
Genres: Motet
Number of voices: 4
27v–28 Quanti mercenarii - 1a pars (of 2): Quanti mercenarii 6 Morales
Appears on: 27v–28
Genres: Motet
Source Attribution: Morales
Number of voices: 6
28v–29 Quanti mercenarii - 2a pars (of 2): Pater peccavi in caelum 6 -
Appears on: 28v–29
Genres: Motet
Number of voices: 6
29v–31 In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar 6 -
Appears on: 29v–31
Genres: Motet
Number of voices: 6
31v–33 In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium 6 -
Appears on: 31v–33
Genres: Motet
Number of voices: 6
33v–35 Domine Dominus - 1a pars (of 2): Domine Dominus noster 5 -
Appears on: 33v–35
Genres: Motet
Number of voices: 5
General Note

partly lost through ink corrosion

35v–36 Domine Dominus - 2a pars (of 2): Quid est homo 5 -
Appears on: 35v–36
Genres: Motet
Number of voices: 5
General Note

partly lost through ink corrosion

36v–38 Lamentabatur Jacob - 1a pars (of 2): Lamentabatur Jacob de duobus filiis suis 5 Morales
Appears on: 36v–38
Genres: Motet
Source Attribution: Morales
Number of voices: 5
38v–39 Lamentabatur Jacob - 2a pars (of 2): Prosternens se Jacob vehementer - -
Appears on: 38v–39
Genres: Motet
39v–40 Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 5 -
Appears on: 39v–40
Genres: Motet
Number of voices: 5
General Note

partly lost through ink corrosion

40v–41 Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 5 -
Appears on: 40v–41
Genres: Motet
Number of voices: 5
General Note

partly lost through ink corrosion

41v–42 Cum sublevasset oculos - 1a pars (of 2): Cum sublevasset oculos 4 -
Appears on: 41v–42
Genres: Motet
Number of voices: 4
General Note

damaged by ink corrosion

42v–43 Cum sublevasset oculos - 2a pars (of 2): Accepit ergo Jesus 4 -
Appears on: 42v–43
Genres: Motet
Number of voices: 4
General Note

damaged by ink corrosion

43v–45 Infelix ego - 1a pars (of 2): Infelix ego omnium 6 -
Appears on: 43v–45
Genres: Motet
Number of voices: 6
General Note

damaged by ink corrosion

45v–47 Infelix ego - 2a pars (of 2): Ad te igitur piissime 6 -
Appears on: 45v–47
Genres: Motet
Number of voices: 6
General Note

damaged by ink corrosion

47v–49 Locuti sunt - 1a pars (of 2): Locuti sunt adversum me 5 -
Appears on: 47v–49
Genres: Motet
Number of voices: 5
49v–50 Locuti sunt - 2a pars (of 2): Et posuerunt adversum me 5 -
Appears on: 49v–50
Genres: Motet
Number of voices: 5
50v–51 Isti sunt dies - 1a pars (of 2): Isti sunt dies 5 - Anonymous
Appears on: 50v–51
Genres: Motet
Number of voices: 5
51v–52 Isti sunt dies - 2a pars (of 2): Locutus est Dominus 5 - Anonymous
Appears on: 51v–52
Genres: Motet
Number of voices: 5
General Note

Alessi was not sure if this was 2a pars or a separate composition

52v–54 Multiplicati sunt 5 - Anonymous

Multiplicati sunt

Anonymous
Appears on: 52v–54
Genres: Motet
Number of voices: 5
54v–55 Attende Domine - 1a pars (of 2): Attende Domine ad me 6 -
Appears on: 54v–55
Genres: Motet
Number of voices: 6
55v–56 Attende Domine - 2a pars (of 2): Recordare domine quod steterim 6 -
Appears on: 55v–56
Genres: Motet
Number of voices: 6
General Note

Alessi was not sure if this was 2a pars or a separate composition

56v–57 Quis dabit capiti - 1a pars (of 2): Quis dabit capiti 6 Francesco Patavino o Santacroce
Appears on: 56v–57
Genres: Motet
Source Attribution: Francesco Patavino o Santacroce
Number of voices: 6
57v–58 Quis dabit capiti - 2a pars (of 2): Fiant viae corum 6 -
Appears on: 57v–58
Genres: Motet
Number of voices: 6
58v–61 Salvum me - 1a pars (of 2): Salvum me fac Domine 5 -
Appears on: 58v–61
Genres: Motet
Number of voices: 5
61v–63 Tenebrae factae sunt - 1a pars (of 2): Tenebrae factae sunt 6 - Anonymous
Appears on: 61v–63
Genres: Motet
Number of voices: 6
General Note

Some notes lost through ink corrosion. After 18 breves the Tenor enters & sings the antiphon "Plangent" while the others continue with the responsory text. (So too in 2a pars.)

63v–65 Tenebrae factae sunt - 2a pars (of 2): Et clamans Jesus 6 - Anonymous
Appears on: 63v–65
Genres: Motet
Number of voices: 6
General Note

Some notes lost through ink corrosion. Tenor continues to sing the antiphon "Plangent" while the others sing the responsory text.)

65v–66 Traditor autem dedit eis signum 5 Nasco Joan
Appears on: 65v–66
Genres: Motet
Source Attribution: Nasco Joan
Number of voices: 5
66v–68 Posuerunt mulieres 4 Nasco Joan
Appears on: 66v–68
Genres: Motet
Source Attribution: Nasco Joan
Number of voices: 4
68v–69 Alleluia - Vespere ante Sabbatum 4 - Anonymous
Appears on: 68v–69
Genres: Alleluia, Motet
Number of voices: 4
69v–71 Vespere autem Sabbati 4 Nasco Joan
Appears on: 69v–71
Genres: Motet
Source Attribution: Nasco Joan
Number of voices: 4
71v–72 Beate Sancte Marce 5 Ciera Hippo
Appears on: 71v–72
Genres: Motet
Source Attribution: Ciera Hippo
Number of voices: 5
72v–73 Beati Marci - 1a pars (of 2): Beati Marci evangelistae 5 Pierreson
Appears on: 72v–73
Genres: Motet
Source Attribution: Pierreson
Number of voices: 5
73v–74 Beati Marci - 2a pars (of 2): Deus qui beatum Marcum 5 -
Appears on: 73v–74
Genres: Motet
Number of voices: 5
74v–75 Beatissimus Marcus - 1a pars (of 2): Beatissimus Marcus 5 Zarlini Josef
Appears on: 74v–75
Genres: Motet
Source Attribution: Zarlini Josef
Number of voices: 5
75v–76 Beatissimus Marcus - 2a pars (of 2): Accepto Evangelista - -
Appears on: 75v–76
Genres: Motet
76v–77 Beatus Marcus 6 Willaert Adrian
Appears on: 76v–77
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 6
77v–? Alleluia pascale 5 - Anonymous

Alleluia pascale

Anonymous
Appears on: 77v–?
Genres: Alleluia, Motet
Number of voices: 5
General Note

apparently a later addition to the ms

Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507-1568)
Certon, Pierre (-ca. 1572)
Ciera, Ippolito (1546-1561)
Donato, Baldassare (ca. 1529-1603)
Fage, Jean de la
Ferrara, Maistre Jhan of (ca. 1485-1538)
Hellinck, Lupus (ca. 1494-1541)
Lassus, Orlande de (ca. 1532-1594)
Mantua, Jacquet de (1483-1559)
Morales, Cristóbal de (ca. 1500-1553)
Nasco, Jan
Patavino, Francesco (ca. 1487-ca. 1556)
Perissone Cambio
Rore, Cipriano de (ca. 1515-1565)
Verdelot, Philippe (ca. 1480-ca. 1532)
Willaert, Adrian (ca. 1490-1562)
Zarlino, Gioseffo (1517-1590)
Composition Composers (? Uncertain) Folios / Pages
Alleluia - Vespere ante Sabbatum Anonymous 68v–69
Alleluia pascale Anonymous 77v–?
Asperges me (8vv) Anonymous 21v–25
Attende Domine - 1a pars (of 2): Attende Domine ad me 54v–55
Attende Domine - 2a pars (of 2): Recordare domine quod steterim 55v–56
Ave confessor gloriose liberalis 2v–5
Beate Sancte Marce 71v–72
Beati Marci - 1a pars (of 2): Beati Marci evangelistae 72v–73
Beati Marci - 2a pars (of 2): Deus qui beatum Marcum 73v–74
Beatissimus Marcus - 1a pars (of 2): Beatissimus Marcus 74v–75
Beatissimus Marcus - 2a pars (of 2): Accepto Evangelista 75v–76
Beatus Marcus 76v–77
Cum sublevasset oculos - 1a pars (of 2): Cum sublevasset oculos 41v–42
Cum sublevasset oculos - 2a pars (of 2): Accepit ergo Jesus 42v–43
Domine Dominus - 1a pars (of 2): Domine Dominus noster 33v–35
Domine Dominus - 2a pars (of 2): Quid est homo 35v–36
Estote fortes - 1a pars (of 2): Estote fortes in bello 16v–17
Estote fortes - 2a pars (of 2): Vos amici mei 17v–18
In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar 29v–31
In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium 31v–33
Infelix ego - 1a pars (of 2): Infelix ego omnium 43v–45
Infelix ego - 2a pars (of 2): Ad te igitur piissime 45v–47
Isti sunt dies - 1a pars (of 2): Isti sunt dies Anonymous 50v–51
Isti sunt dies - 2a pars (of 2): Locutus est Dominus Anonymous 51v–52
Lamentabatur Jacob - 1a pars (of 2): Lamentabatur Jacob de duobus filiis suis 36v–38
Lamentabatur Jacob - 2a pars (of 2): Prosternens se Jacob vehementer 38v–39
Locuti sunt - 1a pars (of 2): Locuti sunt adversum me 47v–49
Locuti sunt - 2a pars (of 2): Et posuerunt adversum me 49v–50
Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 39v–40
Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 40v–41
Multiplicati sunt Anonymous 52v–54
Omnes fideles Christi Anonymous 1v–2
Paulus apostolus Paulus spirans in discipulos II: Quis es Domine ego sum Jesus Nazarenus 10v–12
Posuerunt mulieres 66v–68
Quanti mercenarii - 1a pars (of 2): Quanti mercenarii 27v–28
Quanti mercenarii - 2a pars (of 2): Pater peccavi in caelum 28v–29
Qui habitat in adiutorio 25v–27
Quis dabit capiti - 1a pars (of 2): Quis dabit capiti 56v–57
Quis dabit capiti - 2a pars (of 2): Fiant viae corum 57v–58
Salvum me - 1a pars (of 2): Salvum me fac Domine 58v–61
Sancte Paule apostole (4vv) 7v–9
Sancte Paule apostole (5vv) (=Partus et integritas) 12v–13
Scio cui credidi Anonymous 5v–7
Sit Trinitati sempiterna gloria Anonymous 9v–10
Tenebrae factae sunt - 1a pars (of 2): Tenebrae factae sunt Anonymous 61v–63
Tenebrae factae sunt - 2a pars (of 2): Et clamans Jesus Anonymous 63v–65
Traditor autem dedit eis signum 65v–66
Tu es vas (6vv) - 1a pars (of 2): Tu es vas electionis Anonymous 18v–20
Tu es vas (6vv) - 2a pars (of 2): Paulus alter Petrus Anonymous 20v–21
Tu es vas (7vv) - 1a pars (of 2): Tu es vas electionis Anonymous 13v–15
Tu es vas (7vv) - 2a pars (of 2): Intercede pro nobis Anonymous 15v–16
Vespere autem Sabbati 69v–71

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 206, 451, 492, 811. Notes: contents list (partial); concordances (partial).

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 149. Notes: contents list (partial); concordances (partial); incipits (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 150, 154. Notes: mention of MS; contents list (partial); concordances (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 184, 209ff. Notes: mention of MS; contents list (partial).

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Edward Tambling

Friday, 5 April, 2024

Identified many 'anonymous' compositions in this ms: 7v–9. Sancte Paule apostole is by Willaert 16v–18. Estote fortes in bello attrib. Arcadelt here = anon. in GB-Lbl Roy. App. 49-54 25v–27. Qui habitat is by Willaert 29v–33. In te Domine speravi is by Lassus 33v–36. Domine Dominus [n.b. spelling] noster is by Donato 39v–41. Locutus est Dominus is by de Mantua 41v–43. Cum sublevasset oculos is by Certon 43v–47. Infelix ego is by de Rore 47v-50. Locuti sunt is by Willaert 54v–56. Attende Domine is by Verdelot 58v–61. Salvum me fac is by de Mantua

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description