I-TVd 5

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1559-72

Archive	Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark	5
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Other Identifiers	CCM: TrevBC 5 olim (Former shelfmark): H
Notations	black void mensural
Relationships	Treviso Cathedral (copied at) d'Alessi, Giovanni (1884–1969) (saw and described MS)
External Links	CMME online edition
Provenance	Treviso Cathedral , Treviso, Italy
Contents	Contains 59 compositions, 31 from 15 composers, 28 are anonymous.

General Description

Described as an 'average-sized' book covered in wooden boards. Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi. No further information available.

Motets grouped by feast; copied in order of liturgical calendar. A group of 5 for 1st Vespers of Corpus Christi forms a unified cycle, and was transcribed by Alessi (copy in the Archivio Capitolare).

Anne-Emmanuelle Ceulemans, 2016

Notation

black void mensural

Anne-Emmanuelle Ceulemans, 2016

Date

1559-72 (dates in manuscript).

Anne-Emmanuelle Ceulemans, 2016

Surface

paper

Anne-Emmanuelle Ceulemans, 2016

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

49 motets

Berchem-1, Berchem/(Lupi)-1, Contini-1, C. Festa/(Craen/A. Févin/Josquin/Morales)-1, Gombert-1, Janequin-1, Jaquet of Mantua [Jachet]/(Berchem)-1, (Jhan of Ferrara)-1, Lassus-1, Lupus-1, (Morales)-1, Nasco-1, Rore-2, Spalenza-1, (Tudual)-1, Verdelot-1, (Verdelot/Willaert)-1, (Wert)-1, Willaert-4, anon-26

Ca. 81 paper folios. No further physical description available. Motets grouped by feast; copied in order of liturgical calendar.

1559-72 (dates in manuscript). Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Vol 4

Composers: Change "Jaquet of Mantua [Jachet]/(Berchem)-l" to "Jaquet of Mantua [jachet]/Morales)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1v–2	In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus	5	Jachet de Mantua	Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?)
In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?) Appears on: 1v–2 Genres: Motet Source Attribution: Jachet de Mantua Number of voices: 5
2v–3	In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc	-	-	Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?)
In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?) Appears on: 2v–3 Genres: Motet
3v–5	Deus canticum novum cantabo tibi	4	Lupus	Hellinck, Lupus (ca. 1494–1541)
Deus canticum novum cantabo tibi Hellinck, Lupus (ca. 1494–1541) Appears on: 3v–5 Genres: Motet Source Attribution: Lupus Number of voices: 4
5v–6	Salve crux - 1a pars (of 2): Salve crux	4	-	Anonymous
Salve crux - 1a pars (of 2): Salve crux Anonymous Appears on: 5v–6 Genres: Motet Number of voices: 4
6v–7	Salve crux - 2a pars (of 2): Causa etiam vitae	4	-	Anonymous
Salve crux - 2a pars (of 2): Causa etiam vitae Anonymous Appears on: 6v–7 Genres: Motet Number of voices: 4
7v–8	Signum crucis - 1a pars (of 2): Signum crucis mirabile	4	-	Anonymous
Signum crucis - 1a pars (of 2): Signum crucis mirabile Anonymous Appears on: 7v–8 Genres: Motet Number of voices: 4 General Note damaged by ink corrosion
8v–9	Signum crucis - 2a pars (of 2): Haec arbor	4	-	Anonymous
Signum crucis - 2a pars (of 2): Haec arbor Anonymous Appears on: 8v–9 Genres: Motet Number of voices: 4 General Note damaged by ink corrosion
9v–10	Signum crucis mirabile	5	-	Anonymous
Signum crucis mirabile Anonymous Appears on: 9v–10 Genres: Motet Number of voices: 5 General Note partly lost from ink corrosion
10v–12	Ecce lignum crucis II. Crux fidelis	5	-	Willaert, Adrian (ca. 1490–1562)
Ecce lignum crucis II. Crux fidelis Willaert, Adrian (ca. 1490–1562) Appears on: 10v–12 Genres: Motet Number of voices: 5 General Note partly lost from ink corrosion
12v–13	O crux benedicta que sola fuisti digna	4	Cipriano de Rore	Rore, Cipriano de (ca. 1515–1565)
O crux benedicta que sola fuisti digna Rore, Cipriano de (ca. 1515–1565) Appears on: 12v–13 Genres: Motet Source Attribution: Cipriano de Rore Number of voices: 4
13v–15	O crux splendidior	6	-	Anonymous
O crux splendidior Anonymous Appears on: 13v–15 Genres: Motet Number of voices: 6
15v–20	Gloriosum diem - 1a pars (of 2): Gloriosum diem	6	-	Tudual
Gloriosum diem - 1a pars (of 2): Gloriosum diem Tudual Appears on: 15v–20 Genres: Motet Number of voices: 6
15v–20	Gloriosum diem - 2a pars (of 2): Tropheum crucis	-	-	Tudual
Gloriosum diem - 2a pars (of 2): Tropheum crucis Tudual Appears on: 15v–20 Genres: Motet
20v–22	Tu summa Deus Trinitas	6	-	Anonymous
Tu summa Deus Trinitas Anonymous Appears on: 20v–22 Genres: Motet Number of voices: 6
22v–25	Regina coeli	6	-	Anonymous
Regina coeli Anonymous Appears on: 22v–25 Genres: BVM, Motet, Regina caeli laetare Number of voices: 6 General Note Canon in subdyapente
25v–27	Viri Galilei	6	-	Anonymous
Viri Galilei Anonymous Appears on: 25v–27 Genres: Motet Number of voices: 6
27v–31	Ascendens Christus in altum	6	-	Anonymous
Ascendens Christus in altum Anonymous Appears on: 27v–31 Genres: Motet Number of voices: 6
31v–32	Sancta Trinitas unus Deus miserere nobis (4vv)	4	Festa Costanzo	Fevin, Antoine de (ca. 1470–ca. 1512)
Sancta Trinitas unus Deus miserere nobis (4vv) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 31v–32 Genres: Motet Source Attribution: Festa Costanzo Number of voices: 4 General Note Publ. Motetti de la Corona, libro primo, Venezia, Ottaviano Petrucci, 1514, no 13, fol. 9 (supremus), fol. 26 (tenor), fol. 42 (altus) et fol. 57 (bassus) – [RISM 15141]; Réédition : Rome, Giovanni Giacomo Pasoti et Valerio Dorico, 1526 – [RISM 15261] General Note here attributed to Festa but attributed to Fevin in Cambridge 1760, Modena IX, Munich 1536, Toledo 13, Vatican C.VIII.234, Verona DCCLX
32v–35	Tres sunt	6	-	Anonymous
Tres sunt Anonymous Appears on: 32v–35 Genres: Motet Number of voices: 6 General Note Canon in Tenor "tres in unum congregati" Item Bibliography Pozzobon, Michele. 1989. Review of "Music for Treviso Cathedral" (Blackburn). Pages: 257-258. Notes: reproduction of the manuscript opening containing 'Tres sunt'.
35v–36	Sacerdos in eternum	4	-	Spalenza, Pietr’Antonio (?)
Sacerdos in eternum Spalenza, Pietr’Antonio (?) Appears on: 35v–36 Genres: Motet Number of voices: 4 General Note Bassus in gregorian notation. This and the following 4 motets form a unified cycle for 1st Vespers 'in festo Corporis Domini'; Pozzobon1990 suggests the composer 'may be tentatively identified as Antonio Spalenza', maestro di capella at Treviso from 1573 - or perhaps earlier, as Spalenza's 'Panis quem ego dabo' (f. 53v) is dated 1572.
36v–37	Miserator Dominus	-	-	Spalenza, Pietr’Antonio (?)
Miserator Dominus Spalenza, Pietr’Antonio (?) Appears on: 36v–37 Genres: Motet
37v–38	Calicem salutaris	4	-	Spalenza, Pietr’Antonio (?)
Calicem salutaris Spalenza, Pietr’Antonio (?) Appears on: 37v–38 Genres: Motet Number of voices: 4 General Note Bassus in gregorian notation
38v–39	Sicut novellas olivarum	4	-	Spalenza, Pietr’Antonio (?)
Sicut novellas olivarum Spalenza, Pietr’Antonio (?) Appears on: 38v–39 Genres: Motet Number of voices: 4 General Note Bassus in gregorian notation
39v–41	Qui pacem	4	-	Spalenza, Pietr’Antonio (?)
Qui pacem Spalenza, Pietr’Antonio (?) Appears on: 39v–41 Genres: Motet Number of voices: 4 General Note Bassus in gregorian notation
41v–42	Cenantibus illis - 1a pars (of 2): Cenantibus illis	6	-	Anonymous
Cenantibus illis - 1a pars (of 2): Cenantibus illis Anonymous Appears on: 41v–42 Genres: Motet Number of voices: 6
42v–43	Cenantibus illis - 2a pars (of 2): Dixerunt viri	6	-	Anonymous
Cenantibus illis - 2a pars (of 2): Dixerunt viri Anonymous Appears on: 42v–43 Genres: Motet Number of voices: 6
43v–44	O salutaris	6	-	Anonymous
O salutaris Anonymous Appears on: 43v–44 Genres: Motet Number of voices: 6
44v–45	Affer Domine auxilium	6	-	Anonymous
Affer Domine auxilium Anonymous Appears on: 44v–45 Genres: Motet Number of voices: 6
45v–46	O salutaris hostia	6	-	Anonymous
O salutaris hostia Anonymous Appears on: 45v–46 Genres: Motet Number of voices: 6
46v–47	O sacrum convivium	6	-	Anonymous
O sacrum convivium Anonymous Appears on: 46v–47 Genres: Motet Number of voices: 6
47v–48	Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus in aeternum	4	Cipriano de Rore	Rore, Cipriano de (ca. 1515–1565)
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus in aeternum Rore, Cipriano de (ca. 1515–1565) Appears on: 47v–48 Genres: Motet Source Attribution: Cipriano de Rore Number of voices: 4
48v–49	Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit	4	-	Rore, Cipriano de (ca. 1515–1565)
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit Rore, Cipriano de (ca. 1515–1565) Appears on: 48v–49 Genres: Motet Number of voices: 4
49v–50	Deus qui nobis sub sacramento	5	Continus Joannes	Contino, Giovanni
Deus qui nobis sub sacramento Contino, Giovanni Appears on: 49v–50 Genres: Motet Source Attribution: Continus Joannes Number of voices: 5
50v–51	Creator alme siderum	6	-	Anonymous
Creator alme siderum Anonymous Appears on: 50v–51 Genres: Motet Number of voices: 6
51v–52	Creator omnium Deus (6vv)	5	-	Willaert, Adrian (ca. 1490–1562)
Creator omnium Deus (6vv) Willaert, Adrian (ca. 1490–1562) Appears on: 51v–52 Genres: Motet Number of voices: 5
52v–53	Creator omnium Deus	6	Lassi Orlandi	Lassus, Orlande de (ca. 1532–1594)
Creator omnium Deus Lassus, Orlande de (ca. 1532–1594) Appears on: 52v–53 Genres: Motet Source Attribution: Lassi Orlandi Number of voices: 6
53v–55	Panis quem ego dabo	5	Spalenza Pietrantonio	Spalenza, Pietr’Antonio
Panis quem ego dabo Spalenza, Pietr’Antonio Appears on: 53v–55 Genres: Motet Source Attribution: Spalenza Pietrantonio Number of voices: 5 General Note the copy is dated 24 September 1572; though Spalenza is believed to have taken up the post of maestro di capella at Treviso only in 1573. Perhaps he was already working at the Cathedral prior to this date.
55v–56	Gabriel angelus	4	Janequin	Janequin, Clement (ca. 1485–ca. 1558)
Gabriel angelus Janequin, Clement (ca. 1485–ca. 1558) Appears on: 55v–56 Genres: Motet Source Attribution: Janequin Number of voices: 4
56v–57	Gabriel archangelus apparuit Zachariae	4	Verdeloth	Verdelot, Philippe (ca. 1480–ca. 1532)
Gabriel archangelus apparuit Zachariae Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 56v–57 Genres: Motet Source Attribution: Verdeloth Number of voices: 4
57v–58	Angelus Domini apparuit Zachariae II: Vox clamantis in deserto parate viam	5	Jachet Berchem	Lupi, Johannes (ca. 1506–1539) (?) Berchem, Jacques (ca. 1505–1567) (?)
Angelus Domini apparuit Zachariae II: Vox clamantis in deserto parate viam Lupi, Johannes (ca. 1506–1539) (?) Berchem, Jacques (ca. 1505–1567) (?) Appears on: 57v–58 Genres: Motet Source Attribution: Jachet Berchem Number of voices: 5
58v–59	Vox clamantis in deserto	5	-	Anonymous
Vox clamantis in deserto Anonymous Appears on: 58v–59 Genres: Motet Number of voices: 5 General Note considerable ink corrosion damage
59v–60	Audite insule - 1a pars (of 2): Audite insule	6	Jachet Berchem	Berchem, Jacques (ca. 1505–1567)
Audite insule - 1a pars (of 2): Audite insule Berchem, Jacques (ca. 1505–1567) Appears on: 59v–60 Genres: Motet Source Attribution: Jachet Berchem Number of voices: 6
60v–61	Audite insule - 2a pars (of 2): Et exposuit os meum	6	-	Berchem, Jacques (ca. 1505–1567)
Audite insule - 2a pars (of 2): Et exposuit os meum Berchem, Jacques (ca. 1505–1567) Appears on: 60v–61 Genres: Motet Number of voices: 6
61v–63	Precursus Domini	4	-	Anonymous
Precursus Domini Anonymous Appears on: 61v–63 Genres: Motet Number of voices: 4 General Note Tenor part damaged by ink corrosion
63v–64	Pro eo quod non credidisti	4	-	Anonymous
Pro eo quod non credidisti Anonymous Appears on: 63v–64 Genres: Motet Number of voices: 4 General Note Bass in gregorian notation
64v–65	Ingresso Zacharia	4	-	Anonymous
Ingresso Zacharia Anonymous Appears on: 64v–65 Genres: Motet Number of voices: 4 General Note Tenor entirely in gregorian notation
65v–67	Puer qui natus est [in die S.Jannis ad magnificat antiphona]	4	Nasco Joan	Nasco, Jan
Puer qui natus est [in die S.Jannis ad magnificat antiphona] Nasco, Jan Appears on: 65v–67 Genres: Antiphon Source Attribution: Nasco Joan Number of voices: 4
67–68	De ventre matris mea (I)	5	-	Anonymous
De ventre matris mea (I) Anonymous Appears on: 67–68 Genres: Motet Number of voices: 5 General Note Bassus entirely in gregorian notation
68v–70	De ventre matris mea (II)	5	-	Anonymous
De ventre matris mea (II) Anonymous Appears on: 68v–70 Genres: Motet Number of voices: 5 General Note Bassus I entirely in gregorian notation
70v–71	Puer qui natus est	6	-	Anonymous
Puer qui natus est Anonymous Appears on: 70v–71 Genres: Motet Number of voices: 6
71v–73	Ingresso Zacharia	4	-	Anonymous
Ingresso Zacharia Anonymous Appears on: 71v–73 Genres: Motet Number of voices: 4 General Note Tenor in gregorian notation
73v–74	Mulier quae erat	4	-	Anonymous
Mulier quae erat Anonymous Appears on: 73v–74 Genres: Motet Number of voices: 4
74v–76	In diebus illis (6vv) - 1a pars (of 2): In diebus illis	6	Willaert Adrian	Willaert, Adrian (ca. 1490–1562)
In diebus illis (6vv) - 1a pars (of 2): In diebus illis Willaert, Adrian (ca. 1490–1562) Appears on: 74v–76 Genres: Motet Source Attribution: Willaert Adrian Number of voices: 6
76v–77	In diebus illis (6vv) - 2a pars (of 2): Et stans retro	6	-	Willaert, Adrian (ca. 1490–1562)
In diebus illis (6vv) - 2a pars (of 2): Et stans retro Willaert, Adrian (ca. 1490–1562) Appears on: 76v–77 Genres: Motet Number of voices: 6
77v–78	Sacrae legis - 1a pars (of 2): Sacrae legis Christianae	5	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Sacrae legis - 1a pars (of 2): Sacrae legis Christianae Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 77v–78 Genres: Motet Number of voices: 5
77v–78	Sacrae legis - 2a pars (of 2): Precamur	5	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Sacrae legis - 2a pars (of 2): Precamur Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 77v–78 Genres: Motet Number of voices: 5
78v–79	Precamus ergo supplices	5	-	Anonymous
Precamus ergo supplices Anonymous Appears on: 78v–79 Genres: Motet Number of voices: 5
79v–80	Interveniat pro nobis	5	-	Anonymous
Interveniat pro nobis Anonymous Appears on: 79v–80 Genres: Motet Number of voices: 5
80v–?	Ecce ego mitto vos sicut oves	4	-	Anonymous
Ecce ego mitto vos sicut oves Anonymous Appears on: 80v–? Genres: Motet Number of voices: 4

Composer	Compositions
Anonymous	Affer Domine auxilium – 44v–45 Ascendens Christus in altum – 27v–31 Cenantibus illis - 1a pars (of 2): Cenantibus illis – 41v–42 Cenantibus illis - 2a pars (of 2): Dixerunt viri – 42v–43 Creator alme siderum – 50v–51 De ventre matris mea (I) – 67–68 De ventre matris mea (II) – 68v–70 Ecce ego mitto vos sicut oves – 80v–? Ingresso Zacharia – 64v–65 Ingresso Zacharia – 71v–73 Interveniat pro nobis – 79v–80 Mulier quae erat – 73v–74 O crux splendidior – 13v–15 O sacrum convivium – 46v–47 O salutaris – 43v–44 O salutaris hostia – 45v–46 Precamus ergo supplices – 78v–79 Precursus Domini – 61v–63 Pro eo quod non credidisti – 63v–64 Puer qui natus est – 70v–71 Regina coeli – 22v–25 Salve crux - 1a pars (of 2): Salve crux – 5v–6 Salve crux - 2a pars (of 2): Causa etiam vitae – 6v–7 Signum crucis - 1a pars (of 2): Signum crucis mirabile – 7v–8 Signum crucis - 2a pars (of 2): Haec arbor – 8v–9 Signum crucis mirabile – 9v–10 Tres sunt – 32v–35 Tu summa Deus Trinitas – 20v–22 Viri Galilei – 25v–27 Vox clamantis in deserto – 58v–59
Berchem, Jacques (ca. 1505-1567)	(?) Angelus Domini apparuit Zachariae II: Vox clamantis in deserto parate viam – 57v–58 Audite insule - 1a pars (of 2): Audite insule – 59v–60 Audite insule - 2a pars (of 2): Et exposuit os meum – 60v–61 (?) In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus – 1v–2 (?) In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc – 2v–3
Contino, Giovanni	Deus qui nobis sub sacramento – 49v–50
Ferrara, Maistre Jhan of (ca. 1485-1538)	Sacrae legis - 1a pars (of 2): Sacrae legis Christianae – 77v–78 Sacrae legis - 2a pars (of 2): Precamur – 77v–78
Fevin, Antoine de (ca. 1470-ca. 1512)	Sancta Trinitas unus Deus miserere nobis (4vv) – 31v–32
Hellinck, Lupus (ca. 1494-1541)	Deus canticum novum cantabo tibi – 3v–5
Janequin, Clement (ca. 1485-ca. 1558)	Gabriel angelus – 55v–56
Lassus, Orlande de (ca. 1532-1594)	Creator omnium Deus – 52v–53
Lupi, Johannes (ca. 1506-1539)	(?) Angelus Domini apparuit Zachariae II: Vox clamantis in deserto parate viam – 57v–58
Mantua, Jacquet de (1483-1559)	(?) In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus – 1v–2 (?) In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc – 2v–3
Nasco, Jan	Puer qui natus est [in die S.Jannis ad magnificat antiphona] – 65v–67
Rore, Cipriano de (ca. 1515-1565)	Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus in aeternum – 47v–48 Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit – 48v–49 O crux benedicta que sola fuisti digna – 12v–13
Spalenza, Pietr’Antonio	(?) Calicem salutaris – 37v–38 (?) Miserator Dominus – 36v–37 Panis quem ego dabo – 53v–55 (?) Qui pacem – 39v–41 (?) Sacerdos in eternum – 35v–36 (?) Sicut novellas olivarum – 38v–39
Tudual	Gloriosum diem - 1a pars (of 2): Gloriosum diem – 15v–20 Gloriosum diem - 2a pars (of 2): Tropheum crucis – 15v–20
Verdelot, Philippe (ca. 1480-ca. 1532)	Gabriel archangelus apparuit Zachariae – 56v–57
Willaert, Adrian (ca. 1490-1562)	Creator omnium Deus (6vv) – 51v–52 Ecce lignum crucis II. Crux fidelis – 10v–12 In diebus illis (6vv) - 1a pars (of 2): In diebus illis – 74v–76 In diebus illis (6vv) - 2a pars (of 2): Et stans retro – 76v–77

Composition	Composers (? Uncertain)	Folios / Pages
Affer Domine auxilium	Anonymous	44v–45
Angelus Domini apparuit Zachariae II: Vox clamantis in deserto parate viam	Lupi, Johannes (ca. 1506–1539) (?) Berchem, Jacques (ca. 1505–1567) (?)	57v–58
Ascendens Christus in altum	Anonymous	27v–31
Audite insule - 1a pars (of 2): Audite insule	Berchem, Jacques (ca. 1505–1567)	59v–60
Audite insule - 2a pars (of 2): Et exposuit os meum	Berchem, Jacques (ca. 1505–1567)	60v–61
Calicem salutaris	Spalenza, Pietr’Antonio (?)	37v–38
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus in aeternum	Rore, Cipriano de (ca. 1515–1565)	47v–48
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit	Rore, Cipriano de (ca. 1515–1565)	48v–49
Cenantibus illis - 1a pars (of 2): Cenantibus illis	Anonymous	41v–42
Cenantibus illis - 2a pars (of 2): Dixerunt viri	Anonymous	42v–43
Creator alme siderum	Anonymous	50v–51
Creator omnium Deus	Lassus, Orlande de (ca. 1532–1594)	52v–53
Creator omnium Deus (6vv)	Willaert, Adrian (ca. 1490–1562)	51v–52
De ventre matris mea (I)	Anonymous	67–68
De ventre matris mea (II)	Anonymous	68v–70
Deus canticum novum cantabo tibi	Hellinck, Lupus (ca. 1494–1541)	3v–5
Deus qui nobis sub sacramento	Contino, Giovanni	49v–50
Ecce ego mitto vos sicut oves	Anonymous	80v–?
Ecce lignum crucis II. Crux fidelis	Willaert, Adrian (ca. 1490–1562)	10v–12
Gabriel angelus	Janequin, Clement (ca. 1485–ca. 1558)	55v–56
Gabriel archangelus apparuit Zachariae	Verdelot, Philippe (ca. 1480–ca. 1532)	56v–57
Gloriosum diem - 1a pars (of 2): Gloriosum diem	Tudual	15v–20
Gloriosum diem - 2a pars (of 2): Tropheum crucis	Tudual	15v–20
In diebus illis (6vv) - 1a pars (of 2): In diebus illis	Willaert, Adrian (ca. 1490–1562)	74v–76
In diebus illis (6vv) - 2a pars (of 2): Et stans retro	Willaert, Adrian (ca. 1490–1562)	76v–77
In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus	Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?)	1v–2
In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc	Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?)	2v–3
Ingresso Zacharia	Anonymous	64v–65
Ingresso Zacharia	Anonymous	71v–73
Interveniat pro nobis	Anonymous	79v–80
Miserator Dominus	Spalenza, Pietr’Antonio (?)	36v–37
Mulier quae erat	Anonymous	73v–74
O crux benedicta que sola fuisti digna	Rore, Cipriano de (ca. 1515–1565)	12v–13
O crux splendidior	Anonymous	13v–15
O sacrum convivium	Anonymous	46v–47
O salutaris	Anonymous	43v–44
O salutaris hostia	Anonymous	45v–46
Panis quem ego dabo	Spalenza, Pietr’Antonio	53v–55
Precamus ergo supplices	Anonymous	78v–79
Precursus Domini	Anonymous	61v–63
Pro eo quod non credidisti	Anonymous	63v–64
Puer qui natus est	Anonymous	70v–71
Puer qui natus est [in die S.Jannis ad magnificat antiphona]	Nasco, Jan	65v–67
Qui pacem	Spalenza, Pietr’Antonio (?)	39v–41
Regina coeli	Anonymous	22v–25
Sacerdos in eternum	Spalenza, Pietr’Antonio (?)	35v–36
Sacrae legis - 1a pars (of 2): Sacrae legis Christianae	Ferrara, Maistre Jhan of (ca. 1485–1538)	77v–78
Sacrae legis - 2a pars (of 2): Precamur	Ferrara, Maistre Jhan of (ca. 1485–1538)	77v–78
Salve crux - 1a pars (of 2): Salve crux	Anonymous	5v–6
Salve crux - 2a pars (of 2): Causa etiam vitae	Anonymous	6v–7
Sancta Trinitas unus Deus miserere nobis (4vv)	Fevin, Antoine de (ca. 1470–ca. 1512)	31v–32
Sicut novellas olivarum	Spalenza, Pietr’Antonio (?)	38v–39
Signum crucis - 1a pars (of 2): Signum crucis mirabile	Anonymous	7v–8
Signum crucis - 2a pars (of 2): Haec arbor	Anonymous	8v–9
Signum crucis mirabile	Anonymous	9v–10
Tres sunt	Anonymous	32v–35
Tu summa Deus Trinitas	Anonymous	20v–22
Viri Galilei	Anonymous	25v–27
Vox clamantis in deserto	Anonymous	58v–59

‡ denotes primary source study

Pozzobon, Michele. 1989. Review of "Music for Treviso Cathedral" (Blackburn). Pages: 256-258. Notes: contents list (partial); description of MS (partial).

Blackburn, Bonnie J (editor). 1980-. Johannes Lupi: Opera Omnia. Corpus mensurabilis musicae, vol. 84. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xxix-xxx. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 165, 179, 191-4, 251-3, 293ff. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 107-8, 198-9. Notes: contents list (partial); concordances (partial); incipits (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 143, 148, 207. Notes: mention of MS; contents list (partial); concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 284-6. Notes: contents list (partial); concordances (partial); incipits (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso. Vedelago (Treviso). Pages: 184, 210ff. Notes: mention of MS; contents list (partial).

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Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

I-TVd 5

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1559-72

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