I-TVd 3

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1556-70

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 3
Image Availability DIAMM does not have images of this source.
Surface Paper
Other Identifiers
  • CCM: TrevBC 3
  • olim (Former shelfmark): E
Notations
  • black void mensural
Relationships
Provenance
Contents Contains 62 compositions, 34 from 6 composers, 28 are anonymous.
General Description

Copied by a single scribe, whose hand also appears in TrevBC 7, 10, 11b, 14, 19, and 22. Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi. A copy exists in photographs owned by the musicologist Laurence Feininger.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1556-70 (dates in manuscript).

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

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3 Magnificats, 45 hymns, 12 motets = 60

Ciera-1, Lupino? [Lupin]-1, Nasco-12, Nasco-Olivetus-1, Olivetus-8, Santacroce [F.P.]-1, Willaert-5, anon-30

106 paper folios. Modern foliation, 1-106. Copied by a single scribe, whose hand also appears in TrevBC 7, 10, 11b, 14, 19, and 22. Inked calligraphic initials.

1556-70 (dates in manuscript). Copied in Treviso, for use by cathedral choir. Destroyed in 1944; list of contents and physical description derived from pre-1944 microfilm.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Weidensaul, Jane Bennett. 1978. The Polyphonic Hymns of Adrian Willaert. Rutgers University, Unpublished Ph.D. dissertation. Pages: 75, 86-9. Notes: contents list (partial); concordances (partial).

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 191-3, 319. Notes: contents list (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 169. Notes: contents list (partial); incipits (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 184, 209ff. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description