I-TVd 3

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1556-70

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 3
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Other Identifiers
  • CCM: TrevBC 3
  • olim (Former shelfmark): E
Notations
  • black void mensural
Relationships
Provenance
Contents 62 pieces from 7 composers
General Description

Copied by a single scribe, whose hand also appears in TrevBC 7, 10, 11b, 14, 19, and 22. Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi. A copy exists in photographs owned by the musicologist Laurence Feininger.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1556-70 (dates in manuscript).

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Magnificats, 45 hymns, 12 motets = 60

Ciera-1, Lupino? [Lupin]-1, Nasco-12, Nasco-Olivetus-1, Olivetus-8, Santacroce [F.P.]-1, Willaert-5, anon-30

106 paper folios. Modern foliation, 1-106. Copied by a single scribe, whose hand also appears in TrevBC 7, 10, 11b, 14, 19, and 22. Inked calligraphic initials.

1556-70 (dates in manuscript). Copied in Treviso, for use by cathedral choir. Destroyed in 1944; list of contents and physical description derived from pre-1944 microfilm.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2 Tu fabricator omnium Olivetto
Appears on: 1v–2
Genres: Hymn
Source Attribution: Olivetto
2v–4 Cuius corpus sanctissimum Olivetus Nic(olaus)
Appears on: 2v–4
Genres: Hymn
Source Attribution: Olivetus Nic(olaus)
4v–5 Cuius corpus sanctissimo in resurrectione Domini - Anonymous
Appears on: 4v–5
Genres: Hymn
General Note

Setting of 2nd strophe and Amen only.

5v–6 Sermone blando Nasco Joan
Appears on: 5v–6
Genres: Hymn
Source Attribution: Nasco Joan
6v–7 Tu tuo laetos famulos - Anonymous
Appears on: 6v–7
Genres: Hymn
General Note

music for one strophe only

7v–8 Cuius corpus sanctissimus In festo S. Liberalis conf. - Anonymous
Appears on: 7v–8
Genres: Hymn
General Note

Second and last strophes set only, the latter in 5vv with canon: "vos fugam capietis et ego vadam"

8v–10 Conscendit jubilans (I) - Anonymous
Appears on: 8v–10
Genres: Hymn
General Note

Second & last strophes only set, the latter in 6vv with canon in diapente

10v–11 Conscendit jubilans (II) - Anonymous
Appears on: 10v–11
Genres: Hymn
General Note

Only one strophe & Amen set to music

11v–12 Quae tu vicit clementia Francesco Patavino o santacroce
Appears on: 11v–12
Genres: Hymn
Source Attribution: Francesco Patavino o santacroce
12v–14 Quae tu vicit clementia Olivetus Nic(olaus)
Appears on: 12v–14
Genres: Hymn
Source Attribution: Olivetus Nic(olaus)
14v–18 Veni creator spiritus mentes tuorum 3 Tu septiformis munere dextre Dei 5 Hostem repellas longius pacemque dones 8 Gloria patri Domino natoque qui a mortuis Willaert Adrian
Appears on: 14v–18
Genres: Hymn, Veni creator spiritus
Source Attribution: Willaert Adrian
18v–21 Qui paraclitus diceris Olivetto
Appears on: 18v–21
Genres: Hymn
Source Attribution: Olivetto
General Note

second , fourth and last strophes set, the last in 5vv with canon at the unison.

21v–23 Te mane laudum carmine Olivetto
Appears on: 21v–23
Genres: Hymn
Source Attribution: Olivetto
General Note

One verse only set, with Tenor canon 'in diapenthe superius'

23v–26 Pange lingua - Nobis datus Verbum caro - Genitori / Amen - Anonymous
Appears on: 23v–26
Genres: Hymn
General Note

Genitori a 5, Tenor with canon "Sequere me in sub diapenthe"

26v–28 Nobis datus Lupin
Appears on: 26v–28
Genres: Hymn
Source Attribution: Lupin
28v–29 Nobis datus - Anonymous

Nobis datus

Anonymous
Appears on: 28v–29
Genres: Hymn
General Note

One verse only set, without the 'Amen'

29v–30 Qui mane luctum Olivetus Nic(olaus)
Appears on: 29v–30
Genres: Hymn
Source Attribution: Olivetus Nic(olaus)
30v–31 Nuntius celso veniens Olimpo Nasco Joan
Appears on: 30v–31
Genres: Hymn
Source Attribution: Nasco Joan
31v–32 [Aurea luce] Janitor caeli doctor orbis (in festo SS Petri & Pauli) - Anonymous
Appears on: 31v–32
Genres: Hymn
General Note

2nd verse only set, no Amen

32v Sit Trinitati sempiterna (I) - Anonymous
Appears on: 32v
Genres: Hymn
32v Amen Jo Na(sco)
Appears on: 32v
Source Attribution: Jo Na(sco)
General Note

After the anonymous hymn's Amen, this second Amen is added, preceded by the note "quinta pars / JO Na / 24 gennaio 1556"

33 Sit Trinitati sempiterna (II) - Anonymous
Appears on: 33
Genres: Hymn
General Note

Only the last verse is set, with the Amen. The Altus with canon: "Consumatur opus jam precursore tacente".

33 Amen Jo Na(sco)
Appears on: 33
Source Attribution: Jo Na(sco)
General Note

After the Amen of the preceding hymn is added a second Amen, preceded by the inscription "Quinta pars Jo N. 24 gennaio 1556"

33v–35 Gressum cepit cum concepit Maria - Anonymous
Appears on: 33v–35
Genres: Hymn
General Note

Only 1 verse set, no Amen

35v–36 Hic nunc quod olim - Anonymous

Hic nunc quod olim

Anonymous
Appears on: 35v–36
Genres: Hymn
General Note

Second and last verses set, no Amen; last verse 5vv with canon in second Tenor in diapenthe

36v–39 Illum sequuntur protinus (in festo sanctorum martirum Theonisti Thabre et Thabrata) - Anonymous
Appears on: 36v–39
Genres: Hymn
General Note

Last verse 5vv with canon in Tenor: 'In diatessaron superius'

39v–40 Deo gratias (in festis maioribus duplicibus) Olivetus Nic(olaus)
Appears on: 39v–40
Genres: Deo gratias
Source Attribution: Olivetus Nic(olaus)
40v–41 Vos saecli iusti - Anonymous

Vos saecli iusti

Anonymous
Appears on: 40v–41
Genres: Hymn
General Note

Last verse in 5vv, Canon in diapason in the Altus. At the end of the Altus part is written: 9 marzo 1561

41v–42 Hi sunt quos retinens Ciera Hipp.
Appears on: 41v–42
Genres: Hymn
Source Attribution: Ciera Hipp.
42v–43 Hic nempe mundi (I) (in festo martirum) - Anonymous
Appears on: 42v–43
Genres: Hymn
43v–45 Qui pius prudens Willaert Adrian
Appears on: 43v–45
Genres: Hymn
Source Attribution: Willaert Adrian
45v–46 Qui mane iunctum - Anonymous

Qui mane iunctum

Anonymous
Appears on: 45v–46
Genres: Hymn
General Note

Verses 2 & 4 set; v2 in 4vv, v4 in 5vv. At end of Bassus "18/21/marzo 1561"

46v–48 Non ex virili semine Nasco Joan
Appears on: 46v–48
Genres: Hymn
Source Attribution: Nasco Joan
48v–50 Conditor alme siderum - Anonymous
Appears on: 48v–50
Genres: Hymn
General Note

Verses 2, 4, 6 and Amen set. v6 in 5vv. First tenor of v6 canon "in diapason"

50v–51 Qui condolens - Anonymous

Qui condolens

Anonymous
Appears on: 50v–51
Genres: Hymn
General Note

Setting of 3 verses and Amen

51v–52 Tu lumen tu splendor (I) - Anonymous
Appears on: 51v–52
Genres: Hymn
General Note

Setting of 1 verse and Amen

52v–53 Gloria tibi Domine Nasco Joan
Appears on: 52v–53
Genres: Doxology
Source Attribution: Nasco Joan
53v–55 Tu lumen tu splendor (II) - Anonymous
Appears on: 53v–55
Genres: Hymn
General Note

Setting of 2nd & last verses, latter in 6vv with 1st tenor in canon "Canon in diapason intensum - Incipe Menalios tu deinde sequere Manalcha"

55v–56 Hodie Christus natus est - Anonymous
Appears on: 55v–56
Genres: Hymn
56v–57 Ibant magi (I) - Anonymous

Ibant magi (I)

Anonymous
Appears on: 56v–57
Genres: Hymn
General Note

Setting of 2nd & last verses, latter in 5vv with tenor canon in diathessaron.

57v–58 Ibant magi (II) - Anonymous

Ibant magi (II)

Anonymous
Appears on: 57v–58
Genres: Hymn
General Note

Setting of 2nd & 4th verses, latter in 5vv with Tenor "fuga in unissono"

58v–59 Ibant magi Willaert Adrian
Appears on: 58v–59
Genres: Hymn
Source Attribution: Willaert Adrian
General Note

Setting of 2nd & 4th verses, latter in 5vv with Tenor "fuga in unissono"

59v–61 Aures ad nostras Deitatis preces Deus 3 Crimina laxa pietate multa 5 Christe lux vera bonitas et vita 7 Tu nobis dona fontem lachrimarum 9 Gloria deo sit eterno patri sit tibi Willaert Adrian
Appears on: 59v–61
Genres: Hymn
Source Attribution: Willaert Adrian
61v–66 Aures ad nostras deidatis Olivetus Nic(olaus)
Appears on: 61v–66
Genres: Hymn
Source Attribution: Olivetus Nic(olaus)
66v–67 O gloriose baiule (in festo S. Josephi confessoris) Olivetus Nic(olaus)
Appears on: 66v–67
Genres: Hymn
Source Attribution: Olivetus Nic(olaus)
67v–69 Precamur sancte Domine Olivetus Nic(olaus)
Appears on: 67v–69
Genres: Hymn
Source Attribution: Olivetus Nic(olaus)
69v–71 Quo vulneratus Olivetus Nic(olaus)
Appears on: 69v–71
Genres: Hymn
Source Attribution: Olivetus Nic(olaus)
71v–73 Vexilla regis (I) - 3 Quo vulneratus 5 Arbor decora 7 O crux ave Willaert Adrian
Appears on: 71v–73
Genres: Hymn
Source Attribution: Willaert Adrian
743v–79 Vexilla regis (II) - 3 Quo vulneratus 4 Impleta sunt 5 Arbor decora 6 Beata cuius brachiis 7 O crux ave 8 Te summa Willaert Adrian
Appears on: 743v–79
Genres: Hymn
Source Attribution: Willaert Adrian
General Note

Setting of Vexilla Quo vulneratus- impleta sunt- arbor de cora- beata cuius- o crux Ave (5vv with Altus canon in sub diapenthe) - te summa- Deus Trinitas (6vv with Tenor 1° canon in diatessaron) - Amen

79v–83 Salve regina Nasco Jo
Appears on: 79v–83
Genres: Antiphon, BVM, Salve Regina
Source Attribution: Nasco Jo
83v–85 Ascendo ad Patrem - Pater manifestavi Nasco Joan
Appears on: 83v–85
Genres: Hymn
Source Attribution: Nasco Joan
85v Veni sancte spiritus (Pentecost antiphon) (I) Nasco Joan
Appears on: 85v
Genres: Antiphon
Source Attribution: Nasco Joan
85v–86 Veni sancte spiritus (Pentecost antiphon) (II) Nasco Jo
Appears on: 85v–86
Genres: Antiphon
Source Attribution: Nasco Jo
General Note

"Cantus firmus" in gregorian notation

86v–87 Non vos reliquam (Pentecost antiphon) Nasco Joan
Appears on: 86v–87
Genres: Antiphon
Source Attribution: Nasco Joan
87v–89 Non vos reliquam (Pentecost, ad Magnificati) Nasco Jo
Appears on: 87v–89
Genres: Hymn
Source Attribution: Nasco Jo
General Note

"Cantus firmus" in gregorian notation

89v–91 Gaudent in caelis - O quam gloriosum - Anonymous
Appears on: 89v–91
Genres: Hymn
General Note

"Cantus firmus" in gregorian notation

91v–93 Angeli (antiphon ad magnificat) - Anonymous
Appears on: 91v–93
Genres: Antiphon
General Note

"Cantus firmus" in gregorian notation

93v–96 Beata quoque agmina - Anonymous
Appears on: 93v–96
Genres: Hymn
General Note

Setting of verse "Beata" & the Gloria Patri, the latter in 5vv with canon in Tenor "In diapente intenso"

96v–99 Magnificat 1 toni: Et exultavit Nasco Joan
Appears on: 96v–99
Genres: BVM, Canticle, Magnificat
Source Attribution: Nasco Joan
99v–103 Magnificat: Et exultavit - Anonymous
Appears on: 99v–103
Genres: BVM, Canticle, Magnificat
103v–111 Magnificat 8 toni: Et exultavit Nasco Joan
Appears on: 103v–111
Genres: BVM, Canticle, Magnificat
Source Attribution: Nasco Joan
111v–?? Post passionem Domini - Anonymous
Appears on: 111v–??
Genres: Antiphon
General Note

"Cantus firmus" in gregorian notation. Ink corrosion damage & pages stuck together

Composer Compositions
Anonymous
Ciera, Ippolito (fl. 1546-1561)
Lupino, Francesco
Nasco, Jan
Olivetus, Nicolaus
Patavino, Francesco (ca. 1487–ca. 1556)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[Aurea luce] Janitor caeli doctor orbis (in festo SS Petri & Pauli) Anonymous 31v–32
Amen 32v
Amen 33
Angeli (antiphon ad magnificat) Anonymous 91v–93
Ascendo ad Patrem - Pater manifestavi 83v–85
Aures ad nostras deidatis 61v–66
Aures ad nostras Deitatis preces Deus 3 Crimina laxa pietate multa 5 Christe lux vera bonitas et vita 7 Tu nobis dona fontem lachrimarum 9 Gloria deo sit eterno patri sit tibi 59v–61
Beata quoque agmina Anonymous 93v–96
Conditor alme siderum Anonymous 48v–50
Conscendit jubilans (I) Anonymous 8v–10
Conscendit jubilans (II) Anonymous 10v–11
Cuius corpus sanctissimo in resurrectione Domini Anonymous 4v–5
Cuius corpus sanctissimum 2v–4
Cuius corpus sanctissimus In festo S. Liberalis conf. Anonymous 7v–8
Deo gratias (in festis maioribus duplicibus) 39v–40
Gaudent in caelis - O quam gloriosum Anonymous 89v–91
Gloria tibi Domine 52v–53
Gressum cepit cum concepit Maria Anonymous 33v–35
Hi sunt quos retinens 41v–42
Hic nempe mundi (I) (in festo martirum) Anonymous 42v–43
Hic nunc quod olim Anonymous 35v–36
Hodie Christus natus est Anonymous 55v–56
Ibant magi 58v–59
Ibant magi (I) Anonymous 56v–57
Ibant magi (II) Anonymous 57v–58
Illum sequuntur protinus (in festo sanctorum martirum Theonisti Thabre et Thabrata) Anonymous 36v–39
Magnificat 1 toni: Et exultavit 96v–99
Magnificat 8 toni: Et exultavit 103v–111
Magnificat: Et exultavit Anonymous 99v–103
Nobis datus 26v–28
Nobis datus Anonymous 28v–29
Non ex virili semine 46v–48
Non vos reliquam (Pentecost antiphon) 86v–87
Non vos reliquam (Pentecost, ad Magnificati) 87v–89
Nuntius celso veniens Olimpo 30v–31
O gloriose baiule (in festo S. Josephi confessoris) 66v–67
Pange lingua - Nobis datus Verbum caro - Genitori / Amen Anonymous 23v–26
Post passionem Domini Anonymous 111v–??
Precamur sancte Domine 67v–69
Quae tu vicit clementia 11v–12
Quae tu vicit clementia 12v–14
Qui condolens Anonymous 50v–51
Qui mane iunctum Anonymous 45v–46
Qui mane luctum 29v–30
Qui paraclitus diceris 18v–21
Qui pius prudens 43v–45
Quo vulneratus 69v–71
Salve regina 79v–83
Sermone blando 5v–6
Sit Trinitati sempiterna (I) Anonymous 32v
Sit Trinitati sempiterna (II) Anonymous 33
Te mane laudum carmine 21v–23
Tu fabricator omnium 1v–2
Tu lumen tu splendor (I) Anonymous 51v–52
Tu lumen tu splendor (II) Anonymous 53v–55
Tu tuo laetos famulos Anonymous 6v–7
Veni creator spiritus mentes tuorum 3 Tu septiformis munere dextre Dei 5 Hostem repellas longius pacemque dones 8 Gloria patri Domino natoque qui a mortuis 14v–18
Veni sancte spiritus (Pentecost antiphon) (I) 85v
Veni sancte spiritus (Pentecost antiphon) (II) 85v–86
Vexilla regis (I) - 3 Quo vulneratus 5 Arbor decora 7 O crux ave 71v–73
Vexilla regis (II) - 3 Quo vulneratus 4 Impleta sunt 5 Arbor decora 6 Beata cuius brachiis 7 O crux ave 8 Te summa 743v–79
Vos saecli iusti Anonymous 40v–41

denotes primary source study

Weidensaul, Jane Bennett. 1978. The Polyphonic Hymns of Adrian Willaert. Rutgers University, Unpublished Ph.D. dissertation. Pages: 75, 86-9. Notes: contents list (partial); concordances (partial).

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 191-3, 319. Notes: contents list (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 169. Notes: contents list (partial); incipits (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 184, 209ff. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description