The main scribe was Martín Pérez. From Toledo Cathedral.
E-Tc Ms. 33
Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain
manuscript of polyphony: 1543
| Archive | Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc) |
|---|---|
| Shelfmark | Ms. 33 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Parchment |
| Numbering System | Foliation |
| Format | portrait |
| Measurements | 700 x 490 mm |
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| Contents | Contains 23 compositions from 8 composers. |
General Description
Physical Description
After fol. cxv at least two folios missing which contained a now lost composition
Binding
Original wood cover, covered with brown leather with imprints and decorative brazen nails.
Notation
black void mensural
Foliation
Original foliation in red ink i-lxvii; lxix-cxv beginning on fol. 2, 1 fol. between li and lii was not numbered and shows a modern pencil folio number 51; four folios between lxvii and lxix were numbered in pencil as 68, 68a, 68b, 68c.
Decoration
Miniatures and decorations by Francisco de Buitrago. At the start coat of arms of Juan Tavera, Archbishop of Toledo, 1534-1545 and Diego López de Ayala, Canon of Toledo.
Index
Index on front endpaper, listing a now lost composition
Surface
parchment
DIAMM Note
Nelson 2001 (& Saunders 2010) identifies the anonymous mass as the Missa Du bon du cuer (Bauldeweyn/Vinders), also in Munich BS 5 & 6. - incorrectly identified in the index as another 'Missa Quam pulchra es'.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
4 Masses, 1 Kyrie-Gloria pair, 1 Gloria, 1 Credo section (incomplete) = 7
Bauldeweyn [noe valdobin]-1, Morales-2, Perixon-1, Torrentes-1, Verdelot-1, anon-1
i + 119 parchment folios, 700 x 490. Original foliation in red ink, i-lxvii; lxix-cxv (one folio between ff. li/lii not numbered by original hand, but bears modern pencil number "51"; four folios between f. lxvii and f. lxix numbered "68," "68a," "68b," "68c" by modern hand). Original covers of brown leather over wooden boards, with brass bosses. Original index on front flyleaf lists pieces in order of appearance, with attributions.
Copied mostly by Martín Pérez, but ff. 68-69 copied by different hand (NooneT); see general index for other manuscripts copied by Pérez. Illuminated miniatures and borders; painted initials and inked initials in various colors. Coat of arms of Juan Tavera, Archbishop of Toledo 1534-45, and of Diego López de Ayala, canon of Toledo Cathedral, on f. 1'. Decoration is work of Francisco de Buitrago (NooneT).
1543 (date in manuscript), with addition (f. 115') from ca. 1545 (NooneT). Copied in Toledo, for use by cathedral choir.
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‡ denotes primary source study
Saunders, Zoe. 2010. Anonymous Masses in the Alamire Manuscripts: Toward a new understanding of a repertoire, an atelier, and a renaissance court. University of Maryland, PhD.
Nelson, Bernadette. 2001. The "Missa Du bon du cuer". An Unknown Mass by Noel Bauldeweyn? Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 51/2: 103-130. Notes: inter alia, addresses the 'Quam pulchra es' mis-labelling in Toledo 33.
Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600. Paris/Turnhout.
Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: 1, 12, 38, 44, 47-8, 50-5, plate IV; II,#2. Notes: physical description; contents list; transcription (partial); facsimile (partial); mention of MS; discussion.
Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 20: 87-107. Notes: contents list (partial).
Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 131. Notes: contents list (partial); concordances (partial).
Lenaerts, René Bernard. 1952. Les Manuscrits Polyphoniques de la Bibliothèque Capitulaire de Tolède. International Musicological Society: Report of the 4th Congress, Utrech 1952, 276-81. Pages: 281. Notes: mention of MS.
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XI, 60, 72, Facs. 12. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).
Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos. Toledo. Pages: 57-9. Notes: physical description (partial); contents list.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description