E-Tc Ms. 33

Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain

manuscript of polyphony: 1543

Archive Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc)
Shelfmark Ms. 33
Image Availability DIAMM does not have images of this source.
Surface Parchment
Numbering System Foliation
Format portrait
Measurements 700 x 490 mm
Other Identifiers
  • CCM: ToleBC 33
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 23 pieces from 8 composers
General Description

The main scribe was Martín Pérez. From Toledo Cathedral.

Cristina Urchueguía, 2010
Physical Description

After fol. cxv at least two folios missing which contained a now lost composition

Cristina Urchueguía, 2010
Binding

Original wood cover, covered with brown leather with imprints and decorative brazen nails.

Cristina Urchueguía, 2010
Notation

black void mensural

Cristina Urchueguía, 2010
Foliation

Original foliation in red ink i-lxvii; lxix-cxv beginning on fol. 2, 1 fol. between li and lii was not numbered and shows a modern pencil folio number 51; four folios between lxvii and lxix were numbered in pencil as 68, 68a, 68b, 68c.

Cristina Urchueguía, 2010
Decoration

Miniatures and decorations by Francisco de Buitrago. At the start coat of arms of Juan Tavera, Archbishop of Toledo, 1534-1545 and Diego López de Ayala, Canon of Toledo.

Cristina Urchueguía, 2010
Index

Index on front endpaper, listing a now lost composition

Cristina Urchueguía, 2010
Surface

parchment

Cristina Urchueguía, 2010
DIAMM Note

Nelson 2001 (& Saunders 2010) identifies the anonymous mass as the Missa Du bon du cuer (Bauldeweyn/Vinders), also in Munich BS 5 & 6. - incorrectly identified in the index as another 'Missa Quam pulchra es'.

David Wyatt, 2018
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 1 Kyrie-Gloria pair, 1 Gloria, 1 Credo section (incomplete) = 7

Bauldeweyn [noe valdobin]-1, Morales-2, Perixon-1, Torrentes-1, Verdelot-1, anon-1

i + 119 parchment folios, 700 x 490. Original foliation in red ink, i-lxvii; lxix-cxv (one folio between ff. li/lii not numbered by original hand, but bears modern pencil number "51"; four folios between f. lxvii and f. lxix numbered "68," "68a," "68b," "68c" by modern hand). Original covers of brown leather over wooden boards, with brass bosses. Original index on front flyleaf lists pieces in order of appearance, with attributions.

Copied mostly by Martín Pérez, but ff. 68-69 copied by different hand (NooneT); see general index for other manuscripts copied by Pérez. Illuminated miniatures and borders; painted initials and inked initials in various colors. Coat of arms of Juan Tavera, Archbishop of Toledo 1534-45, and of Diego López de Ayala, canon of Toledo Cathedral, on f. 1'. Decoration is work of Francisco de Buitrago (NooneT).

1543 (date in manuscript), with addition (f. 115') from ca. 1545 (NooneT). Copied in Toledo, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
i–26 Missa Du bon du cueur: Kyrie -
Appears on: i–26
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Quam pulchra es: Kyrie.
i–26 Missa Du bon du cueur: Gloria: 4 partes Domine: 3 voces -
Appears on: i–26
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Quam pulchra es: Gloria: 4 partes (Domine: 3 voces).
i–26 Missa Du bon du cueur: Credo: 5 partes Crucifixus: 2 voces, Et resurrexit:3 voces -
Appears on: i–26
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Quam pulchra es: Credo: 5 partes (Crucifixus: 2 voces, Et resurrexit: 3 voces).
i–26 Missa Du bon du cueur: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces -
Appears on: i–26
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Quam pulchra es: Sanctus (with: Pleni: 3 voces, Benedictus: 3 voces).
i–26 Missa Du bon du cueur: Agnus Dei -
Appears on: i–26
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Quam pulchra es: Agnus.
26v–50 Missa Philomena prævia: Kyrie. -
Appears on: 26v–50
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa […] sobre filomena [Missa Philomena prævia]: Kyrie.
26v–50 Missa Philomena prævia: Gloria: 3 partes Domine: 3 voces -
Appears on: 26v–50
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Missa […] sobre filomena [Missa Philomena prævia]: Gloria: 3 partes (Domine: 3 voces).
26v–50 Missa Philomena prævia: Credo: 5 partes Crucifixus: 2 voces, Et iterum: 2 voces, Et resurrexit: 3 voces. -
Appears on: 26v–50
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Missa […] sobre filomena [Missa Philomena prævia]: Credo: 5 partes (Crucifixus: 2 voces, Et iterum: 2 voces, Et resurrexit: 3 voces).
50v–69 Missa Quam pulchra es: Kyrie. Christe: 5 voces. -
Appears on: 50v–69
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa [Quam pulchra es]: Kyrie. Christe: 5 voces.
50v–69 Missa Quam pulchra es: Gloria: 3 partes. -
Appears on: 50v–69
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Quam pulchra es]: Gloria: 3 partes.
50v–69 Missa Quam pulchra es: Credo: 5 partes Crucifixus: 3 voces, Et iterum: 3 voces. -
Appears on: 50v–69
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Quam pulchra es]: Credo: 5 partes (Crucifixus: 3 voces, Et iterum: 3 voces).
50v–69 Missa Quam pulchra es: Sanctus mit: Pleni: 3 voces, Benedictus: 3 voces. -
Appears on: 50v–69
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Quam pulchra es]: Sanctus (mit: Pleni: 3 voces, Benedictus: 3 voces).
50v–69 Missa Quam pulchra es: Agnus I. Agnus II. -
Appears on: 50v–69
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Quam pulchra es]: Agnus I. Agnus II.
69v–77v Missa nuestra Señora BMV: Kyrie -
Appears on: 69v–77v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: de nuestra señora [Missa BMV]: Kyrie.
69v–77v Missa nuestra Señora BMV: Et in terra pax [Gloria] [Tro] Spiritus et alme -
Appears on: 69v–77v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: de nuestra señora [Missa BMV]: Gloria: 3 partes (Tropus: Spiritus et alme)
77–81 Missa nuestra Señora Gloria BMV: Gloria: 2 partes [Tro] Spiritus et alme -
Appears on: 77–81
Genres: Mass Ordinary, Troped Gloria
Voice: [no designation]
Languages: Latin
Voice Text: de Nuestra Señora [Gloria BMV]: Gloria: 2 partes (Tropus: Spiritus et alme)
81v–115 Missa Si bona suscepimus: Kyrie -
Appears on: 81v–115
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa […] su[per] si bona suscepim[us]: Kyrie.
81v–115 Missa Si bona suscepimus: Gloria: 2 partes -
Appears on: 81v–115
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa […] su[per] si bona suscepim[us]: Gloria: 2 partes.
81v–115 Missa Si bona suscepimus: Credo: 3 partes Crucifixus: 4 voces -
Appears on: 81v–115
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa […] su[per] si bona suscepim[us]: Credo: 3 partes (Crucifixus: 4 voces).
81v–115 Missa Si bona suscepimus: Sanctus with: Pleni: 4 voces, Osanna, Benedictus: 4 voces -
Appears on: 81v–115
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa […] su[per] si bona suscepim[us]: Sanctus (mit: Pleni: 4 voces, Osanna, Benedictus: 4 voces).
81v–115 Missa Si bona suscepimus: Agnus I. Agnus II: 3 voces. Agnus III -
Appears on: 81v–115
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa […] su[per] si bona suscepim[us]: Agnus I. Agnus II: 3 voces. Agnus III.
115v Et incarnatus II -
Appears on: 115v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et incarnatus [II] (only Cantus and Tenor up to homofactus est).
[117v–117v] Index: Et incarnatus - lost -
Appears on: [117v–117v]
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Index:] Et incarnatus - lost
Composer Compositions
Bauldeweyn, Noel (ca. 1480–1529)
Boluda, Ginés de
Gombert, Nicolas (ca. 1495–ca. 1560)
Morales, Cristóbal de (ca. 1500–1553)
Nuestra, Perixon de
Torrentes, Andres de
Verdelot, Philippe (ca. 1480–ca. 1532)
Vinders, Jheronimus (fl. c1525-1526)
Composition Composers (? Uncertain) Folios / Pages
Et incarnatus II 115v
Index: Et incarnatus - lost [117v–117v]
Missa Du bon du cueur: Agnus Dei i–26
Missa Du bon du cueur: Credo: 5 partes Crucifixus: 2 voces, Et resurrexit:3 voces i–26
Missa Du bon du cueur: Gloria: 4 partes Domine: 3 voces i–26
Missa Du bon du cueur: Kyrie i–26
Missa Du bon du cueur: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces i–26
Missa nuestra Señora BMV: Et in terra pax [Gloria] [Tro] Spiritus et alme 69v–77v
Missa nuestra Señora BMV: Kyrie 69v–77v
Missa nuestra Señora Gloria BMV: Gloria: 2 partes [Tro] Spiritus et alme 77–81
Missa Philomena prævia: Credo: 5 partes Crucifixus: 2 voces, Et iterum: 2 voces, Et resurrexit: 3 voces. 26v–50
Missa Philomena prævia: Gloria: 3 partes Domine: 3 voces 26v–50
Missa Philomena prævia: Kyrie. 26v–50
Missa Quam pulchra es: Agnus I. Agnus II. 50v–69
Missa Quam pulchra es: Credo: 5 partes Crucifixus: 3 voces, Et iterum: 3 voces. 50v–69
Missa Quam pulchra es: Gloria: 3 partes. 50v–69
Missa Quam pulchra es: Kyrie. Christe: 5 voces. 50v–69
Missa Quam pulchra es: Sanctus mit: Pleni: 3 voces, Benedictus: 3 voces. 50v–69
Missa Si bona suscepimus: Agnus I. Agnus II: 3 voces. Agnus III 81v–115
Missa Si bona suscepimus: Credo: 3 partes Crucifixus: 4 voces 81v–115
Missa Si bona suscepimus: Gloria: 2 partes 81v–115
Missa Si bona suscepimus: Kyrie 81v–115
Missa Si bona suscepimus: Sanctus with: Pleni: 4 voces, Osanna, Benedictus: 4 voces 81v–115

denotes primary source study

Saunders, Zoe. 2010. Anonymous Masses in the Alamire Manuscripts: Toward a new understanding of a repertoire, an atelier, and a renaissance court. University of Maryland, PhD.

Nelson, Bernadette. 2001. The "Missa Du bon du cuer". An Unknown Mass by Noel Bauldeweyn? Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 103-130. Notes: inter alia, addresses the 'Quam pulchra es' mis-labelling in Toledo 33.

Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600.  Paris/Turnhout.

Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: 1, 12, 38, 44, 47-8, 50-5, plate IV; II,#2. Notes: physical description; contents list; transcription (partial); facsimile (partial); mention of MS; discussion.

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 87-107. Notes: contents list (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 131. Notes: contents list (partial); concordances (partial).

Lenaerts, René Bernard. 1952. Les Manuscrits Polyphoniques de la Bibliothèque Capitulaire de Tolède. International Musicological Society: Report of the 4th Congress, Utrech 1952, 276-81. Pages: 281. Notes: mention of MS.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XI, 60, 72, Facs. 12. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos.  Toledo. Pages: 57-9. Notes: physical description (partial); contents list.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description