E-Tc Ms. 32

Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain

manuscript of polyphony: 1542

Archive Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc)
Shelfmark Ms. 32
Image Availability DIAMM does not have images of this source.
Surface Parchment
Numbering System Foliation
Measurements 720 x 515 mm
Other Identifiers
  • CCM: ToleBC 32
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents Contains 3 compositions, 2 from 1 composer, 1 is anonymous.
General Description

Copied by Martín Pérez (NooneT). Copied in Toledo, for use by cathedral choir.

Cristina Urchueguía, 2010
Binding

Original covers of brown tooled leather over wooden boards, in poor condition.

Cristina Urchueguía, 2010
Notation

black void mensural

Cristina Urchueguía, 2010
Foliation

Original ink foliation, LXI-CXVIII (ff. I-LX now missing)

Cristina Urchueguía, 2010
Decoration

Painted and inked initials in various colours; decoration is work of Francisco de Buitrago.

Cristina Urchueguía, 2010
Surface

Parchment

Cristina Urchueguía, 2010
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses (1 incomplete)

Carpentras-2, anon-1

58 parchment folios of an original 118 or more, 720 x 515. Original ink foliation, LXI-CXVIII (ff. I-LX now missing). Original covers of brown tooled leather over wooden boards, in poor condition. No index. Copied by Martín Pérez (NooneT); see general index for other manuscripts copied by the same scribe. Painted and inked initials in various colors; decoration is work of Francisco de Buitrago.

1542 (date in manuscript). Copied in Toledo, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
61–78 Credo fragment. Sanctus with: Benedictus: 3 voces. Agnus 4 - Anonymous

Credo fragment. Sanctus with: Benedictus: 3 voces. Agnus

Anonymous
Appears on: 61–78
Genres: Anglican Service Music, Credo (patrem omnipotentem), Mass Ordinary
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Credo (fragment). Sanctus (with: Benedictus: 3 voces). Agnus.
78v–94 Missa iray je jouer: Kyrie: Gloria. Credo. Sanctus with: Pleni: 2 voces, Benedictus: 3 voces. Agnus I. Agnus II: 2 voces. Agnus III: 5 voces. 4 -
Carpentras, Elzear Genet (ca. 1470–1548)

Missa iray je jouer: Kyrie: Gloria. Credo. Sanctus with: Pleni: 2 voces, Benedictus: 3 voces. Agnus I. Agnus II: 2 voces. Agnus III: 5 voces.

Carpentras, Elzear Genet (ca. 1470–1548)
Appears on: 78v–94
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Number of voices: 4
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa In are iray Jover [Missa Encore iray je jouer]: Kyrie. Gloria. Credo. Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces). Agnus I. Agnus II: 2 voces. Agnus III: 5 voces.
94v–118 Missa A l'ombre d'ung buissonet 4 -
Carpentras, Elzear Genet (ca. 1470–1548)

Missa A l'ombre d'ung buissonet

Carpentras, Elzear Genet (ca. 1470–1548)
Appears on: 94v–118
Genres: Mass Ordinary
Number of voices: 4
Voice: [no designation]
Languages: Latin, Greek
Voice Text: A lombre unisso [Missa A l’ombre d’ung buissonet]: Kyrie. Gloria: 3 partes. Credo: 5 partes (Crucifixus: 3 voces). Sanctus (mit: Pleni: 2 voces, Benedictus: 3 voces). Agnus I. Agnus II: 2 voces. Agnus III: 5 voces.
Composer Compositions
Anonymous
Carpentras, Elzear Genet (ca. 1470-1548)
Composition Composers (? Uncertain) Folios / Pages
Credo fragment. Sanctus with: Benedictus: 3 voces. Agnus Anonymous 61–78
Missa A l'ombre d'ung buissonet
Carpentras, Elzear Genet (ca. 1470–1548)
94v–118
Missa iray je jouer: Kyrie: Gloria. Credo. Sanctus with: Pleni: 2 voces, Benedictus: 3 voces. Agnus I. Agnus II: 2 voces. Agnus III: 5 voces.
Carpentras, Elzear Genet (ca. 1470–1548)
78v–94

‡ denotes primary source study

Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600.  Paris/Turnhout.

Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: I, 47-9. Notes: physical description (partial).

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 20: 87-107. Pages: 94. Notes: contents list (partial); concordances (partial).

Lenaerts, René Bernard. 1952. Les Manuscrits Polyphoniques de la Bibliothèque Capitulaire de Tolède. International Musicological Society: Report of the 4th Congress, Utrech 1952, 276-81. Pages: 281. Notes: contents list (partial).

Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos.  Toledo. Pages: 57. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description