E-Tc Ms. 31

Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain

manuscript of polyphony: Late 16th century

Archive Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc)
Shelfmark Ms. 31
Image Availability DIAMM does not have images of this source.
Surface Parchment
Numbering System Foliation
Measurements 740 x 505 mm
Other Identifiers
  • CCM: ToleBC 31
Notations
  • black void mensural
External Links
Provenance
  • Spain
Contents 25 pieces from 1 composers
General Description

Of Spanish origin, probably from Toledo Cathedral.

Cristina Urchueguía, 2010
Physical Description

Two pages cut out at beginning probably contained title/dedicatory pages.

Cristina Urchueguía, 2010
Binding

Original wooden cover, covered with brown leather with uncoloured imprints and decorative brazen nails.

Cristina Urchueguía, 2010
Notation

black void mensural

Cristina Urchueguía, 2010
Foliation

Original ink foliation, i-cxii.

Cristina Urchueguía, 2010
Decoration

Illuminated miniatures and initials (some have been cut out).

Cristina Urchueguía, 2010
Index

Original index on f. 1 lists Masses in order of appearance

Cristina Urchueguía, 2010
Surface

parchment

Cristina Urchueguía, 2010
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses

Morales-5

112 parchment folios, 740 x 505. Two pages cut out at beginning probably contained title/dedicatory pages. Original ink foliation, i-cxii. Original covers of brown tooled leather over wooden boards, with brass bosses. Original index on f. 1 lists Masses in order of appearance. Illuminated miniatures and initials (some have been cut out).

Late 16th century? Of Spanish origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–30 Missa Aspice Domine: Kyrie -
Appears on: 1v–30
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Aspice Domine: Kyrie.
1v–30 Missa Aspice Domine: Gloria (2 partes) -
Appears on: 1v–30
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Aspice Domine: Gloria: 2 partes.
1v–30 Missa Aspice Domine: Credo (4 partes) -
Appears on: 1v–30
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Aspice Domine: Credo: 4 partes.
1v–30 Missa Aspice Domine: Sanctus with: Osanna, Benedictus: 3 voces. -
Appears on: 1v–30
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Aspice Domine: Sanctus (with: Osanna, Benedictus: 3 voces).
1v–30 Missa Aspice Domine: Agnus I. Agnus II: 5 voces -
Appears on: 1v–30
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Aspice Domine: Agnus I. Agnus II: 5 voces.
30v–49 Missa Tu es vas electionis: Kyrie -
Appears on: 30v–49
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Tu es vas electionis: Kyrie.
30v–49 Missa Tu es vas electionis: Gloria: 2 partes -
Appears on: 30v–49
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Tu es vas electionis: Gloria: 2 partes.
30v–49 Missa Tu es vas electionis: Credo: 3 partes Crucifixus: 3 voces -
Appears on: 30v–49
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Tu es vas electionis: Credo: 3 partes (Crucifixus: 3 voces).
30v–49 Missa Tu es vas electionis: Sanctus mit: Pleni: 3 voces, Osanna I, Benedictus, Osanna II -
Appears on: 30v–49
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Tu es vas electionis: Sanctus (mit: Pleni: 3 voces, Osanna I, Benedictus, Osanna II).
30v–49 Missa Tu es vas electionis: Agnus I. Agnus II: 5 voces -
Appears on: 30v–49
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Tu es vas electionis: Agnus I. Agnus II: 5 voces.
49v–69 Missa Benedicta es caelorum regina: Kyrie -
Appears on: 49v–69
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Benedicta coelorum regina: Kyrie.
49v–69 Missa Benedicta es caelorum regina: Gloria -
Appears on: 49v–69
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Benedicta coelorum regina: Gloria: 2 partes.
49v–69 Missa Benedicta es caelorum regina: Credo -
Appears on: 49v–69
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Benedicta coelorum regina: Credo: 3 partes (Et ascendit: 3 voces).
49v–69 Missa Benedicta es caelorum regina: Sanctus -
Appears on: 49v–69
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Benedicta coelorum regina: Sanctus (mit: Osanna, Benedictus).
49v–69 Missa Benedicta es caelorum regina: Agnus -
Appears on: 49v–69
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Benedicta coelorum regina: Agnus I. Agnus II: 6 voces.
69–92 Missa Gaude Barbara: Kyrie. -
Appears on: 69–92
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Gaude Barbara: Kyrie.
69–92 Missa Gaude Barbara: Gloria: 2 partes. -
Appears on: 69–92
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Gaude Barbara: Gloria: 2 partes.
69–92 Missa Gaude Barbara: Credo: 3 partes. -
Appears on: 69–92
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Gaude Barbara: Credo: 3 partes.
69–92 Missa Gaude Barbara: Sanctus with: Pleni, Osanna I, Benedictus: 3 voces, Osanna II5v. -
Appears on: 69–92
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Gaude Barbara: Sanctus (with: Pleni, Osanna I, Benedictus: 3 voces, Osanna II5v).
69–92 Missa Gaude Barbara: Agnus I. Agnus II: 5 voces. -
Appears on: 69–92
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Gaude Barbara: Agnus I. Agnus II: 5 voces.
92v–112 Missa L’homme armé quarti toni (5vv): Kyrie. -
Appears on: 92v–112
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa L’homme armé quarti toni: Kyrie.
92v–112 Missa L’homme armé quarti toni (5vv): Gloria: 2 partes. -
Appears on: 92v–112
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa L’homme armé quarti toni: Gloria: 2 partes.
92v–112 Missa L’homme armé quarti toni (5vv): Credo: 3 partes Et resurrexit: 3 voces. -
Appears on: 92v–112
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa L’homme armé quarti toni: Credo: 3 partes (Et resurrexit: 3 voces).
92v–112 Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus. -
Appears on: 92v–112
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa L’homme armé quarti toni: Sanctus (with: Benedictus).
92v–112 Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II. -
Appears on: 92v–112
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa L’homme armé quarti toni: Agnus I. Agnus II.
Composer Compositions
Morales, Cristóbal de (ca. 1500–1553)
Composition Composers (? Uncertain) Folios / Pages
Missa Aspice Domine: Agnus I. Agnus II: 5 voces 1v–30
Missa Aspice Domine: Credo (4 partes) 1v–30
Missa Aspice Domine: Gloria (2 partes) 1v–30
Missa Aspice Domine: Kyrie 1v–30
Missa Aspice Domine: Sanctus with: Osanna, Benedictus: 3 voces. 1v–30
Missa Benedicta es caelorum regina: Agnus 49v–69
Missa Benedicta es caelorum regina: Credo 49v–69
Missa Benedicta es caelorum regina: Gloria 49v–69
Missa Benedicta es caelorum regina: Kyrie 49v–69
Missa Benedicta es caelorum regina: Sanctus 49v–69
Missa Gaude Barbara: Agnus I. Agnus II: 5 voces. 69–92
Missa Gaude Barbara: Credo: 3 partes. 69–92
Missa Gaude Barbara: Gloria: 2 partes. 69–92
Missa Gaude Barbara: Kyrie. 69–92
Missa Gaude Barbara: Sanctus with: Pleni, Osanna I, Benedictus: 3 voces, Osanna II5v. 69–92
Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II. 92v–112
Missa L’homme armé quarti toni (5vv): Credo: 3 partes Et resurrexit: 3 voces. 92v–112
Missa L’homme armé quarti toni (5vv): Gloria: 2 partes. 92v–112
Missa L’homme armé quarti toni (5vv): Kyrie. 92v–112
Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus. 92v–112
Missa Tu es vas electionis: Agnus I. Agnus II: 5 voces 30v–49
Missa Tu es vas electionis: Credo: 3 partes Crucifixus: 3 voces 30v–49
Missa Tu es vas electionis: Gloria: 2 partes 30v–49
Missa Tu es vas electionis: Kyrie 30v–49
Missa Tu es vas electionis: Sanctus mit: Pleni: 3 voces, Osanna I, Benedictus, Osanna II 30v–49

denotes primary source study

Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600.  Paris/Turnhout.

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 87-107. Pages: 100-1. Notes: contents list.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XI, 60, 64, 69; XV, 32; XXI, 9-10. Notes: physical description (partial); contents list; concordances.

Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos.  Toledo. Pages: 56-7. Notes: physical description (partial); contents list.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description